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As a black American Catholic, born and raised in the south, I am often asked, "How can you belong to a racist Church?" This prayer book is my deeply personal response to that persistent question. The Catholic church is not racist, but too many American Catholics have not yet repented of the sin of racism. This prayer book contains meditations and traditional Catholic prayers, as well as profiles on black Saints, in an effort to inspire individuals, groups and communities to prayerfully build a Culture of Fraternal Charity.
Author : Thomas Meacham Publisher : Walter de Gruyter GmbH & Co KG Page : 239 pages File Size : 41,9 Mb Release : 2020-01-20 Category : History ISBN : 9781501512926
The Performance Tradition of the Medieval English University by Thomas Meacham Pdf
This is a truly paradigm-shifting study that reads a key text in Latin Humanist studies as the culmination, rather than an early example, of a tradition in university drama. It persuasively argues against the common assumption that there was no "drama" in the medieval universities until the syllabus was influenced by humanist ideas, and posits a new way of reading the performative dimensions of fourteenth and fifteenth-century university education in, for example, Ciceronian tuition on epistolary delivery. David Bevington calls it "an impressively learned discussion" and commends the sophistication of its use of performativity theory.
A deft reinterpretation of the most zealously interpreted picture in the Western canon as a therapeutic artifact. Albrecht Dürer's famous portrayal of creative effort in paralysis, the unsurpassed masterpiece of copperplate engraving titled Melencolia I, has stood for centuries as a pictorial summa of knowledge about the melancholic temperament, a dense allegory of the limits of earthbound arts and sciences and the impossibility of attaining perfection. Dubbed the “image of images” for being the most zealously interpreted picture in the Western canon, Melencolia I also presides over the origins of modern iconology, art history's own science of meaning. Yet we are left with a clutter of mutually contradictory theories, a historiographic ruin that confirms the mood of its object. In Perfection's Therapy, Mitchell Merback reopens the case file and argues for a hidden intentionality in Melencolia's opacity, its structural “chaos,” and its resistance to allegorical closure. That intentionality, he argues, points toward a fascinating possibility never before considered: that Dürer's masterpiece is not only an arresting diagnosis of melancholic distress, but an innovative instrument for its undoing. Merback deftly resituates Dürer's image within the long history of the therapeutic artifact. Placing Dürer's therapeutic project in dialogue with that of humanism's founder, Francesco Petrarch, Merback also unearths Dürer's ambition to act as a physician of the soul. Celebrated as the "Apelles of the black line" in his own day, and ever since as Germany's first Renaissance painter-theorist, the Dürer we encounter here is also the first modern Christian artist, addressing himself to the distress of souls, including his own. Melencolia thus emerges as a key reference point in a venture of spiritual-ethical therapy, a work designed to exercise the mind, restore the body's equilibrium, and help in getting on with the undertaking of perfection.
A Vindication of the Honour of God: containing, I. A Letter to W. K. Clementson ... containing an exposure of his fallacies; II. A Letter to his friend C. Bull, including a dream representing the downfall of Mr. M'Culla ... III. A brief account of the sovereign goodness of God to Mary Collins, of Maldon by William COLLINS (Minister of the Everlasting Gospel at Maldon, Essex.) Pdf