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This is a superb new translation of the great Augustan poet Horace's Odes and Epodes - brilliantly crafted and diverse poems of politics, friendship, love, and wine. The edition is supplemented by a lucid introduction, extensive notes, and glossary of names.
Horace (65-8 bc) was one of the greatest poets of the Golden or Augustan age of Latin literature, a master of precision and irony who brilliantly transformed early Greek iambic and lyric poetry into sophisticated Latin verse of outstanding beauty. Offering allusive and exquisitely crafted insights into the brief joys of the present and the uncertain nature of the future, his Odes and Epodes explore such diverse themes as the virtues of pastoral life, the joys of wine, friendship and love, and the poet's personal anguish following Brutus' defeat at the battle of Phillipi. Ranging from subtle and tender hymns to the gods to bawdy celebrations of human passions, they remain among the most influential of all poems, inspiring poets from the Roman era to the European Renaissance, the Enlightenment and beyond.
The Complete Odes and Epodes of Horace by Quintus Horatius Flaccus,Horace Pdf
The Complete Odes and Epodes of Horace The Works of Horace Translated literally into English prose by C. Smart, A.M. Quintus Horatius Flaccus (December 8, 65 BC - November 27, 8 BC), known in the English-speaking world as Horace, was the leading Roman lyric poet during the time of Augustus (also known as Octavian). The rhetorician Quintilian regarded his Odes as just about the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words." The Odes (Latin: Carmina) are a collection in four books of Latin lyric poems by Horace. The Horatian ode format and style has been emulated since by other poets. Books 1 to 3 were published in 23 BC. According to the journal Quadrant, they were "unparalleled by any collection of lyric poetry produced before or after in Latin literature." A fourth book, consisting of 15 poems, was published in 13 BC. Epode, in verse, is the third part of an ode, which followed the strophe and the antistrophe, and completed the movement. At a certain point in time the choirs, which had previously chanted to right of the altar or stage, and then to left of it, combined and sang in unison, or permitted the coryphaeus to sing for them all, while standing in the centre. With the appearance of Stesichorus and the evolution of choral lyric, a learned and artificial kind of poetry began to be cultivated in Greece, and a new form, the epode-song, came into existence. It consisted of a verse of iambic trimeter, followed by a verse of iambic dimeter, and it is reported that, although the epode was carried to its highest perfection by Stesichorus, an earlier poet, Archilochus, was really the inventor of this form.
The Complete Odes and Epodes of Horace by Horace,Quintus Horatius Flaccus Pdf
The Complete Odes and Epodes of HoraceThe Works of HoraceTranslated literally into English proseBy C. Smart, A.M.Quintus Horatius Flaccus (December 8, 65 BC - November 27, 8 BC), known in the English-speaking world as Horace, was the leading Roman lyric poet during the time of Augustus. The rhetorician Quintilian regarded his Odes as just about the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words."Horace also crafted elegant hexameter verses (Satires and Epistles) and caustic iambic poetry (Epodes). The hexameters are amusing yet serious works, friendly in tone, leading the ancient satirist Persius to comment: "as his friend laughs, Horace slyly puts his finger on his every fault; once let in, he plays about the heartstrings".The Epodes belong to the iambic genre of 'blame poetry', written to shame fellow citizens into a sense of their social obligations. Horace modelled these poems on the work of Archilochus. Social bonds in Rome had been decaying since the destruction of Carthage a little more than a hundred years earlier, due to the vast wealth that could be gained by plunder and corruption, and the troubles were magnified by rivalry between Julius Caesar, Mark Antony and confederates like Sextus Pompey, all jockeying for a bigger share of the spoils. One modern scholar has counted a dozen civil wars in the hundred years leading up to 31 BC, including the Spartacus rebellion, eight years before Horace's birth.Odes 1-3 were the next focus for his artistic creativity. He adapted their forms and themes from Greek lyric poetry of the seventh and sixth centuries BC. The fragmented nature of the Greek world had enabled his literary heroes to express themselves freely and his semi-retirement from the Treasury in Rome to his own estate in the Sabine hills perhaps empowered him to some extent also yet even when his lyrics touched on public affairs they reinforced the importance of private life.
This collection of recent articles provides convenient access to some of the best recent writing on Horace's Odes and Epodes. Formalist, structuralist, and historicizing approaches alike offer insight into this complex poet, who reinvented lyric at the transition from the Republic to the Augustan principate. Several classic studies in French, German, and Italian are here translated into English for the first time. A thread linking many of the pieces is the recurring debate over the performance of Horace's Odes. Fiction? Literal reality? A figurative appropriation of Greek tradition within the bookish culture of late Hellenism? Arguments both for and against gain a hearing. Michele Lowrie's introduction surveys the state of current scholarship and offers guidance on the seminal issues confronting the interpretation of Horatian lyric today. Suggestions for further reading and a consolidated bibliography open avenues for more extensive research.
A Commentary on Horace's Epodes by Lindsay Watson Pdf
This is by far the most detailed commentary yet on Horace's Epodes. The line-by-line commentary on each epode is prefaced by a substantial interpretative essay which offers a reading of that poem and synthesises existing scholarship. These essays, the first of their kind, will provideessential critical orientation to undergraduates approaching the Epode-book for the first time. Moreover, the scale and density of the commentary will make it an invaluable resource for scholars of Latin poetry. A particular feature is the first in-depth treatment of the two lengthy magical Epodes 5and 17. The author draws extensively on ancient magical texts preserved on papyrus and lead, as well as the recent flood of publications on Greek and Roman magic, to cast light on countless details in these epodes which reveal a marked familiarity on Horace's part with authentic magical belief andpractice.
Originally published in 1922, this book presents a study in poetic word order with illustrations from Horace's Odes, Epodes and the Carmen Saeculare. The understanding of ancient word order is important for the proper comprehension of Classical poetry, especially since the same styles were not preserved in the Romance languages following the adoption of Christianity. This book will be of value to readers of Horace and anyone with an interest in the original performance and understanding of ancient writing.
