The Concise Garland Encyclopedia Of World Music The Middle East South Asia East Asia Southeast Asia
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The Concise Garland Encyclopedia of World Music: The Middle East, South Asia, East Asia, Southeast Asia by Ellen Koskoff Pdf
The critical importance of past for the present--of music histories in local and global forms--asserts itself. The history of world music, as each chapter makes clear, is one of critical moments and paradigm shifts.
The Concise Garland Encyclopedia of World Music by Garland Encyclopedia of World Music, Pdf
The Concise Garland Encyclopedia of World Music comprises two volumes, and can only be purchased as the two-volume set. To purchase the set please go to: http://www.routledge.com/9780415972932
The Garland Encyclopedia of World Music by Virginia Danielson,Dwight Reynolds,Scott Marcus Pdf
Expert writers present the major traditions of North Africa, the Middle East, and Central Asia, together with personal accounts of performers, composers, teachers, and ceremonies. A special feature of this volume is the inclusion of dozens of brief snap-shot essays that offer "lifestories" of typical musicmakers and their art, as well as first-person descriptions of specific music performances and events. Also includes maps and music examples.
The Concise Garland Encyclopedia of World Music, Volume 1 by Garland Encyclopedia of World Music Pdf
The Concise Garland Encyclopedia of World Music comprises two volumes, and can only be purchased as the two-volume set. To purchase the set please go to: http://www.routledge.com/9780415972932
The Garland Encyclopedia of World Music by Bruno Nettl,Ruth M. Stone,James Porter,Timothy Rice Pdf
The Garland Encyclopedia of World Musicis the first encyclopedia to tell the complete story of music, culture by culture. Each volume includes an overview of the region, a survey of its musical heritage, traditions and themes; and a description of specific musical genres, practices, and performances. Music as an expression of art, life, and culture Recognizing music as a vital social and cultural force, each volume ofThe Garland Encyclopedia of World Musicfocuses on a single region and examines the role of music in the lives, arts, and culture of its people. Generously illustrated-and organized for easy access Articles are illustrated with photographs that show musicians, musical instrument, and the cultural context of dances, rituals, and ceremonies. Drawings, maps, and musical examples in notation also illuminate the coverage. For easy reference, each volume provides an extensive glossary, with special emphasis on non-English terms. Listen tothe music-an audio CD accompanies each volume Each regional volume ofThe Garland Encyclopedia of World Musicincludes an audio CD that provides over one hours of musical examples keyed to the text. Special features *Exceptionally strong emphasis on music in a cultural context *A comprehensive treatment of music cultures that usually are split among multiple national entries *International musical authorities, including African, Asian, Pacific, South American, Caribbean, European, and North American scholars *Multidisciplinary scholarship, utilizing the latest research and methodologies *Timely coverage takes you through the 1990s *Coverage of popular music, which is often absent from other encyclopedias *Examination of art music composition throughout the world *User friendly *A thorough index gives quick access *A glossary defines unfamiliar terms, particularly non-English ones *A discography identifies commercial recordings availableto the reader *Musical examples supplement and enrich the musical descriptions *Illustrations complement the text Available as a set or as single volumes: *The Garland Encyclopedia of World Music, Volume 1: Africa 872 pp*[0-8240-6035-0] *The Garland Encyclopedia of World Music, Volume 2: South America, Mexico, Central America, and the Caribbean 1104 pp*[0-8240-4947-0] *The Garland Encyclopedia of World Music, Volume 3: The United States and Canada 1390 pp*[0-8240-4944-6] *The Garland Encyclopedia of WorldMusic, Volume 4: Southeast Asia 1050 pp*[0-8240-6040-7] *The Garland Encyclopedia of World Music, Volume 5: South Asia: The Indian Subcontinent 1104 pp*[0-8240-4946-2] *The Garland Encyclopedia of World Music, Volume 6: The Middle East 1200 pp*[0-8240-6042-3] *TheGarland Encyclopedia of World Music, Volume 7: East Asia: China, Japan, and Korea 1192 pp*[0-8240-6041-5] *TheGarland Encyclopedia of World Music, Volume 8: Europe 1176 pp*[0-8240-6034-2] *The Garland Encyclopedia of World Music, Volume 9: Australia and the PacificIslands 1116 pp*[0-8240-6038-5] *The Garland Encyclopedia of World Music, Volume 10: The World's Music: General Perspectives and Reference Tools 800 pp*[0-8153-1084-6]
The Concise Garland Encyclopedia of World Music: Africa ; South America, Mexico, Central America, and the Caribbean ; The United States and Canada ; Europe ; Oceania by Ellen Koskoff Pdf
The critical importance of past for the present--of music histories in local and global forms--asserts itself. The history of world music, as each chapter makes clear, is one of critical moments and paradigm shifts.
State, Nationalism, and Islamization by Raja M. Ali Saleem Pdf
This book argues that Islam’s role in state nationalism is the best predictor of the Islamization of government using two most different cases: Turkey, which was an aggressively secular country until recently, and Pakistan, a country that is synonymous with Islamization. It establishes a causal link between Islam’s role in state nationalism and Islamization of government during various periods of the history of both countries. The indicators used to establish the causal link between Islam’s role in state nationalism and Islamization are the presence of Islamic provisions in the constitution, Islam-inspired national symbols, Islamic images on the national currency, Islamic basis of family law, a Department of Religious Affairs, and governmental support for religious education. The book concludes by identifying three causal mechanisms—legitimacy, mobilization, and authenticity—that link Islam’s role in state nationalism and the Islamization of government.
The Evolution of Music by Leonid Perlovsky,Aleksey Nikolsky Pdf
This eBook is a collection of articles from a Frontiers Research Topic. Frontiers Research Topics are very popular trademarks of the Frontiers Journals Series: they are collections of at least ten articles, all centered on a particular subject. With their unique mix of varied contributions from Original Research to Review Articles, Frontiers Research Topics unify the most influential researchers, the latest key findings and historical advances in a hot research area! Find out more on how to host your own Frontiers Research Topic or contribute to one as an author by contacting the Frontiers Editorial Office: frontiersin.org/about/contact.
Hindustani Traces in Malay Ghazal by Gisa Jähnichen,Chinthaka Prageeth Meddegoda Pdf
‘A song, so old and yet still famous’ is a Malay expression of admiration for an exotic singing style, a musical contemplation on the beauty of nature, God, and love. The ghazal exists in manifold cultures all over Asia, Africa, and Southern Europe, and is intimately connected to Islam and its periphery. In each region, ghazals have been shaped into other expressions using imported features and transforming them into ‘local art’. In the Malay world, ghazals come in various shapes and with different meanings. ‘The song, so old’ is the song that came before the proliferation of mass media. The first ghazals that were heard in the Malay world might have been those ghazals performed by Hindustani musicians traveling in Southeast Asia. However, later on, the ghazal’s development was additionally triggered by mass media, with technological progress enhancing change in urban entertainment and introducing new sources of further adaptations. In this context, the second half line of the lyrics mentioned, ‘and yet still famous’, means that despite being old, the song is highly regarded as an art in itself. Malay ghazals are still attractive and musically demanding. They were traditionally not performed for mass appeal, but, rather, for a small knowledgeable audience that valued musical refinement and taste.
The Garland Encyclopedia of World Music by Ellen Koskoff Pdf
This encyclopedia/CD-ROM package leads readers on a musical expedition into the cultures of many of the 242 ethnic groups of Southeast Asia. Articles by international contributors with direct fieldwork and performing experience document music as a cultural phenomenon vital to all aspects of Southeast Asian life. Opens with an overview of the entire region, then turns to themes and concepts common to the region as a whole, and investigates musical practices in each region, with articles on topics from religious music to rock. Includes b & w photos and maps, discographies, a filmography, and CD-ROM of music. Annotation copyrighted by Book News, Inc., Portland, OR.
Sourcebook for Research in Music by Phillip Crabtree,Donald H. Foster Pdf
This bibliography of bibliographies lists and describes sources, from basic references to highly specialized materials. Valuable as a classroom text and as a research tool for scholars, librarians, performers, and teachers.
Sourcebook for Research in Music, Third Edition by Allen Scott Pdf
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
