Sonata Form

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Elements of Sonata Theory

Author : James Arnold Hepokoski,Warren Darcy
Publisher : Oxford University Press, USA
Page : 1172 pages
File Size : 45,8 Mb
Release : 2011
Category : Music
ISBN : 9780199773916

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Elements of Sonata Theory by James Arnold Hepokoski,Warren Darcy Pdf

Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.

Two-dimensional Sonata Form

Author : Steven Vande Moortele
Publisher : Leuven University Press
Page : 229 pages
File Size : 53,6 Mb
Release : 2009
Category : Instrumental music
ISBN : 9789058677518

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Two-dimensional Sonata Form by Steven Vande Moortele Pdf

Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form that is so characteristic of the later nineteenth and early twentieth century. It then offers an in-depth examination of nine exemplary works by four Central European composers: the Piano Sonata in B minor and the symphonic poems Tasso and Die Ideale by Franz Liszt; Richard Strauss's tone poems Don Juan and Ein Heldenleben; the symphonic poem Pelleas und Melisande, the First String Quartet and the First Chamber Symphony by Arnold Schoenberg, and Alexander Zemlinsky's Second String Quartet.

How Sonata Forms

Author : Yoel Greenberg
Publisher : Oxford University Press
Page : 265 pages
File Size : 53,9 Mb
Release : 2022-06-10
Category : History
ISBN : 9780197526286

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How Sonata Forms by Yoel Greenberg Pdf

Traditional approaches to musical form have always adopted a top-down perspective whereby a work's form organizes and unifies the individual parts of the work through an overarching logic. How Sonata Forms turns this view on its head, proposing instead that it was the parts that conditioned and enabled the whole. Relying on a corpus of over a thousand works, author Yoel Greenberg illustrates how the elements of sonata form arose independently of one another, with an overarching idea of form only emerging at the tail end of its formative period during the eighteenth century. Appreciation of the bottom-up nature of sonata form's evolution reveals it not as a stable package of features that all serve a common aesthetic or formal goal, but rather as an unstable collection of disparate and sometimes even contradictory common practices. The resolution of these contradictions presents a challenge to composers, rendering form a creative catalyst in itself, rather than as a compositional convenience. More generally, the deeply diachronic perspective of How Sonata Forms offers an alternative to the traditional synchronic outlook that pervades music theory in general and the study of form in particular. Rather than focus on definitions and taxonomies, How Sonata Forms proposes a focus on the motion of the system of form as a whole, suggesting that it is often more productive to appreciate the dynamics of a system than it is to rigorously define its parts.

Sonata Form

Author : Carole Cummings
Publisher : Forest Path Books
Page : 476 pages
File Size : 41,9 Mb
Release : 2021-01-29
Category : Fiction
ISBN : 9781951293178

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Sonata Form by Carole Cummings Pdf

Love, and war—and dragons! "A sweet standalone romantic fantasy... richly imagined." -- Publisher's Weekly Old Forge is known for its dragons—savage little things, more singe than snarl—and Milo Priddy is known for his way with them. When rumblings of conflict appear on the horizon, the dragons start to disappear. Milo is dragonkin, and knows what he must do. It is an uneasy choice, and one he dares not reveal even to his lover, Ellis. As leader of neighbouring Wellech, Ellis has his own hard choices. His skills are crucial to a secure homeland. More and more, the homeland he and Milo once hoped to share is under threat--not only from outside, but within. For their own people are sowing mistrust of the magic users, seeding a betrayal of not only the dragons, but their kin.

Elements of Sonata Theory

Author : James Hepokoski,Warren Darcy
Publisher : Oxford University Press
Page : 692 pages
File Size : 41,9 Mb
Release : 2011-02-11
Category : Music
ISBN : 9780199890231

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Elements of Sonata Theory by James Hepokoski,Warren Darcy Pdf

Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.

Sonata Forms

Author : Charles Rosen
Publisher : W. W. Norton & Company
Page : 438 pages
File Size : 45,6 Mb
Release : 1988
Category : Music
ISBN : 0393302199

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Sonata Forms by Charles Rosen Pdf

"Nobody writes better about music .... again and again, unerring insight into just the features that make the music special and fine."--The New York Review of Books

The Sonata

Author : Thomas Schmidt-Beste
Publisher : Cambridge University Press
Page : 279 pages
File Size : 42,5 Mb
Release : 2011-03-10
Category : Music
ISBN : 9780521762540

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The Sonata by Thomas Schmidt-Beste Pdf

An introductory survey of the most enduring and popular genre of instrumental music, perfect for students, teachers and performers.

Mozart's Music of Friends

Author : Edward Klorman
Publisher : Cambridge University Press
Page : 359 pages
File Size : 52,5 Mb
Release : 2016-04-21
Category : Art
ISBN : 9781107093652

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Mozart's Music of Friends by Edward Klorman Pdf

This study analyzes chamber music from Mozart's time within its highly social salon-performance context.

Classical Form

Author : William E. Caplin
Publisher : Oxford University Press
Page : 320 pages
File Size : 45,6 Mb
Release : 2000-12-28
Category : Music
ISBN : 9780199881758

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Classical Form by William E. Caplin Pdf

Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.

Keys to the Drama

Author : Gordon Sly
Publisher : Routledge
Page : 264 pages
File Size : 42,6 Mb
Release : 2016-04-22
Category : Music
ISBN : 9781317109235

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Keys to the Drama by Gordon Sly Pdf

Sonata form is fundamentally a dramatic structure that creates, manipulates, and ultimately satisfies expectation. It engages its audience by inviting prediction, association, and interpretation. That sonata form was the chief vehicle of dramatic instrumental music for nearly 200 years is due to the power, the universality, and the tonal and stylistic adaptability of its conception. This book presents nine studies whose central focus is sonata form. Their diversity attests both to the manifold analytical approaches to which the form responds, and to the vast range of musical possibility within the form's exemplars. At the same time, common compositional issues, analytical methods, and overarching perspectives on the essential nature of the form weave their way through the volume. Several of the essays approach the musical structure directly as drama, casting the work as an expression of its composer's engagement with an idea or principle that is dynamic and at times intensely difficult. Others concentrate their attention on a composer's use of "motive," which typically takes the form of a simple melodic span that shapes the musical architecture through an interdependent series of structural levels. Integrating these motivic threads within the musical fabric often warrants departures from formal norms in other areas. Analyses that seek to understand works with anomalous formal qualities-whether engendered by a motivic component or not-have a prominent place in the volume. Among these, accounts of idiosyncratic tonal discourse that threatens to undermine the unfolding of form-defining qualities or events are central.

Vibrant Keyboard Sonorities The Solo Keyboard Sonata A History in Seven Volumes

Author : Robert M. White, M.D.
Publisher : Dorrance Publishing
Page : 399 pages
File Size : 42,9 Mb
Release : 2023-05-03
Category : History
ISBN : 9798886045536

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Vibrant Keyboard Sonorities The Solo Keyboard Sonata A History in Seven Volumes by Robert M. White, M.D. Pdf

About the Book The purpose of Vibrant Keyboard Sonorities is to provide a comprehensive, critical evaluation, and appreciation of the 450-year history of the keyboard sonata. This history should be of interest to all those who are musicians, music historians and lovers of Classical music. This subject will be of great interest and relevance to all music lovers. Also, these volumes will serve as reference works and would be excellent introductory textbooks for college-level music students. This source of comprehensive information about the keyboard sonata is fully available through this book alone. This is the first text of its nature with information that is not fully available in one source elsewhere. About the Author Robert M. White, M.D. is a retired pathologist who pursues several hobbies and interests outside of medicine. His hobbies include playing the piano, long distance running, and avid reading. He is actively involved in his church and in several community service-oriented organizations. His real passion is Classical music, and for more than fifty years, he has been a serious student of Classical music in all of its forms. Dr. White is the author of two recently published reference books: Sounding Together: A History of the Symphony (2019) and Performing Together: A History of the Keyboard Concerto (2021). His playing of the piano since childhood has afforded his extensive knowledge of piano literature.

Stainer and Barrett's Dictionary of Musical Terms

Author : William Alexander Barrett
Publisher : Unknown
Page : 480 pages
File Size : 53,7 Mb
Release : 1898
Category : Music
ISBN : UOM:39015027679649

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Stainer and Barrett's Dictionary of Musical Terms by William Alexander Barrett Pdf

Rethinking Dvořák

Author : David R. Beveridge
Publisher : Oxford University Press
Page : 334 pages
File Size : 50,8 Mb
Release : 1996
Category : Electronic
ISBN : 0198164114

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Rethinking Dvořák by David R. Beveridge Pdf

The 24 essays offer penetrating insights into Dvorak's personality, his place in history, and the sheer beauty of his music. How this music was received and appreciated is a subject of special focus, offering explanations as to why, despite the composer's popularity, some of his greatest compositions have remained unknown.

Analyzing Classical Form

Author : William E. Caplin
Publisher : Oxford University Press
Page : 528 pages
File Size : 47,8 Mb
Release : 2013-10-08
Category : Music
ISBN : 9780199987306

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Analyzing Classical Form by William E. Caplin Pdf

Analyzing Classical Form builds upon the foundations of the author's critically acclaimed Classical Form by offering an approach to the analysis of musical form that is especially suited for classroom use. Providing ample material for study in both undergraduate and graduate courses, Analyzing Classical Form presents the most up-to-date version of the author's "theory of formal functions." Students will learn how to make complete harmonic and formal analyses of music drawn from the instrumental works of Haydn, Mozart, and Beethoven. Part 1 introduces the principal theme-types of classical instrumental music; part 2 provides a methodology for analyzing sonata form, the most important formal type in this style period; and part 3 considers other full-movement forms found in this repertory (such as minuet, rondo, and concerto). The chapters are organized in a way that presents the most basic materials upfront and then leads the student through more details and finer points of theory. Every topic is illustrated with annotated musical examples; as well, the book contains many unannotated examples that can be used for in-class discussion and for out-of-class analytical exercises. A complete glossary of terms and questions for reviewing the theory will help students assimilate the many theoretical concepts employed in the book. A companion website hosted by the author at music.mcgill.ca/acf/ provides audio and musical scores for all of the examples in the book as well as additional examples for the analysis of the simple theme-types presented in part 1.

Heinrich Schenker and Beethoven's 'Hammerklavier' Sonata

Author : Nicholas Marston
Publisher : Routledge
Page : 186 pages
File Size : 40,7 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351563956

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Heinrich Schenker and Beethoven's 'Hammerklavier' Sonata by Nicholas Marston Pdf

In 1912 Heinrich Schenker contracted with the Viennese publisher Universal Edition to provide an 'elucidatory edition' (Erlerungsausgabe) of Beethoven's last five piano sonatas. Each publication would comprise a score, newly edited by Schenker and using the composer's autograph manuscript as principal source, together with a substantial commentary combining analytical, text-critical and performance-related matter. Four of the five editions appeared between 1913 and 1921, but that of the 'Hammerklavier' Sonata, op. 106, was never published. It has generally been assumed that this was simply because Schenker was unable to locate the autograph manuscript, which remains missing to this day. But as Nicholas Marston shows in a detailed history of the Erlerungsausgabe project, other factors were involved also, including financial considerations, Schenker's health concerns, and his broader theoretical ambitions. Moreover, despite the missing autograph he nevertheless developed a voice-leading analysis of the complete sonata during the years 1924-1926, a crucial period in the development of his mature theory of tonal music. Marston's book provides the first in-depth study of this rich analysis, which is reproduced in full in high-quality digital images. The book draws on hundreds of letters and documents from Schenker's Nachla it both adds to our biographical knowledge of Schenker and illuminates for the first time the response of this giant of music theory to one of the most significant masterworks in all music.