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Author : Stefanie Buchenau
Publisher : Unknown
Page : 282 pages
File Size : 43,7 Mb
Release : 2014-05-14
Category : Aesthetics, German
ISBN : 1107314488
Stefanie Buchenau explores the philosophical and conceptual origins of aesthetics and the philosophy of art.
Author : Stefanie Buchenau
Publisher : Cambridge University Press
Page : 281 pages
File Size : 54,5 Mb
Release : 2013-02-28
Category : Philosophy
ISBN : 9781107311176
When, in 1735, Alexander Gottlieb Baumgarten added a new discipline to the philosophical system, he not only founded modern aesthetics but also contributed to shaping the modern concept of art or 'fine art'. In The Founding of Aesthetics in the German Enlightenment, Stefanie Buchenau offers a rich analysis and reconstruction of the origins of this new discipline in its wider context of German Enlightenment philosophy. Present-day scholars commonly regard Baumgarten's views as an imperfect prefiguration of Kantian and post-Kantian aesthetics, but Buchenau argues that Baumgarten defended a consistent and original project which must be viewed in the context of the modern debate on the art of invention. Her book offers new perspectives on Kantian aesthetics and beauty in art and science.
Author : Stefanie Buchenau
Publisher : Cambridge University Press
Page : 281 pages
File Size : 51,8 Mb
Release : 2013-02-28
Category : History
ISBN : 9781107027138
Stefanie Buchenau explores the philosophical and conceptual origins of aesthetics and the philosophy of art.
Author : Johann Georg Sulzer
Publisher : Cambridge University Press
Page : 224 pages
File Size : 44,9 Mb
Release : 1995
Category : Music
ISBN : 9780521360357
Can an abstract theory of Empfindsamkeit aesthetics have any value to a musician wishing to study composition in the classical style? The eighteenth-century German theorist and pedagogue Heinrich Koch showed how this question could be answered with a resounding yes. Starting with the systematic aesthetic theory of the Swiss encyclopedist Johann Sulzer, Koch was creatively able to adapt Sulzer's conservative ideas on ethical mimesis and rhetoric to concrete problems of music analysis and composition. In this collaborative study, Thomas Christensen and Nancy Baker have translated and analysed selected writings of Sulzer and Koch respectively, bringing to life a little-known confluence of philosophical and musical thought from the German Enlightenment. Koch's appropriation of Sulzer's ideas to the service of music represents an important development in the evolution of Western musical thought.
Author : David Edward Wellbery
Publisher : Unknown
Page : 968 pages
File Size : 42,5 Mb
Release : 1983
Category : Aesthetics
ISBN : UVA:X000504887
Author : Robert Edward Norton
Publisher : Cornell University Press
Page : 284 pages
File Size : 44,9 Mb
Release : 1991
Category : Aesthetics, Modern
ISBN : 0801425301
Author : Peter H. Reill
Publisher : Univ of California Press
Page : 321 pages
File Size : 46,5 Mb
Release : 2024-07-26
Category : History
ISBN : 9780520377820
The German Enlightenment and the Rise of Historicism traces the thought of a large and neglected group of German thinkers and their encounter with the ideas and ideal of the Enlightenment from 1740 to 1790. Concentrating on the nature of their historical consciousness, Peter Hanns Reill addresses two basic issues in the interpretation of the Enlightenment: to what degree can one speak of the unity of the Enlightenment and to what extent can the Enlightenment be characterized as “modern”? Reill attempts to revise the traditional interpretation of the Enlightenment as an age insensitive to the postulates of modern historical thought and to dissolve the alleged opposition of the Enlightenment to later intellectual developments such as Idealism. He argues that German Enlightened thinkers generated the general presuppositions upon which modern historical thought is founded. Asserting that the Enlightenment was not a unitary movement, Reill shows how each phase of it had unique elements and made contributions to Enlightenment thought as a whole. Exploring the forms of thought, the mental climate, and the different intellectual milieus in which the German thinkers operated, Reill demonstrates that they were confronted by two opposing intellectual traditions: German Pietism and rationalism. In attempting to reconcile both without submerging one into the other, these Enlightenment thinkers turned to historical speculation and learning. They discussed the relation between religious and rationalistic assumptions, the transformation of the concepts of religion and law, the interaction between aesthetic and historical thought, the creation of a theory of understanding to support the new idea of history, the use of causation in historical analysis, and the rediscovery of the Middle Ages. Reill reveals how they anticipated the work of more famous thinkers of the nineteenth century and establishes the conceptual similarities between thinkers generally thought to be more different than alike. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1975.
Author : Simon Grote
Publisher : Cambridge University Press
Page : 308 pages
File Size : 42,8 Mb
Release : 2017-10-26
Category : History
ISBN : 9781107110922
This new study of eighteenth-century aesthetic theory situates it in theological contexts that are crucial to explaining why it arose.
Author : Dorothea E. von Mücke
Publisher : Columbia University Press
Page : 321 pages
File Size : 50,5 Mb
Release : 2015-06-02
Category : Philosophy
ISBN : 9780231539333
Rethinking the relationship between eighteenth-century Pietist traditions and Enlightenment thought and practice, The Practices of Enlightenment unravels the complex and often neglected religious origins of modern secular discourse. Mapping surprising routes of exchange between the religious and aesthetic writings of the period and recentering concerns of authorship and audience, this book revitalizes scholarship on the Enlightenment. By engaging with three critical categories—aesthetics, authorship, and the public sphere—The Practices of Enlightenment illuminates the relationship between religious and aesthetic modes of reflective contemplation, autobiography and the hermeneutics of the self, and the discursive creation of the public sphere. Focusing largely on German intellectual life, this critical engagement also extends to France through Rousseau and to England through Shaftesbury. Rereading canonical works and lesser-known texts by Goethe, Lessing, and Herder, the book challenges common narratives recounting the rise of empiricist philosophy, the idea of the "sensible" individual, and the notion of the modern author as celebrity, bringing new perspective to the Enlightenment concepts of instinct, drive, genius, and the public sphere.
Author : Frederick C. Beiser
Publisher : Oxford University Press on Demand
Page : 306 pages
File Size : 51,6 Mb
Release : 2009-10-29
Category : History
ISBN : 9780199573011
Diotima's Children is the first comprehensive re-examination of the rationalist tradition of aesthetics as it prevailed in Germany in the late seventeenth and early eighteenth centuries. This tradition is of the greatest historical importance because it gave birth to modern aesthetics, art criticism, and art history.
Author : David Roberts
Publisher : U of Nebraska Press
Page : 268 pages
File Size : 40,7 Mb
Release : 2006-03-01
Category : Art
ISBN : 0803290101
The crisis of tradition early in the twentieth century?signaled by the collapse of perspective in painting and tonality in music and evident in the explosive ferment of the avant-garde movements?opened a new stage of modern art, which aesthetic theory is still struggling to comprehend. David Roberts situates the current aesthetic and cultural debates in a wider historical frame which extends from Hegel and the German Romantics to Luk¾cs and Adorno, Benjamin and Baudrillard. Art and Enlightenment: Aesthetic Theory after Adorno is the first detailed analysis in English of Theodor Adorno?s seminal Philosophy of Modern Music, which can be seen as a turning point between modern and postmodern art and theory. Adorno's diagnosis of the crisis of modernist values points back to Hegel's thesis of the end of art and also forward to the postmodernist debate. Thus the paradoxes of Adorno?s negative aesthetics return to haunt the current discussion by representatives of the second generation of the Frankfurt School, Anglo-American Marxism, and French poststructuralism. Going beyond Adorno's dialectic of musical enlighten-ment, Roberts proposes an alternative model of the enlightenment, of art applied to literature and exemplified in the outline of a theory of parody. In its critique of Adorno, Art and Enlightenment clears the way for a reconsideration of twentieth-century artistic theory and practice and also, in offering a model of postmodern art, seeks to disentangle critical issues in the discussion of the avant-garde, modernism, and postmodernism.
Author : Karl Axelsson,Camilla Flodin,Mattias Pirholt
Publisher : Routledge
Page : 298 pages
File Size : 40,8 Mb
Release : 2020-10-25
Category : Philosophy
ISBN : 9781000077285
This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, it challenges long-standing teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures: namely, the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German, and German-oriented, thinkers examine aesthetic experience and moral concerns, and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic. The Introduction and Chapters 2, 10, and 12 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Author : Riccarda Suitner
Publisher : BRILL
Page : 291 pages
File Size : 49,9 Mb
Release : 2021-12-13
Category : Religion
ISBN : 9789004465039
Starting from the little reliable information available, Riccarda Suitner conducts an exciting investigation of the authors, production, illustrations, circulation and plagiarism of a series of anonymous "dialogues of the dead" in the intellectual world of the early eighteenth century, proposing a new image of the German Enlightenment.
Author : Elizabeth Robinson,Chris W. Surprenant
Publisher : Taylor & Francis
Page : 382 pages
File Size : 47,6 Mb
Release : 2017-06-26
Category : Philosophy
ISBN : 9781315463407
Cover -- Title -- Copyright -- Dedication -- Contents -- A Note on Abbreviations and References -- Preface -- Kant and the Scottish Enlightenment: An Introduction -- 1 Hutcheson on the Unity of Virtue and Right -- 2 Hutcheson and Kant: Moral Sense and Moral Feeling -- 3 Hutcheson's and Kant's Critique of Sympathy -- 4 Kant and Hutcheson on Aesthetics and Teleology -- 5 Outer Sense, Inner Sense, and Feeling: Hutcheson and Kant on Aesthetic Pleasure -- 6 Taste, Morality, and Common Sense: Kant and the Scots -- 7 Kant and Hume on Feelings in Moral Philosophy -- 8 Hume's Principle and Kant's Pure Rational System of Religion: Grace, Providence, and the Highest Good -- 9 A Writer More Excellent than Cicero: Hume's Influence on Kant's Anthropology -- 10 Kant and Hume on Marriage -- 11 Hume and Kant on Imagination: Thematic and Methodological Differences -- 12 Hume and Kant on Space, Divisibility, and Antinomical Conflict -- 13 Hume and Kant on Identity and Substance -- 14 An Alternative to Heteronomy and Anarchy: Kant's Reformulation of the Social Contract -- 15 Kant, Smith, and the Place of Virtue in Political and Economic Organization -- 16 Adam Smith's Kantian Phenomenology of Moral Motivation -- 17 Kant and Smith on Imagination, Reason, and Personhood -- 18 Seeing a Flower in the Garden: Common Sense, Transcendental Idealism -- 19 Kant's Heuristic Methods: Feeling and Common Sense in Orientation and Taste -- List of Contributors -- Index
Author : Karl Axelsson,Camilla Flodin,Mattias Pirholt
Publisher : Routledge
Page : 302 pages
File Size : 49,6 Mb
Release : 2020-10-25
Category : Philosophy
ISBN : 9781000077247
This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, it challenges long-standing teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures: namely, the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German, and German-oriented, thinkers examine aesthetic experience and moral concerns, and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic.