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Author : Louisa Buck,Philip Dodd
Publisher : Unknown
Page : 176 pages
File Size : 40,7 Mb
Release : 1991-01
Category : Art
ISBN : 0563361182
Addresses such questions as: Why do we value art? Does the extraordinary price paid for certain paintings bear any relation to their artistic value? Why do we care so much about originality in art?
Author : Louisa Buck,Philip Dodd
Publisher : Bbc Publications
Page : 176 pages
File Size : 53,7 Mb
Release : 1991
Category : Art
ISBN : 0563207493
in what circumstances art is valued. Complementing a major six-part BBC TV series, this illustrated guide also examines ideas about artists, the art market, art collectors, and more, from around the world during various time periods. Photos.
Author : Dave Beech
Publisher : BRILL
Page : 402 pages
File Size : 48,9 Mb
Release : 2015-05-12
Category : Philosophy
ISBN : 9789004288157
Art and Value is the first comprehensive analysis of art's economics. Key debates in classical, neoclassical and Marxist theories of art are subjected to an exacting critique. The book concludes with a new Marxist theory of art's economic exceptionalism.
Author : Frederick Guest TOMLINS
Publisher : Unknown
Page : 16 pages
File Size : 45,7 Mb
Release : 1841
Category : Electronic
ISBN : BL:A0023826366
Author : Iain Robertson
Publisher : Routledge
Page : 302 pages
File Size : 45,9 Mb
Release : 2005-10-26
Category : Art
ISBN : 9781134300471
This groundbreaking text brings together experts in the field of visual art markets to answer some fundamental questions: Is art a good investment? Why is the art market dominated by America and Western Europe? Where are the key emerging markets and what are the next good buys in art? Providing readers with an understanding of the challenges facing art market 'makers' (dealers, auctioneers, collectors and artists) and the decision-making process experienced by market 'players' and investors, this exciting text merges the key theories with examples of practice in a highly accessible style. Written by an international array of experts from the US, the UK and China, this book is essential reading for all those studying or interested in art markets and management.
Author : Freda Matassa
Publisher : Facet Publishing
Page : 240 pages
File Size : 44,8 Mb
Release : 2017-07-10
Category : Art
ISBN : 9781783301874
This book addresses the issue of valuing objects in cultural collections, ranging from high-value to low or no-value and featuring a range of collections including fine art, archives, science and photography. Practical advice is given on how to assign values and best practice examples are drawn from museums, libraries and archives. The subject of valuation has always been challenging for museums and public collections and is becoming more urgent as monetary values of many items continue to break records. There is an increase in lending, with more loans requiring a value for insurance. Cultural collections and exhibitions are expanding to all corners of the world, while, at the same time, lenders are becoming more risk-averse. Valuing Your Collection will address the issues and offer some solutions. Content covered includes: questions of valuing public and private cultural collectionsassigning values to individual objects or an entire collectionlegal and ethical considerationsdiscussion of authentication and attributionthe insurance business and valuationguides to valuing different types of collectionsa range of case studies showing valuation across multiple sectorssample templates with criteria for valuing different objects. This book will be useful for curators of cultural collections, professionals in museums, libraries and archives, cultural heritage students, private collectors, those involved with art insurance, art business and anyone requiring practical guidance on valuation.
Author : Michael Datcher
Publisher : State University of New York Press
Page : 182 pages
File Size : 55,9 Mb
Release : 2019-04-01
Category : Social Science
ISBN : 9781438473413
Offers a new framework for reading American literatures that critically links African American and Latinx traditions and struggles for liberation. Animating Black and Brown Liberation introduces a vital new tool for reading American literatures. Rooted in both ancient Egyptian ideas about life and cutting-edge theories of animacy, or levels of aliveness, this tool—ankhing—enables Michael Datcher to examine the ways African American and Latinx literatures respond to and ultimately work to resist hegemonic forces of neoliberalism and state-sponsored oppression. Weaving together close readings and politically informed philosophical reflection, Datcher considers the work of writer-activists Toni Cade Bambara, Cherríe Moraga, Gloria Anzaldúa, June Jordan, Salvador Plascencia, and Ishmael Reed, in light of theoretical interventions by Jane Bennett, Mel Y. Chen, Bruno Latour, Michel Foucault, Paulo Freire, and Erica R. Edwards. How, he asks, can cultural production positively influence Black and Brown material conditions and mobilize collective action “off the page”? How can art-based counterpublics provide a foundation for Black and Brown community organizing? What emerges from Datcher’s innovative analysis is a frank assessment of the links between embodied experiences of racialization, as well as a distinctive vision of twentieth- and twenty-first-century American literature as a repository of emancipatory strategies with real-world applications. Michael Datcher is Assistant Professor of English at Loyola Marymount University. He is the author of several books, including Raising Fences.
Author : United States. Dept. of the Treasury
Publisher : Unknown
Page : 1414 pages
File Size : 54,7 Mb
Release : 1937
Category : Customs administration
ISBN : PSU:000060153661
1890-1926 include also Decisions of the Board of U.S. general appraisers no. 1-9135.
Author : United States. Dept. of the Treasury
Publisher : Unknown
Page : 1414 pages
File Size : 47,9 Mb
Release : 1936
Category : Electronic
ISBN : UOM:39015076047607
Author : United States. Department of the Treasury
Publisher : Unknown
Page : 1414 pages
File Size : 43,5 Mb
Release : 1936
Category : Finance, Public
ISBN : OSU:32435059825349
Author : John A. Walker,Sarah Chaplin
Publisher : Manchester University Press
Page : 246 pages
File Size : 53,7 Mb
Release : 1997-12-15
Category : Architecture
ISBN : 0719050200
This book is about the expanding realm of visual culture: in architecture, art, design, advertising, photography, film, television, video, theatre performance, computer imagery and virtual reality. It is also about Visual Culture Studies, a relatively new academic discipline, or rather range of disciplines, that scholars employ to analyse visual artefacts. Unlike many other texts on the same subject, it foregrounds the ‘visual’ and is systematic and accessible. Visual culture provides an overview of the subject that pays heed to the achievements of both traditional and new theory whilst directing the reader to a large body of literature via references and an extensive bibliography. Walker and Chaplin discuss the concepts of ‘the visual’ and of ‘culture’ as well as the field and origins of Visual Culture Studies; coping with theory; models of production and consumption; institutions; pleasure; the canon and concepts of value; visual literacy and poetics; modes of analysis; culture and commerce; and new technologies. This book is designed for those studying the history and theory of fine arts, design and the mass media.
Author : Thomas Curtis (of Grove house sch, Islington)
Publisher : Unknown
Page : 802 pages
File Size : 54,7 Mb
Release : 2024-06-26
Category : Electronic
ISBN : OXFORD:600049919
Author : Thomas Curtis
Publisher : Unknown
Page : 834 pages
File Size : 51,7 Mb
Release : 1829
Category : Aeronautics
ISBN : UOM:39015068368623
Author : Anna Tummers,Koenraad Jonckheere
Publisher : Amsterdam University Press
Page : 192 pages
File Size : 53,5 Mb
Release : 2008
Category : Art
ISBN : 9789089640321
The question of whether seventeenth-century painters such as Rembrandt and Rubens were exclusively responsible for the paintings later sold under their names has caused many a heated debate. Despite the rise of scholarship on the history of the art market, much is still unknown about the ways in which paintings were produced, assessed, priced, and marketed during this period, which leads to several provocative questions: did contemporary connoisseurs expect masters such as Rembrandt to paint works entirely by their own hand? Who was credited with the ability to assess paintings as genuine? The contributors to this engaging collection—Eric Jan Sluijter, Hans Van Miegroet, and Neil De Marchi, among them—trace these issues through the booming art market of the seventeenth and eighteenth centuries, arriving at fascinating and occasionally unexpected conclusions.
Author : James McCullough
Publisher : Wipf and Stock Publishers
Page : 126 pages
File Size : 41,7 Mb
Release : 2015-06-02
Category : Religion
ISBN : 9781498270656
There is growing interest in the relationship between the arts and Christian faith. Much has been written about the arts and theology and the place of the arts in church life. Not as much has been written, however, about how the arts might actually advance spiritual formation in terms of the cumulative effect of religious experience and intentional practices. This book provides a modest step forward in that conversation, a conversation between theological aesthetics and practical theology. Understanding aesthetics as "the realm of sense perception" and spiritual formation as "growing capacities to participate in God's purposes," James McCullough suggests how these dynamics can mutually enhance each other, with the arts as an effective catalyst for this relationship. McCullough proposes an analysis of artistic communication and explores exciting examples from music, poetry, and painting, which render theoretical proposals in concrete terms. This book will engage both those new to the arts and those already deeply familiar with them.
