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Author : Walter S. Gibson Publisher : Univ of California Press Page : 291 pages File Size : 52,9 Mb Release : 2006-02 Category : Art ISBN : 9780520245211
Pieter Bruegel and the Art of Laughter by Walter S. Gibson Pdf
In this delightfully engaging book, Walter S. Gibson takes a new look at Bruegel, arguing that the artist was no erudite philosopher, but a man very much in the world, and that a significant part of his art is best appreciated in the context of humour.
The Book of Laughter and Forgetting by Milan Kundera Pdf
"An absolutely dazzling entertainment. . . . Arousing on every level—political, erotic, intellectual, and above all, humorous." —Newsweek "The Book of Laughter and Forgetting calls itself a novel, although it is part fairy tale, part literary criticism, part political tract, part musicology, and part autobiography. It can call itself whatever it wants to, because the whole is genius." —New York Times Rich in its stories, characters, and imaginative range, The Book of Laughter and Forgetting is the novel that brought Milan Kundera his first big international success in the late 1970s. Like all his work, it is valuable for far more than its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analyzed, and experienced.
The Art of Laughter by Anna Tummers,Elmer Kolfin,Jasper Hillegers Pdf
- The Art of Laughter: Humour in Dutch Paintings of the Golden Age presents the first ever overview of humor in seventeenth-century painting - Contains 60 masterpieces from painters such as Rembrandt, Frans Hals, Jan Steen, Gerrit van Honthorst and Judith Leyster Frans Hals is often called 'the master of the laugh.' More than any other painter in the Golden Age, he was able to bring a vitality to his portraits that made it appear as if his models could just step out of the past into the present. Hals was one of the few painters in the seventeenth century who dared portray his figures - often common folk - with a hearty laugh and bared teeth. Merriment and jokes are prominent features in his genre paintings; artists in the Golden Age frequently used it in their work. Now - centuries later - the visual jokes are harder to fathom. A great deal of new research into the field has been carried out, particularly in the last twenty years, and we are beginning to get an idea of the full extent of seventeenth-century humor. Contents: Foreword - The Art of Laughter. Contemporaries on Comic Paintings in the Golden Age - LOL from Bruegel to Brakenburgh - Catalogue - Notes essays - Notes catalogue - Bibliography. Published to accompany an exhibition at Frans Hals Museum, Haarlem, which runs until 18 March 2018.
Artists, poets and their publics during the early modern period took seriously the Horatian dictum that, like poetry, art should both instruct and delight its viewer. This study examines the capacity of images to entertain their audiences by investigating how artists employed depicted laughter to engage their viewers. By the turn of the seventeenth century, a laughing face had long been recognized to have a persuasive power to produce a like response in the beholder. Laughing figures were employed to an unprecedented degree by artists in the circles of Karel van Mander, Frans Hals, and Gerard van Honthorst---painters who created innovative new pictorial subjects and experimented with depicting facial expressions and strong emotions during the years 1600-1640. The laughing painting or print is treated here as a social agent, and the act of viewing understood as a particular kind of ludic exchange. Whatever their moral implications, images, it is argued, preserve traces of the ways in which the viewing of art resembled other cultural interactions, such as jesting practices, and thereby can help us understand the comic function of art in the Golden Age.
This is the first book to take seriously (though not too seriously) the surprisingly neglected role of humour in art. "Art and Laughter" looks back to comic masters such as Hogarth and Daumier and to Dada, Surrealism and Pop Art, asking what makes us laugh and why. It explores the use of comedy in art from satire and irony to pun, parody and black and bawdy humour. Encouraging laughter in the hallowed space of the gallery, Sheri Klein praises the contemporary artist as 'clown' - often overlooked in favour of the role of artist as 'serious' commentator - and takes us on a tour of the comic work of Red Grooms, Cary Leibowitz, 'The Hairy Who', Richard Prince, Bruce Nauman, Jeff Koons, William Wegman, Vik Muniz, and many more. She seeks out those rare smiles in art - from the Mona Lisa onwards - and highlights too the pleasures of the cute, the camp and the downright kitsch.
The Art of Teaching with Humor by Teri Evans-Palmer Pdf
"Why a book on humor for teachers?" After dodgy decades of teaching in high schools infamous for gang entanglements, students behaving badly and apathetic administrators, followed by time in a middle school art room dubbed the "snake pit," Teri Evans-Palmer cheerfully accepted an adjunct position at a nearby university and enrolled in a doctoral program. Her heart goes out to teachers of all ages who sit in her humor sessions sharing stories that would make your heart pound. Inevitably, a teacher would ask, "Where can I get your book?" The pages of this book come from times with Dr. Evans-Palmer's students when something funny made learning happen. There were plenty of days when the author felt like running into the woods screaming, but the best days were filled with tinkling moments enrobed in rollicking laughter, days she would happily relive again. Humor has both saved and served her as a teaching resource, a way to live connected to students, and a soft place to land when the burden of teaching knocks her over with the weight of it. The Art of Teaching with Humor is for teachers everywhere who share the need to laugh in order to thrive and survive. It is filled with amusing scenarios and specific humor tools any teacher can use to boost student creativity, attention, engagement, and performance. It is also a guide for teacher educators, administrators, and professional development staff to consider, as it explains how synthesizing joyful humor with instructional content and delivery safeguards teachers' emotional wellbeing and classroom performance.
The Slacker’s Guide to Humor Writing by William Webb Pdf
Looking for a side-splitting read that will have you laughing out loud at every turn of the page? Look no further! Our latest humor book compilation takes you on a rollicking ride through the unpredictable and hilarious world of comedic literature, where laughter is always just a paragraph away. With a brilliant blend of wit, satire, and unadulterated hilarity, this book is the perfect antidote for those moments when life takes itself too seriously. Dive into this extraordinary collection of carefully curated gems, each designed to transport you to a world of belly laughs, chuckles, and grins. Whether you're an avid reader of humor or just in need of a good giggle, this book offers something for everyone. Some of the highlights of this uproarious tome include: • A fantastic variety of humor styles, from slapstick to satire, and everything in between • Timeless classics and contemporary masterpieces that have shaped the genre of comedic writing • Unique and unforgettable characters that will stay with you long after you've turned the last page • Delightfully absurd situations that will have you questioning reality (in the most amusing way, of course) So why wait? Grab your coziest reading nook, make yourself comfortable, and embark on a laughter-filled adventure that will keep you entertained from beginning to end. With our irresistible humor book, you'll never see the world the same way again! Discover the power of laughter today and treat yourself to a healthy dose of comedy with this unputdownable collection. This humor book is sure to be a hit with both new and seasoned fans of the genre, making it the perfect gift for friends, family, or even yourself. Go on, you deserve it! Remember: Laughter is the best medicine, and this book is just what the doctor ordered. Start reading now and let the hilarity ensue!
Uncovering an archive of laughter, from the forbidden giggle to the explosive guffaw. Most of our theories of laughter are not concerned with laughter. Rather, their focus is the laughable object, whether conceived of as the comic, the humorous, jokes, the grotesque, the ridiculous, or the ludicrous. In Laughter, Anca Parvulescu proposes a return to the materiality of the burst of laughter itself. She sets out to uncover an archive of laughter, inviting us to follow its rhythms and listen to its tones. Historically, laughter—especially the passionate burst of laughter—has often been a faux pas. Manuals for conduct, abetted by philosophical treatises and literary and visual texts, warned against it, offering special injunctions to ladies to avoid jollity that was too boisterous. Returning laughter to the history of the passions, Parvulescu anchors it at the point where the history of the grimacing face meets the history of noise. In the civilizing process that leads to laughter's “falling into disrepute,” as Nietzsche famously put it, we can see the formless, contorted face in laughter being slowly corrected into a calm, social smile. How did the twentieth century laugh? Parvulescu points to a gallery of twentieth-century laughers and friends of laughter, arguing that it is through Georges Bataille that the century laughed its most distinct laugh. In Bataille's wake, laughter becomes the passion at the heart of poststructuralism. Looking back at the century from this vantage point, Parvulescu revisits four of its most challenging projects: modernism, the philosophical avant-gardes, feminism, and cinema. The result is an overview of the twentieth century as seen through the laughs that burst at some of its most convoluted junctures.
Maoist Laughter by Ping Zhu,Zhuoyi Wang,Jason McGrath Pdf
WINNER — 2020 Choice’s Outstanding Academic Title During the Mao years, laughter in China was serious business. Simultaneously an outlet for frustrations and grievances, a vehicle for socialist education, and an object of official study, laughter brought together the political, the personal, the aesthetic, the ethical, the affective, the physical, the aural, and the visual. The ten essays in Maoist Laughter convincingly demonstrate that the connection between laughter and political culture was far more complex than conventional conceptions of communist indoctrination can explain. Their sophisticated readings of a variety of genres—including dance, cartoon, children’s literature, comedy, regional oral performance, film, and fiction—uncover many nuanced innovations and experiments with laughter during what has been too often misinterpreted as an unrelentingly bleak period. In Mao’s China, laughter helped to regulate both political and popular culture and often served as an indicator of shifting values, alliances, and political campaigns. In exploring this phenomenon, Maoist Laughter is a significant correction to conventional depictions of socialist China. “Maoist Laughter brings together prominent scholars of contemporary China to make a timely and original contribution to the burgeoning field of Maoist literature and culture. One of its main strengths lies in the sheer number of genres covered, including dance, traditional Chinese performance, visual arts, film, and literature. The focus on humor in the Maoist period gives an exciting new perspective from which to understand cultural production in twentieth-century China.” —Krista Van Fleit, University of South Carolina “An illuminating study of the culture of laughter in the Maoist period. Focusing on much-neglected topics such as satire, jokes, and humor, this book is an essential contribution to our understanding of how socialist culture actually ‘worked’ as a coherent, dynamic, and constructive life experience. The chapters show that traditional culture could almost blend perfectly with revolutionary mission.” —Xiaomei Chen, University of California, Davis
The Slacker's Guide to Humor Writing by William Webb Pdf
Looking for a side-splitting read that will have you laughing out loud at every turn of the page? Look no further! Our latest humor book compilation takes you on a rollicking ride through the unpredictable and hilarious world of comedic literature, where laughter is always just a paragraph away. With a brilliant blend of wit, satire, and unadulterated hilarity, this book is the perfect antidote for those moments when life takes itself too seriously. Dive into this extraordinary collection of carefully curated gems, each designed to transport you to a world of belly laughs, chuckles, and grins. Whether you're an avid reader of humor or just in need of a good giggle, this book offers something for everyone. Some of the highlights of this uproarious tome include: - A fantastic variety of humor styles, from slapstick to satire, and everything in between - Timeless classics and contemporary masterpieces that have shaped the genre of comedic writing - Unique and unforgettable characters that will stay with you long after you've turned the last page - Delightfully absurd situations that will have you questioning reality (in the most amusing way, of course) So why wait? Grab your coziest reading nook, make yourself comfortable, and embark on a laughter-filled adventure that will keep you entertained from beginning to end. With our irresistible humor book, you'll never see the world the same way again! Discover the power of laughter today and treat yourself to a healthy dose of comedy with this unputdownable collection. This humor book is sure to be a hit with both new and seasoned fans of the genre, making it the perfect gift for friends, family, or even yourself. Go on, you deserve it! Remember: Laughter is the best medicine, and this book is just what the doctor ordered. Start reading now and let the hilarity ensue!
"A Laughing Place will teach you how and why to incorporate humor into your life. Though it has its funny moments, it is not a book of comedy. Rather, it approaches the problems of life, illness, and adversity teaching you how a good-natured sense of humor will leave you flexible enough to enjoy love and spiritual growth. Learn: the three pathways to a humor response, how to distinguish positive from negative humor, the practice of gelastolalia, to take yourself lightly while you take your work in life seriously, humor's role in illness and in wellness, how to apply in the workplace constructively, where humor fits in the spectrum of human depression, to discover your laughing place"--Back cover.
This innovative collection of essays is the first to situate comedy and laughter as central rather than peripheral to nineteenth century life. Victorian Comedy and Laughter: Conviviality,Jokes and Dissent offers new readings of the works of Charles Dickens, Edward Lear,George Eliot, George Gissing, Barry Pain and Oscar Wilde, alongside discussions of much-loved Victorian comics like Little Tich, Jenny Hill, Bessie Bellwood and Thomas Lawrence. Tracing three consecutive and interlocking moods in the period, all of the contributors engage with the crucial critical question of how laughter and comedy shaped Victorian subjectivity and aesthetic form. Malcolm Andrews, Jonathan Buckmaster and Peter Swaab explore the dream of print culture togetherness that is conviviality, while Bob Nicholson, Louise Lee, Ann Featherstone,Louise Wingrove and Oliver Double discuss the rise-on-rise of the Victorian joke — both on the page and the stage — while Peter Jones, Jonathan Wild and Matthew Kaiser consider the impassioned debates concerning old and new forms of laughter that took place at the end of the century.
Laughter in the Trenches: Humour and Front Experience in German First World War Narratives explores the appearances and functions of humour and laughter in selected novels and short stories, based on autobiographical experiences, written by authors during the war and in the Weimar Era (1919–1933). This study focuses on popular and lesser-known works of German literature that played an important role in the socio-political life of the Weimar Republic: Storm of Steel by Ernst Jünger (1920), Advance from Mons 1914 by Walter Bloem (1916), The Case of Sergeant Grischa by Arnold Zweig (1927), and All Quiet on the Western Front by Erich Maria Remarque (1929). The author shows that these works often share surprisingly similar narrative strategies in describing humorous experiences and soldier laughter to justify direct violence and oppressive power structures, regardless of the works’ ideological assignment and their popular and critical reception. This book also examines the parodic imitations of All Quiet on the Western Front, the German text All Quiet on the Trojan Front by Emil Marius Requark (1930) and the American film So Quiet on the Canine Front by Zion Myers and Jules White (1931) as significant polemical contributions that use humoristic strategies to stress or undermine elements of the original text.