Transcendental Style In Film

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Transcendental Style in Film

Paul Schrader
Transcendental Style in Film Book PDF

Author : Paul Schrader
Publisher : Univ of California Press
Page : 292 pages
File Size : 52,9 Mb
Release : 2018-05-18
Category : Performing Arts
ISBN : 9780520969148

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Transcendental Style in Film by Paul Schrader Pdf

With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors—Yasujiro Ozu, Robert Bresson, and Carl Dreyer—and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader’s theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), Béla Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.

Moving Viewers

Carl Plantinga
Moving Viewers Book PDF

Author : Carl Plantinga
Publisher : Univ of California Press
Page : 302 pages
File Size : 46,6 Mb
Release : 2009-04-08
Category : Performing Arts
ISBN : 0520943910

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Moving Viewers by Carl Plantinga Pdf

Everyone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience? In Moving Viewers, Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of movies in culture. Through an in-depth discussion of mainstream Hollywood films, Plantinga investigates what he terms "the paradox of negative emotion" and the function of mainstream narratives as ritualistic fantasies. He describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. He uses cognitive science and philosophical aesthetics to demonstrate why cinema may deliver a similar emotional charge for diverse audiences.

Robert Bresson

Joseph Cunneen
Robert Bresson Book PDF

Author : Joseph Cunneen
Publisher : A&C Black
Page : 222 pages
File Size : 47,6 Mb
Release : 2004-04-19
Category : Social Science
ISBN : 0826416055

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Robert Bresson by Joseph Cunneen Pdf

Although Robert Bresson is widely regarded by movie critics and students of the cinema as one of the greatest directors of the twentieth century, his films are largely unknown and are rarely shown in the English-speaking world. Nonetheless, Susan Sontag has called Bresson "the master of the reflective mode in film."Martin Scorsese suggested that a young filmmaker should ask: "Is it as tough as Bresson?... Is Ýmeaning ̈ as ruthlessly pared down, as direct, as unflinching in its gaze at aspects of life I might feel more comfortable ignoring?" Questions that every reader of this book and every viewer of Bresson's films will also ask.Joseph Cunneen's book, now in paperback, introduces Bresson's movies to a broader audience, assesses thirteen of his most significant films in the context of detailed plot summaries, vivid descriptions of characters and settings, and perceptive, jargon-free insights into the director's execution, intention, and technique. Each of these films in its own way illustrates what Joseph Cunneen calls Bresson's "spiritual style." Though not necessarily focused on the explicitly religious, they illustrate two complementary principles: on the negative side, the rejection of what the director called "photographed theater" with its artificiality and dependence on celebrity performers. On the more positive side, as Bresson himself expressed it, the conviction that, "The supernatural is only the real rendered more precise; real things seen close up."

Ozu's Tokyo Story

David Desser
Ozu s Tokyo Story Book PDF

Author : David Desser
Publisher : Cambridge University Press
Page : 192 pages
File Size : 54,9 Mb
Release : 1997-04-13
Category : Performing Arts
ISBN : 0521484359

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Ozu's Tokyo Story by David Desser Pdf

Ozu's Tokyo Story is generally regarded as one of the finest films ever made. Universal in its appeal, it is also considered to be 'particularly Japanese'. Exploring its universality and cultural specificity, this collection of specially commissioned essays demonstrates the multiple planes on which the film may be appreciated. The introduction outlines Ozu's career as both a contract director of a major studio and as a singular figure in Japanese film history, and also analyses the director's cinematic style, particularly his narrative strategies and spatial compositions. Other essays situate Ozu's cinema in its relationship to Hollywood film-making: his relationship to aspects of Japanese tradition, situating the film within artistic modes, religious systems and beliefs, and socio-cultural and familial formations. Also included is an analysis of how Ozu has been misunderstood in Western criticism.

ReFocus: The Films of Paul Schrader

Moore Michelle E. Moore
ReFocus The Films of Paul Schrader Book PDF

Author : Moore Michelle E. Moore
Publisher : Edinburgh University Press
Page : 315 pages
File Size : 51,9 Mb
Release : 2020-05-28
Category : Performing Arts
ISBN : 9781474462068

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ReFocus: The Films of Paul Schrader by Moore Michelle E. Moore Pdf

Offers the first comprehensive academic text to explore Paul Schrader's film career through analysis of his directing, screenwriting, and film criticismContains a chapter-length interview, in which Schrader examines the arc of his career for the first time and revises previous statements about filmmaking and film criticismProvides a valuable update to previous texts on SchraderConsiders Schrader's overlooked films and provides new insight into their connections with Schrader's better known filmsContains chapters on Schrader's work since 2008, the publication date of the last book on his filmmakingPaul Schrader's unique relationship to the role of the author (as screenwriter, director and critic) has long informed his cinema, and raises complicated questions about the definition of the auteur. This volume of essays - one of the first collections to assess Schrader's contributions to directing, screenwriting and criticism - includes the first original appraisals of his much-lauded masterpiece First Reformed (2017), as well as a chapter-length interview with Schrader himself, conducted by the editors. Providing a comprehensive exploration of his groundbreaking achievements in cinema, the book considers Schrader's more overlooked films and provides new insights to their connection with his celebrated work in direction and screenwriting such as Taxi Driver (1976), Cat People (1982) and The Comfort of Strangers (1990).

Bresson on Bresson: Interviews, 1943-1983

Robert Bresson
Bresson on Bresson Interviews 1943 1983 Book PDF

Author : Robert Bresson
Publisher : New York Review of Books
Page : 304 pages
File Size : 51,7 Mb
Release : 2016-11-15
Category : Performing Arts
ISBN : 9781681370453

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Bresson on Bresson: Interviews, 1943-1983 by Robert Bresson Pdf

Robert Bresson, the director of such cinematic master-pieces as Pickpocket, A Man Escaped Mouchette, and L’Argent, was one of the most influential directors in the history of French film, as well as one of the most stubbornly individual: He insisted on the use of nonprofessional actors; he shunned the “advances” of Cinerama and Cinema-Scope (and the work of most of his predecessors and peers); and he minced no words about the damaging influence of capitalism and the studio system on the still-developing—in his view—art of film. Bresson on Bresson collects the most significant interviews that Bresson gave (carefully editing them before they were released) over the course of his forty-year career to reveal both the internal consistency and the consistently exploratory character of his body of work. Successive chapters are dedicated to each of his fourteen films, as well as to the question of literary adaptation, the nature of the sound track, and to Bresson’s one book, the great aphoristic treatise Notes on the Cinematograph. Throughout, his close and careful consideration of his own films and of the art of film is punctuated by such telling mantras as “Sound...invented silence in cinema,” “It’s the film that...gives life to the characters—not the characters that give life to the film,” and (echoing the Bible) “Every idle word shall be counted.” Bresson’s integrity and originality earned him the admiration of younger directors from Jean-Luc Godard and Jacques Rivette to Olivier Assayas. And though Bresson’s movies are marked everywhere by an air of intense deliberation, these interviews show that they were no less inspired by a near-religious belief in the value of intuition, not only that of the creator but that of the audience, which he claims to deeply respect: “It’s always ready to feel before it understands. And that’s how it should be.

Sculpting in Time

Andrey Tarkovsky,Kitty Hunter-Blair
Sculpting in Time Book PDF

Author : Andrey Tarkovsky,Kitty Hunter-Blair
Publisher : University of Texas Press
Page : 260 pages
File Size : 45,8 Mb
Release : 1989-04
Category : Performing Arts
ISBN : 0292776241

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Sculpting in Time by Andrey Tarkovsky,Kitty Hunter-Blair Pdf

A director reveals the original inspirations for his films, their history, his methods of work, and the problems of visual creativity

Reel Spirituality

Robert K. Johnston
Reel Spirituality Book PDF

Author : Robert K. Johnston
Publisher : Baker Academic
Page : 352 pages
File Size : 41,9 Mb
Release : 2006-12
Category : Performing Arts
ISBN : 9780801031878

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Reel Spirituality by Robert K. Johnston Pdf

A comprehensive study of theology and film that explores how the Christian faith is portrayed in film throughout history.

Film as a Subversive Art

Amos Vogel
Film as a Subversive Art Book PDF

Author : Amos Vogel
Publisher : Distributed Art Publishers (DAP)
Page : 0 pages
File Size : 44,8 Mb
Release : 2005
Category : Cinematography
ISBN : 1933045272

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Film as a Subversive Art by Amos Vogel Pdf

By Amos Vogel. Foreword by Scott MacDonald.

Placing Movies

Jonathan Rosenbaum
Placing Movies Book PDF

Author : Jonathan Rosenbaum
Publisher : Univ of California Press
Page : 347 pages
File Size : 47,9 Mb
Release : 2023-09-01
Category : Performing Arts
ISBN : 9780520914957

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Placing Movies by Jonathan Rosenbaum Pdf

Jonathan Rosenbaum, longtime contributor to such publications as Film Quarterly, Sight and Sound, and The Village Voice, is arguably the most eloquent, insightful film critic writing in America today. Placing Movies, the first collection of his work, gathers together thirty of his most distinctive and illuminating pieces. Written over a span of twenty-one years, these essays cover an extraordinarily broad range of films—from Hollywood blockbusters to foreign art movies to experimental cinema. They include not just reviews but perceptive commentary on directors, actors, and trends; and thoughtful analysis of the practice of film criticism. It is this last element—Rosenbaum's reflections on the art of film criticism—that sets this collection apart from other volumes of film writing. Both in the essays themselves and in the section introductions, Rosenbaum provides a rare insider's view of his profession: the backstage politics, the formulation of critical judgments, the function of film commentary. Taken together, these pieces serve as a guided tour of the profession of film criticism. They also serve as representative samples of Rosenbaum's unique brand of film writing. Among the highlights are memoirs of director Jacques Tati and maverick critic Manny Farber, celebrations of classics such as Gentlemen Prefer Blondes and The Manchurian Candidate, and considered reevaluations of Orson Welles and Woody Allen.

Film Studies

Ed Sikov
Film Studies Book PDF

Author : Ed Sikov
Publisher : Columbia University Press
Page : 236 pages
File Size : 48,8 Mb
Release : 2010
Category : Performing Arts
ISBN : 0231142935

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Film Studies by Ed Sikov Pdf

American film scholar Ed Sikov discusses all aspects of narrative films, describing mise-en-scéne, the significance of montages, editing, lighting, the use of color and sound, and related topics; and providing practical advice, suggested assignments, and other resources.

Screen Stories

Carl R. Plantinga
Screen Stories Book PDF

Author : Carl R. Plantinga
Publisher : Oxford University Press
Page : 329 pages
File Size : 45,5 Mb
Release : 2018
Category : Art
ISBN : 9780190867133

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Screen Stories by Carl R. Plantinga Pdf

The way we communicate with each other is vital to preserving the cultural ecology, or wellbeing, of a place and time. Do we listen to each other? Do we ask the right questions? Do we speak about each other with respect or disdain? The stories that we convey on screens, or what author Carl Plantinga calls 'screen stories,' are one powerful and pervasive means by which we communicate with each other. Screen Stories: Emotion and the Ethics of Engagement argues that film and media studies needs to move toward an an approach to ethics that is more appropriate for mass consumer culture and the lives of its citizens. Primarily concerned with the relationship between media and viewers, this book considers ethical criticism and the emotional power of screen stories that makes such criticism necessary. The content we consume--from television shows and movies to advertisements--can significantly affect our welfare on a personal and societal level, and thus, this content is subject to praise and celebration, or questioning and even condemnation. The types of screen stories that circulate contribute to the cultural ecology of a time and place; through shared attention they influence what individuals think and feel. Plantinga develops a theory of the power of screen stories to affect both individuals and cultures, asserting that we can better respond ethically to such media if we understand the sources of its influence on us.

The Films of Krzysztof Kieslowski

Joseph Kickasola
The Films of Krzysztof Kieslowski Book PDF

Author : Joseph Kickasola
Publisher : A&C Black
Page : 356 pages
File Size : 50,9 Mb
Release : 2004-06-22
Category : Social Science
ISBN : 0826415598

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The Films of Krzysztof Kieslowski by Joseph Kickasola Pdf

Perhaps the greatest European director of the last 30 years, Krzsztof Kieslowski created a remarkable body of work in a relatively short period of time. His films are loved around the world for their dramatic power and consummate artistry. Kieslowski's cinematic style stands apart in several important respects: his mastery of abstract imagery, his innovative use of sound and his deliberate circumvention of standard cinematic codes. Unlike many other "art" directors - who often fail to rise above commentary on the medium itself - Kieslowski uses these stylistic liberties to explore his philosophical concerns: fate, God, suffering, and love. Through close analysis of films like The Decalogue, The Double Life of Veronique, Blue, White and Red, Joe Kickasola identifies the unique qualities, and artistic legacy, of this great director.

The Most Typical Avant-Garde

David James
The Most Typical Avant Garde Book PDF

Author : David James
Publisher : Univ of California Press
Page : 572 pages
File Size : 42,6 Mb
Release : 2005-05-30
Category : Performing Arts
ISBN : 0520938194

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The Most Typical Avant-Garde by David James Pdf

Los Angeles has nourished a dazzling array of independent cinemas: avant-garde and art cinema, ethnic and industrial films, pornography, documentaries, and many other far-flung corners of film culture. This glorious panoramic history of film production outside the commercial studio system reconfigures Los Angeles, rather than New York, as the true center of avant-garde cinema in the United States. As he brilliantly delineates the cultural perimeter of the film business from the earliest days of cinema to the contemporary scene, David James argues that avant-garde and minority filmmaking in Los Angeles has in fact been the prototypical attempt to create emancipatory and progressive culture. Drawing from urban history and geography, local news reporting, and a wide range of film criticism, James gives astute analyzes of scores of films—many of which are to found only in archives. He also looks at some of the most innovative moments in Hollywood, revealing the full extent of the cross-fertilization the occurred between the studio system and films created outside it. Throughout, he demonstrates that Los Angeles has been in the aesthetic and social vanguard in all cinematic periods—from the Socialist cinemas of the early teens and 1930s; to the personal cinemas of psychic self-investigation in the 1940s; to attempts in the 1960s to revitalize the industry with the counterculture’s utopian visions; and to the 1970s, when African Americans, Asian Americans, Latinos, women, gays, and lesbians worked to create cinemas of their own. James takes us up to the 1990s and beyond to explore new forms of art cinema that are now transforming the representation of Southern California’s geography.

Post-war Cinema and Modernity

John Orr,Olga Taxidou
Post war Cinema and Modernity Book PDF

Author : John Orr,Olga Taxidou
Publisher : NYU Press
Page : 468 pages
File Size : 46,8 Mb
Release : 2001-03
Category : Performing Arts
ISBN : 0814762026

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Post-war Cinema and Modernity by John Orr,Olga Taxidou Pdf

Both professors at the U. of Edinburgh (Scotland), Orr (sociology) and Taxidou (English) have collected a diverse selection of previously published material on film, much of it controversial and challenging, to produce a reader for the undergraduate classroom. The readings are divided into theory and form, form and process, and international cinema. The selected authors (who include such thinkers and directors as Andre Bazin, Pier Paolo Pasolini, Gilles Deleuze, Fredric Jameson, Paul Virilio, Duncan Petrie, Susan Sontag, and Laura Mulvey) mull questions of film and modernity, film and poetry, film and postmodernity, cinematic perception, changing film technology, and the social and national context of international films. c. Book News Inc.