Soap Opera Realism Spectatorship And The Female Audience

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Soap Opera: Realism, Spectatorship and the Female Audience

Author : Lea Weller BA
Publisher : GRIN Verlag
Page : 12 pages
File Size : 40,7 Mb
Release : 2013-11-12
Category : Social Science
ISBN : 9783656539438

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Soap Opera: Realism, Spectatorship and the Female Audience by Lea Weller BA Pdf

Essay from the year 2010 in the subject Sociology - Gender Studies, grade: A, University of Derby, course: BA in Sociology and Film and Television Studies, language: English, abstract: The soap opera is classed as a woman’s genre in which a fictional discourse of current affairs is discussed as speculated gossip. Charlotte Brunsdon (1995, 1997) has stated that the British soap opera has specific conventions, which make it a soap opera. Realism in a soap opera reflects the issues that are evident in society today and recognised by a female audience, allowing the viewer to connect with specific plots and characters. Brunsdon had become interested in the sudden intriguing criticisms of the feminist critics who argued about how the representations of the personal home life became an intriguing object of study.

Screen Tastes

Author : Charlotte Brunsdon
Publisher : Psychology Press
Page : 260 pages
File Size : 55,6 Mb
Release : 1997
Category : Literary Criticism
ISBN : 0415121558

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Screen Tastes by Charlotte Brunsdon Pdf

First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

Women and Soap Opera

Author : Christine Geraghty
Publisher : Blackwell Publishing
Page : 211 pages
File Size : 49,7 Mb
Release : 1991-08-26
Category : Performing Arts
ISBN : 0745605680

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Women and Soap Opera by Christine Geraghty Pdf

This is the first major study of the roles of women in prime time soap operas. In a comparative analysis of British and North American television soaps, Christine Geraghty examines the relationship between the narratives on the screen and the women viewers who make up the traditional soap audience. Within the structure of many of the most popular soaps, such as Dallas, Dynasty, Coronation Street and EastEnders, the split between public and personal life, reason and emotion, work and leisure is turned into a lynchpin of the plot. The author argues that these themes are also linked to broader social divisions between men and women, divisions which soap operas both question and develop as a source of pleasure. Geraghty analyses the critical role of women characters in the families and communities of soaps and suggests that the utopian possibilities of soaps can be used not just to maintain the status quo, but to promote change and influence attitudes and prejudices. She examines the way in which soaps have been transformed in the last decade, looking at how issues of class, race, sexual orientation and feminism have been handled in the programmes. She argues that in pursuing new audiences more recent soaps such as Brookside may have put at risk the pleasures they have traditionally offered their women viewers. Women and Soap Opera is a detailed, thoughtful and wide-ranging analysis which will become a central work in women’s studies and media and cultural studies courses.

Verdi, Opera, Women

Author : Susan Rutherford
Publisher : Cambridge University Press
Page : 308 pages
File Size : 49,9 Mb
Release : 2013-11-07
Category : History
ISBN : 9781107043824

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Verdi, Opera, Women by Susan Rutherford Pdf

Prologue : Verdi and his audience -- War -- Prayer -- Romance -- Sexuality -- Marriage -- Death -- Laughter.

Making Sense of Television

Author : Sonia Livingstone
Publisher : Routledge
Page : 226 pages
File Size : 46,7 Mb
Release : 2013-03-07
Category : Psychology
ISBN : 9781134970483

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Making Sense of Television by Sonia Livingstone Pdf

Taking the soap opera as a case study, this book explores the 'parasocial interaction' people engage in with television programmes. It looks at the nature of the 'active viewer' and the role of the text in social psychology. It also investigates the existing theoretical models offered by social psychology and other discourses. This second edition takes into account recent research work and theoretical developments in fields such as narrative psychology, social representation theory and ethnographic work on audiences, and look forward to the developing role of audience research. It will be an essential study for students and lecturers in social psychology and media studies.

The Television Genre Book

Author : Glen Creeber
Publisher : Bloomsbury Publishing
Page : 256 pages
File Size : 46,7 Mb
Release : 2015-08-16
Category : Performing Arts
ISBN : 9781844578986

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The Television Genre Book by Glen Creeber Pdf

Genre is central to understanding the industrial context and visual form of television. This new edition of the key textbook on television genre brings together leading international scholars to provide an accessible and comprehensive introduction to the debates, issues and concerns of the field. Structured in eleven sections, The Television Genre Book introduces the concept of 'genre' itself and how it has been understood in television studies, and then addresses the main televisual genres in turn: drama, soap opera, comedy, news, documentary, reality television, children's television, animation and popular entertainment. This third edition is illustrated throughout with case studies of classic and contemporary programming from each genre, ranging from The Simpsons to Buffy the Vampire Slayer and from Monty Python's Flying Circus to Who Wants to be a Millionaire?. It also features new case studies on contemporary shows, including The Only Way Is Essex, Homeland, Game of Thrones, Downton Abbey, Planet Earth, Grey's Anatomy and QVC, and new chapters covering topics such as constructed reality, travelogues, telefantasy, stand-up comedy, the panel show, 24-hour news, Netflix and video on demand.

Modern Drama and the Rhetoric of Theater

Author : W. B. Worthen
Publisher : Univ of California Press
Page : 240 pages
File Size : 45,6 Mb
Release : 2015-01-30
Category : Language Arts & Disciplines
ISBN : 9780520286870

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Modern Drama and the Rhetoric of Theater by W. B. Worthen Pdf

The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience. How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period is shown to develop a range of post-Brechtian practices that make the audience the subject of the play. Worthen's book deserves the attention of any literary critic or serious theatergoer interested in the relationship between modern drama and the spectator.

The Sexual Subject

Author : Screen
Publisher : Psychology Press
Page : 354 pages
File Size : 53,6 Mb
Release : 1992
Category : Performing Arts
ISBN : 0415074665

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The Sexual Subject by Screen Pdf

Brings together indispensable writings on sexuality which have appeared in Screen, posing new conjunctions and making connections in one volume between debates which have spanned the last two decades in film theory.

The Sexual Subject

Author : Mandy Merck
Publisher : Routledge
Page : 348 pages
File Size : 49,8 Mb
Release : 2013-11-05
Category : Social Science
ISBN : 9781136128929

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The Sexual Subject by Mandy Merck Pdf

The Sexual Subject brings together writing on sexuality which has appeared in ^Screen> over the past two decades. It reflects the journal's continuing engagement with questions of sexuality and signification in the cinema, an engagement which has had a profound influence on the development of the academic study of film and on alternative film and video practice. The collection opens with Laura Mulvey's classic "Visual Pleasure and Narrative Cinema" with its conjunction of semiotics and psychoanalysis, the critical approach which is most closely associated with Screen's rise to international prominence. The reader then goes on to explore the particular questions and debates which that conjuction provoked: arguments around pornography and the represenation of the body: questions of the representation of femininity and masculinity, of the female spectator, and of the social subject. Many of the writings in this Reader have become indispensable texts within the study of film. The purpose of the Reader is not only to make the articles available to a wider readership, and to a new generation, but also to pose new conjunctions, making connections in one volume between debates and inquiries which spanned two crucial decades of film theory. The Sexual Subject is intended not only for all those with a particular interest in film and film theory, but for anyone with a serious commitment to cultural theory, theories of representation, and questions of sexuality and gender.

Soap Opera and Women's Talk

Author : Mary Ellen Brown
Publisher : SAGE Publications, Incorporated
Page : 248 pages
File Size : 45,9 Mb
Release : 1994-05-17
Category : Language Arts & Disciplines
ISBN : UCSC:32106018923844

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Soap Opera and Women's Talk by Mary Ellen Brown Pdf

Brown states soap operas create and support a social network in which talk becomes a form of resistive pleasure. It tells how soap operas create the opening for women to serve as wedges in the dominant culture and how the hegemonic notions of femininity and womanhood are developed.

Women and Soap Opera

Author : Dannielle Blumenthal
Publisher : Praeger
Page : 160 pages
File Size : 44,5 Mb
Release : 1997-09-16
Category : Performing Arts
ISBN : UCSC:32106014557265

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Women and Soap Opera by Dannielle Blumenthal Pdf

Women's soap opera viewing has long been thought of by feminists and nonfeminists as an unproductive waste of time. Blumenthal takes the opposing view, arguing that women's indulgence in these programs is actually liberating. In overcoming the social opposition to the stigma attached to the feminine content and style, and engaging in soap opera viewing, women celebrate their femininity, particularly their gendered identification with romance, relationality, intuitiveness, talkativeness, and other aspects of emotionality. This book will be of interest to academics in the areas of sociology, women's studies, and media studies.

Defining Women

Author : Julie D'Acci
Publisher : Univ of North Carolina Press
Page : 359 pages
File Size : 54,7 Mb
Release : 2000-11-09
Category : Social Science
ISBN : 9780807860960

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Defining Women by Julie D'Acci Pdf

Defining Women explores the social and cultural construction of gender and the meanings of woman, women, and femininity as they were negotiated in the pioneering television series Cagney and Lacey, starring two women as New York City police detectives. Julie D'Acci illuminates the tensions between the television industry, the series production team, the mainstream and feminist press, various interest groups, and television viewers over competing notions of what women could or could not be--not only on television but in society at large. Cagney and Lacey, which aired from 1981 to 1988, was widely recognized as an innovative treatment of working women and developed a large and loyal following. While researching this book, D'Acci had unprecedented access to the set, to production meetings, and to the complete production files, including correspondence from network executives, publicity firms, and thousands of viewers. She traces the often heated debates surrounding the development of women characters and the representation of feminism on prime-time television, shows how the series was reconfigured as a 'woman's program,' and investigates questions of female spectatorship and feminist readings. Although she focuses on Cagney and Lacey, D'Acci discusses many other examples from the history of American television.

American Literature, Lynching, and the Spectator in the Crowd

Author : Debbie Lelekis
Publisher : Lexington Books
Page : 127 pages
File Size : 51,6 Mb
Release : 2015-10-08
Category : Literary Criticism
ISBN : 9781498506366

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American Literature, Lynching, and the Spectator in the Crowd by Debbie Lelekis Pdf

American Literature, Lynching, and the Spectator in the Crowd: Spectacular Violence examines spectatorship in American literature at the turn of the twentieth century, focusing on texts by Theodore Dreiser, Miriam Michelson, Irvin S. Cobb, and Paul Laurence Dunbar. The spectator functions as a lens through which we view the relationship between violence and social change as depicted in the politically-charged crowds of fictional lynch mob scenes that expose the central tension of American democracy—the struggle for balance between the rights of the individual and the demands of the community. This has played out in American fiction through clashes between crowds and the primarily rural images that have so often been used to describe America. While this pastoral vision of America has dominated the study of American literature, this book argues for a reassessment of fiction that takes into consideration that the way the country defines itself collectively is as significant as the way its people define themselves individually. This study distinguishes itself from others by bringing together journalism, crowds, lynching, spectatorship, and literature in new and innovative ways that uncover how American literature at the turn of the twentieth century confronted and pushed beyond passive observation and static visual performances, which are traditionally associated with the terms "spectator" and "spectacle." The crowds in fictional lynch mob scenes clash with the idea of positive collective action because the crowd's vigilantism defies legitimate legal and democratic processes. Lynch mobs, in contrast to other crowds like strikes or political rallies, do not reclaim the democratic process from the control of the powerful and wealthy, but rather oppose those practices violently without regard to justice. As a figure who is simultaneously within and outside the crowd, the spectator (often in the form of a reporter character) is in a unique position to express the fractures occurring between the individual and the collective in American society. Racial conflicts are a key aspect of the crowd scenes examined. American writers contended with these issues by using the spectator to observe, question, and challenge readers to consider the impact on the structure of American society.

Women Warriors in Romantic Drama

Author : Wendy C. Nielsen
Publisher : Rowman & Littlefield
Page : 235 pages
File Size : 47,8 Mb
Release : 2013
Category : Literary Criticism
ISBN : 9781611494303

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Women Warriors in Romantic Drama by Wendy C. Nielsen Pdf

Women Warriors in Romantic Drama advances scholarship on late eighteenth- and early nineteenth-century theater by bringing together, for the first time, female and male dramatists as well as British, German, Irish, and French writers, thinkers, actors, and philosophers. This transnational perspective allows Women Warriors in Romantic Drama to make the provocative claim that in some instances, the violence of the French Revolution--and especially women's participation in it--advances proto-feminist concerns.

Mass Culture and Everyday Life

Author : Peter Gibian
Publisher : Routledge
Page : 311 pages
File Size : 49,8 Mb
Release : 2014-02-04
Category : Art
ISBN : 9781135208554

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Mass Culture and Everyday Life by Peter Gibian Pdf

Mass Culture and Everyday Life is a collection of lively work from the small but seminal journal Tabloid. The book offers a clarification of the study of mass culture as it transforms daily life, providing a detailed survey of a wide range of the mass culture phenomena that have defined our everyday lives in recent years: from Hillary's hairdo to tampons, exercise fads and fashion trends; from soaps to opera to rythmn and blues; from horror movies to the interrelation of cats, pigs and mothers in Babe. This volume includes ground-breaking essays on: the boom of talk radio and talk TV; shopping as cinematic spectacle; and how "everyday life" in the university community has become a key battleground in America's "culture wars." The direct, accessible, and refreshingly personal work speak not only to an academic audience but to a wide general readership.