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This book explores the meanings of images, with particular reference to the images of God found in the Bible, and surveys the various images found. It critically reviews theories of images, as distinguished from symbols, and argues that images are more forceful representations of the deity than are symbols.
Contemporary Jews often find meaning in Judaism's family and communal orientation, its beautiful rituals, its enriching culture, its sense of ethnic rootedness, and its moral values. For the classical Jewish tradition, however, all of these features of Judaism depend on a belief in God. Since many modern Jews do not know what to make of that belief, it is often ignored. They may be inspired by Judaism's high regard for education and its passion for justice, but their belief in God rests on childhood images of the Almighty. They are often embarrassed and uneasy, for they sense that their attachment to Judaism may be based upon intellectual quicksand. Motivated by just such feelings, Rabbi Elliot Dorff probes what we as adults can know about God through human reason, human and Divine words, and human and Divine action. Without assuming a background in philosophy, he skillfully takes us through some of the major philosophical options and conundrums in using each of these sources of knowledge about God and the images of God that result. With remarkable clarity and inspiring honesty, Rabbi Dorff's exploration results in a vibrant Jewish faith, one that takes due regard for both the emotional and intellectual sides of our being. Dorff's own personal quest, artfully woven throughout this spiritually uplifting volume, aids the reader to make his or her own Judaism emotionally satisfying and intellectually sound. The result is a Judaism that can be for the modern reader what it is for the author: the product of a love of God 'with all one's heart, with all one's soul, and with all one's might.'
“Trenchantly interprets how an oddball religious cult became the official faith of Rome. . . . It makes for a thoughtful tour of Rome.” —New York Times Book Review Pagans explores the rise of Christianity from a surprising and unique viewpoint: that of the people who witnessed their ways of life destroyed by what seemed then a powerful religious cult. These “pagans” were actually pious Greeks, Romans, Syrians, and Gauls who observed the traditions of their ancestors. Religious scholar James J. O’Donnell takes us on a lively tour of the Ancient Roman world through the fourth century CE, when Romans of every nationality, social class, and religious preference found their world suddenly constrained by rulers who preferred a strange new god. Some joined this new cult, while others denied its power, erroneously believing it was little more than a passing fad. In Pagans, O’Donnell brings to life Roman religion and life, offers fresh portraits of iconic historical figures, including Constantine, Julian, and Augustine, and explores important themes—Rome versus the east, civilization versus barbarism, plurality versus unity, rich versus poor, and tradition versus innovation—in this startling account. “Mr. O’Donnell tells the familiar story of Christianity’s heroic age of expansion, from Constantine to Theodosius, with verve and wit.” —Wall Street Journal “Multilayered, erudite and dense.” —Cleveland Plain-Dealer “An engaging view of antiquity few of us have seen. —Booklist “O'Donnell offers an iconoclastic history of religion that tells an exciting new story that is deeply relevant to the way we think about religion in our own time.” —Washington Book Review
Against the background of often esoteric literature in semiotics, this book offers a fresh and rigorous new interpretation of how to approach the study of communication, signs and meaning. Grounded in a deductive theory of interacting systems, Piotr Sadowski's book provides an accessible account of the hierarchy of communication. Divided into two parts, this book argues in the first section that a deductive semiotic theory generates communication situations of increasing complexity, from contiguous communication to indirect, referential forms based on indexical, iconic, and symbolic signs. Within this system, Sadowski explains how key concepts of the semiotic model such as information, parainformation and metainformation can account for degrees of cognitive complexity of communication processes, including the perception and interpretation of signs on literal and figurative levels. After this clear, step-by-step exposition of the theory of interacting systems, Systemic Semiotics then explores various applications of this theory, providing new insights into problems subsumed under communication studies, cultural theory, literary and film studies, and psychology.
Man of Holiness: The Mormon Search for a Personal God by John L. Bracht Pdf
'Serious efforts to understand Mormonism in a non-confrontational, non-polemical way are few and far between. In this book the author, John Bracht, has drawn together a multitude of LDS sources in order to demonstrate differences between Mormonism and 'traditional' Christian views on the nature of God and the Godhead."
The Names of God in Judaism, Christianity, and Islam by Máire Byrne Pdf
Exploration of divine designations in the Hebrew Bible, New Testament and Qur'an, using comparative theology to ascertain if there is common language for interfaith dialogue.
The principal editor of the Catechism of the Catholic Church, presents the sources of meditation on the mystery of God's human face from the great Masters of early Christianity. Artists and theologians have meditated upon the mystery of God's human countenance and tried to express it. This book seeks to present the great sources of this meditation--sources which today are widely unknown, or have become foreign or obscure. These sources are above all the great masters of early Christianity. In their meditation upon Christ, Bishop Schonborn seeks the sources of the art on the Icon. The reader will find not only an engaging introduction to the meaning and beauty of Icons, but an invitation to draw closer to the One who inspired these Masters of theological expression and holy art. Includes beautiful color Icon illustrations.
Why do people attack monuments and other public objects charged with authority by the societies that produced them? What do open assaults on images and artworks mean? Iconoclasm, the principled destruction of images, has recurred throughout human history as theory and practice. This book contains seven historical studies of the changing causes and meanings of iconoclasm and the radical transformations in the function of images it has brought about in societies around the world, from Ancient Egypt to Islamic India and Revolutionary Mexico, as well as Medieval and Reformation Europe. Scholars of art history, history and archaeology explore shifting definitions of art and the forms of representation in delineating varied forms of 'iconoclasm'.
Images, Idolatry, and Iconoclasm in Late Medieval England by Jeremy Dimmick,James Simpson,Nicolette Zeeman Pdf
This book capitalizes on brilliant recent work on sixteenth-century iconoclasm to extend the study of images, both their making and their breaking, into an earlier period and wider discursive territories. Pressures towards iconoclasm are powerfully registered in fourteenth and fifteenth-century writings, both heterodox and orthodox, just as the use of images is central to the practice of both politics and religion. The governance of images turns out, indeed, to be central to governance itself. It is also of critical concern in any moment of historical change, when new cultural forms must incorporate or destroy the images of the old order. The iconoclast redescribes images as pure matter, objects of idolatry worthy only of the hammer. Issues of historical memory, no less than of social ethics, are, then, inherent to the making, love, and destruction of images. These issues are the consistent concern of the essays of this volume, essays commissioned from a range of outstanding late medievalists in a variety of disciplines: literature, art history, Biblical studies, and intellectual history.
Models of God and Alternative Ultimate Realities by Jeanine Diller,Asa Kasher Pdf
The envisioned volume is a collection of recent essays about the philosophical exploration, critique and comparison of (a) the major philosophical models of God, gods and other ultimate realities implicit in the world’s philosophical schools and religions, and of (b) the ideas of such models and doing such modeling per se. The aim is to identify exactly what a model of ultimate reality is; create a comprehensive and accessible collection of extant models; and determine how best, philosophically, to model ultimate reality, if possible and desirable.
Iconoclasm from Antiquity to Modernity by Kristine Kolrud,Marina Prusac Pdf
The phenomenon of iconoclasm, expressed through hostile actions towards images, has occurred in many different cultures throughout history. The destruction and mutilation of images is often motivated by a blend of political and religious ideas and beliefs, and the distinction between various kinds of ’iconoclasms’ is not absolute. In order to explore further the long and varied history of iconoclasm the contributors to this volume consider iconoclastic reactions to various types of objects, both in the very recent and distant past. The majority focus on historical periods but also on history as a backdrop for image troubles of our own day. Development over time is a central question in the volume, and cross-cultural influences are also taken into consideration. This broad approach provides a useful comparative perspective both on earlier controversies over images and relevant issues today. In the multimedia era increased awareness of the possible consequences of the use of images is of utmost importance. ’Iconoclasm from Antiquity to Modernity’ approaches some of the problems related to the display of particular kinds of images in conflicted societies and the power to decide on the use of visual means of expression. It provides a deeper understanding of the mechanisms of the phenomenon of iconoclasm. Of interest to a wide group of scholars the contributors draw upon various sources and disciplines, including art history, cultural history, religion and archaeology, as well as making use of recent research from within social and political sciences and contemporary events. Whilst the texts are addressed primarily to those researching the Western world, the volume contains material which will also be of interest to students of the Middle East.
