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The Dybbuk and the Yiddish Imagination by Joachim Neugroschel Pdf
The Dybbuk is arguably the most famous play in the Yiddish repertoire and plays an intrinsic part in the cultural system that created the Yiddish imagination. Along with this new translation, this text offers a variety of literary works spanning the 17th to the 20th centuries.
The Dybbuk and the Yiddish Imagination by Joachim Neugroschel Pdf
he most famous play in the Yiddish repertoire, S. Ansky’s The Dybbuk has been made into two films and three operas and has been staged all over the world. As an extraordinary product of the Yiddish imagination, however, its literary and religious roots have never been thoroughly explored. With a new translation of Ansky’s play that conveys its brilliant supernatural poetry, this anthology comprises thirty highly diverse literary masterpieces dating from the sixteenth to the twentieth century. Beginning with the first Yiddish tale about a possession (1602), these works influenced Ansky or formed a cultural and spiritual network that shows us how the era and tradition precipitated the drama. The result is a literary mosaic that shows a vast array of styles, from the earthy simplicity of homespun folk tales to the delicacy and elegance of polished literary expression. Joachim Neugroschel brings together a wide variety of stories, verse narratives, and even modern melodrama—many never before translated into English.
This volume presents The Dybbuk, S. Ansky's well-known drama of mystical passion and demonic possession, along with little-known works of his autobiographical and fantastical prose fiction and an excerpt from his four-volume chronicle of the Eastern Front in the First World War, The Destruction of Galacia.
The Dybbuk Century by Debra Caplan,Rachel Merrill Moss Pdf
A little over 100 years ago, the first production of An-sky’s The Dybbuk, a play about the possession of a young woman by a dislocated spirit, opened in Warsaw. In the century that followed, The Dybbuk became a theatrical conduit for a wide range of discourses about Jews, belonging, and modernity. This timeless Yiddish play about spiritual possession beyond the grave would go on to exert a remarkable and unforgettable impact on modern theater, film, literature, music, and culture. The Dybbuk Century collects essays from an interdisciplinary group of scholars who explore the play’s original Yiddish and Hebrew productions and offer critical reflections on the play’s enduring influence. The collection will appeal to scholars, students, and theater practitioners, as well as general readers.
The first part of the book features Tony Kushner's adaptation of The Dybbuk by S. Ansky from Joachim Neugroschel's translation, with an afterword by Harold Bloom. Considered by many to be the greatest Yiddish drama, The Dybuuk recounts the tale of a wealthy man's daughter who is possessed by the spirit of her dead beloved. Also included in this volume is a selection of stories translated into English for the first time by Joachim Neugroschel, illuminating different aspects of the Jewish mystical world, including possessions, transmigration, fairy tales, parables and miracles.
The Yiddish Supernatural on Screen by Rebecca Margolis Pdf
"This book examines how supernatural film and television integrate Yiddish dialogue to reimagine and reconstruct haunted and mystical elements of the Jewish experience, illustrating how closely bound up the Yiddish language is with shadowy immigrant pasts and the haunted sites of Holocaust memory"--
Author : Jonah Corne,Monika Vrečar Publisher : State University of New York Press Page : 432 pages File Size : 48,5 Mb Release : 2023-09-01 Category : Performing Arts ISBN : 9781438494197
In this book, Jonah Corne and Monika Vrečar offer a conceptually innovative reexamination of Yiddish cinema, a crucial yet little-known diasporic phenomenon that enjoyed its "golden age" in the mid- to late 1930s. Yiddish cinema, they argue, exhibits a distinctive fascination with media forms, technologies, and institutions, and with relationality writ large. What stands behind this communication obsession, as it might be understood, is the films' engagement both with Judaic ideals and with a series of Jewish sociohistorical predicaments of troubled communication (immigration, displacement, the breakdown of tradition, and so on) that the films seek to reflect. Accordingly, the authors create a resonant conversation between Yiddish cinema, populated by an endless procession of disconnected characters ardently striving to rejoin the world of communication, and the brilliant yet underappreciated ideas of pioneering Czech-Jewish media theorist Vilém Flusser (1920–1991), who escaped Nazi persecution and built the first part of his intellectual career in Brazil. Indeed, the authors claim that the popular art of Yiddish cinema articulates in dramatic terms a version of the central Flusserian hypothesis that "the structure of communication is the infrastructure of human reality" and, by doing so, embodies a remarkable Jewish media theory "from below." Films discussed include The Wandering Jew (1933), The Dybbuk (1937), Where is My Child? (1937), A Little Letter to Mother (1938), Kol Nidre (1939), Motel the Operator (1939), Tevye (1939), The Living Orphan (1939), and Long Is the Road (1948).
Dybbuks and Jewish Women in Social History, Mysticism and Folklore by Rachel Elior Pdf
How and why a person comes to be possessed by a dybbuk—the possession of a living body by the soul of a deceased person—and what consequences ensue from such possession, form the subject of this book. Though possession by a dybbuk has traditionally been understood as punishment for a terrible sin, it can also be seen as a mechanism used by desperate individuals—often women—who had no other means of escape from the demands and expectations of an all-encompassing patriarchal social order. Dybbuks and Jewish Women examines these and other aspects of dybbuk possession from historical and phenomenological perspectives, with particular attention to the gender significance of the subject.
Author : Anonim Publisher : State University of New York Press Page : 366 pages File Size : 44,6 Mb Release : 2010-03-10 Category : Literary Criticism ISBN : 9780791481622
Offering snapshots of a pivotal era in which the Jews of Europe made the transition from a traditional to a more modern world, the Yiddish plays translated and collected here wrestle with issues that continue to concern us today: changing gender roles, generational conflict, class divisions, and religious persecution. In their introduction to the volume, Joel Berkowitz and Jeremy Dauber place the plays in the context of the development of modern drama and Yiddish drama and examine their treatment of social, political, and religious issues. The many ways in which the plays address these issues make them transcend their own time, exciting a new generation of readers and theatergoers.
The Jewish Story Finder by Sharon Barcan Elswit Pdf
Storytelling, as oral tradition and in writing, has long played a central role in Jewish society. Family, educators, and clergy employ stories to transmit Jewish culture, traditions, and values. This comprehensive bibliography identifies 668 Jewish folktales by title and subject, summarizing plot lines for easy access to the right story for any occasion. Some centuries old and others freshly imagined, the tales include animal fables, supernatural yarns, and anecdotes for festivals and holidays. Themes include justice, community, cause and effect, and mitzvahs, or good deeds. This second edition nearly doubles the number of stories and expands the guide's global reach, with new pieces from Turkey, Morocco, Libya, Tunisia, and Chile. Subject cross-references and a glossary complete the volume, a living tool for understanding the ever-evolving world of Jewish folklore.
The Dybbuk is a haunting tale about ill-fated love, possession, and exorcism in a small Jewish town in Eastern Europe. It was originally called "Between Two Worlds," which is also an apt description of the life of this unusual writer.
Dybbuks and Jewish Women in Social History, Mysticism and Folklore by Rachel Elior Pdf
How and why a person comes to be possessed by a dybbuk—the possession of a living body by the soul of a deceased person—and what consequences ensue from such possession, form the subject of this book. Though possession by a dybbuk has traditionally been understood as punishment for a terrible sin, it can also be seen as a mechanism used by desperate individuals—often women—who had no other means of escape from the demands and expectations of an all-encompassing patriarchal social order. Dybbuks and Jewish Women examines these and other aspects of dybbuk possession from historical and phenomenological perspectives, with particular attention to the gender significance of the subject.
The dybbuk, a dead person's soul that possesses a living person, is an ancient and fascinating part of Jewish folklore in Eastern Europe. Drawing on the eerie world of the kaballah and the many mystical legends handed down through generations, the dybbuk illuminates various aspects of the Jewish supernatural world. The centerpiece of this volume is Tony Kushner's remarkable adaptation of A Dybbuk, or Between Two Worlds, which tells the story of a wealthy man's daughter who is possessed by the spirit of her dead beloved. The work is adapted from the original play by noted author and folklorist S. Ansky. In the early nineteenth century, Ansky embarked on a trip to the remote regions of the Ukraine to recover the many oral tales and legends of Eastern European Hasidic culture. His play, The Dybbuk, was the retelling in dramatic form of many of the tales he discovered. It received its premiere in Warsaw in 1920, several months after Ansky's death, and it remains as one of the masterworks of Hebrew mystical drama. Also included in this volume is a selection of Yiddish supernatural tales translated by Joachim Neugroschel. The stories, none of which have been translated before, illuminate the different aspects of the Jewish mystical world, including possessions, transmigration, fairy tales, parables and miracles. This volume features original cover art by Maurice Sendak.
The man who would become S. An-sky—ethnographer, war correspondent, author of the best-known Yiddish play, The Dybbuk—was born Shloyme-Zanvl Rapoport in 1863, in Russia’s Pale of Settlement. His journey from the streets of Vitebsk to the center of modern Yiddish and Hebrew theater, by way of St. Petersburg, Paris, and war-torn Austria-Hungry, was both extraordinary and in some ways typical: Marc Chagall, another child of Vitebsk, would make a similar transit a generation later. Like Chagall, An-sky was loyal to multiple, conflicting Jewish, Russian, and European identities. And like Chagall, An-sky made his physical and cultural transience manifest as he drew on Jewish folk culture to create art that defied nationality. Leaving Vitebsk at seventeen, An-sky forged a number of apparently contradictory paths. A witness to peasant poverty, pogroms, and war, he tried to rescue the vestiges of disappearing communities even while fighting for reform. A loner addicted to reinventing himself—at times a Russian laborer, a radical orator, a Jewish activist, an ethnographer of Hasidism, a wartime relief worker—An-sky saw himself as a savior of the people’s culture and its artifacts. What united the disparate strands of his life was his eagerness to speak to and for as many people as possible, regardless of their language or national origin. In this first full-length biography in English, Gabriella Safran, using Russian, Yiddish, Hebrew, and French sources, recreates this neglected protean figure who, with his passions, struggles, and art, anticipated the complicated identities of the European Jews who would follow him.
