Remembering Rediffusion In Malta Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Remembering Rediffusion In Malta book. This book definitely worth reading, it is an incredibly well-written.
The history of broadcasting in Malta through the relics of Rediffusion memories. Rediffusion started operating in Malta in 1935 and came to end in 1975.
Wind bands are common around the world, and the small Mediterranean island of Malta is no exception. Their abundance in Malta testifies to the popularity of the wind band tradition among the locals. It is central to everyday life, particularly during the village feast, which is synonymous with Maltese bands. These ensembles are not made up merely of performers and musical instruments but encapsulate a rich and intricate tradition embedded in the local community. This book describes the history and development of Maltese wind bands, social and political values, the Maltese march, entertainment, and the recording industry. Chapters demonstrate how local communality, partisan political division and rivalry, foreign influences, continuation of past practices as well as the introduction of new ones, and other interests have coalesced to shape the contemporary Maltese wind band tradition.
Studies in Maltese Popular Music by Philip Ciantar Pdf
This book examines the diverse facets of popular music in Malta, paying special attention to għana (Malta’s folk song), the wind band tradition, and modern popular music. Ciantar provides intriguing discussions and examples of how popular music on this small Mediterranean island country interacts with other aspects of the island’s life and culture such as language, religion, history, customs, and politics. Through a series of ethnographic vignettes, the book explores the music as it takes place in bars, at festivals, and during village celebrations, and considers how it is talked about in the local press, at group gatherings, and on social media. The ethnography adopted here is that of a native musician and ethnomusicologist and therefore marries the author’s memories with ongoing observations and their evaluation.
Performance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been devoted to the nature of live performance in the digital age; Documenting Performance is the first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance. Through its four-part structure, the volume introduces readers to important writings by international practitioners and scholars on: * the contemporary context for documenting performance * processes of documenting performance * documenting bodies in motion * documenting to create In each, chapters examine the ways performance is documented and the issues arising out of the process of documenting performance. While theorists have argued that performance becomes something else whenever it is documented, the writings reveal how the documents themselves cannot be regarded simply as incomplete remains from live events. The methods for preserving and managing them over time, ensuring easy access of such materials in systematic archives and collections, requires professional attention in its own right. Through the process of documenting performance, artists acquire a different perspective on their own work, audiences can recall specific images and sounds for works they have witnessed in person, and others who did not see the original work can trace the memories of particular events, or use them to gain an understanding of something that would otherwise remain unknown to them and their peers.
Spitfire Girl by Diana Mackintosh and Douglas Thompson Pdf
An extraordinary life in the shadows of war and a Century in the making. Diana Mackintosh came of age to the drone of sirens alerting the people of Malta to the arrival of relentless flights of belligerent German and Italian menace – the bombers she first imagined as a swarm of black flies, pests that stung and cursed her Mediterranean homeland. The three-year onslaught never took a day off; it was endless, but supplies were not. The hope of a shipment of high protein became an ongoing dream. The only time Diana wasn’t hungry was when she slept. Her story of that time, and in 2020 she is one of the very few remaining who experienced it first-hand, makes it clear why Malta was collectively awarded the George Cross, the highest British civilian honour for heroism. Of course, as she argues, no one was trying to be heroic, but somehow they helped reverse the fortunes of the Second World War in the Mediterranean and North Africa. Now at the age of 101, Diana is also celebrated for her children’s achievements — she helped her eldest son, Sir Cameron Mackintosh, and worked as his unpaid secretary — and for a life in the wings of British cinema, Hollywood and theatreland. Spitfire Girl recounts Diana’s extraordinary life, more than a century in the making.
This book shows how Carnival under British colonial rule became a locus of resistance as well as an exercise and affirmation of power. Carnival is both a space of theatricality and a site of politics, where the playful, participatory aspects are appropriated by countervailing forces seeking to influence, control, channel or redirect power. Focusing specifically on the Maltese islands, a tiny European archipelago situated at the heart of the Mediterranean, this work links the contrast between play and power to other Carnival realities across the world. It examines the question of power and identity in relation to different social classes and environments of Carnival play, from streets to ballrooms. It looks at satire and censorship, unbridled gaiety and controlled celebration. It describes the ways Carnival was appropriated as a power channel both by the British and their Maltese subjects, and ultimately how it was manipulated in the struggle for Malta’s independence.
Through dangerous seas to life on besieged Malta, from war-torn Sicily to a love affair in post-war France, FRAYED LIFELINES grippingly relives pivotal WWII events and heartwarming episodes.
This book tackles issues of globalization in the English Premier League and unpicks what this means to fan groups around the world, drawing upon a range of sociological theories to tell the story of the local and global repertoires of action emanating from the popular protests at Liverpool and Manchester United football clubs.