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An original and energetic examination of the relationship between theology, faith, religious history and national politics in the works of Oscar Wilde, which focuses in particular on his life-long attraction to Catholicism. Wilde's Protestant heritage is also scrutinised, and its continued influence on him, as well as his antagonism towards it, is related to the narrative modes he chose and the philosophical positions he adopted.
Religion and Mythology in Oscar Wilde's Poem "The Sphinx" by Melitta Töller Pdf
Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 1,0, LMU Munich (Department f r Anglistik und Amerikanistik), course: Oscar Wilde, 28 entries in the bibliography, language: English, abstract: Introduction A poet is sitting in his room beside a Sphinx. Within the poem the Sphinx forms his main focus of interest, his whole attention belongs to her: a cheap souvenir from some street corner. But inside of the poet's room the Sphinx no longer remains a little piece of stone but, right in front of his eyes, becomes a real-life Sphinx - the age-old female demon of death, who besieged the city of Thebes as a punishment for the king of Thebes who introduced homosexual love into Greek culture and thus incured Hera's hatred. The Sphinx, one of Oscar Wilde's most enchanting poems, is woven out of a net of various mythological beliefs and religious ideas. Wilde invokes a hotch-potch of varying creatures, who convey a magical atmosphere of ancient grandeur. In order to understand the poem one has to get to know the concepts that stand behind the various mythical creatures, gods and heroes. Therefore I will explain to which mythologies Wilde relates to and how they refer to each other. In this connection the time of Oscar Wilde has to be taken into consideration, too: Victorianism, with its crumbling of old values and conquering of new worlds; the period of decadence; the period of aestheticism. I would like to show some of the multitude of possible accesses, e.g. the identification of the Sphinx with the figure of the femme fatale; the personification of the Sphinx as the temptations and desires of the poet respectively The Sphinx as a metaphor for the loss of Christian faith in Victorian culture.
Jarlath Killeen,University College, Dublin. Dept. of Anglo-Irish Literature and Drama
Author : Jarlath Killeen,University College, Dublin. Dept. of Anglo-Irish Literature and Drama Publisher : Unknown Page : 486 pages File Size : 47,8 Mb Release : 2001 Category : Religion and literature ISBN : OCLC:605342728
The return to religion has perhaps become the dominant cliché of contemporary theory, which rarely offers anything more than an exaggerated echo of a political reality dominated by religious war. Somehow, the secular age seems to have been replaced by a new era, where political action flows directly from metaphysical conflict. The Faith of the Faithless asks how we might respond. Following Critchley’s Infinitely Demanding, this new book builds on its philosophical and political framework, also venturing into the questions of faith, love, religion and violence. Should we defend a version of secularism and quietly accept the slide into a form of theism—or is there another way? From Rousseau’s politics and religion to the return to St. Paul in Taubes, Agamben and Badiou, via explorations of politics and original sin in the work of Schmitt and John Gray, Critchley examines whether there can be a faith of the faithless, a belief for unbelievers. Expanding on his debate with Slavoj Žižek, Critchley concludes with a meditation on the question of violence, and the limits of non-violence.
The Fairy Tales of Oscar Wilde by Jarlath Killeen Pdf
Oscar Wilde's two collections of children's literature, The Happy Prince and Other Stories (1888) and A House of Pomegranates (1891), have often been marginalised in critical accounts as their apparently conservative didacticism appears at odds with the characterisation of Wilde as an amoral aesthete. In this, the first full-length study of Wilde's fairy tales for children, Jarlath Killeen argues that Wilde's stories are neither uniformly conservative nor subversive, but a blend of both. Killeen contends that while they should be read in relation to a literary tradition of fairy tales that emerged in nineteenth century Europe; Irish issues heavily influenced the work. These issues were powerfully shaped by the 'folk Catholicism' Wilde encountered in the west of Ireland. By resituating the fairy tales in a complex nexus of theological, political, social, and national concerns, Killeen restores the tales to their proper place in the Wilde canon.
Vilified by fellow Victorians for his sexuality and his dandyism, Oscar Wilde, the great poet, satirist and playwright, is hailed today, in some circles, as a progressive sexual liberator. But this image is not how Wilde saw himself. Joseph Pearce's biography strips away pretensions to show the real man, his aspirations and desires. It uncovers how he was broken by his prison sentence; it probes the deeper thinking behind masterpieces such as The Picture of Dorian Gray and De Profundis; and it traces his fascination with Catholicism through to his eleventh-hour conversion. Pearce removes the masks and reveals the Wilde beneath the surface. He has written a profound, wide-ranging study with many original insights on a great literary figure.
In Oscar Wilde, the words and wit of the 19t h century author, poet and playwright demonstrate his keen o bservation and analysis of the society in which he lived. '
WHY versus WHY NOT? Why did God place us in a world full of pleasures if we aren’t meant to pursue them all? In an imaginative dialogue, Oscar Wilde asks Jesus Christ to respond to this question about critical lifestyle choices. Their talk vividly illustrates the arguments for both sensual pleasure-seeking and moral moderation. Playwright, dramatist, poet, critic—Wilde openly defied the mores of Victorian society. His literary repartee fueled an “if it feels good, do it” humanistic philosophy that is still prevalent in the world today. SO WHAT does JESUS SAY?
Oscar Wilde: A Literary Life tracks the intellectual biography of one of the most influential minds of the nineteenth century. Rather than focusing on the dramatic events of Wilde’s life, this volume documents Wilde’s impressive forays into education, religion, science, philosophy, and social reform. In so doing, it provides an accessible and yet detailed account that reflects Wilde’s own commitment to the “contemplative life.” Suitable for seasoned readers as well as those new to the study of his work, Oscar Wilde: A Literary Life brings Wilde’s intellectual investments into sharp focus, while placing him within a cultural landscape that was always evolving and often fraught with contradiction.
Oscar Wilde's Aesthetic Education by Leanne Grech Pdf
This book focuses on the role that the Oxford classical curriculum has had in shaping Oscar Wilde’s aestheticism. It positions Wilde as a classically trained intellectual and outlines the path he took to gain recognition as a writer and promoter of the aesthetic movement. This narrative is conveyed through a broad range of literary sources, including Wilde’s travel poetry, American lectures, and canonical works like ‘The Critic as Artist’, The Soul of Man, The Picture of Dorian Gray and De Profundis. This study proposes that Wilde approached aestheticism as a personalised, self-directed learning experience – a mode of self-culture – which could be used to maintain an intellectual life outside of the university. It also explores Wilde’s thoughts on education and considers the significance of male friendship at Oxford, and in Wilde’s life and literature.
The Picture of Dorian Gray and Other Writings by Oscar Wilde Pdf
Flamboyant and controversial, Oscar Wilde was a dazzling personality, a master of wit, and a dramatic genius whose sparkling comedies contain some of the most brilliant dialogue ever written for the English stage. Here in one volume are his immensely popular novel, The Picture of Dorian Gray; his last literary work, “The Ballad of Reading Gaol,” a product of his own prison experience; and four complete plays: Lady Windermere’s Fan, his first dramatic success, An Ideal Husband, which pokes fun at conventional morality, The Importance of Being Earnest, his finest comedy, and Salomé, a portrait of uncontrollable love originally written in French and faithfully translated by Richard Ellmann. Every selection appears in its entirety–a marvelous collection of outstanding works by the incomparable Oscar Wilde, who’s been aptly called “a lord of language” by Max Beerbohm.
The Fairy Tales of Oscar Wilde by Dr Jarlath Killeen Pdf
Oscar Wilde's two collections of children's literature, The Happy Prince and Other Stories (1888) and A House of Pomegranates (1891), have often been marginalised in critical accounts as their apparently conservative didacticism appears at odds with the characterisation of Wilde as an amoral aesthete. In this, the first full-length study of Wilde's fairy tales for children, Jarlath Killeen argues that Wilde's stories are neither uniformly conservative nor subversive, but a blend of both. Killeen contends that while they should be read in relation to a literary tradition of fairy tales that emerged in nineteenth century Europe; Irish issues heavily influenced the work. These issues were powerfully shaped by the 'folk Catholicism' Wilde encountered in the west of Ireland. By resituating the fairy tales in a complex nexus of theological, political, social, and national concerns, Killeen restores the tales to their proper place in the Wilde canon.
