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The Angels Knocking on the Tavern Door by Robert Bly,Leonard Lewisohn Pdf
One of our most acclaimed poets brings the work of the great Persian mystic and poet, Hafez, to a new audience. There is no poet in our tradition who carries the amount of admiration and devotion that the Persians have for Hafez. Children learn to sing Hafez poems in the third grade, and almost every family has a copy of the collected Hafez on the dining room table. Robert Bly and the great Islamic scholar Leonard Lewisohn have worked for 15 years on this book of Hafez, the first that carries into English his nimbleness, his outrageous humor, his defenses of the private life in the face of the fundamentalists, and the joy of his love poems. He writes in the ghazal form, one of the greatest inventions in the history of poetry. This is Rumi’s wild younger brother, now brought into an English that makes his genius visible.
Join Hafiz and His Incomparable Love Poems If like me, you too fall in this trip, Hold the wine and cup upon your lap. We are lovers, burning our tracks, Join us if you can put up with the crap. گر همچو من افتاده ی این دام شوی ای بس که خراب باده و جام شوی ما عاشق و رند و مست وعالم سوزیم با ما منشین اگرنه بدنام شوی The Divan-e Hafiz is a treasured collection of poetry by the legendary Persian poet, Shamsuddin Mohammad Hafiz Shirazi. Known for his masterful ghazals, Hafiz's body of work includes around 500 ghazals and 42 Rubaiyees, cementing his legacy as one of the most celebrated poets in Persian literature. The Divan-e Hafiz is a staple in the homes of many Iranians, who memorize its poems and use them as proverbs and sayings. His poetry of intimate divine love has spread far and wide, with adaptations, imitations, and translations of the Divan-e Hafiz found in many languages. The translation featured in this book is by Henry Wilberforce Clarke (1840 - 1905), and it presents the ghazals in both Persian and English, making it a valuable resource for both Persian and English speakers, as well as poetry lovers of all ages. The Divan-e Hafiz is more than just a language learning resource, it is a window into the rich culture and literature of Persia. Its poems offer ample opportunities for students of the Persian language and literature to expand their abilities and deepen their understanding of the culture. It is also a perfect gift for those who appreciate Persian poetry. Published By: The Persian Learning Center www.persianbell.com
"Hafiz--a quarry of imagery in which poets of all ages might mine." - Ralph Waldo Emerson Hafiz was born at Shiraz, in Persia, some time after 1320, and died there in 1389. He is, then, an almost exact contemporary of Chaucer. His standing in Persian literature ranks him with Shakespeare and Goethe. A Sufi, Hafiz lived in troubled times. Cities like Shiraz fell prey to the ambitions of one marauding prince after another and knew little peace. The nomads of Central Asia finally overthrew the rule of these princes, and led to the establishment of the succeeding Timurid Dynasty. It is of utmost literary interest that a poet who has remained immensely popular and most frequently quoted in his own land should, for the universality and grace of his wisdom and wit, be known outside the land of his birth as he used to be, the subject of veneration among literati both in Europe and the United States. The time for revival of interest in a poet of such cosmopolitan appeal is overdue. His poems celebrate the love, wine, and the fellowship of all creatures. This volume, first published in 1952, brings back into print at last the renderings, the most beautiful and faithful in English, of this greatest of Persian writers.
On SPIRIT GARDEN: In Spirit Garden, poet-scholar-playwright Joe Martin sings ecstatically of the One, the hidden integrity of opposites & the living mystery of existence. He not only fuses Sufi, Buddhist & Jewish paths in a troubadours transcendence both timeless & time-bound, his thirty poems share the page with Enrique Castanons haunting figures which shift foreground and background to meta-illustrate the gestalt of Martins vision. Kirpal Gordon, author, Giant Steps Press blog On FOREIGNERS: "[An] absurdist mind grenade... Joe Martin's first novel paints this neo-European shadow landscape with panache a gifted American writer." Richard Peabody, Editor, Gargoyle On RUMIS MATHNAVI: A Stage Adaptation Absolutely remarkable and memorable lifting the veils one after another. Lida Saeedian, co-translator of The Pocket Rumi On PARABOLA: SHORTER FICTIONS ...through the tightly structured geometry of this metaphorically rich [work is a] recognition of the search we undertake to fi x a place for ourselves and try to make sense of a confusing, alienating and often combative world. Cheryl Pallant, High Performance
In this stunning follow-up to his epic fantasy debut, Alan Campbell propels readers into a captivating city battling for its own survival—and that of humankind—in a world of deities and demons, fallen angels and killers. After a destructive battle, the ancient swaying city of Deepgate has been overtaken. Most of the chains that suspend it have given way, toxic fumes are emanating from blazing structures, and the temple once inhabited by the ruling Presbyter now dangles upside down above the once-uncharted abyss. The victorious Spine have initiated martial law and are ruthlessly pursuing all who attempt to leave. Amid the turmoil, two captives are returned. Arriving by ship are the young angel Dill, now toughened by war, and traitor assassin Rachel Hael. Incarcerated in the slowly crumbling temple, the two await their fate, while from the abyss beneath them ghosts rise—for the death of the god Ulcis has left open the gates to Hell. But on orders from his divine brethren, Cospinol, the god of brine and fog, is traveling the world to Deepgate to seal this breach. His great skyship is being dragged through the air by the giant John Anchor, a monster of a man enslaved to pull the god’s vessel, moving slowly, inevitably, toward the city. As the city waits, teetering on the brink, myriad plans for vengeance are set in motion, from the continent of Pandemeria to Heaven itself. Among them is a ghostly archon sent to deliver a message to the gods on earth—using Dill as his vessel. Thrust from his body, Dill’s own soul returns to Hell. When Dill and Rachel are attacked by Spine assassins, Rachel has no choice but to try to escape with the creature that calls itself Dill…and to somehow find a way to restore her friend’s soul before it’s too late. For powerful forces are stirring, and in the coming battle between gods, it is the world of men that is at stake.
“There’s a whole chapter on my son Beau… He was co-located [twice] near these burn pits.” –Joe Biden, former Vice President of the United States of America The Agent Orange of the 21st Century… Thousands of American soldiers are returning from the battlefields of Iraq and Afghanistan with severe wounds from chemical war. They are not the victims of ruthless enemy warfare, but of their own military commanders. These soldiers, afflicted with rare cancers and respiratory diseases, were sickened from the smoke and ash swirling out of the “burn pits” where military contractors incinerated mountains of trash, including old stockpiles of mustard and sarin gas, medical waste, and other toxic material. This shocking work, now for the first time in paperback, includes: Illustration of the devastation in one soldier’s intimate story A plea for help Connection between the burn pits and Major Biden’s unfortunate suffering and death The burn pits’ effects on native citizens of Iraq: mothers, fathers, and children Denial from the Department of Defense and others Warning signs that were ignored and much more Based on thousands of government documents, over five hundred in-depth medical case studies, and interviews with more than one thousand veterans and active-duty GIs, The Burn Pits will shock the nation. The book is more than an explosive work of investigative journalism—it is the deeply moving chronicle of the many young men and women who signed up to serve their country in the wake of 9/11, only to return home permanently damaged, the victims of their own armed forces’ criminal negligence.
Hafiz and the Religion of Love in Classical Persian Poetry by Leonard Lewisohn Pdf
The romantic lyricism of the great Persian poet Hafiz (1315-1390) continues to be admired around the world. Recent exploration of that lyricism by Iranian scholars has revealed that, in addition to his masterful use of poetic devices, Hafiz's verse is deeply steeped in the philosophy and symbolism of Persian love mysticism. This innovative volume discusses the aesthetic theories and mystical philosophy of the classical Persian love-lyric (ghazal) as particularly exemplified by Hafiz (who, along with Rumi and Sa'di, is Persia's most celebrated poet). For the first time in western literature, Hafiz's rhetoric of romance is situated within the broader context of what scholars refer to as 'Love Theory' in Arabic and Persian poetry in particular and Islamic literature more generally. Contributors from both the West and Iran conduct a major investigation of the love lyrics of Hafiz and of what they signified to that high culture and civilization which was devoted to the School of Love in medieval Persia. The volume will have strong appeal to scholars of the Middle East, medieval Islamic literature, and the history and culture of Iran.
THE COMPLETE DIVAN OF HAFEZ Including Ghazals Inspired by the Ghazals of Hafezby the Translator Paul SmithThe ghazal, spiritual love poems or mystical blues in a strict rhyming-structure, are still very popular in the Indian Sub-continent and the Middle-East of today. It is the oldest of all forms of poetry (it is said that Adam the first poet invented it). The greatest Master of the ghazal was Hafez of Shiraz (1320-1392). This is a completely revised one volume edition of the only modern, poetic translation of Hafez's masterpiece of 793 ghazals, masnavis, rubais and his other poems. The spiritual and historical and human content is here in understandable, beautiful poetry: the correct rhyme-structure has been achieved, without intruding, in readable English for the first time. In the Introduction his life story is told in greater detail than anywhere else; his spirituality is explored, the form and function of his poetry, and the use of his book for over 600 years as a worldly guide and spiritual oracle. Included are notes to most poems, glossary, selected bibliography and indexes. There are four Appendixes including over 200 of the translator's own ghazals using the first couplets of those of Hafez for inspiration. Large Format Paperback 7" x 10" 779 pages.Goethe: "In his poetry Hafiz inscribed undeniable truth indelibly! He has no peer!"Gertrude Bell: "It is as if his mental Eye, endowed with wonderful acuteness of vision, had penetrated into those provinces of thought which we of a later age were destined to inhabit."Meher Baba: "There is no equal to Hafiz in poetry. He was a Perfect Master ... His Divan is the best book in the world because it engenders feelings which ultimately lead to illumination."COMMENTS ON PAUL SMITH'S TRANSLATION OF THE DIVAN"It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran."Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator of English to Persian and knower of Hafiz's Divan off by heart. Paul Smith (b.1945) is a poet, author and translator of many books of Sufi poets of Persian, Arabic, Urdu, Turkish and other languages including Hafiz, Sadi, Iqbal, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, many others, and his own poetry, fiction, plays, biographies, kids books, screenplays. www.newhumanitybooks.com
Hafez is one of the best known medieval Persian mystic poets, as celebrated and popular as his near contemporary Rumi. As with Rumi, modern translations have a strong appeal to today's readers. Both ardent mystic and lover, Hafez fuses earthly and divine love.
One of Cosmopolitan's Best Books of 2017! Lord Alaric Wilde, son of the Duke of Lindow, is the most celebrated man in England, revered for his dangerous adventures and rakish good looks. Arriving home from years abroad, he has no idea of his own celebrity until his boat is met by mobs of screaming ladies. Alaric escapes to his father’s castle, but just as he grasps that he’s not only famous but notorious, he encounters the very private, very witty, Miss Willa Ffynche. Willa presents the façade of a serene young lady to the world. Her love of books and bawdy jokes is purely for the delight of her intimate friends. She wants nothing to do with a man whose private life is splashed over every newspaper. Alaric has never met a woman he wanted for his own . . . until he meets Willa. He’s never lost a battle. But a spirited woman like Willa isn’t going to make it easy. . . . The first book in Eloisa James’s dazzling new series set in the Georgian period glows with her trademark wit and sexy charm—and introduces a large, eccentric family. Readers will love the Wildes of Lindow Castle!
Poetry. Sufism. Middle Eastern Literature. Arab American Studies. Translated from the Persian by Reza Ordoubadian. Shamsed-din Hafez was born some six hundred years ago in southern Iran, but his poems have universal and contemporary appeal. Wherever Persian is known, he is easily recited by both king and common man. Those uncertain about matters of love, fortune, or any other situation open a page of his collection of poems at random and in it see their dilemmas untangled. His turns of phrase have enriched the Persian lexicon and entered everyday language; this has made him Persian culture's most read, quoted, and revered figure. Reza Ordoubadian's translations make the poems of Hafez accessible to the English language reader, while remaining faithful to the nuances of Hafez's language and thought in the original Persian.
