Rethinking Genre In Contemporary Global Cinema

Author : Silvia Dibeltulo,Ciara Barrett
Publisher : Springer
Page : 242 pages
File Size : 42,9 Mb
Release : 2018-08-02
Category : Performing Arts
ISBN : 9783319901343

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Rethinking Genre in Contemporary Global Cinema by Silvia Dibeltulo,Ciara Barrett Pdf

Rethinking Genre in Contemporary Global Cinema offers a unique, wide-ranging exploration of the intersection between traditional modes of film production and new, transitional/transnational approaches to film genre and related discourses in a contemporary, global context. This volume’s content—the films, genres, and movements explored, as well as methodologies used in their analysis—is diverse and, crucially, up-to-date with contemporary film-making practice and theory. Significantly, the collection extends existing scholarly discourse on film genre beyond its historical bias towards a predominant focus on Hollywood cinema, on the one hand, and a tendency to treat “other” national cinemas in isolation and/or as distinct systems of production, on the other. In view of the ever-increasing globalisation and transnational mediation of film texts and screen media and culture worldwide, the book recognises the need for film genre studies and film genre criticism to cast a broader, indeed global, scope. The collection thus rethinks genre cinema as a transitional, cross-cultural, and increasingly transnational, global paradigm of film-making in diverse contexts.

Author : Wimal Dissanayake,Anthony Guneratne
Publisher : Routledge
Page : 253 pages
File Size : 46,5 Mb
Release : 2004-06-02
Category : History
ISBN : 9781134613243

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Rethinking Third Cinema by Wimal Dissanayake,Anthony Guneratne Pdf

With case studies of the cinemas of India, Iran and Hong Kong, and with contributors addressing the most challenging questions it poses, this important anthology addresses established notions about Third Cinema theory, and the cinema practice of developing and postcolonial nations

Author : Matthew Freeman,Anthony N. Smith
Publisher : Springer Nature
Page : 177 pages
File Size : 50,8 Mb
Release : 2023-02-05
Category : Social Science
ISBN : 9783031155833

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Transmedia/Genre by Matthew Freeman,Anthony N. Smith Pdf

This book brings genre back to the forefront of the current transmedia trend. Genres are perhaps the most innately transmedial of media constructs, formed as they are from all kinds of industrial, technological and discursive phenomena. Yet, few have considered how genre works in a multiplatform context. This book does precisely that, making a uniquely transmedial contribution to the study of genre in the age of media convergence. The book interrogates how industrial, technological and participatory transformations of digital platforms and emerging technologies reshape workings of genre. The authors consider franchises such as Star Wars, streaming platforms such as Netflix, catch-up services such as ITV Hub, creative technologies such as virtual reality, and beyond. In setting the stage for the revival of genre theory in contemporary transmedia scholarship, this book pushes forward understandings of multiplatform media and the emerging form and function of genre across contemporary culture.

Author : Daniela Treveri Gennari,Danielle Hipkins,Catherine O'Rawe
Publisher : Springer
Page : 368 pages
File Size : 43,5 Mb
Release : 2018-10-19
Category : Performing Arts
ISBN : 9783319663449

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Rural Cinema Exhibition and Audiences in a Global Context by Daniela Treveri Gennari,Danielle Hipkins,Catherine O'Rawe Pdf

Although it has only been in the last decade that the planet’s population balance tipped from a predominantly rural makeup towards an urban one, the field of cinema history has demonstrated a disproportionate skew toward the urban. Within audience studies, however, an increasing number of scholars are turning their attention away from the bright lights of the urban, and towards the less well-lit and infinitely more variegated history of rural cinema-going. Rural Cinema Exhibition and Audiences in A Global Context is the first volume to consider rural cinema-going from a global perspective. It aims to provide a rich and wide-ranging introduction to this growing field, and to further develop some of its key questions. It brings together eighteen international scholars or teams, all representatives of a dynamic, new field. Moving beyond a Western focus is essential for thinking through questions of rural exhibition, distribution and cinema experience, since over the relatively short history of cinema it is the rural that has dominated cinema-goers’ lives in much of the developing world. To this end, the volume also innovates by bringing discussions of North American and European ruralities into dialogue with contributions on Kenya, Brazil, China, Thailand, South Africa and Australia.

Author : Tüysüz, Dilan
Publisher : IGI Global
Page : 248 pages
File Size : 41,9 Mb
Release : 2020-12-22
Category : Social Science
ISBN : 9781799847793

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International Perspectives on Rethinking Evil in Film and Television by Tüysüz, Dilan Pdf

Aestheticization of evil is a frequently used formula in cinema and television. However, the representation of evil as an aesthetic object pushes it out of morality. Moral judgments can be pushed aside when evil is aestheticized in movies or TV series because there is no real victim. Thus, situations such as murder or war can become a source of aesthetic pleasure. Narratives in cinema and television can sometimes be based on a simple good-evil dichotomy and sometimes they can be based on individual or social experiences of evil and follow a more complicated method. Despite the various ways evil is depicted, it is a moral framework in film and television that must be researched to study the implications of aestheticized evil on human nature and society. International Perspectives on Rethinking Evil in Film and Television examines the changing representations of evil on screen in the context of the commonness, normalization, aestheticization, marginalization, legitimization, or popularity of evil. The chapters provide an international perspective of the representations of evil through an exploration of the evil tales or villains in cinema and television. Through looking at these programs, this book highlights topics such as the philosophy of good and evil, the portrayal of heroes and villains, the appeal of evil, and evil’s correspondence with gender and violence. This book is ideal for sociologists, professionals, researchers and students working or studying in the field of cinema and television and practitioners, academicians, and anyone interested in the portrayal and aestheticization of evil in international film and television.

Author : Rohit K. Dasgupta,Clelia Clini
Publisher : Taylor & Francis
Page : 127 pages
File Size : 42,7 Mb
Release : 2024-05-14
Category : Language Arts & Disciplines
ISBN : 9781040027066

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The Cultural Industries of India by Rohit K. Dasgupta,Clelia Clini Pdf

The Cultural Industries of India is the first book length study dedicated to the Indian cultural and creative industries. By covering specific aspects of the cultural and creative sectors in India– from film festivals to music and performing arts, from cinema to tourism, including a policy review on innovation in the creative industries – the various chapters offer a comprehensive overview of the relationship between the cultural and creative industries and the wider economic, social, cultural and political processes taking place within India and its diaspora. The study of cultural and creative industries in India is important not only for their potential for economic growth and its knock-on effect on social and cultural development, but also because their analysis reveal the ways in which cultural production shapes politics and identities, income generation and urban renewal. This volume focuses on questions of structural inequalities within the sector at the local level, and to account for asymmetries in economic power and the possibility to circulate and access symbolic content within and beyond the boundaries of the Indian nation. This book will be an essential read for scholars and researchers of creative and cultural studies, economics, history, development studies and media studies in India. The chapters in this book were originally published as a special issue of Cultural Trends.

Author : Glen Donnar
Publisher : Univ. Press of Mississippi
Page : 241 pages
File Size : 54,8 Mb
Release : 2020-07-23
Category : Performing Arts
ISBN : 9781496828613

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Troubling Masculinities by Glen Donnar Pdf

Troubling Masculinities: Terror, Gender, and Monstrous Others in American Film Post-9/11 is the first multigenre study of representations of masculinity following the emergence of violent terror as a plot element in American cinema after September 11, 2001. Across a broad range of subgenres—including disaster melodrama, monster movies, postapocalyptic science fiction, discovered footage and home invasion horror, action-thrillers, and frontier westerns—author Glen Donnar examines the impact of “terror-Others,” from Arab terrorists to giant monsters, especially in relation to cinematic representations in earlier periods of national turmoil. Donnar demonstrates that the reassertion of masculinity and American national identity in post-9/11 cinema repeatedly unravels across genres. Taking up critical arguments about Hollywood’s attempts to resolve male crisis through Orientalizing figures of terror, he shows how this failure reflects an inability to effectively extinguish the threat or frightening difference of terror. The heroes in these movies are unable to heal themselves or restore order, often becoming as destructive as the threats they are supposed to be fighting. Donnar concludes that interrelated anxieties about masculinity and nationhood continue to affect contemporary American cinema and politics. By showing how persistent these cultural fears are, the volume offers an important counternarrative to this supposedly unprecedented moment in American history.

Author : Amanda Howell,Stephanie Green
Publisher : Bloomsbury Publishing USA
Page : 281 pages
File Size : 42,6 Mb
Release : 2024-04-18
Category : Performing Arts
ISBN : 9781501394423

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Haunted Histories and Troubled Pasts by Amanda Howell,Stephanie Green Pdf

Haunted Histories and Troubled Pasts speaks to how a transnational array of recent screen entertainments participate, through horror, in public discourses of history, the social and creative work of reshaping popular understanding of our world through the lens of the past. Contemporary film and television – and popular screen cultures more generally – are distinguished by their many and varied engagements with history, including participation in worldwide movements to reconcile past losses and injuries with present legacies. The chapters in this collection address themselves to 21st-century screen horror's participation in this widespread fascination with and concern for the historical - its recurrent reimagining of the relation between the past and present, which is part of its inheritance from the Gothic. They are concerned with the historical work of horror's spectral occupations, its visceral threats of violence and its capacity for exploring repressed social identities, as well as the ruptures and impositions of colonization and nationhood. Trauma is a key theme in this book, examined through themes of war and genocide, ghostly invasions, institutionalized abuse, apocalyptic threat and environmental destruction. These persistent, fearful reimaginings of the past can take many lurid – sometimes tritely generic – forms. Together, these chapters explore and reflect upon horror's ability to speak through them to the unspoken of history, to push the boundaries and probe the fault-lines and ideological impositions of received historical narratives – while reminding us that history and the historical imagination persist as sites of contention.

Author : Ingrid Lewis,Laura Canning
Publisher : Springer Nature
Page : 346 pages
File Size : 44,7 Mb
Release : 2020-05-23
Category : Performing Arts
ISBN : 9783030334369

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European Cinema in the Twenty-First Century by Ingrid Lewis,Laura Canning Pdf

This book rethinks the study of European Cinema in a way that centres on students and their needs, in a comprehensive volume introducing undergraduates to the main discourses, directions and genres of twenty-first-century European film. Importantly, this collection is the first of its kind to apply a transversal approach to European Cinema, bringing together the East and the West, while providing a broad picture of key trends, aesthetics, genres, national identities, and transnational concerns. Lewis and Canning’s collection effectively addresses some of the most pressing questions in contemporary European film, such as ecology, migration, industry, identity, disability, memory, auteurship, genre, small cinemas, and the national and international frameworks which underpin them. Combining accessible original research with a thorough grounding in recent histories and contexts, each chapter includes key definitions, reflective group questions, and a summative case study. Overall, this book makes a strong contribution to our understanding of recent European Cinema, making it an invaluable resource for lecturers and students across a variety of film-centred modules.

Author : Daniela Treveri Gennari,Catherine O'Rawe,Danielle Hipkins,Silvia Dibeltulo,Sarah Culhane
Publisher : Bloomsbury Publishing USA
Page : 237 pages
File Size : 52,9 Mb
Release : 2020-10-01
Category : Performing Arts
ISBN : 9781501347702

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Italian Cinema Audiences by Daniela Treveri Gennari,Catherine O'Rawe,Danielle Hipkins,Silvia Dibeltulo,Sarah Culhane Pdf

We know a lot about the directors and stars of Italian cinema's heyday, from Roberto Rossellini to Sophia Loren. But what do we know about the Italian audiences that went to see their films? Based on the AHRC-funded project 'Italian Cinema Audiences 1945-60', Italian Cinema Audiences: Histories and Memories of Cinema-going in Post-war Italy draws upon the rich data collected by the project team (160 video interviews and 1000+ written questionnaires gathered from Italians aged 65 and over; archival material related to cinema distribution, exhibition and programming, box-office figures, and critical discussions of cinema from film journals and popular magazines of the period). For the first time, cinema's role in everyday Italian life, and its affective meaning when remembered by older people, are enriched with industrial analyses of the booming Italian film sector of the period, as well as contextual data from popular and specialized magazines.

Author : Djuna Hallsworth
Publisher : Springer Nature
Page : 213 pages
File Size : 49,5 Mb
Release : 2021-11-19
Category : Social Science
ISBN : 9783030885793

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Danish Mothers On-Screen by Djuna Hallsworth Pdf

This book combines content analysis of film and television cases, the examination of policy documents, and first-hand interview material with Danish industry professionals, tracing the pivotal moments in media and welfare state history to unite these two overlapping spheres: welfare state social policy and media imagery. In doing so, it addresses a gap in existing academic and policy documents to demonstrate how motherhood and femininity are presented in contemporary state-supported Danish screen fiction. As an industry premised on state funding and public service values, Danish screen fiction plays a cogent role in shaping and communicating cultural norms and provides a space for the cultivation of belonging and a sense of a shared identity. For this reason, it is vital to identify and examine representational trends and patterns in popular media formats. This book argues that the political narrative of gender equality, democracy and universal social support that permeates Danish state policy is undermined in screen fiction, wherein working mother characters are problematised and the welfare system’s integrity is challenged. This book asserts that the framing of femininity, motherhood and citizenship in many contemporary Danish films and television dramas indicates a cultural concern about the welfare state’s institutionalisation of caregiving and presents absent mothers as an indirect cause of crime, trauma or social unrest.

Author : Pauline Greenhill
Publisher : Wayne State University Press
Page : 279 pages
File Size : 47,6 Mb
Release : 2020-10-13
Category : Performing Arts
ISBN : 9780814342237

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Reality, Magic, and Other Lies by Pauline Greenhill Pdf

Exploration of fairy-tale movies that blur the line between reality and magic.

Author : Kerner Aaron Kerner
Publisher : Edinburgh University Press
Page : 192 pages
File Size : 48,7 Mb
Release : 2016-06-14
Category : Performing Arts
ISBN : 9781474402910

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Extreme Cinema by Kerner Aaron Kerner Pdf

Extreme Cinema examines the highly stylized treatment of sex and violence in post-millennial transnational cinema, where the governing convention is not the narrative but the spectacle. Using profound experiments in form and composition, including jarring editing, extreme close-ups, visual disorientation and sounds that straddle the boundary between non-diegetic and diegetic registers, this mode of cinema dwells instead on the exhibition of intense violence and an acute intimacy with the sexual body. Interrogating works such as Wetlands and A Serbian Film, as well as the sub-culture of YouTube 'reaction videos', Aaron Michael Kerner and Jonathan L. Knapp demonstrate the way content and form combine in extreme cinema to affectively manipulate the viewing body.

Author : Timothy Shary,Alexandra Seibel
Publisher : University of Texas Press
Page : 347 pages
File Size : 51,7 Mb
Release : 2007
Category : Performing Arts
ISBN : 9780292795747

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Youth Culture in Global Cinema by Timothy Shary,Alexandra Seibel Pdf

Author : Steven Rawle
Publisher : Bloomsbury Publishing
Page : 405 pages
File Size : 41,6 Mb
Release : 2018-01-24
Category : Performing Arts
ISBN : 9781350306677

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Transnational Cinema by Steven Rawle Pdf

This core teaching text provides a thorough overview of the recently emerged field of transnational film studies. Covering a range of approaches to analysing films about migrant, cross-cultural and cross-border experience, Steven Rawle demonstrates how film production has moved beyond clear national boundaries to become a product of border crossing finance and creative personnel. This comprehensive introduction brings together the key concepts and theories of transnational cinema, including genre, remakes, diasporic and exilic cinema, and the limits of thinking about cinema as a particularly national cultural artefact. It is an excellent course companion for undergraduate students of film, cinema, media and cultural studies studying transnational and global cinema, and provides both students and lovers of film alike with a strong grounding in this timely field of film studies.