Download Full eBooks in PDF
The Art Of Assemblage Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of The Art Of Assemblage book. This book definitely worth reading, it is an incredibly well-written.
Author : William Chapin Seitz
Publisher : Unknown
Page : 188 pages
File Size : 47,9 Mb
Release : 1961
Category : Art
ISBN : UOM:39015009424915
"Assemblage art consists of making three-dimensional or two-dimensional artistic compositions by putting together found-objects."--Boundless.
Author : William Chapin Seitz
Publisher : Unknown
Page : 188 pages
File Size : 42,5 Mb
Release : 1961
Category : Art
ISBN : UOM:39015006315660
"Assemblage art consists of making three-dimensional or two-dimensional artistic compositions by putting together found-objects."--Boundless.
Author : Dona Z. Meilach
Publisher : Random House Value Publishing
Page : 112 pages
File Size : 42,6 Mb
Release : 1975
Category : Boxes
ISBN : UOM:39076005196238
Author : William C. Seitz
Publisher : Unknown
Page : 128 pages
File Size : 42,8 Mb
Release : 1968
Category : Electronic
ISBN : OCLC:471162829
Author : Paulo de Assis,Paolo Giudici
Publisher : Leuven University Press
Page : 468 pages
File Size : 42,7 Mb
Release : 2021-03-01
Category : Music
ISBN : 9789462702547
The concept of assemblage has emerged in recent decades as a central tool for describing, analysing, and transforming dynamic systems in a variety of disciplines. Coined by Deleuze and Guattari in relation to different fields of knowledge, human practices, and nonhuman arrangements, “assemblage” is variously applied today in the arts, philosophy, and human and social sciences, forming links not only between disciplines but also between critical thought and artistic practice. Machinic Assemblages focuses on the concept’s uses, transpositions, and appropriations in the arts, bringing together the voices of artists and philosophers that have been working on and with this topic for many years with those of emerging scholar-practitioners. The volume embraces exciting new and reconceived artistic practices that discuss and challenge existing assemblages, propose new practices within given assemblages, and seek to invent totally unprecedented assemblages.
Author : Marlis Maehrle
Publisher : Schiffer Publishing
Page : 176 pages
File Size : 41,5 Mb
Release : 2019-11-28
Category : Crafts & Hobbies
ISBN : 0764358413
In the multimillion-dollar crafter market, this is one art form that appeals to artists and makers of all kinds, whatever their other mediums may be. Also termed 3-D collage, shadow boxes, or assemblage, it's based on how you choose and arrange items in a "box" (term used loosely!) to create a visual message. With 30 intriguing projects of varied complexity, this complete guide teaches techniques for arranging, organizing, mounting, and creating narratives. The boxes use easily available items like cigar boxes, unusual packaging containers, or mint tins. The form's history is covered too, including the curiosity cabinets of Renaissance Europe, the found-object assemblage boxes created in the 20th century by Joseph Cornell, and the works artists create today. Includes examples to teach arrangement, grouping, and assembly and offers extra inspiration with a 40-page gallery of a wide range of works by expert artists.
Author : Kathryn M. Rudy
Publisher : Open Book Publishers
Page : 269 pages
File Size : 47,5 Mb
Release : 2019-07-14
Category : Literary Criticism
ISBN : 9781783745197
In this ingenious study, Kathryn Rudy takes the reader on a journey to trace the birth, life and afterlife of a Netherlandish book of hours made in 1500. Image, Knife, and Gluepot painstakingly reconstructs the process by which this manuscript was created and discusses its significance as a text at the forefront of fifteenth-century book production, when the invention of mechanically-produced images led to the creation of new multimedia objects. Rudy then travels to the nineteenth century to examine the phenomenon of manuscript books being pillaged for their prints and drawings: she has diligently tracked down the dismembered parts of this book of hours for the first time. Image, Knife, and Gluepot also documents Rudy’s twenty-first-century research process, as she hunts through archives while grappling with the logistics and occasionally the limits of academic research. This is a timely volume, focusing on questions of materiality at the forefront of medieval and literary studies. Beautifully illustrated throughout, its use of original material and its striking interdisciplinary approach, combining book and art history, make it a significant academic achievement. Image, Knife, and Gluepot is a valuable text for any scholar in the fields of medieval studies, the history of early books and publishing, cultural history or material culture. Written in Rudy’s inimitable style, it will also be rewarding for any student enrolled in a course on manuscript production, as well as non-specialists interested in the afterlives of manuscripts and prints. The Royal Society of Edinburgh has generously contributed to this Open Access publication. Due to the number and quality of the images in this book, we have provided the option of a more expensive hardback edition, printed on the best quality paper available, in order to present the images as clearly and beautifully as possible. We hope this range of options — the freely available PDF, HTML and XML editions; the economically priced EPUB, MOBI and paperback editions; and the more expensively printed hardback — will satisfy everyone. Furthermore the HTML edition allows readers to magnify the images of the manuscripts displayed in the book.
Author : Tony D. Sampson
Publisher : U of Minnesota Press
Page : 330 pages
File Size : 46,7 Mb
Release : 2016-12-13
Category : Social Science
ISBN : 9781452953298
Once upon a time, neuroscience was born. A dazzling array of neurotechnologies emerged that, according to popular belief, have finally begun to unlock the secrets of the brain. But as the brain sciences now extend into all corners of cultural, social, political, and economic life, a yet newer world has taken shape: “neuroculture,” which goes further than ever before to tackle the profound ethical implications we face in consequence. The Assemblage Brain unveils a major new concept of sense making, one that challenges conventional scientific and philosophical understandings of the brain. Drawing on Deleuze and Guattari, Tony D. Sampson calls for a radical critical theory that operates in the interferences between philosophy, science, art, and politics. From this novel perspective the book is structured around two questions: “What can be done to a brain?” and “What can a brain do?” Sampson examines the rise of neuroeconomics in informing significant developments in computer work, marketing, and the neuropharmaceutical control of inattentiveness in the classroom. Moving beyond the neurocapitalist framework, he then reestablishes a place for proto-subjectivity in which biological and cultural distinctions are reintegrated in an understanding of the brain as an assemblage. The Assemblage Brain unravels the conventional image of thought that underpins many scientific and philosophical accounts of how sense is produced, providing a new view of our current time in which capitalism and the neurosciences endeavor to colonize the brain.
Author : Diane Waldman
Publisher : ABRAMS
Page : 344 pages
File Size : 53,7 Mb
Release : 1992
Category : Art, Modern
ISBN : UCSD:31822015453665
"In 1912 Georges Braque and Pablo Picasso created the first papiers colles by gluing pieces of oak-grained faux bois wallpaper onto their drawings. In 1917 Marcel Duchamp selected a urinal, signed it R. Mutt, and presented it as an object of art under the title Fountain. In 1919 Kurt Schwitters began gathering scraps of rubbish and assembled them into a series of works that he titled Merz constructions. These acts represent three of the most significant achievements in twentieth-century art." "The definitive book on its subject, Collage, Assemblage, and the Found Object offers a comprehensive and dynamic history of the mediums that revolutionized our ideas about the nature of art and influenced virtually every major art movement of the twentieth century." "Made up of fragments, of debris, of rejected pieces and common artifacts of popular culture, collage and assemblage are arts of protest, of challenge, of exploration. They emphasize the everyday and commonplace over precious materials and refinement; concept and process over end product; the temporary and ephemeral over the lasting. They propose a dislocation in time and space and, by the nature of their makeup, offer multiple layers of meaning. They also furnish a compelling historical record of their time." "All these currents are explored by Diane Waldman, deputy director and senior curator of the Solomon R. Guggenheim Museum, New York. In clear and cogent prose, generously illustrated with examples and comparative works, she traces collage, the found object - and the related development, assemblage - from their Cubist beginnings to the present." "Waldman moves from the outrageous experiments of the Dadaists in the 1920s to the irreverent debunkings of the 1960s Pop artists to the provocative appropriation art of the 1990s; from the intricate towers and assemblages of the Russian Constructivists early in this century to the surprising piles of materials put together by such midcentury artists as Robert Rauschenberg, Jasper Johns, and John Chamberlain; from the cerebral and Freudian collages and objects of the Surrealists in the 1920s and 1930s to the probing conundrums posed by the conceptualists of the 1980s and 1990s." "A lively book on lively arts, Collage, Assemblage, and the Found Object gives us a comprehensive and dynamic view of what are arguably the most important artistic developments of our time."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author : John Elderfield
Publisher : ABRAMS
Page : 192 pages
File Size : 43,7 Mb
Release : 1992
Category : Art
ISBN : UOM:39015031712485
Author : Stephen Fredman
Publisher : Stanford University Press
Page : 241 pages
File Size : 48,7 Mb
Release : 2010
Category : Literary Criticism
ISBN : 9780804763585
Fredman makes the original argument that some of the most innovative works of poetry and art in the postwar period (1945–1970) engaged in a "contextual practice," a term that refers both to a way of making art characterized by assemblage and to a new relationship between art and life, an "erotic poetics."
Author : Norman Laliberté,Alex Mogelon
Publisher : New York : Van Nostrand Reinhold Company
Page : 88 pages
File Size : 40,5 Mb
Release : 1971
Category : Art
ISBN : PSU:000050655533
Author : William Chapin Seitz,Museum of Modern Art (New York, N.Y.)
Publisher : Unknown
Page : 0 pages
File Size : 46,7 Mb
Release : 1961
Category : Electronic
ISBN : OCLC:1086254807
Author : Jane Ann Wynn
Publisher : North Light Books
Page : 128 pages
File Size : 51,5 Mb
Release : 2007-09-20
Category : Art
ISBN : 1581809727
Discover a curious world of assemblage with projects that have a story to tell! Step inside Altered Curiosities, where a wisdom tooth gets its own shrine, a honeybee lights up the room and a taxidermy eye becomes the eye in the back of your head. As author Jane Wynn shares her unique approach to mixed-media art, you'll learn to alter, age and transform odd objects into novel new works of your own creation. Step-by-step instructions guide you in making delightfully different projects that go way beyond art for the wall—including jewelry, hair accessories, a keepsake box, a bird feeder and more—all accompanied by a story about the inspiration behind the project. You'll also learn to: Find your personal symbols and incorporate them into your work. Alter toy figures to create curious new creatures. Master simple soldering techniques that take you beyond the soldering iron. Apply beautiful patinas and etchings to brass and copper. Transform cast resin into pieces that look like metal. The endless possibilities of assemblage are yours to discover! Let Altered Curiosities inspire you to create a new world that's all your own.
Author : Dan Adler
Publisher : Routledge
Page : 130 pages
File Size : 47,7 Mb
Release : 2018-08-14
Category : Art
ISBN : 9781351049160
In this book, Dan Adler addresses recent tendencies in contemporary art toward assemblage sculpture and how these works incorporate tainted materials – often things left on the side of the road, according to the logic and progress of the capitalist machine – and combine them in ways that allow each element to retain a degree of empirical specificity. Adler develops a range of aesthetic models through which these practices can be understood to function critically. Each chapter focuses on a single exhibition: Isa Genzken’s "OIL" (German Pavilion, Venice Biennale, 2007), Geoffrey Farmer’s midcareer survey (Musée d’art contemporain, Montréal, 2008), Rachel Harrison’s "Consider the Lobster" (CCS Bard Hessel Museum of Art, 2009), and Liz Magor’s "The Mouth and Other Storage Facilities" (Henry Art Gallery, Seattle, 2008).