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Reclaiming Female Agency by Norma Broude,Mary D. Garrard Pdf
'Reclaiming Feminine Agency' identifies female agency as a central theme of recent feminist scholarship & offers 23 essays on artists & issues from the Renaissance to the present, written in the 1990s & after.
A sequel to the pioneering volume, Feminism and Art History: Questioning the Litany, published in 1982, The Expanding Discourse contains 29 essays on artists and issues from the Renaissance to the present, representing some of the best feminist art-historical writing of the past decade. Chronologically arranged, the essays demonstrate the abundance, diversity, and main conceptual trends in recent feminist scholarship.
Transnational Belonging and Female Agency in the Arts by Basia Sliwinska,Catherine Dormor Pdf
Transnational Belonging and Female Agency in the Arts interrogates the politics of space expressed via womxn's artistic practices, which prioritise solidarity and collaboration across borders, imagining attentive geographies of difference. It considers belonging as a manifestation of processes of becoming that traverse borders and generate new spaces and forms of difference. In doing so, the book aims to catalyse mutual social relations founded upon responsibility and response-ability to each other. The transnational framework activates concerns around belonging at a time of intensified divisions, partitioning global narratives, unequal trajectories and increasing violence against bodies of the most vulnerable, largely founded on Eurocentric paradigms of political, economic and cultural superiority. The contributors engage in a conversation signalling transversal thinking and artmaking in order to articulate and activate 'in-between' spaces. This is to welcome co-affective models of belonging that question versatile embodiments of subjectivity as both agentic and as interrelational. Organised around the triangulation of modes of belonging: spatial, affective and collective, overarched by a transnational lens that acknowledges non-hierarchical, local and socially relevant genealogies against universalising politics of globalisation, these essays consider afresh ways in which female agency disrupts borders and activates concerns around different forms of belonging, citizenship and transnationalisms. Cover Image credit: Keren Anavy, Garden of Living Images (2018), general installation view (detail). Courtesy of the artist and Wave Hill. Photographer: Stefan Hagen
Women, Agency and the Law, 1300–1700 by Bronach Kane Pdf
Based on close readings of both public and private documents – court records, churchwarden accounts, depositions, diaries, letters and pamphlets – this collection of essays presents the largely untold story of non-elite women and their dealings with the law.
Heroines, Harpies, and Housewives by Martha Moffitt Peacock Pdf
A novel and female empowering interpretive approach to these artistic archetypes in her analysis of Imaging Women of Consequence in the Dutch Golden Age.
A long-needed corrective and alternative view of Western art history, these seventeen essays by respected scholars are arranged chronologically and cover every major period from the ancient Egyptian to the present. While several of the essays deal with major women artists, the book is essentially about Western art history and the extent to which it has been distorted, in every period, by sexual bias. With 306 illustrations.
Philosophising Experiences and Vision of the Female Body, Mind, and Soul: Historical Context and Contemporary Theory by Musingafi, Maxwell Constantine Chando,Mafumbate, Racheal,Khumalo, Thandi Fredah Pdf
Much of our understanding of the world, our societies, and ourselves rests on theories and knowledge generated predominantly by men of certain nationalities and economic classes. This male-dominated and culturally specific theorizing and knowledge have generally resulted in the exclusion of women and other groups from the process of formal theorizing and knowledge building. Feminism argues that the male-dominated knowledge represents a skewed perception of reality and is only partial knowledge. Feminism is a generalized, wide-ranging system of ideas about social life and human experience developed from a woman-centered perspective. It treats women as the central subjects in the investigative process and seeks to see the world from the distinctive vantage points of women in the social world. The best way to empower women and better the situation for women is to take women’s daily experiences and their informal theorizing into account and, on this basis, adopt feminist approaches to building theory and knowledge. Philosophising Experiences and Vision of the Female Body, Mind, and Soul: Historical Context and Contemporary Theory provides an overview and introduction to the study of feminist theory and practice in the social sciences. This book provides a starting point for further and more advanced study of the nexus of feminism, gender, and development and translates feminist theory and concepts into practice. The chapters investigate, in a historical context, mainstream and contemporary theories of feminism and gender studies. This book is ideal for post-graduate students of social science; researchers of development management, business management, public governance, and gender and development; activists; feminists; and practitioners, stakeholders, researchers, academicians, and students interested in feminist theory and knowledge building.
"Women's Contributions to Visual Culture, 1918?939 " by KarenE. Brown Pdf
An exploration of women?s contributions to visual culture in major urban centres between the wars (1918-1939), this collection sheds new light on women?s relationships with the processes of modernism and modernization. Women?s work in a variety of mediums is explored, including design, print, illustration, murals, poster art, and costume design, as well as more conventional forms of painting and sculpture. International in scope, the volume discusses artists and exhibitions from the United Kingdom, Greece, Mexico, France, Ireland and the United States. The contributors place a strong emphasis on archival research yet each addresses contemporary concerns in feminist art history. By focusing on a very specific time period, the essays place a central concern on the history and theory of art and gender and are united by their coherent focus on women?s role in the agency and mediation of artistic production in the interwar period.
Women and Portraits in Early Modern Europe by Andrea Pearson Pdf
As one of the first books to treat portraits of early modern women as a discrete subject, this volume considers the possibilities and limits of agency and identity for women in history and, with particular attention to gender, as categories of analysis for women's images. Its nine original essays on Italy, the Low Countries, Germany, France, and England deepen the usefulness of these analytical tools for portraiture. Among the book's broad contributions: it dispels false assumptions about agency's possibilities and limits, showing how agency can be located outside of conventional understanding, and, conversely, how it can be stretched too far. It demonstrates that agency is compatible with relational gender analysis, especially when alternative agencies such as spectatorship are taken into account. It also makes evident the importance of aesthetics for the study of identity and agency. The individual essays reveal, among other things, how portraits broadened the traditional parameters of portraiture, explored transvestism and same-sex eroticism, appropriated aspects of male portraiture to claim those values for their sitters, and, as sites for gender negotiation, resistance, and debate, invoked considerable relational anxiety. Richly layered in method, the book offers an array of provocative insights into its subject.
Female Agency in the Ancient Mediterranean World by Greg Gilles,Karolina Frank,Christine Plastow,Lewis Webb Pdf
Ebook available to libraries exclusively as part of the JSTOR Path to Open initiative. Female agency in the ancient world has long been implicitly, and on a few occasions explicitly, examined in classical scholarship, but few of these studies begin with a unified theoretical framework or set of approaches (with some notable exceptions). Female Agency in the Ancient Mediterranean World departs from these important studies by beginning with a definition of the aforementioned concept of 'female agency' that acknowledges that all social agents, female and otherwise, were and are relational and multidimensional beings, and that agency was and is relational. This volume's conceptual points of departure allow contributors to consider women as social agents in ancient cultures and as relationally embedded and integrated in various cultural systems, even under conditions of oppression, by providing contextualised examples of women acting on their varying degrees of agency. Contributions are organised broadly chronologically in order to trace the breadth and shifting patterns of female agency throughout the ancient Mediterranean world from the 7th century BCE to the 6th century CE. Case studies include Katherine McDonald on the dynamics of female agency in pre-Roman through a close examination of the epigraphic record; Karolina Frank on women's oracular inquiries at Dodona and Brenda Longfellow on how Pompeian women, through their funerary inscriptions, can show, from different angles, the needs, desires, and agency of women from a range of social circumstances.
Feminism Reframed: Reflections on Art and Difference addresses the on-going dialogue between feminism, art history and visual culture from contemporary scholarly perspectives. Over the past thirty years, the critical interventions of feminist art historians in the academy, the press and the art world have not only politicised and transformed the themes, methods and conceptual tools of art history, but have also contributed to the emergence of new interdisciplinary areas of investigation, including notably that of visual culture. Although the impact of such fruitful transformations is indisputable, their exact contribution to contemporary scholarship remains a matter for debate, not least because feminism itself has changed significantly since the Women’s Liberation Movement. Feminism Reframed reviews and revises existing feminist art histories but also reasserts the need for continuous feminist interventions in the academy, the art world and beyond. With contributions by Anthea Behm, Alisia Grace Chase, Jennifer G. Germann, Catherine Grant, Joanne Heath, Ruth Hemus, Alexandra Kokoli, Beth Anne Lauritis, Griselda Pollock, Karen Roulstone, Anne Swartz and Sue Tate. “Coming at the moment when contemporary art practices are themselves involved in re-cycling, re-evaluating and re-enacting the past, this collection asks how feminism’s own ‘troubled’ histories can be reframed productively in the present. The questions that feminism raised in the 1970s and 80s are still pertinent, and are addressed in a number of original essays: What does gender equality mean in the arts? How can women’s subjectivities be articulated or performed differently in art practices? Can attention to gender enable us to engage with complex differences of race, sexuality and class, of age and generation? Do we need new interpretative and conceptual models for writing about art? Alexandra Kokoli’s thoughtful and illuminating introduction reminds us that reframing is a risky but exciting business if it makes us ask these questions anew, with attention to the politics and aesthetics of the present.” —Rosemary Betterton, Lancaster University
Marxist Criticism of the Hebrew Bible: Second Edition by Roland Boer Pdf
The only large-scale critical introduction to Western Marxism for biblical criticism. Roland Boer introduces the core concepts of major figures in the tradition, specifically Althusser, Gramsci, Deleuze and Guattari, Eagleton, Lefebvre, Lukács, Adorno, Bloch, Negri, Jameson, and Jameson. Throughout, Boer shows how Marxist criticism is relevant to biblical criticism, in terms of approaches to the Bible and in the use of those approaches in the interpretation of specific texts. In this second edition, Boer has added chapters on Deleuze and Guattari, and Negri. Each chapter has been carefully revised to make the book more useful on courses, while maintaining challenges and insights for postgraduate students and scholars. Theoretical material has been updated and sharpened in light of subsequent research and a revised conclusion considers the economies of the ancient world in relation to biblical societies.
In this major book, Griselda Pollock engages boldly in the culture wars over `what is the canon?` and `what difference can feminism make?` Do we simply reject the all-male line-up and satisfy our need for ideal egos with an all women litany of artistic heroines? Or is the question a chance to resist the phallocentric binary and allow the ambiguities and complexities of desire - subjectivity and sexuality - to shape the readings of art that constantly displace the present gender demarcations?
Nell Walden, Der Sturm, and the Collaborative Cultures of Modern Art by Jessica Sjöholm Skrubbe Pdf
Based on hitherto overlooked archival material, this book reveals Nell Walden’s significant impact on the Sturm organisation through a feminist reading of supportive labour that highlights the centrality of collaborative work within the modern art world. This book introduces Walden as an ardent collector of modern and indigenous art and critically contextualises her own art production in relation to expressionist concepts of art and to gendered ideas on abstraction and decoration. Visual analyses highlight how she collaborated with professional and experimental women photographers during the Weimar era and how the circulation of these photographs served as a means to intervene in the public sphere of culture in interwar Germany. Finally, the book provides an analysis of Walden’s continuing work for Der Sturm after her voluntary exile from Germany to Switzerland in 1933 and highlights the importance of women’s supportive labour for the canonisation and institutionalisation of modern art in museums and archives. The book will be of interest to scholars working in art history, visual studies, and gender studies.
Women, Portraiture and the Crisis of Identity in Victorian England by Colleen Denney Pdf
Exploring the concept of portrait as memoir, Women, Portraiture and the Crisis of Identity in Victorian England: My Lady Scandalous Reconsidered examines the images and lives of four prominent Victorian women who steered their way through scandal to forge unique identities. The volume shows the effect of celebrity, and even notoriety, on the lives of Mary Elizabeth Braddon, Lady Dilke, Millicent Garrett Fawcett, and Sarah Grand. For these women, their portraits were more than speaking likenesses-whether painted or photographic, they became crucial tools the women used to negotiate their controversial identities. Women, Portraiture and the Crisis of Identity in Victorian England shows that the fascinating power of celebrity - and specifically its effects on women - was as much of a phenomenon in Victorian times as it is today. Colleen Denney explores how these women used their portraits as tools of persuasion, performing a domestic masquerade to secure privacy and acceptance, or sites of resistance, tearing down male constructions of female propriety and fighting Victorian stereotypes of intellectual women. Questioning the classic Victorian notions of "separate spheres," this volume celebrates women's search for self within the constraints of the nineteenth century, as well as within the world of present-day academia.