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“An altogether excellent anthology, this volume offers a superior introduction to the brilliant, brooding works of a Yiddish master” (Publishers Weekly). This volume presents The Dybbuk, S. Ansky’s well-known drama of mystical passion and demonic possession, along with little-known works of his autobiographical and fantastical prose fiction and an excerpt from his four-volume chronicle of the Eastern Front in the First World War, The Destruction of Galacia.
A long ago "accident." An isolated girl named Aviva. A community that wants to help, but doesn't know how. And a ghostly dybbuk, that no one but Aviva can see, causing mayhem and mischief that everyone blames on her. That is the setting for this suspenseful novel of a girl who seems to have lost everything, including her best friend Kayla, and a mother who was once vibrant and popular, but who now can’t always get out of bed in the morning. As tensions escalate in the Jewish community of Beacon with incidents of vandalism and a swastika carved into new concrete poured near the synagogue...so does the tension grow between Aviva and Kayla and the girls at their school, and so do the actions of the dybbuk grow worse. Could real harm be coming Aviva's way? And is it somehow related to the "accident" that took her father years ago? Aviva vs. the Dybbuk is a compelling, tender story about friendship and community, grief and healing, and one indomitable girl who somehow manages to connect them all.
The Entertainer and the Dybbuk by Sid Fleischman Pdf
One night The Great Freddie, a young ventriloquist, is possessed by a dybbuk. A what? A Jewish spirit. A scrappy demon who glows as if spray-painted by moonlight. The dybbuk is revealed to be the ghost of a twelve-year-old boy named Avrom Amos, a victim of the Nazis during World War II. In a plucky scheme to seek revenge, he commandeers The Great Freddie's stage act and entraps the entertainer in the postwar ashes of Germany. Behind the footlights, the dybbuk lights up the terrible fate of a million and a half Jewish children, including Avrom himself. What tricks does the dybbuk have up his ghostly sleeve? Prepare to be astonished. . . .
The Dybbuk and the Yiddish Imagination by Joachim Neugroschel Pdf
he most famous play in the Yiddish repertoire, S. Ansky’s The Dybbuk has been made into two films and three operas and has been staged all over the world. As an extraordinary product of the Yiddish imagination, however, its literary and religious roots have never been thoroughly explored. With a new translation of Ansky’s play that conveys its brilliant supernatural poetry, this anthology comprises thirty highly diverse literary masterpieces dating from the sixteenth to the twentieth century. Beginning with the first Yiddish tale about a possession (1602), these works influenced Ansky or formed a cultural and spiritual network that shows us how the era and tradition precipitated the drama. The result is a literary mosaic that shows a vast array of styles, from the earthy simplicity of homespun folk tales to the delicacy and elegance of polished literary expression. Joachim Neugroschel brings together a wide variety of stories, verse narratives, and even modern melodrama—many never before translated into English.
In this compelling retelling of one of the best-known stories of the Kabbalah, a promise broken comes back to haunt the richest man in town. From the moment Sender's daughter, Leah, meets Konin, a poor scholar, the two fall madly in love. Though he only wants the best for his daughter, Sender turns his back on a sacred pact made long before and promises Leah to a wealthy suitor. Konin soon dies of a broken heart but vows revenge for the injustice. When Konin's ghost returns on Leah's wedding day, he possesses the body of his destined bride and refuses to leave,no matter the cost. In Barbara Rogasky's impassioned version of this Jewish legend, featuring dramatic and evocative illustrations by Leonard Everett Fisher, love truly does conquer all.
The Dybbuk Century by Debra Caplan,Rachel Merrill Moss Pdf
A little over 100 years ago, the first production of An-sky’s The Dybbuk, a play about the possession of a young woman by a dislocated spirit, opened in Warsaw. In the century that followed, The Dybbuk became a theatrical conduit for a wide range of discourses about Jews, belonging, and modernity. This timeless Yiddish play about spiritual possession beyond the grave would go on to exert a remarkable and unforgettable impact on modern theater, film, literature, music, and culture. The Dybbuk Century collects essays from an interdisciplinary group of scholars who explore the play’s original Yiddish and Hebrew productions and offer critical reflections on the play’s enduring influence. The collection will appeal to scholars, students, and theater practitioners, as well as general readers.
Author : Morris M. Faierstein Publisher : State University of New York Press Page : 314 pages File Size : 43,6 Mb Release : 2024-06-01 Category : Religion ISBN : 9781438497976
The Dybbuk is the first comprehensive study of the historical and kabbalistic sources of the dybbuk phenomenon, from the first recorded case of dybbuk possession in Safed in 1571 onward. Dybbuk possession differs from possession by demons or Satan. Its origin is in the Kabbalistic concept of gilgul (transmigration) for sins that are so grievous that Gehenna is not sufficient punishment, and the soul must therefore wander until expiation is found. The dybbuk can temporarily find refuge in animals or people and can only be exorcised by a Baal Shem, a great kabbalist or expert in Jewish magic. In addition to describing the history and evolution of this concept, The Dybbuk includes English translations of all dybbuk stories discussed in the book, many translated for the first time.
For abandoning her lover, a lesbian is cursed by an evil spirit--her descendants will bear only daughters--but a sage outwits the spirit by trapping it in a tree. Two hundred years later lightning releases the spirit and it goes after the woman's 20th Century descendant, Rainbow Rosenbloom, a taxi driver and film critic.
A series of eerie events slowly unfolds when a wine cabinet sells at an estate sale in Oregon. It is soon sold and resold on eBay's Internet auction, and each new owner becomes desperate to get rid of the box along with the health problems, accidents, or death they claim came with it. Jason Haxton, the curator of a medical museum in a small Missouri town, learns of the mysterious cabinet and is intrigued by it as an artifact to be studied and researched. He places a bid on eBay and soon finds himself the proud owner of the Dibbuk Box. But as he carefully investigates and records everything he can about this unusual item said to be possessed by a Jewish spirit, Haxton discovers far more than he bargained for. In this true account, a dark story comes to light—a story that began at the time of the Holocaust and seems to have come full circle.
After a nearly two-thousand-year interlude, and just as Christian Europe was in the throes of the great Witch Hunt and what historians have referred to as "The Age of the Demoniac," accounts of spirit possession began to proliferate in the Jewish world. Concentrated at first in the Near East but spreading rapidly westward, spirit possession, both benevolent and malevolent, emerged as perhaps the most characteristic form of religiosity in early modern Jewish society. Adopting a comparative historical approach, J. H. Chajes uncovers this strain of Jewish belief to which scant attention has been paid. Informed by recent research in historical anthropology, Between Worlds provides fascinating descriptions of the cases of possession as well as analysis of the magical techniques deployed by rabbinic exorcists to expel the ghostly intruders. Seeking to understand the phenomenon of spirit possession in its full complexity, Chajes delves into its ideational framework—chiefly the doctrine of reincarnation—while exploring its relation to contemporary Christian and Islamic analogues. Regarding spirit possession as a form of religious expression open to—and even dominated by—women, Chajes initiates a major reassessment of women in the history of Jewish mysticism. In a concluding section he examines the reception history of the great Hebrew accounts of spirit possession, focusing on the deployment of these "ghost stories" in the battle against incipient skepticism in the turbulent Jewish community of seventeenth-century Amsterdam. Exploring a phenomenon that bridged learned and ignorant, rich and poor, men and women, Jews and Gentiles, Between Worlds maps for the first time a prominent feature of the early modern Jewish religious landscape, as quotidian as it was portentous: the nexus of the living and the dead.
Using Russian, Yiddish, Hebrew, and French sources, Safran recreates the neglected protean personality Shloyme-Zanvl Rappoport, who would become S. An-sky--ethnographer, war correspondent, and author of the best-known Yiddish play, "The Dybbuk."
The color of his eyes had not changed, neither their depth nor their focus; his voice was as relaxed and nasal as the first time he spoke to her in the library. But he was looking through his eyes now, not with them: panes of stonewashed stained glass, and she said, dead-end recognition, Menachem. Something like ice and brandy sunfished up into her throat, sluice and burn past her heart; she put it from her, as she had weeks ago put away her surprise. Wondering for how long this time, she gave her greeting to this new face. I was wondering when you d turn up. Dybbuk: plural, dybbuks or dybbukim; from the Hebrew levadek, to cling or cleave. In Eastern Europe, at the end of the nineteenth century, a restless spirit that possesses a living person until exorcised. On the East Coast, at the beginning of the twenty-first, a dead man with a thousand faces and a single desire . . ."
