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Tell Them It's A Dream Sequence by John Gaspard Pdf
Is it your dream to make feature films? Get advice on how to do that by some of the best in the business! It’s like going to film school without ever leaving home. Valuable Lessons on Making a Successful Feature Film. Includes great tips and ideas from: Steven Soderbergh (“sex, lies & videotape”) Roger Corman (“Little Shop of Horrors”) Jon Favreau (“Swingers”) Rebecca Miller (“Personal Velocity”) Kenneth Lonergan (“You Can Count on Me”) Henry Jaglom (“Venice/Venice”) Miranda July (“Me and You and Everyone We Know”) Bob Odenkirk (“Melvin Goes to Dinner”) Dan O'Bannon (“Dark Star”) Whit Stillman (“Metropolitan”) Jonathan Lynn (“My Cousin Vinny”) Carol Littleton (“The Big Chill”) Dan Futterman (“Capote”) Joan Micklin Silver (“Hester Street”) Griffin Dunne (“Lisa Picard is Famous”) Stuart Gordon (“Re-Animator”) Kasi Lemmons (“Eve’s Bayou”) George Romero (“Martin”) Tom Noonan (“What Happened Was…”) Daniel Myrick (“The Blair Witch Project”) And many more! Topics covered include getting started, scripting, pre-production, production, post-production and distribution. An ideal handbook for all filmmakers, providing great insights that will help you whether or making your first film or your tenth.
Renowned, bestselling novelist Chuck Palahniuk takes us behind the scenes of the writing life, with postcards from decades on the road and incredible examination of the power of fiction and the art of storytelling. In this spellbinding blend of memoir and insight, bestselling author Chuck Palahniuk shares stories and generous advice on what makes writing powerful and what makes for powerful writing. With advice grounded in years of careful study and a keenly observed life, Palahniuk combines practical advice and concrete examples from beloved classics, his own books, and a "kitchen-table MFA" culled from an evolving circle of beloved authors and artists, with anecdotes, postcards from the road, and much more. Clear-eyed, sensitive, illuminating, and knowledgeable, Consider This is Palahniuk's love letter to stories and storytellers, booksellers and books themselves. Consider it a classic in the making.
Fast, Cheap & Written That Way: Top Screenwriters on Writing for Low-Budget Movies by John Gaspard Pdf
Write Your Screenplay with the Help of Top Screenwriters! It’s like taking a Master Class in screenwriting … all in one book! Discover the pitfalls of writing to fit a budget from screenwriters who have successfully navigated these waters already. Learn from their mistakes and improve your script with their expert advice. "I wish I'd read this book before I made Re-Animator." Stuart Gordon, Director, Re-Animator, Castle Freak, From Beyond John Gaspard has directed half a dozen low-budget features, as well as written for TV, movies, novels and the stage. The book covers (among other topics): Academy-Award Winner Dan Futterman (“Capote”) on writing real stories Tom DiCillio (“Living In Oblivion”) on turning a short into a feature Kasi Lemmons (“Eve’s Bayou”) on writing for a different time period George Romero (“Martin”) on writing horror on a budget Rebecca Miller (“Personal Velocity”) on adapting short stories Stuart Gordon (“Re-Animator”) on adaptations Academy-Award Nominee Whit Stillman (“Metropolitan”) on cheap ways to make it look expensive Miranda July (“Me and You and Everyone We Know”) on making your writing spontaneous Alex Cox (“Repo Man”) on scaling the script to meet a budget Joan Micklin Silver (“Hester Street”) on writing history on a budget Bob Clark (“Children Shouldn’t Play with Dead Things”) on mixing humor and horror Amy Holden Jones (“Love Letters”) on writing romance on a budget Henry Jaglom (“Venice/Venice”) on mixing improvisation with scripting L.M. Kit Carson (“Paris, Texas”) on re-writing while shooting Academy-Award Winner Kenneth Lonergan (“You Can Count on Me”) on script editing Roger Nygard (“Suckers”) on mixing genres This is the book for anyone who’s serious about writing a screenplay that can get produced! Grab it today! ★★★★★ "A perfect read for anyone who wants to write a film script or for anyone who just enjoys watching movies." Fred Willard, Actor, A Mighty Wind, Best in Show, Waiting for Guffman "This volume is packed full of useful little nuggets of information." Jonathan Lynn, Director, My Cousin Vinny, Clue, Nuns on the Run, The Whole Nine Yards “Packed with war stories and savvy advice for beginning screenwriters.” Larry Gross, Screenwriter, 48 hrs., Streets of Fire, True Crime
Sara Barnes thought her life was perfectly ordinary – until the night she began stepping into other people’s dreams. Follow Sara as she learns to cope with this extraordinary gift (or curse) in the first three books of the Dream Doctor Mysteries: DREAM STUDENT It’s bad enough that, thanks to her supernatural talent, Sara is learning more than she ever needed to know about her friends and classmates, watching their most secret fantasies whether she wants to or not. Much worse are the other dreams, the ones she sees nearly every night, featuring a strange, terrifying man who commits unspeakable crimes. Now Sara wonders if she’s the only witness to a serial killer – and the only one who knows when and where he’s going to strike next. DREAM DOCTOR Medical school and life as a newlywed would be enough by themselves for anybody to handle. But Sara’s got another problem – her dreams have started up again. Almost everyone at the medical school is dreaming about the death of the school’s least popular teacher, Dr. Morris, and once again, Sara finds herself in the role of unwilling witness to a murder before it happens. But this time, there are too many suspects to count, and it doesn’t help matters that she hates Dr. Morris every bit as much as any of his would-be murderers do. DREAM CHILD Sara thought she had made peace with her dreaming talent, but she’s got a surprise coming: her four-year-old daughter has inherited it, too. Unraveling a mystery with lives on the line is difficult enough under the best of circumstances. But when Sara has to view all the evidence through the eyes – and dreams - of a toddler, it may be an impossible task.
Based on long-lost recordings, a set of riveting and revealing conversations with America's great cultural provocateur There have long been rumors of a lost cache of tapes containing private conversations between Orson Welles and his friend the director Henry Jaglom, recorded over regular lunches in the years before Welles died. The tapes, gathering dust in a garage, did indeed exist, and this book reveals for the first time what they contain. Here is Welles as he has never been seen before: talking intimately, disclosing personal secrets, reflecting on the highs and lows of his astonishing Hollywood career, the people he knew--FDR, Winston Churchill, Charlie Chaplin, Marlene Dietrich, Laurence Olivier, David Selznick, Rita Hayworth, and more--and the many disappointments of his last years. This is the great director unplugged, free to be irreverent and worse--sexist, homophobic, racist, or none of the above-- because he was nothing if not a fabulator and provocateur. Ranging from politics to literature to movies to the shortcomings of his friends and the many films he was still eager to launch, Welles is at once cynical and romantic, sentimental and raunchy, but never boring and always wickedly funny. Edited by Peter Biskind, America's foremost film historian, My Lunches with Orson reveals one of the giants of the twentieth century, a man struggling with reversals, bitter and angry, desperate for one last triumph, but crackling with wit and a restless intelligence. This is as close as we will get to the real Welles--if such a creature ever existed.
After Paul Lucas murders and inherits the wealth of an elderly woman entrusted to his care, he is badly injured when a commercial airliner crashes into the Maryland countryside. Following extensive reconstructive surgery, he is unable to remember his past. Later, while on a Carribean cruise, Lucas falls in love and proposes to a spellbinding woman. But Paul Lucas' troubles are far from over. A retired police detective, hired by the murdered woman's brother is closing in on him. Meanwhile, the demented brother of a woman Lucas raped twenty years earlier has been released from prison. Having killed twice while in prison, the brother, Sean Dougherty, has grown to love the high he gets when he takes a human life. Vowing to revenge the rape and subsequent suicide of his twin sister, Sean Dougherty begins his violent campaign to restore honor to the Dougherty family name.
Fast, Cheap & Under Control: Lessons Learned from the Greatest Low-Budget Movies of All Time by John Gaspard Pdf
Dying to make a feature? Learn from the pros! "We never put out an actual textbook for the Corman School of Filmmaking, but if we did, it would be Fast, Cheap and Under Control." Roger Corman, Producer ★★★★★ It’s like taking a Master Class in moviemaking…all in one book! Jonathan Demme: The value of cameos John Sayles: Writing to your resources Peter Bogdanovich: Long, continuous takes John Cassavetes: Re-Shoots Steven Soderbergh: Rehearsals George Romero: Casting Kevin Smith: Skipping film school Jon Favreau: Creating an emotional connection Richard Linklater: Poverty breeds creativity David Lynch: Kill your darlings Ron Howard: Pre-production planning John Carpenter: Going low-tech Robert Rodriguez: Sound thinking And more! Learn the tricks and pitfalls of low-budget filmmaking from 33 successful independent films and the filmmakers who created them. Includes never before published interviews with low-budget mavericks such as Steven Soderbergh, Roger Corman, Jon Favreau, Henry Jaglom, and many more. Learn the lessons from such classics as Clerks, Night of the Living Dead, Swingers, Open Water, El Mariachi, Slacker, sex, lies and videotape, The Blair Witch Project, Eraserhead, Monty Python & The Holy Grail, Dark Star, Return of the Secaucus Seven, The Little Shop of Horrors, Caged Heat and Targets. Are you dying to make a movie? This is the one book that can help you make it a reality. Grab it now! ★★★★★ Praise for the Fast, Cheap and Under Control: "This terrific little book explains how to make every penny count on the often-arduous journey from script to screen." John Carpenter, Director, Halloween, Starman, Escape from New York "A helpful and funny guide for beginners and professionals alike." Jonathan Demme, Director, Silence of the Lambs "This book is as good as film school, and a lot less expensive. It's required reading in Tromaville." Lloyd Kaufman, President, Troma Entertainment, Creator, Toxic Avenger "I wish I’d read this book before I made Re-Animator." Stuart Gordon, director, Re-Animator "This simple and sensible book injects reality into the process and helps any filmmaker prevent their film from becoming a money pit. Lessons like those in this book are cheap at ten times the price." John Badham, director, Saturday Night Fever, Dracula, Blue Thunder "For everyone who wants to make art without breaking the bank, John Gaspard’s book is worth every penny." Derek Pell, Editor, DingBat Magazine "A richly-detailed, highly readable and inspiring book jam-packed with information that will keep low-budget filmmakers from making costly mistakes. Filled with a ton-full (not a spoonful) of fascinating, insightful interviews, with a you-can-do-it approach." Dr. Linda Seger, consultant on over 2,000 screenplays, best-selling author of Making a Good Script Great and 7 other books
This book is a complete translation of Hamamatsu Chunagon Monogatari, one of the few extant works of monogatari literature of the Heian period. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Vienna 2019 - Encountering the Other: Within us, between us and in the world by Emilija Kiehl,Jacqueline Egli Pdf
The XXI International Congress for Analytical Psychology was held in Vienna, the birthplace of psychoanalysis. It brought together an unprecedented number of participants from all over the world and from different fields of knowledge. The theme: Encountering the Other: Within us, between us and in the world, a most relevant and urgent topic of the contemporary discourse among clinicians and academics alike, was explored in a rich and diverse program of pre-congress workshops, master classes, plenary and breakout presentations and posters. The Proceedings are published as two volumes: a printed edition of the plenary presentations, and an e-Book with the complete material presented at the Congress. To professionals as well as the general public, this collection of papers offers an inspiring insight into contemporary Jungian thinking from the classical to the latest research-based scientific lens. From the Contents: Deifying the Soul – from Ibn Arabi to C.G. Jung by Navid Kermani Apocalyptic Themes in Times of Trouble: When Young Men are Deeply Alienated by Robert Tyminski Panel Encountering the Other Within: Dream Research in Analytical Psychology and the Relationship of Ego and other Parts of the Psyche by Christian Roesler, Yasuhiro Tanaka & Tamar Kron Integration Versus Conflict Between Schools of Dream Theory and Dreamwork: integrating the psychological core qualities of dreams with the contemporary knowledge of the dreaming brain by Ole Vedfelt Freud and Jung on Freud and Jung by Ernst Falzeder Opening the Closed Heart: affect-focused clinical work with the victims of early trauma by Donald E. Kalsched The Other Between Fear and Desire – countertransference fantasy as a bridge between me and the other by Daniela Eulert-Fuchs Self, Other and Individuation: resolving narcissism through the lunar and solar paths of the Rosarium by Marcus West Encountering the Other: Jungian Analysts and Traditional Healers in South Africa by Peter Ammann, Fred Borchardt , Nomfundo Lily-Rose Mlisa & Renee Ramsden From Horror to Ethical Responsibility: Carl Gustav Jung and Stephen King encounter the dark half within us, between us and in the world by Chiara Tozzi
A Feminist Companion to Song of Songs by Athalya Brenner-Idan,Carole Fontaine Pdf
The ten essays in this volume, the majority specially written, engage with questions of voice (whose?) and interplay (what kind?) between received interpretation and resisting female reader, and venture into methodological territory familiar and unfamiliar to biblical scholars, including autobiographical criticism. Among earlier readers invoked in these pages are Jerome, Rashi and Fray Luis de LTon, who brush pages with Haitian prostitutes. The three sections of this fresh, colourful and adventurous journey into love, sex, allegory and self inside the Most Sublime Song are: Feminist Appropriations; Specific Readings: Allegories and Feminists; and The Song of Songs Personalized.
This book provides the first comprehensive overview of the complete works of Wilkie Collins’s. Examining his vast array of novels and short stories, this volume includes analysis of the social, historical, and political commentary Collins offered within his works, illuminating Collins as more than a successful crime and sensation author, or the fortunate recipient of Dicken’s grand patronage, but as a hard-thinking and lively-writing part of the rich mid-Victorian literary scene. Overall, Collins is seen as a master of narratives which deal with social and personal issues that were much debated in his fifty-year authorial period. Close attention is paid to the events, themes, and characterization in his fiction, revealing his analytic vigor and the literary power of that period and context. Delivering fresh insight into the variety and richness of Collins’ themes and arguments, this volume provides a key source of information and analysis on all Collins’ fiction.
First comprehensive study of this American original A cigar-chomping storyteller who signaled "Action!" by shooting a gun, Samuel Fuller has been lionized as one of the most distinctive writer/directors ever to emerge from Hollywood. In such films as The Steel Helmet, Pickup on South Street, Shock Corridor, and The Big Red One, Fuller gleefully challenged classical and generic norms—and often standards of good taste—in an effort to shock and arouse audiences. Tackling war, crime, race, and sexuality with a candor rare for any period, Fuller's maverick vision was tested by Hollywood's transition from the studio system to independent filmmaking. Now, in the first full account of all of the director's audaciously original work, author Lisa Dombrowski brings his career into new relief. The Films of Samuel Fuller features close analysis of Fuller's pictures and draws on previously untapped production and regulatory files, script notes, and interviews to explore how artistic, economic, and industrial factors impacted Fuller's career choices and shaped the expression of his personal aesthetic. Fans of Fuller and American cinema will welcome this in-depth study of a provocative director who embodied both the unique opportunities and challenges of postwar filmmaking.
Gotta dance! Gotta sing! Gotta do most anything because it's show time! In Show Time! kids will learn to become &“triple threat&” performers, developing their skills as singers, dancers, and actors through more than 80 activities that include imitating a musician or musical instrument, acting out a song, creating a mirror dance, making puppets and playbills, and more. Along the way, they'll learn about the history of musicals, discover musicals about history, and find out how to get it all together before the curtain goes up. Show Time! is perfect for teachers needing to prepare performers for a show; for parents looking for fun ways to fill spare minutes with their kids at home, in the car, or in a doctor's waiting room; and for kids wanting ways to enjoy themselves on their own or in a small group. Several play scripts, a list of suggested musicals for kids, and a play glossary are included.