Sand Dance Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Sand Dance book. This book definitely worth reading, it is an incredibly well-written.
"Not all of the poems in this book are directly about dance, but they have all been influenced by my deepest inner sense of the rhythm, pattern and movement in life, with its constant changes and surprises. All of life is moving and our relationship to all living things on earth is how we sense eternity." Inspired by her teachers and the people she happened to meet, including people like dancer Ivor Meggido and publisher Brenda Walker, dancer, teacher, actor and writer Wendy Wright has been writing poetry for many years. This is a selection of her enlightening work centred on her life and meditations on all facets of that life.
Tracing the development of tap dancing from ancient India to the Broadway stage in 1903, when the word "Tap" was first used in publicity to describe this new American style of dance, this text separates the cultural, societal and historical events that influenced the development of Tap dancing. Section One covers primary influences such as Irish step dancing, English clog dancing and African dancing. Section Two covers theatrical influences (early theatrical developments, "Daddy" Rice, the Virginia Minstrels) and Section Three covers various other influences (Native American, German and Shaker). Also included are accounts of the people present at tap's inception and how various styles of dance were mixed to create a new art form.
For forty days and forty nights during the winter of 1999, three Canadians, Bruce Kirkby, Jamie Clarke, and Leigh Clarke, along with three Omani Bedu, travelled by camel across Arabia’s great southern desert – the legendary Empty Quarter. Journeying from Salala in Oman on the Arabian Sea, they headed north and east for 1,200 kilometres across remote and largely unexplored desert wilderness, where ranges of sand dunes tower to over three hundred metres in height. When they finally reached Abu Dhabi on the Persian Gulf, they were received as heroes. Theirs was the first camel crossing of the Empty Quarter in over fifty years. The expedition had historic roots, since the team sought to retrace for the first time the original 1947 crossing by world-famous explorer and adventurer Sir Wilfred Thesiger. In the years since Sir Wilfred’s journey, Arabia and the Bedu have faced enormous upheaval. The discovery of oil precipitated rapid and irreversible changes to a nomadic society that had existed in relative isolation since the time of Mohammed. Travelling with their three Bedu companions, the team was afforded a rare glimpse of how these changes have affected the last of the Arabian nomads. During the desert crossing the team was determined to travel and live as authentically as possible, on camels, taking Arabic names and wearing traditional clothing, drinking their water from rank goatskins and eating mainly unleavened bread and dried camel meat. The cultural insights they were afforded are constantly fascinating – but so are the cultural clashes, since the party was often followed by Land Cruisers full of well-meaning supporters who threatened to destroy the spirit of the journey. The expedition was also full of adventure and incident – such as a hundred-foot descent down a narrow, snake-infested well, a three-day sandstorm, the sting of a desert scorpion, and the challenge of living with inescapable heat and nagging dehydration. The Empty Quarter Traverse received considerable media coverage, both nationally and internationally. In nineteen countries around the world, 22,000 school children enrolled in the team’s Internet education program, and 4.8 million people visited the expedition Web site. The trek was reported widely and was the subject of a feature story on the CBC National and a front-page colour photo story in the National Post. Now Bruce Kirkby has written a thoughtful and deeply felt account of this challenging expedition – and has illustrated it with twenty-four pages of his stunning colour photographs. Anyone interested in remote areas of the world or stirred by the romance of old-fashioned adventure and daring will find Sand Dance constantly engaging.
Dance, Space and Subjectivity by V. Briginshaw Pdf
This book contains readings of American, British and European postmodern dances informed by feminist, postcolonialist, queer and poststructuralist theories. It explores the roles dance and space play in constructing subjectivity. By focusing on site-specific dance, the mutual construction of bodies and spaces, body-space interfaces and 'in-between spaces', the dances and dance films are read 'against the grain' to reveal their potential for troubling conventional notions of subjectivity associated with a white, Western, heterosexual able-bodied, male norm.
Dance Legacies of Scotland by Mats Melin,Jennifer Schoonover Pdf
Dance Legacies of Scotland compiles a collage of references portraying percussive Scottish dancing and explains what influenced a wide disappearance of hard-shoe steps from contemporary Scottish practices. Mats Melin and Jennifer Schoonover explore the historical references describing percussive dancing to illustrate how widespread the practice was, giving some glimpses of what it looked and sounded like. The authors also explain what influenced a wide disappearance of hard-shoe steps from Scottish dancing practices. Their research draws together fieldwork, references from historical sources in English, Scots, and Scottish Gaelic, and insights drawn from the authors’ practical knowledge of dances. They portray the complex network of dance dialects that existed in parallel across Scotland, and share how remnants of this vibrant tradition have endured in Scotland and the Scottish diaspora to the present day. This book will be of interest to scholars and students of Dance and Music and its relationship to the history and culture of Scotland.
The first comprehensive, fully documented history of a uniquely American art form, exploring all aspects of the intricate musical and social exchange that evolved from Afro-Irish percussive step dances like the jig, gioube, buck-and-wing, and juba to the work of such contemporary tap luminaries as Gregory Hines, Brenda Bufalino, Dianne Walker, and Savion Glover.
Dance Imagery for Technique and Performance by Eric Franklin Pdf
Renowned master teacher Eric Franklin has thoroughly updated his classic text, Dance Imagery for Technique and Performance, providing dancers and dance educators with a deep understanding of how they can use imagery to improve their dancing and artistic expression in class and in performance. These features are new to this edition: •Two chapters include background, history, theory, and uses of imagery. •294 exercises offer dancers and dance educators greater opportunities to experience how imagery can enhance technique and performance. •133 illustrations facilitate the use of imagery to improve technique, artistic expression, and performance. •Four exercises taught by Franklin and available on HK’s website help dancers with essential rest and relaxation techniques. Franklin provides hundreds of imagery exercises to refine improvisation, technique, and choreography. The 295 illustrations cover the major topics in the book, showing exercises to use in technique, artistic expression, and performance. In addition, Franklin supplies imagery exercises that can restore and regenerate the body through massage, touch, and stretching. And he offers guidance in using imagery to convey information about a dancer’s steps and to clarify the intent and content of movement. This new edition of Dance Imagery for Technique and Performance can be used with Franklin’s Dynamic Alignment Through Imagery, Second Edition, or on its own. Either way, readers will learn how to combine technical expertise with imagery skills to enrich their performance, and they will discover methods they can use to explore how imagery connects with dance improvisation and technique. Dance Imagery for Technique and Performance uses improvisation exercises to help readers investigate new inner landscapes to create and communicate various movement qualities, provides guidelines for applying imagery in the dance class, and helps dancers expand their repertoire of expressiveness in technique and performance across ballet, modern, and contemporary dance. This expanded edition of Dance Imagery for Technique and Performance supplies imagery tools for enhancing or preparing for performance, and it introduces the importance of imagery in dancing and teaching dance. Franklin’s method of using imagery in dance is displayed throughout this lavishly illustrated book, and the research from scientific and dance literature that supports Franklin’s method is detailed. The text, exercises, and illustrations make this book a practical resource for dancers and dance educators alike.
A Dictionary for the Modern Percussionist and Drummer by James A. Strain Pdf
Percussion instruments such as drums, cymbals, gongs, and xylophones comprise one of the largest and ever-expanding areas of music performance, composition, and sound effects. Profusely illustrated, A Dictionary for the Modern Percussionist and Drummer is an essential resource for any student, professional, or amateur musician who wants to delve into the vast world of percussion and drumming instruments and terminology. With an emphasis on modern terms in many languages and genres, James A. Strain has defined, detailed, and explained the use of percussion instruments and drums not only for classical genres (such as orchestra, symphonic, band, and opera) but also for popular styles (such as jazz, rock, music theater, and marching band). Also included are those world music instruments and ensembles commonly found in public school and university settings (such as steel drum bands, samba bands, and gamelan ensembles) as well as historical genres related to rope and rudimental drumming. Written for professional and amateur percussionists as well as non-percussionist educators, this book includes valuable topics on instrument construction and tuning and specific playing techniques, as well as instrument setup diagrams with models and ranges of keyboard percussion instruments. With more than 300 images and examples, it is the ideal reference book to enable any musician to better understand the extensive world of percussion and drumming.
A haunting and brutally funny story of heroism and human values In the bloody aftermath of the Wars of the Roses, Captain John Mallory leads a band of renegades across a war-torn landscape on a breathtaking quest in search of a dream - a dream of home. Dreaming premiered at the Royal Exchange Theatre in March 1999 before moving to the West End. "Peter Barnes is one of the unrecognised geniuses of the English theatre" (Plays and Players)
Magisterial, revelatory, and-most suitably-entertaining, What the Eye Hears offers an authoritative account of the great American art of tap dancing. Brian Seibert, a dance critic for The New York Times, begins by exploring tap's origins as a hybrid of the jig and clog dancing from the British Isles and dances brought from Africa by slaves. He tracks tap's transfer to the stage through blackface minstrelsy and charts its growth as a cousin to jazz in the vaudeville circuits and nightclubs of the early twentieth century. Seibert chronicles tap's spread to ubiquity on Broadway and in Hollywood, analyzes its decline after World War II, and celebrates its rediscovery and reinvention by new generations of American and international performers. In the process, we discover how the history of tap dancing is central to any meaningful account of American popular culture. This is a story with a huge cast of characters, from Master Juba (it was probably a performance of his in a Five Points cellar that Charles Dickens described in American Notes for General Circulation) through Bill Robinson and Shirley Temple, Fred Astaire and Ginger Rogers, and Gene Kelly and Paul Draper to Gregory Hines and Savion Glover. Seibert traces the stylistic development of tap through individual practitioners, vividly depicting dancers both well remembered and now obscure. And he illuminates the cultural exchange between blacks and whites over centuries, the interplay of imitation and theft, as well as the moving story of African-Americans in show business, wielding enormous influence as they grapple with the pain and pride of a complicated legacy.What the Eye Hears teaches us to see and hear the entire history of tap in its every step.
Exploring Dance Forms and Styles by Helene Scheff,Marty Sprague,Susan McGreevy-Nichols Pdf
This text and DVD package helps you to introduce students to a variety of dances without having to leave the classroom! It includes 39 dance performances and resources for 21 more dance forms.
