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Author : Hedi Siegel
Publisher : Cambridge University Press
Page : 348 pages
File Size : 42,7 Mb
Release : 1999-04-22
Category : Music
ISBN : 0521470110
Second volume of studies based on the work of Heinrich Schenker.
Author : Hedi Siegel
Publisher : Cambridge University Press
Page : 234 pages
File Size : 41,5 Mb
Release : 1990-02-23
Category : Music
ISBN : 0521360382
The essays contained in this volume provide a focus on the work of the music theorist Heinrich Schenker - a figure of legendary status who has had an incalculable influence on developments in music theory and analysis in this century. His theories, not always fully understood, have aroused some controversy. The broad spectrum of essays presented here will help clarify Schenker's ideas and their application and will also serve as a useful introduction to his work for music theorists. The essays, written by fourteen leading theorists, originate in papers delivered at the Schenker Symposium held at The Mannes College of Music, New York in 1985.
Author : Hedi Siegel
Publisher : Cambridge University Press
Page : 218 pages
File Size : 55,7 Mb
Release : 1990-02-23
Category : Music
ISBN : 0521360382
The essays contained in this volume provide a focus on the work of the music theorist Heinrich Schenker - a figure of legendary status who has had an incalculable influence on developments in music theory and analysis in this century. His theories, not always fully understood, have aroused some controversy. The broad spectrum of essays presented here will help clarify Schenker's ideas and their application and will also serve as a useful introduction to his work for music theorists. The essays, written by fourteen leading theorists, originate in papers delivered at the Schenker Symposium held at The Mannes College of Music, New York in 1985.
Author : Robert Snarrenberg
Publisher : Cambridge University Press
Page : 203 pages
File Size : 41,5 Mb
Release : 1997-05-28
Category : Music
ISBN : 9780521497268
This is the first comprehensive study of this century's most influential music theorist, Heinrich Schenker.
Author : Robert W. Wason,Matthew Brown
Publisher : Boydell & Brewer
Page : 515 pages
File Size : 40,9 Mb
Release : 2020
Category : Music
ISBN : 9781580465755
The first detailed study of Schenker's pathbreaking 1906 treatise, showing how it reflected 2500 years of thinking about harmony and presented a vigorous reaction to Austro-Germanic music theory ca. 1900.
Author : Heinrich Schenker
Publisher : Pendragon Press
Page : 196 pages
File Size : 50,9 Mb
Release : 2001
Category : Composition (Music)
ISBN : 1576470741
The first two volumes of Heinrich Schenker's masterwork Neue musikalische Theorien und Phantasien, Harmonielehren (1906), and Kontrapunkt (1910 and 1922), laid the foundations for the harmonic aspect of his theory. The specific voice-leading component was a later development, progressing with brilliance over the last 15 years of his life. It is in Free Composition (Freie Satz, 1935) that the idea of voice-leading receives its most detailed and precise formulation. Pendragon Press is honored to make this distinguished reprint available once again, with a new preface by Carl Schacter.
Author : Leslie David Blasius
Publisher : Cambridge University Press
Page : 176 pages
File Size : 55,7 Mb
Release : 1996-10-03
Category : Music
ISBN : 9780521550857
Heinrich Schenker's theoretical and analytical works claim to resubstantiate the unique artistic presence of the canonic work, and thus reject those musical disciplines such as psychoacoustics and systematic musicology which derive from the natural sciences. In this respect his writing reflects the counter-positivism endemic to the German academic discourse of the first decades of the twentieth century. The rhetoric of this stance, however, conceals a sophisticated programme wherein Schenker situates his project in relation to these sciences, arguing his reading of the musical text as a synthesis of a descriptive psychology and an explanatory historiography (which itself embeds both paleographic and philological assumptions). This book rereads Schenker's project as an attempt to reconstruct music theory as a discipline against the background of the empirical musical sciences of the later nineteenth century.
Author : Nicholas Cook,Professional Research Fellow Nicholas Cook
Publisher : Oxford University Press on Demand
Page : 368 pages
File Size : 53,8 Mb
Release : 2007-09-28
Category : Music
ISBN : 9780195170566
Publisher description
Author : David Lewin
Publisher : Oxford University Press
Page : 423 pages
File Size : 48,5 Mb
Release : 2006-01-05
Category : Music
ISBN : 9780198040187
Throughout his career, David Lewin labored to make even the most abstract theory speak to the experience of the ordinary listener. This book combines many of Lewin's classic articles on song and opera with newly drafted chapters on songs of Brahms, Robert Schumann, Clara Schumann, and Milton Babbitt. Bound together by Lewin's cogent insight, the resulting collection constitutes a major statement concerning the methodological problems associated with interpretation of texted music.
Author : Nicholas Cook
Publisher : Oxford University Press
Page : 368 pages
File Size : 46,5 Mb
Release : 2007-09-28
Category : Music
ISBN : 0198038127
Today we think of Heinrich Schenker, who lived in Vienna from 1884 until his death in 1935, as the most influential music theorist of the twentieth century. But he saw his theoretical writings as part of a comprehensive project for the reform of musical composition, performance, criticism, and education-and beyond that, as addressing fundamental cultural, social, and political problems of the deeply troubled age in which he lived. This book aims to explain Schenker's project through reading his key works within a series of period contexts. These include music criticism, the field in which Schenker first made his name; Viennese modernism, particularly the debate over architectural ornamentation; German cultural conservatism, which is the source of many of Schenker's most deeply entrenched values; and Schenker's own position as a Galician Jew who came to Vienna just as fully racialized anti-semitism was developing there. As well as presenting an unfamiliar perspective on the cultural and political ferment of fin-de-si?cle Vienna, this book reveals how deeply Schenker's theory is permeated by the social and political. It also raises issues concerning the meaning and value of music theory, and the extent to which today's music-theoretical agenda unwittingly reflects the values and concerns of a very different world.
Author : David Beach,Su Yin Mak
Publisher : Boydell & Brewer
Page : 374 pages
File Size : 40,5 Mb
Release : 2016
Category : Music
ISBN : 9781580465595
Displays the range and diversity of Schenkerian studies today in fifteen essays covering music from Bach through Debussy and Strauss.
Author : Allen Clayton Cadwallader
Publisher : Simon & Schuster Books For Young Readers
Page : 184 pages
File Size : 45,7 Mb
Release : 1990
Category : Music
ISBN : STANFORD:36105042275490
Heinrich Schenker (1868-1935) was arguably the most influential music theorist of the twentieth century. With his controversial approach to musical analysis, he clearly demonstrated the interdependence of harmony and counterpoint--the relation between chord and line--at different structural levels. The influence of this theory sparked a major revolution in music theory and has resonated in the theoretical work of a half-century of scholars. Trends in Schenkerian Research gathers the writings of the most recent generation of Schenkerian theorists, extending and amplifying ideas not fully developed by Schenker in his lifetime, and placing him in the broader context of theoretical history. Focusing on the topics of tonal rhythm, musical form, and motivic structure, these essays represent both analytical and theoretical elaborations of Schenkerian theory. Chann Willner's essay on Handel's motivic and rhythmic transformation of Telemann's music, and David Gagné's study of Mozart's use of register and texture in the context of musical form represent the analytical extension and practical application of Schenker's work. Extending the theoretical boundaries of Schenker's work, William Rothstein's theory of rhythmic displacement and normalization and Allen Cadwallader's exploration of form and design at different structural levels serve as corollaries to Schenker's original theory. By tracing the historical progression of the Ursatz concept, one of the most far-reaching theoretical constructs of the twentieth century, William Pastille illustrates Schenker's relevance in the history of music theory.
Author : Benjamin Ayotte
Publisher : Routledge
Page : 344 pages
File Size : 45,5 Mb
Release : 2020-08-11
Category : Music
ISBN : 9781000101256
This book consists of over 1,500 citations to both primary sources and the burgeoning secondary literature of Heinrich Schenker, annotated and subdivided by category. The citations are supplemented with indices cross-referencing entries according to individual works and analytical topic.
Author : Eric Wen
Publisher : Rowman & Littlefield
Page : 390 pages
File Size : 48,7 Mb
Release : 2019-02-14
Category : Music
ISBN : 9781538104675
This book approaches Schenkerian analysis in a practical and accessible manner fit for the classroom, guiding readers through a step-by-step process. It is suitable for advanced undergraduates and graduate students of musicology, music theory, composition, and performance, and it is replete with a wide variety of musical examples.
Author : David Carson Berry
Publisher : Pendragon Press
Page : 610 pages
File Size : 54,5 Mb
Release : 2004
Category : Juvenile Nonfiction
ISBN : 1576470954
To the growing list of Pendragon Press publications devoted to the work of Heinrich Schenker, we wish to announce the addition of this much-needed bibliography. The author, a student of Allen Forte, has created a work useful to a wide range of researchers music theorists, musicologists, music librarians and teachers. The Guide is the largest Schenkerian reference work ever published. At nearly 600 pages, it contains 3600 entries (2200 principal, 1400 secondary) representing the work of 1475 authors. Fifteen broad groupings encompass seventy topical headings, many of which are divided and subdivided again, resulting in a total of 271 headings under which entries are collected.
