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Salman Rushdie and Indian Historiography by Nicole Weickgenannt Thiara Pdf
Paying particular attention to the representation of women and to gendered notions of the nation, this book examines for the first time the marked parallels between Rushdie's critique of the Nehruvian legacy and the most significant recent trends in Indian historiography, especially the feminist and subalternist movements.
Historiography and Writing Postcolonial India by Naheem Jabbar Pdf
A critical examination of post-colonial Indian history-writing. In the years preceding formal Independence from British colonial rule, Indians found themselves responding to the panorama of sin and suffering that constituted the modern present in a variety of imaginative ways. This book is a critical analysis of the uses made of India’s often millennial past by nationalist ideologues who sought a specific solution to India’s predicament on its way to becoming a post-colonial state. From independence to the present, it considers the competing visions of India’s liberation from her apocalyptical present to be found in the thinking of Gandhi, V. D. Savarkar, Nehru and B. R. Ambedkar as well as V. S. Naipaul and Salman Rushdie. It examines some of the archetypal elements in historical consciousness that find their echo in often brutal unhistorical ways in everyday life. This book is a valuable resource for researchers interested in South Asian History, Historiography or Theory of History, Cultural Studies, English Literature, Post Colonial Writing and Literary Criticism.
From “Best of the Booker” winner Salman Rushdie, an incisive and inspiring collection of non-fiction essays, criticism and speeches that takes readers on a thrilling journey through the evolution of language and culture. Gathering pieces written between 2003 and 2020, including several never previously in print, Languages of Truth chronicles a period of momentous cultural shifts. Across a wide variety of subjects, Rushdie delves into the nature of storytelling as a deeply human need, and what emerges is a love letter to literature itself. Throughout, Rushdie shares his personal encounters, on the page and in person, with storytellers from Shakespeare and Cervantes to Samuel Beckett, Eudora Welty, and Toni Morrison, and revels in the creative lines that can join art and life. Always attuned to the malleability of language, Rushdie considers the nature of truth, and looks anew at migration, multiculturalism and censorship. Written with the author’s signature wit and energy, Languages of Truth offers pleasure and insight in equal measure, confirming Rushdie’s place as one of the most original and important thinkers of our time.
A tall, yellow-haired young European traveller calling himself “Mogor dell’Amore,” the Mughal of Love, arrives at the court of the real Grand Mughal, the Emperor Akbar, with a tale to tell that begins to obsess the whole imperial capital. The stranger claims to be the child of a lost Mughal princess, the youngest sister of Akbar’s grandfather Babar: Qara Köz, ‘Lady Black Eyes’, a great beauty believed to possess powers of enchantment and sorcery, who is taken captive first by an Uzbeg warlord, then by the Shah of Persia, and finally becomes the lover of a certain Argalia, a Florentine soldier of fortune, commander of the armies of the Ottoman Sultan. When Argalia returns home with his Mughal mistress the city is mesmerised by her presence, and much trouble ensues. The Enchantress of Florence is a love story and a mystery – the story of a woman attempting to command her own destiny in a man’s world. It brings together two cities that barely know each other – the hedonistic Mughal capital, in which the brilliant emperor wrestles daily with questions of belief, desire and the treachery of sons, and the equally sensual Florentine world of powerful courtesans, humanist philosophy and inhuman torture, where Argalia’s boyhood friend ‘il Machia’ – Niccolò Machiavelli – is learning, the hard way, about the true brutality of power. These two worlds, so far apart, turn out to be uncannily alike, and the enchantments of women hold sway over them both. But is Mogor’s story true? And if so, then what happened to the lost princess? And if he’s a liar, must he die?
Author : Nila Shah Publisher : Unknown Page : 188 pages File Size : 44,8 Mb Release : 2003 Category : History in literature ISBN : STANFORD:36105210615378
Winner of the Booker prize and twice winner of the Booker of Bookers, Midnight's Children is "one of the most important books to come out of the English-speaking world in this generation" (New York Review of Books). Reissued for the 40th anniversary of the original publication--with a new introduction from the author--Salman Rushdie's widely acclaimed novel is a masterpiece in literature. Saleem Sinai is born at the stroke of midnight on August 15, 1947, the very moment of India’s independence. Greeted by fireworks displays, cheering crowds, and Prime Minister Nehru himself, Saleem grows up to learn the ominous consequences of this coincidence. His every act is mirrored and magnified in events that sway the course of national affairs; his health and well-being are inextricably bound to those of his nation; his life is inseparable, at times indistinguishable, from the history of his country. Perhaps most remarkable are the telepathic powers linking him with India’s 1,000 other “midnight’s children,” all born in that initial hour and endowed with magical gifts. This novel is at once a fascinating family saga and an astonishing evocation of a vast land and its people–a brilliant incarnation of the universal human comedy. Midnight’s Children stands apart as both an epochal work of fiction and a brilliant performance by one of the great literary voices of our time.
The Chutneyfication of History by Mita Banerjee Pdf
Colonizers are driven into a state of panic by the circulation of a 'humble' chapati; a young girl's setting her family's shoes on fire seems comparable to a nuclear attack; a sleepwalker kills two hundred and eighteen turkeys just to be rid of them. Are these events of historical significancei The works of Salman Rushdie, Michael Ondaatje, and Bharati Mukherjee seem to suggest that this question might be answered in the affirmative. The anecdote fleshes out what historical facts must elide in their abstraction. This study proposes that the fiction of all three authors can be read through Rushdie's metaphor of the chutneyfication of history. In line with the lighting of shoes and the murder of turkeys, the chutney's presence is a playful, unhistorical one; a presence, however, which Rushdie, Ondaatje, and Mukherjee proceed to turn into an historical agent in its own right, in a fusion of postmodernist and postcolonialist politics. Contrary to the claim that revolutions can be made by bread alone, this study suggests that this postmodernist agency of postcolonial aporia may in fact be self-defeating, and that the rejection of communal resistance which emerges in its wake must be considered in a much more critical light.
History-fiction Interface in Indian English Novel by Tej N. Dhar Pdf
The Book Studies The Indian English Novelist`S Involvement With History. It Is Based On The Assumption That History-Fiction Connection Is Fascinating As Well As Culturally Significant.The First Two Chapters Discuss Theoretical, Methodological And Historical Issues Related To The History-Fiction Interface. Later Chapters Provide A Detailed Analysis Of The Novels Of M.R.Anand, Nayantara Sahgal, Salman Rushdie, Shashi Tharoor And O.V. Vijayan, To Illustrate The Whole Range Of The Variety In The Novelist`S Use Of History.
In which ways national history is debated? - Analysis of 'Midnight's Children' and 'Passage to India' by Martin Lieb Pdf
Seminar paper from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 64 % , University of Sussex (University of Sussex - Humanities), course: Postcolonial Perspectives, 3 entries in the bibliography, language: English, abstract: In my essay, I will talk about Midnight’s Children (1995,ed.) by Salman Rushdie and E.M. Forster’s A Passage to India (1989,ed.). I may not always be totally directed towards the essay question but make a general comparison of the two novels as well. I will discuss the way in which India is presented in both texts and talk about national identity. In modern literature, often the private is political and the political is private. In reality it’s not. Cultures and societies function totally different from individuals. But both Forster and Rushdie use their characters as metaphors for their countries and cultures. A novel lives from its characters and allows deep insights in their minds, foremost its hero’s and its narrator’s. Saleem is the main character of Midnight’s Children and tells his lifestory to Padma, in A Passage to India there is an omniscent narrator who comments a few times on his own account. Rushdie’s Saleem is modern India and the relationships between Forster’s characters symbolize the cultural conflict of the Empire and its colony. Saleem’s family history and genealogy is the Indian history, with its complex mixture of British imperialism and traditional Indian culture. East vs. West, and Rushdie admits the British a prominent role in modern India. Even though they were usurpators the Indians seem to have taken over parts of British culture and try to make their way into modernity, which is a Western, occidental, project. The linkage between history and fiction, Saleem and India, is obvious. Rushdie tries to tell the story of his country and he is probably aiming at a Western audience. The autobiographic impulses in his works are very important, and Saleem’s life and family tree has obvious similiarities to Rushdie’s. He makes excessive use of his creative freedom, and it is never clear where reality ends and fiction begins. He certainly wants to express with it the irrationality of Indian culture, its faible for myths and magic, surrealism. The novels were written and take place in totally different times: Midnight’s Children is postcolonial, A Passage to India takes place at the height of the British Empire, where its downfall is already visible, though. The novel has a definitely tragic, pessimistic and melancholic undertone, as many novels written at the turn of the century or after World War One, at the prime of novelwriting culture. The bourgeoise world, the creator of the genre, was falling apart; the mood at the end of the 19th century and inbetween the two world wars was definitely apocalyptic. Forster makes many references to the reality of the Indian and British relationship and the history of this colony, but his characters are not elevated to the representation of a whole nation as Saleem is.
Just before dawn one winter's morning, a hijacked jetliner explodes above the English Channel. Through the falling debris, two figures, Gibreel Farishta, the biggest star in India, and Saladin Chamcha, an expatriate returning from his first visit to Bombay in fifteen years, plummet from the sky, washing up on the snow-covered sands of an English beach, and proceed through a series of metamorphoses, dreams, and revelations.
Two Years Eight Months and Twenty-Eight Nights by Salman Rushdie Pdf
From one of the greatest writers of our time: the most spellbinding, entertaining, wildly imaginative novel of his great career, which blends history and myth with tremendous philosophical depth. A masterful, mesmerizing modern tale about worlds dangerously colliding, the monsters that are unleashed when reason recedes, and a beautiful testament to the power of love and humanity in chaotic times. Inspired by 2,000 years of storytelling yet rooted in the concerns of our present moment, this is a spectacular achievement--enchanting, both very funny and terrifying. It is narrated by our descendants 1000 years hence, looking back on "The War of the Worlds" that began with "the time of the strangenesses": a simple gardener begins to levitate; a baby is born with the unnerving ability to detect corruption in people; the ghosts of two long-dead philosophers begin arguing once more; and storms pummel New York so hard that a crack appears in the universe, letting in the destructive djinns of myth (as well as some graphic superheroes). Nothing less than the survival of our world is at stake. Only one, a djinn princess who centuries before had learned to love humankind, resolves to help us: in the face of dynastic intrigue, she raises an army composed of her semi-magical great-great--etc.--grandchildren--a motley crew of endearing characters who come together to save the world in a battle waged for 1,001 nights--or, to be precise, two years, eight months and twenty-eight nights.
Myth and History in Contemporary Indian Novel in English by A. Sudhakar Rao Pdf
Myth-History Combine Marks The Ruling Motive Of The Contemporary Indian Novel In English.In Amitav Ghosh S The Circle Of Reason, Reason Makes A Full Circle And Is Subjected To Subversion Towards The End With A Post-Modern Ambivalence.In The Great Indian Novel, Shashi Tharoor Is Given To Gigantism Of History And Makes Great Political Personages Parade On The Dice Game Of National Politics, As A Part Of Post-Colonial Discourse. Salman Rushdie S Midnight S Children Is An Enabling Text . The Text Synchronises The Individual History With National History Lending It A Universal Significance.The Texts Seek To Picture The Socio-Political Situation Of Post-Independence India With A Post-Modern Urgency.
History and National theme in the novels of Salman Rushdie by Chamsul Alom Sorowarthy Pdf
As a Politicized Novelist Sir Salman Rushdie is perhaps the most prominent living writer. He emerged over the years as one of the most controversial figures of our times who excites contrary feelings. In his comprehensive and lucid critical study the writer examines the intellectual, bio graphical, Historical works of Rushdie. The book is compiled works of almost all the arena of Historical, National and self deals with the problem of immigration, racial discrimination, cultural hybridity. He also deals with many allegories , political, mythological and historical allegories. He brilliantly fused the idea of post colonialism and post modernism. His novels has special flavor of post modern device like Magic Realism the award of Booker prize to Midnight’s children in 1981 led Rushdie’s near contemporary Kazuo ishiguru later a winner of Booker prize himself. To conclude that the publication of this novel represented a ‘symbolic moment’, a ‘milestone’ for English language authors living in Britain whose origins were not British.’
Salman Rushdie. An Anthology of Critical Essays in New Millennium by Ajay K Chaubey et al. Pdf
Document from the year 2014 in the subject English Language and Literature Studies - Literature, , language: English, abstract: Famous for multifarious writing, Salman Rushdie himself is a multifaceted personality, often emerges as an unpredictable figure with an unfathomable depth of creativity and criticism. Being an iconoclast, Rushdie never chooses the trodden road: he rather plunges headstrong into the unexplored territories of literature, not yet attempted. The present volume strives to find how Rushdie is germane in the twenty first century politics of globalization, literary schema, and cosmopolitanism. The book has been divided into two broad heads—the first section intrinsically deals with the most popular book of Rushdie, Midnight’s Children while the second section contains Rushdie’s latter fictions which have been researched and presented in the light of intertextuality, hybridity, diaspora and, of late, autobiography. The essays are written by Suhaina Bi, Sutanuka Ghosh Roy, Ram Bahawan Yadav, T. Sasikanth Reddy, Asis De, Vikrant Sehgal, Indah Lestari, Ajit Kumar, Hetal K. Kachhia, Hetal M. Doshi, Nesha Sabar/Pramod Kumar Das, Ramesh Tibile, Bini B. S., Manjeet Kumar Kashyap and Valiur Rahaman.
