Robert Bresson

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Bresson on Bresson: Interviews, 1943-1983

Author : Robert Bresson
Publisher : New York Review of Books
Page : 304 pages
File Size : 47,8 Mb
Release : 2016-11-15
Category : Performing Arts
ISBN : 9781681370453

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Bresson on Bresson: Interviews, 1943-1983 by Robert Bresson Pdf

Robert Bresson, the director of such cinematic master-pieces as Pickpocket, A Man Escaped Mouchette, and L’Argent, was one of the most influential directors in the history of French film, as well as one of the most stubbornly individual: He insisted on the use of nonprofessional actors; he shunned the “advances” of Cinerama and Cinema-Scope (and the work of most of his predecessors and peers); and he minced no words about the damaging influence of capitalism and the studio system on the still-developing—in his view—art of film. Bresson on Bresson collects the most significant interviews that Bresson gave (carefully editing them before they were released) over the course of his forty-year career to reveal both the internal consistency and the consistently exploratory character of his body of work. Successive chapters are dedicated to each of his fourteen films, as well as to the question of literary adaptation, the nature of the sound track, and to Bresson’s one book, the great aphoristic treatise Notes on the Cinematograph. Throughout, his close and careful consideration of his own films and of the art of film is punctuated by such telling mantras as “Sound...invented silence in cinema,” “It’s the film that...gives life to the characters—not the characters that give life to the film,” and (echoing the Bible) “Every idle word shall be counted.” Bresson’s integrity and originality earned him the admiration of younger directors from Jean-Luc Godard and Jacques Rivette to Olivier Assayas. And though Bresson’s movies are marked everywhere by an air of intense deliberation, these interviews show that they were no less inspired by a near-religious belief in the value of intuition, not only that of the creator but that of the audience, which he claims to deeply respect: “It’s always ready to feel before it understands. And that’s how it should be.

Robert Bresson

Author : Joseph Cunneen
Publisher : A&C Black
Page : 222 pages
File Size : 46,9 Mb
Release : 2004-04-19
Category : Social Science
ISBN : 0826416055

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Robert Bresson by Joseph Cunneen Pdf

Although Robert Bresson is widely regarded by movie critics and students of the cinema as one of the greatest directors of the twentieth century, his films are largely unknown and are rarely shown in the English-speaking world. Nonetheless, Susan Sontag has called Bresson "the master of the reflective mode in film."Martin Scorsese suggested that a young filmmaker should ask: "Is it as tough as Bresson?... Is Ýmeaning ̈ as ruthlessly pared down, as direct, as unflinching in its gaze at aspects of life I might feel more comfortable ignoring?" Questions that every reader of this book and every viewer of Bresson's films will also ask.Joseph Cunneen's book, now in paperback, introduces Bresson's movies to a broader audience, assesses thirteen of his most significant films in the context of detailed plot summaries, vivid descriptions of characters and settings, and perceptive, jargon-free insights into the director's execution, intention, and technique. Each of these films in its own way illustrates what Joseph Cunneen calls Bresson's "spiritual style." Though not necessarily focused on the explicitly religious, they illustrate two complementary principles: on the negative side, the rejection of what the director called "photographed theater" with its artificiality and dependence on celebrity performers. On the more positive side, as Bresson himself expressed it, the conviction that, "The supernatural is only the real rendered more precise; real things seen close up."

Notes on the Cinematographer

Author : Robert Bresson
Publisher : Unknown
Page : 0 pages
File Size : 45,5 Mb
Release : 1997
Category : Cine
ISBN : 1557133654

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Notes on the Cinematographer by Robert Bresson Pdf

The only published writing by the great French flimmaker, Robert Bresson.

Robert Bresson

Author : James Quandt
Publisher : Toronto International Film Festival
Page : 784 pages
File Size : 52,8 Mb
Release : 2012-02-01
Category : Performing Arts
ISBN : 0968296955

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Robert Bresson by James Quandt Pdf

Robert Bresson, published in 1998, remains one of the most acclaimed and thorough examinations of the French director’s vision and style. Robert Bresson (Revised) reproduces essential contributions from the original edition, including essays by Susan Sontag, André Bazin, P. Adams Sitney, and Kristin Thompson, and features new or original material by David Bordwell, Mark Rappaport, Shigehiko Hasumi, Jonathan Rosenbaum, Serge Daney, Jean-Michel Frodon, Colin Burnett, Richard Suchenski, and filmmakers Jean-Pierre Gorin and the Dardenne brothers, Jean-Pierre and Luc. With more than thirty key articles by leading critics and scholars, interviews, commentaries by important contemporary filmmakers, and an illuminating symposium on the director’s current stature, Robert Bresson (Revised) is an invaluable volume for anyone seeking to understand the director’s austere perfectionism and the beauty of his singular body of work. Published by the Toronto International Film Festival and distributed in Canada by Wilfrid Laurier University Press. Distributed outside Canada by Indiana University Press.

Neither God Nor Master

Author : Brian Price
Publisher : U of Minnesota Press
Page : 237 pages
File Size : 42,6 Mb
Release : 2011
Category : Art
ISBN : 9780816654611

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Neither God Nor Master by Brian Price Pdf

Based on the author's doctoral dissertation--New York University.

The Films of Robert Bresson

Author : Professor Bert Cardullo
Publisher : Anthem Press
Page : 305 pages
File Size : 45,7 Mb
Release : 2009-07
Category : Electronic
ISBN : 9781843318255

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The Films of Robert Bresson by Professor Bert Cardullo Pdf

'The Films of Robert Bresson: A Casebook' presents an outstanding collection of essays and interviews with this legendary auteur, many of which were written by renowned directors and critics, including Jean-Luc Godard, Susan Sontag, and Francois Truffaut.

The Invention of Robert Bresson

Author : Colin Burnett
Publisher : Indiana University Press
Page : 289 pages
File Size : 50,5 Mb
Release : 2016-12-19
Category : Performing Arts
ISBN : 9780253025012

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The Invention of Robert Bresson by Colin Burnett Pdf

Challenging the prevailing notion among cinephiles that the auteur is an isolated genius interested primarily in individualism, Colin Burnett positions Robert Bresson as one whose life's work confronts the cultural forces that helped shape it. Regarded as one of film history's most elusive figures, Bresson (1901–1999) carried himself as an auteur long before cultural magazines, like the famed Cahiers du cinéma, advanced the term to describe such directors as Jacques Tati, Alfred Hitchcock, and Jean-Luc Godard. In this groundbreaking study, Burnett combines biography with cultural history to uncover the roots of the auteur in the alternative cultural marketplace of midcentury France.

Robert Bresson

Author : Keith Reader
Publisher : Manchester University Press
Page : 180 pages
File Size : 42,8 Mb
Release : 2000-09-02
Category : Performing Arts
ISBN : 0719053668

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Robert Bresson by Keith Reader Pdf

This book provides a comprehensive introduction to the work of Robert Bresson, one of the most respected and acclaimed directors in the history of cinema. Bresson's unique use of “models” (he refuses the term “actors”), his sparse and elliptical editing style, his rejection of conventional psychological realism make his work all but unique and instantly recognizable. This is the first monograph on his work to appear in English for many years, and deals with his thirteen feature-length films and his short treatise “Notes on Cinematography.”

Robert Bresson

Author : Tony Pipolo
Publisher : Oxford University Press
Page : 407 pages
File Size : 40,7 Mb
Release : 2010-01-19
Category : Biography & Autobiography
ISBN : 0199717834

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Robert Bresson by Tony Pipolo Pdf

Perhaps the most highly regarded French filmmaker after Jean Renoir, Robert Bresson created a new kind of cinema through meticulous refinement of the form's grammatical and expressive possibilities. In thirteen features over a forty-year career, he held to an uncompromising moral vision and aesthetic rigor that remain unmatched. Robert Bresson: A Passion for Film is the first comprehensive study to give equal attention to the films, their literary sources, and psycho-biographical aspects of the work. Concentrating on the films' cinematographic, imagistic, narrative, and thematic structures, Pipolo provides a nuanced analysis of each film-including nearly 100 illustrations-elucidating Bresson's unique style as it evolved from the impassioned Les Anges du p?che to such disconsolate meditations on the world as The Devil Probably and L'Argent. Special attention is also given to psychosexual aspects of the films that are usually neglected. Bresson has long needed a thoroughgoing treatment by a critic worthy to the task: he gets it here. From it emerges a provocative portrait of an extraordinary artist whose moral engagement and devotion to the craft of filmmaking are without equal.

Robert Bresson

Author : Tony Pipolo
Publisher : Oxford University Press
Page : 420 pages
File Size : 53,5 Mb
Release : 2010
Category : Performing Arts
ISBN : 9780195319798

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Robert Bresson by Tony Pipolo Pdf

Perhaps the most highly regarded French filmmaker after Jean Renoir, Robert Bresson created a new kind of cinema through meticulous refinement of the form's grammatical and expressive possibilities. In thirteen features over a forty-year career, he held to an uncompromising moral vision and aesthetic rigor that remain unmatched. Robert Bresson: A Passion for Film is the first comprehensive study to give equal attention to the films, their literary sources, and psycho-biographical aspects of the work. Concentrating on the films' cinematographic, imagistic, narrative, and thematic structures, Pipolo provides a nuanced analysis of each film-including nearly 100 illustrations-elucidating Bresson's unique style as it evolved from the impassioned Les Anges du p che to such disconsolate meditations on the world as The Devil Probably and L'Argent. Special attention is also given to psychosexual aspects of the films that are usually neglected. Bresson has long needed a thoroughgoing treatment by a critic worthy to the task: he gets it here. From it emerges a provocative portrait of an extraordinary artist whose moral engagement and devotion to the craft of filmmaking are without equal.

Transcendental Style in Film

Author : Paul Schrader
Publisher : Univ of California Press
Page : 292 pages
File Size : 40,7 Mb
Release : 2018-05-18
Category : Performing Arts
ISBN : 9780520969148

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Transcendental Style in Film by Paul Schrader Pdf

With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors—Yasujiro Ozu, Robert Bresson, and Carl Dreyer—and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader’s theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), Béla Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.

Cinema and Contact

Author : Laura McMahon
Publisher : Routledge
Page : 176 pages
File Size : 45,8 Mb
Release : 2017-07-05
Category : Foreign Language Study
ISBN : 9781351571876

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Cinema and Contact by Laura McMahon Pdf

Drawing on the work of contemporary French philosopher Jean-Luc Nancy, Cinema and Contact investigates the aesthe-tics and politics of touch in the cinema of three of the most prominent and distinctive filmmakers to have emerged in France during the last fifty years: Robert Bresson, Marguerite Duras and Claire Denis. Countering the domi-nant critical account of touch elaborated by recent models of embodied spectatorship, this book argues that cinema offers a privileged space for understanding touch in terms of spacing and withdrawal rather than immediacy and continuity. Such a deconstructive configuration of touch is shown here to have far-reaching implications, inviting an innovative rethinking of politics, aesthetics and theology via the textures of cinema. The first study to bring the thought of Nancy into sustained dialogue with a series of detailed analyses of films, Cinema and Contact also forges new interpretative perspectives on Bresson, Duras and Denis, tracing a compelling two-way exchange between cinema and philosophy.

The Bond of the Furthest Apart

Author : Sharon Cameron
Publisher : University of Chicago Press
Page : 279 pages
File Size : 42,9 Mb
Release : 2017-04-10
Category : Literary Criticism
ISBN : 9780226414065

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The Bond of the Furthest Apart by Sharon Cameron Pdf

In the French filmmaker Robert Bresson’s cinematography, the linkage of fragmented, dissimilar images challenges our assumption that we know either what things are in themselves or the infinite ways in which they are entangled. The “bond” of Sharon Cameron’s title refers to the astonishing connections found both within Bresson’s films and across literary works by Tolstoy, Dostoevsky, and Kafka, whose visionary rethinkings of experience are akin to Bresson’s in their resistance to all forms of abstraction and classification that segregate aspects of reality. Whether exploring Bresson’s efforts to reassess the limits of human reason and will, Dostoevsky’s subversions of Christian conventions, Tolstoy’s incompatible beliefs about death, or Kafka’s focus on creatures neither human nor animal, Cameron illuminates how the repeated juxtaposition of disparate, even antithetical, phenomena carves out new approaches to defining the essence of being, one where the very nature of fixed categories is brought into question. An innovative look at a classic French auteur and three giants of European literature, The Bond of the Furthest Apart will interest scholars of literature, film, ethics, aesthetics, and anyone drawn to an experimental venture in critical thought.

Robert Bresson (Revised)

Author : Cinematheque Ontario
Publisher : Indiana University Press
Page : 632 pages
File Size : 51,8 Mb
Release : 1998
Category : Performing Arts
ISBN : UOM:39015042481989

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Robert Bresson (Revised) by Cinematheque Ontario Pdf

An examination of the French director's vision and style.

The Holy Fool in European Cinema

Author : Alina G. Birzache
Publisher : Routledge
Page : 220 pages
File Size : 48,5 Mb
Release : 2016-02-05
Category : Religion
ISBN : 9781317310631

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The Holy Fool in European Cinema by Alina G. Birzache Pdf

This monograph explores the way that the profile and the critical functions of the holy fool have developed in European cinema, allowing this traditional figure to capture the imagination of new generations in an age of religious pluralism and secularization. Alina Birzache traces the cultural origins of the figure of the holy fool across a variety of European traditions. In so doing, she examines the critical functions of the holy fool as well as how filmmakers have used the figure to respond to and critique aspects of the modern world. Using a comparative approach, this study for the first time offers a comprehensive explanation of the enduring appeal of this protean and fascinating cinematic character. Birzache examines the trope of holy foolishness in Soviet and post-Soviet cinema, French cinema, and Danish cinema, corresponding broadly to and permitting analysis of the three main orientations in European Christianity: Orthodox, Catholic, and Protestant. This study will be of keen interest to scholars of religion and film, European cinema, and comparative religion.