The Idea Of Music In Victorian Fiction

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The Idea of Music in Victorian Fiction

Author : Nicky Losseff
Publisher : Routledge
Page : 320 pages
File Size : 52,5 Mb
Release : 2016-03-03
Category : Music
ISBN : 9781317028055

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The Idea of Music in Victorian Fiction by Nicky Losseff Pdf

The Idea of Music in Victorian Fiction seeks to address fundamental questions about the function, meaning and understanding of music in nineteenth-century culture and society, as mediated through works of fiction. The eleven essays here, written by musicologists and literary scholars, range over a wide selection of works by both canonical writers such as Austen, Benson, Carlyle, Collins, Gaskell, Gissing, Eliot, Hardy, du Maurier and Wilde, and less-well-known figures such as Gertrude Hudson and Elizabeth Sara Sheppard. Each essay explores different strategies for interpreting the idea of music in the Victorian novel. Some focus on the degree to which scenes involving music illuminate what music meant to the writer and contemporary performers and listeners, and signify musical tastes of the time and the reception of particular composers. Other essays in the volume examine aspects of gender, race, sexuality and class that are illuminated by the deployment of music by the novelist. Together with its companion volume, The Figure of Music in Nineteenth-Century British Poetry edited by Phyllis Weliver (Ashgate, 2005), this collection suggests a new network of methodologies for the continuing cultural and social investigation of nineteenth-century music as reflected in that period's literary output.

The Idea of Music in Victorian Fiction

Author : Nicky Losseff
Publisher : Routledge
Page : 320 pages
File Size : 40,6 Mb
Release : 2016-03-03
Category : Music
ISBN : 9781317028062

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The Idea of Music in Victorian Fiction by Nicky Losseff Pdf

The Idea of Music in Victorian Fiction seeks to address fundamental questions about the function, meaning and understanding of music in nineteenth-century culture and society, as mediated through works of fiction. The eleven essays here, written by musicologists and literary scholars, range over a wide selection of works by both canonical writers such as Austen, Benson, Carlyle, Collins, Gaskell, Gissing, Eliot, Hardy, du Maurier and Wilde, and less-well-known figures such as Gertrude Hudson and Elizabeth Sara Sheppard. Each essay explores different strategies for interpreting the idea of music in the Victorian novel. Some focus on the degree to which scenes involving music illuminate what music meant to the writer and contemporary performers and listeners, and signify musical tastes of the time and the reception of particular composers. Other essays in the volume examine aspects of gender, race, sexuality and class that are illuminated by the deployment of music by the novelist. Together with its companion volume, The Figure of Music in Nineteenth-Century British Poetry edited by Phyllis Weliver (Ashgate, 2005), this collection suggests a new network of methodologies for the continuing cultural and social investigation of nineteenth-century music as reflected in that period's literary output.

Women Musicians in Victorian Fiction, 1860-1900

Author : Phyllis Weliver
Publisher : Routledge
Page : 315 pages
File Size : 48,5 Mb
Release : 2018-02-06
Category : Literary Criticism
ISBN : 9781351744485

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Women Musicians in Victorian Fiction, 1860-1900 by Phyllis Weliver Pdf

This title was first publushed in 2000. Phyllis Weliver investigates representations of female musicians in British novels from 1860 to 1900 with regard to changing gender roles, musical practices and scientific discourses. During this time women were portrayed in complex and nuanced ways as they played and sang in family drawing rooms. Women in the 19th century were judged on their manners, appearance, language and other accomplishments such as sewing or painting, but music stood out as an area where women were encouraged to take centre stage and demonstrate their genteel education, graceful movements and self-expression. However within the novels of the Victorian were begining to move away from portraying the musical accomplishments of middle- and upper-class women as feminine and worthwhile towards depicting musical women as truly dangerous. This book explores the reasons for this reaction and the way labels and images were constructed to show extremes of behaviour, and it looks at whether the fiction was depicting the real trends in music at the time.

The Brontës in the World of the Arts

Author : Sandra Hagan,Juliette Wells
Publisher : Routledge
Page : 396 pages
File Size : 50,8 Mb
Release : 2016-12-05
Category : Literary Criticism
ISBN : 9781351893503

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The Brontës in the World of the Arts by Sandra Hagan,Juliette Wells Pdf

Although previous scholarship has acknowledged the importance of the visual arts to the Brontës, relatively little attention has been paid to the influence of music, theatre, and material culture on the siblings' lives and literature. This interdisciplinary collection presents new research on the Brontës' relationship to the wider world of the arts, including their relationship to the visual arts. The contributors examine the siblings' artistic ambitions, productions, and literary representations of creative work in both amateur and professional realms. Also considered are re-envisionings of the Brontës' works, with an emphasis on those created in the artistic media the siblings themselves knew or practiced. With essays by scholars who represent the fields of literary studies, music, art, theatre studies, and material culture, the volume brings together the strongest current research and suggests areas for future work on the Brontës and their cultural contexts.

The Gaze of the Listener

Author : Regula Hohl Trillini
Publisher : BRILL
Page : 261 pages
File Size : 44,5 Mb
Release : 2008-01-01
Category : History
ISBN : 9789401206518

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The Gaze of the Listener by Regula Hohl Trillini Pdf

This study analyzes representations of music in fiction, drama and poetry as well as normative texts in order to contribute to a gendered cultural history of domestic performance. From the Tudors to the First World War, playing the harpsichord or piano was an indispensable asset of any potential bride, and education manuals as well as courtship plots and love poems pay homage to this social function of music. The Gaze of the Listener charts the fundamental tension which determines all these texts: while music is warmly recommended in conduct books and provides standard metaphors like concord and harmony for virtuous love, a profound anxiety about its sensuous inarticulateness and implicit femininity unsettles all descriptions of actual music-making. Along with repressive plot lines, the privileging of visual perception over musical appreciation is the most telling indicator of this problem. The Gaze of the Listener is the first coherent account of this discourse and its historical continuity from the Elizabethan to the Edwardian period and provides a significant background for more narrowly focused research. Its uniquely wide database contextualizes numerous minor works with classics without limiting itself to the fringe phenomenon of musician novels. Including a fresh account of the novels of Jane Austen in their contemporary (rather than Victorian) context, the book is of interest to scholars and students in gender studies, English literature, cultural studies and musicology.

The Figure of Music in Nineteenth-Century British Poetry

Author : Phyllis Weliver
Publisher : Routledge
Page : 281 pages
File Size : 40,8 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351544542

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The Figure of Music in Nineteenth-Century British Poetry by Phyllis Weliver Pdf

How was music depicted in and mediated through Romantic and Victorian poetry? This is the central question that this specially commissioned volume of essays sets out to explore in order to understand better music's place and its significance in nineteenth-century British culture. Analysing how music took part in and commented on a wide range of scientific, literary, and cultural discourses, the book expands our knowledge of how music was central to the nineteenth-century imagination. Like its companion volume, The Idea of Music in Victorian Fiction (Ashgate, 2004) edited by Sophie Fuller and Nicky Losseff, this book provides a meeting place for literary studies and musicology, with contributions by scholars situated in each field. Areas investigated in these essays include the Romantic interest in national musical traditions; the figure of the Eolian harp in the poetry of Coleridge and Shelley; the recurring theme of music in Blake's verse; settings of Tennyson by Parry and Elgar that demonstrate how literary representations of musical ideas are refigured in music; George Eliot's use of music in her poetry to explore literary and philosophical themes; music in the verse of Christina and Dante Gabriel Rossetti; the personification of lyric (Sappho) in a song cycle by Granville and Helen Bantock; and music and sexual identity in the poetry of Wilde, Symons, Michael Field, Beardsley, Gray and Davidson.

Gender and Ventriloquism in Victorian and Neo-Victorian Fiction

Author : H. Davies
Publisher : Springer
Page : 219 pages
File Size : 45,8 Mb
Release : 2012-08-21
Category : Literary Criticism
ISBN : 9781137271167

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Gender and Ventriloquism in Victorian and Neo-Victorian Fiction by H. Davies Pdf

Is ventriloquism just for dummies? What is at stake in neo-Victorian fiction's desire to 'talk back' to the nineteenth century? This book explores the sexual politics of dialogues between the nineteenth century and contemporary fiction, offering a new insight into the concept of ventriloquism as a textual and metatextual theme in literature.

Evolution and Victorian Musical Culture

Author : Bennett Zon
Publisher : Cambridge University Press
Page : 377 pages
File Size : 49,7 Mb
Release : 2017-10-12
Category : History
ISBN : 9781107020443

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Evolution and Victorian Musical Culture by Bennett Zon Pdf

Explores the musical background to Darwinism and the development of the relationship between science and the arts in Victorian Britain.

James Joyce and Absolute Music

Author : Michelle Witen
Publisher : Bloomsbury Publishing
Page : 320 pages
File Size : 44,5 Mb
Release : 2018-02-22
Category : Literary Criticism
ISBN : 9781350014244

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James Joyce and Absolute Music by Michelle Witen Pdf

Drawing on draft manuscripts and other archival material, James Joyce and Absolute Music, explores Joyce's deep engagement with musical structure, and his participation in the growing modernist discourse surrounding 19th-century musical forms. Michelle Witen examines Joyce's claim of having structured the “Sirens” episode of his masterpiece, Ulysses, as a fuga per canonem, and his changing musical project from his early works, such as Dubliners and A Portrait of the Artist as a Young Man. Informed by a deep understanding of music theory and history, the book goes on to consider the “pure music” of Joyce's final work, Finnegans Wake. Demonstrating the importance of music to Joyce, this ground-breaking study reveals new depths to this enduring body of work.

Figures of the Imagination

Author : Roger Hansford
Publisher : Routledge
Page : 340 pages
File Size : 53,6 Mb
Release : 2017-03-16
Category : Music
ISBN : 9781317135302

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Figures of the Imagination by Roger Hansford Pdf

This new study of the intersection of romance novels with vocal music records a society on the cusp of modernisation, with a printing industry emerging to serve people’s growing appetites for entertainment amidst their changing views of religion and the occult. No mere diversion, fiction was integral to musical culture and together both art forms reveal key intellectual currents that circulated in the early nineteenth-century British home and were shared by many consumers. Roger Hansford explores relationships between music produced in the early 1800s for domestic consumption and the fictional genre of romance, offering a new view of romanticism in British print culture. He surveys romance novels by Ann Radcliffe, Matthew Lewis, Sir Walter Scott, James Hogg, Edward Bulwer and Charles Kingsley in the period 1790–1850, interrogating the ways that music served to create mood and atmosphere, enlivened social scenes and contributed to plot developments. He explores the connections between musical scenes in romance fiction and the domestic song literature, treating both types of source and their intersection as examples of material culture. Hansford’s intersectional reading revolves around a series of imaginative figures – including the minstrel, fairies, mermaids, ghosts, and witches, and Christians engaged both in virtue and vice – the identities of which remained consistent as influence passed between the art forms. While romance authors quoted song lyrics and included musical descriptions and characters, their novels recorded and modelled the performance of songs by the middle and upper classes, influencing the work of composers and the actions of performers who read romance fiction.

Music in The Girl's Own Paper: An Annotated Catalogue, 1880-1910

Author : Judith Barger
Publisher : Routledge
Page : 352 pages
File Size : 47,7 Mb
Release : 2016-09-13
Category : Music
ISBN : 9781315534916

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Music in The Girl's Own Paper: An Annotated Catalogue, 1880-1910 by Judith Barger Pdf

Nineteenth-century British periodicals for girls and women offer a wealth of material to understand how girls and women fit into their social and cultural worlds, of which music making was an important part. The Girl's Own Paper, first published in 1880, stands out because of its rich musical content. Keeping practical usefulness as a research tool and as a guide to further reading in mind, Judith Barger has catalogued the musical content found in the weekly and later monthly issues during the magazine's first thirty years, in music scores, instalments of serialized fiction about musicians, music-related nonfiction, poetry with a musical title or theme, illustrations depicting music making and replies to musical correspondents. The book's introductory chapter reveals how content in The Girl's Own Paper changed over time to reflect a shift in women's music making from a female accomplishment to an increasingly professional role within the discipline, using 'the piano girl' as a case study. A comparison with musical content found in The Boy's Own Paper over the same time span offers additional insight into musical content chosen for the girls' magazine. A user's guide precedes the chronological annotated catalogue; the indexes that follow reveal the magazine's diversity of approach to the subject of music.

Literature and Music in the Atlantic World, 1767-1867

Author : Catherine Jones
Publisher : Edinburgh University Press
Page : 288 pages
File Size : 43,5 Mb
Release : 2014-07-16
Category : Social Science
ISBN : 9780748684625

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Literature and Music in the Atlantic World, 1767-1867 by Catherine Jones Pdf

This new study looks at the relationship of rhetoric and music in the era's intellectual discourses, texts and performance cultures principally in Europe and North America. Catherine Jones begins by examining the attitudes to music and its performance by leading figures of the American Enlightenment and Revolution, notably Benjamin Franklin and Thomas Jefferson. She also looks at the attempts of Francis Hopkinson, William Billings and others to harness the Orphean power of music so that it should become a progressive force in the creation of a new society. She argues that the association of rhetoric and music that reaches back to classical Antiquity acquired new relevance and underwent new theorisation and practical application in the American Enlightenment in light of revolutionary Atlantic conditions. Jones goes on to consider changes in the relationship of rhetoric and music in the nationalising milieu of the nineteenth century; the connections of literature, music and music theory to changing models of subjectivity; and Romantic appropriations of Enlightenment visions of the public ethical function of music.

Music and the Queer Body in English Literature at the Fin de Siècle

Author : Fraser Riddell
Publisher : Cambridge University Press
Page : 297 pages
File Size : 44,8 Mb
Release : 2022-04-14
Category : Literary Criticism
ISBN : 9781108839204

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Music and the Queer Body in English Literature at the Fin de Siècle by Fraser Riddell Pdf

The first comprehensive study of music and queer identities in late-nineteenth and early-twentieth century English literature.

The Musical Crowd in English Fiction, 1840-1910

Author : P. Weliver
Publisher : Springer
Page : 254 pages
File Size : 44,7 Mb
Release : 2006-09-05
Category : Literary Criticism
ISBN : 9780230598768

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The Musical Crowd in English Fiction, 1840-1910 by P. Weliver Pdf

This book provides insight into how musical performances contributed to emerging ideas about class and national identity. Offering a fresh reading of bestselling fictional works, drawing upon crowd theory, climate theory, ethnology, science, music reviews and books by musicians to demonstrate how these discourses were mutually constitutive.

Affective Labour in British and American Women’s Fiction, 1848-1915

Author : Katherine Skaris
Publisher : Cambridge Scholars Publishing
Page : 187 pages
File Size : 50,9 Mb
Release : 2018-07-26
Category : Literary Criticism
ISBN : 9781527514270

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Affective Labour in British and American Women’s Fiction, 1848-1915 by Katherine Skaris Pdf

This volume is a comprehensive and transatlantic literary study of women’s nineteenth-and-twentieth-century fiction. Firstly, it introduces and explores the concept of women’s affective labour, and examines literary representations of this work in British and American fiction written by women between 1848 and 1915. Secondly, it revives largely ignored texts by the “scribbling women” of Britain and America, such as Mary Elizabeth Braddon, Elizabeth Stuart Phelps, Mona Caird, and Mary Hunter Austin, and rereads established authors, such as Elizabeth Gaskell, Kate Chopin, and Edith Wharton, to demonstrate how all these works provide valuable insights into women’s lives in the nineteenth and early twentieth centuries. Finally, by adopting the lens of affective labour, the study explores the ways in which women were portrayed as striving for self-fulfilment through forms of emotional, mental, and creative endeavours that have not always been fully appreciated as ‘work’ in critical accounts of nineteenth-and-twentieth-century fiction.