The International Companion To Scottish Literature 1400 1650
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Author : Nicola Royan Publisher : International Companions to Scottish Literature Page : 0 pages File Size : 53,6 Mb Release : 2018 Category : English literature ISBN : 1908980230
The International Companion to Scottish Literature 1400-1650 by Nicola Royan Pdf
Between 1400 and 1650 Scotland underwent a series of drastic changes, in court, culture, and religion. This International Companion traces the impact of these historical transformations on Scotland's literatures, in English, Gaelic, Latin and Scots, and provides a comprehensive overview to the major cultural developments of this turbulent age.
International Companion to Scottish Literature 1400-1650 by Nicola Royan Pdf
Between 1400 and 1650 Scotland underwent a series of drastic changes, in court, culture, and religion. Renaissance and Reformation, the Union of the Crowns, and the Wars of the Three Kingdoms all shaped the nation, shifting and recasting Scotland's established relationships with Europe, the Mediterranean world, and with England. This International Companion traces the impact of these sweeping historical transformations on Scotland's literatures, in English, Gaelic, Latin and Scots, and provides a comprehensive overview to the major cultural developments of this turbulent age.
International Companion to Scottish Literature of the Long Eighteenth Century by Leith Davis,Janet Sorensen Pdf
This International Companion shows how Scotland's literary cultures, in English, Gaelic, Latin, and Scots, were transformed in the turbulent age between between 1650 to 1800.
The Edinburgh Companion to Scottish Literature, 1400-1650 by Nicola Royan Pdf
The years 1400-1650 are rich in literary material, in Scots, in Latin, in Gaelic and indeed, later, in English. However, because of linguistic and cultural barriers, this richness is often hard to reach. This collection, by leading specialists in their fields, provides necessary contextual information about writers, audiences and expectations, and introduces writers and texts to a non-specialist audience.
A Companion to Scottish Literature by Gerard Carruthers Pdf
A Companion to Scottish Literature offers fresh readings of major authors and periods of Scottish literary production from the first millennium to the present. Bringing together contributions by many of the world’s leading experts in the field, this comprehensive resource provides the historical background of Scottish literature, highlights new critical approaches, and explores wider cultural and institutional contexts. Dealing with texts in the languages of Scots, English, and Gaelic, the Companion offers modern perspectives on the historical milieux, thematic contexts and canonical writers of Scottish literature. Original essays apply the most up-to-date critical and scholarly analyses to a uniquely wide range of topics, such as Gaelic literature, national and diasporic writing, children’s literature, Scottish drama and theatre, gender and sexuality, and women’s writing. Critical readings examine William Dunbar, Robert Burns, Walter Scott, Robert Louis Stevenson, Muriel Spark and Carol Ann Duffy, amongst others. With full references and guidance for further reading, as well as numerous links to online resources, A Companion to Scottish Literature is essential reading for advanced students and scholars of Scottish literature, as well as academic and non-academic readers with an interest in the subject.
The International Companion to Nineteenth-Century Scottish Literature by Kenneth McNeil,Caroline McCracken-Flesher,Sheila M. Kidd Pdf
The nineteenth century has been regarded as an era of decline for Scottish literature. This INTERNATIONAL COMPANION shows that it was instead a transformational period. Through a lively and extensive publishing community, widely varied Scottish writers found expression. New voices and genres flourished. Alongside cultural giants such as Scott and Stevenson, women, working-class, immigrant, and emigrant authors - writing in English, Gaelic, and Scots - propelled Scotland onto the international literary stage. From Shetland to Tasmania, from Celtic Twilight to science fiction, this volume explores the many modes of Scottish expression that emerged from this complex and fertile age.
Edinburgh Companion to Scottish Traditional Literatures by Sarah Dunnigan Pdf
This collection of essays explores the historical importance and imaginative richness of Scotland's extensive contribution to modes of traditional culture and expression: ballads, tales and storytelling, and song. Its underlying aim is to bring about a more dynamic and inclusive understanding of Scottish culture. Rooted in literary history and both comparative and interdisciplinary in scope, the volume covers the key aspects and genres of traditional literature, including the Gaelic tradition, from the medieval period to the present. Key theoretical and conceptual issues raised by the historical analysis of Scotland's rich store of ballad, song, and folk narrative are discussed in separate chapters. The volume also explores why and how Scottish literary writers have been inspired by traditional genres, modes, and motifs, and the intermingling of folk and literary traditions in writers such as Burns, Scott, and Hogg. It also uncovers the folkloric and mythopoetic materials of early Scottish literature, and the vitality of neglected aspects of Scottish popular culture.
Law and Legal Consciousness in Medieval Scotland by Hector L. MacQueen Pdf
This book explores the rise of a Scottish common law from the twelfth century on despite the absence until around 1500 of a secular legal profession. Key stimuli were the activity of church courts and canon lawyers in Scotland, coupled with the example provided by neighbouring England’s common law. The laity’s legal consciousness arose from exposure to law by way of constant participation in legal processes in court and daily transactions. This experience enabled some to become judges, pleaders in court and transactional lawyers and lay the foundations for an emergent professional group by the end of the medieval period.
This wide-ranging and ground-breaking book, especially relevant given Brexit and renewed Scottish independence campaigning, provides in-depth analysis of ways Scottishness has been performed and modified over the centuries. Alongside theatre, television, comedy, and film, it explores performativity in public events, Anglo-Scottish relations, language and literary practice, the Scottish diaspora and concepts of nation, borders and hybridity. Following discussion of the 1320 Declaration of Arbroath and the real meanings of the 1706/7 Treaty of Union, it examines the differing perceptions of what the ‘United Kingdom’ means to Scots and English. It contrasts the treatment of Shakespeare and Burns as ‘national bards’ and considers the implications of Scottish scholars’ invention of ‘English Literature’. It engages with Scotland’s language politics –rebutting claims of a ‘Gaelic Gestapo’ – and how borders within Scotland interact. It replaces myths about ‘tartan monsters’ with level-headed evidence before discussing in detail representations of Scottishness in domestic and international media.
The Oxford History of Poetry in English by Julia Boffey,A. S. G. Edwards Pdf
The Oxford History of Poetry in English is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. The series both synthesizes existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the fourteen volumes. This volume explores the developing range of English verse in the century after the death of Chaucer in 1400, years that saw both change and consolidation in traditions of poetic writing in English in the regions of Britain. Chaucer himself was an important shaping presence in the poetry of this period, providing a stimulus to imitation and to creative expansion of the modes he had favoured. In addition to assessing his role, this volume considers a range of literary factors significant to the poetry of the century, including verse forms, literary language, translation, and the idea of the author. It also signals features of the century's history that were important for the production of English verse: responses to wars at home and abroad, dynastic uncertainty, and movements towards religious reform, as well as technological innovations such as the introduction of printing, which brought influential changes to the transmission and reception of verse writing. The volume is shaped to include chapters on the contexts and forms of poetry in English, on the important genres of verse produced in the period, on some of the fifteenth-century's major writers (Lydgate, Hoccleve, Dunbar, and Henryson), and a consideration of the influence of the verse of this century on what was to follow.
The Reception of Northrup Frye takes a thorough accounting of the presence of Frye in existing works and argues against Frye's diminishing status as an important critical voice.
"Grayson Hale, the most infamous murderer in Scotland, is better known by a different name: the Devil's Advocate. The twenty-five-year-old American grad student rose to instant notoriety when he confessed to the slaughter of his classmate Liam Stewart, claiming the Devil made him do it. When Hale is found hanged in his prison cell, officers uncover a handwritten manuscript that promises to answer the question that's haunted the nation for years: was Hale a lunatic, or had he been telling the truth all along? Unnervingly, Hale doesn't fit the bill of a killer. The first-person narrative that centers this novel reveals an acerbic young atheist, newly enrolled at the University of Edinburgh to carry on the legacy of his recently deceased father. In need of cash, he takes a job ghostwriting a mysterious book for a dark stranger, but has misgivings when the project begins to reawaken his satanophobia, a rare condition that causes him to live in terror that the Devil is after him. As he struggles to disentangle fact from fear, Grayson's world is turned upside-down after events force him to confront his growing suspicion that he's working for the one he has feared all this time--and that the book is only the beginning of their partnership."--
