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Wilford provides the first comprehensive account of the clandestine relationship between the CIA and its front organizations. Using an unprecedented wealth of sources, he traces the rise and fall of America's Cold War front network from its origins in the 1940s to its Third World expansion during the 1950s and ultimate collapse in the 1960s.
The CIA, the British Left and the Cold War by Hugh Wilford Pdf
Shortly after it was founded in 1947, the CIA launched a secret effort to win the Cold War allegiance of the British left. Hugh Wilford traces the story of this campaign from its origins in Washington DC to its impact on Labour Party politicians, trade unionists, and Bloomsbury intellectuals
A revised and updated edition of the explosive book that blows the lid off the Central Intelligence Agency. The CIA’s Greatest Hits details how the CIA: • hired top Nazi war criminals, shielded them from justice and learned—and used—their techniques • has been involved in assassinations, bombings, massacres, wars, death squads, drug trafficking, and rigged elections all over the world • tortures children as young as 13 and adults as old as 89, resulting in forced “confessions to all sorts of imaginary crimes (an innocent Kuwaiti was tortured for months to make him keep repeating his initial lies, and a supposed al-Qaeda leader was waterboarded 187 times in a single month without producing a speck of useful information) • orchestrates the media—which one CIA deputy director liked to call “the mighty Wurlitzer—and places its agents inside newspapers, magazines and book publishers • and much more The CIA’s crimes continue unabated, and unpunished. The day before General David Petraeus took over as the twentieth CIA director, federal prosecutors announced that they were dropping 99 investigations into the deaths of people in CIA custody, leaving just two active cases they’re willing to pursue.
Established in Cincinnati in 1856 by German immigrant Franz Rudolph Wurlitzer, the music dealer became the largest outlet for band instruments in the United States by 1865. During the silent film era in the early twentieth century, Wurlitzer manufactured nearly 2,250 theater organs, affectionately dubbed "Mighty Wurlitzers." Many of these instruments still provide concert music today. During the Big Band era of the 1930s to 1950s, the company's colorful coin-operated jukeboxes were such popular fixtures in bars and dance halls that the U.S. Postal Service honored them with a commemorative stamp. Although the company was sold in 1988, the Wurlitzer name continues to be held in high esteem by the city of Cincinnati.
From the 9/11 attacks to waterboarding to drone strikes, relations between the United States and the Middle East seem caught in a downward spiral. And all too often, the Central Intelligence Agency has made the situation worse. But this crisis was not a historical inevitability—far from it. Indeed, the earliest generation of CIA operatives was actually the region’s staunchest western ally. In America’s Great Game, celebrated intelligence historian Hugh Wilford reveals the surprising history of the CIA’s pro-Arab operations in the 1940s and 50s by tracing the work of the agency’s three most influential—and colorful—officers in the Middle East. Kermit “Kim” Roosevelt was the grandson of Theodore Roosevelt and the first head of CIA covert action in the region; his cousin, Archie Roosevelt, was a Middle East scholar and chief of the Beirut station. The two Roosevelts joined combined forces with Miles Copeland, a maverick covert operations specialist who had joined the American intelligence establishment during World War II. With their deep knowledge of Middle Eastern affairs, the three men were heirs to an American missionary tradition that engaged Arabs and Muslims with respect and empathy. Yet they were also fascinated by imperial intrigue, and were eager to play a modern rematch of the “Great Game,” the nineteenth-century struggle between Britain and Russia for control over central Asia. Despite their good intentions, these “Arabists” propped up authoritarian regimes, attempted secretly to sway public opinion in America against support for the new state of Israel, and staged coups that irrevocably destabilized the nations with which they empathized. Their efforts, and ultimate failure, would shape the course of U.S.–Middle Eastern relations for decades to come. Based on a vast array of declassified government records, private papers, and personal interviews, America’s Great Game tells the riveting story of the merry band of CIA officers whose spy games forever changed U.S. foreign policy.
Wurlitzer pipe organs provided the voice of the silent screen in hundreds of movie palaces worldwide. Explore the history of the creation and building of the Mighty Wurlizer in 800 pages including 1000 images, archival documents and factory records. This book had been thought lost since the death of the author in 1992. Jeff Weiler, an organbuilding colleague of the author, has worked ten years to reconstruct the book and reassemble scattered materials working from a copy of the original typescript. The book has been published by The American Theatre Organ Society in recognition of their golden anniversary.
Patrick Iber tells the story of left-wing Latin American artists, writers, and scholars who worked as diplomats, advised rulers, opposed dictators, and even led nations during the Cold War. Ultimately, they could not break free from the era’s rigid binaries, and found little room to promote their social democratic ideals without compromising them.
From the bestselling author of Lawrence in Arabia, a gripping history of the early years of the Cold War, the CIA's covert battles against communism, and the tragic consequences which still affect the world today At the end of World War II, the United States dominated the world militarily, economically, and in moral standing--seen as the victor over tyranny and a champion of freedom. But it was clear--to some--that the Soviet Union was already executing a plan to expand and foment revolution around the world. The American government's strategy in response relied on the secret efforts of a newly-formed CIA. The Quiet Americans chronicles the exploits of four spies--Michael Burke, a charming former football star fallen on hard times; Frank Wisner, the scion of a wealthy Southern family; Peter Sichel, a sophisticated German Jew who escaped the Nazis; and Edward Lansdale, a brilliant ad executive. The four ran covert operations across the globe, trying to outwit the ruthless KGB in Berlin, parachuting commandos into Eastern Europe, plotting coups, and directing wars against Communist insurgents in Asia. But time and again their efforts went awry, thwarted by a combination of stupidity and ideological rigidity at the highest levels of the government--and more profoundly, the decision to abandon American ideals. By the mid-1950s, the Soviet Union had a stranglehold on Eastern Europe, the U.S. had begun its disastrous intervention in Vietnam, and America, the beacon of democracy, was overthrowing democratically-elected governments and earning the hatred of much of the world. All of this culminated in an act of betrayal and cowardice that would lock the Cold War into place for decades to come. Anderson brings to the telling of this story all the narrative brio, deep research, skeptical eye, and lively prose that made Lawrence in Arabia a major international bestseller. The intertwined lives of these men began in a common purpose of defending freedom, but the ravages of the Cold War led them to different fates. Two would quit the CIA in despair, stricken by the moral compromises they had to make; one became the archetype of the duplicitous and destructive American spy; and one would be so heartbroken he would take his own life. The Quiet Americans is the story of these four men. It is also the story of how the United States, at the very pinnacle of its power, managed to snatch defeat from the jaws of victory.
During the 1920s, a visit to the movie theater almost always included a sing-along. Patrons joined together to render old favorites and recent hits, usually accompanied by the strains of a mighty Wurlitzer organ. The organist was responsible for choosing the repertoire and presentation style that would appeal to his or her patrons, so each theater offered a unique experience. When sound technology drove both musicians and participatory culture out of the theater in the early 1930s, the practice faded and was eventually forgotten. Despite the popularity and ubiquity of community singing—it was practiced in every state, in theaters large and small—there has been scant research on the topic. This volume is the first dedicated account of community singing in the picture palace and includes nearly one hundred images, such as photographs of the movie houses’ opulent interiors, reproductions of sing-along slides, and stills from the original Screen Songs “follow the bouncing ball” cartoons. Esther M. Morgan-Ellis brings the era of movie palaces to life. She presents the origins of theater sing-alongs in the prewar community singing movement, describes the basic components of a sing-along, explores the unique presentation styles of several organists, and assesses the aftermath of sound technology, including the sing-along films and children’s matinees of the 1930s.
The American people depend on a free press to keep a close and impartial watch on the national security operations that are carried out in our name. But in many cases, this trust is sadly misplaced, as leading journalists are seduced and manipulated by the secretive agencies they cover. While the press remains silent about its corrupting relationship with the intelligence community—a relationship that dates back to the Cold War—Spooking the News will blow the lid off this unseemly arrangement. Schou will name names and shine a spotlight on flagrant examples of collusion, when respected reporters have crossed the line and sold out to powerful agencies. The book will also document how the CIA has embedded itself in “liberal” Hollywood to ensure that its fictional spies get the hero treatment on screen. Among the revelations in Spooking the News: • The CIA created a special public affairs unit to influence the production of Hollywood films and TV shows, allowing celebrities involved in pro-CIA projects—including Harrison Ford and Ben Affleck—unique access inside the agency's headquarters. • The CIA vets articles on controversial topics like the drone assassination program and grants friendly reporters background briefings on classified material, while simultaneously prosecuting ex-officers who spill the beans on damaging information.
Author : Tim Weiner Publisher : Henry Holt and Company Page : 336 pages File Size : 48,9 Mb Release : 2020-10-20 Category : Political Science ISBN : 1627790853
From Tim Weiner, winner of the Pulitzer Prize and the National Book Award, an urgent and gripping account of the 75-year battle between the US and Russia that led to the election and impeachment of an American president. With vivid storytelling and riveting insider accounts, Weiner traces the roots of political warfare – the conflict America and Russia have waged with espionage, sabotage, diplomacy and disformation – from 1945 until 2020. America won the cold war, but Russia is winning today. Vladimir Putin helped to put his chosen candidate in the White House with a covert campaign that continues to this moment. Putin’s Russia has revived Soviet-era intelligence operations gaining ever more potent information from—and influence over—the American people and government. Yet the US has put little power into its defense. This has put American democracy in peril. Weiner takes us behind closed doors, illuminating Russian and American intelligence operations and their consequences. To get to the heart of what is at stake and find potential solutions, he examines long-running 20th century CIA operations, the global political machinations of the Soviet KGB around the world, the erosion of American political warfare after the Cold War, and how 21st century Russia has kept the cold war alive. The Folly and the Glory is an urgent call to our leaders and citizens to understand the nature of political warfare – and to change course before it’s too late.
John W. Landon, himself a theatre pipe organist, has written the first history of the theatre pipe organ. He traces its development from church organ to a theatrical instrument that took the place of a piano. Landon also discusses the pipe organ's later emergence as a solo instrument, its use in radio broadcasting and phonograph records, and its present uses. The book also includes a history of those companies that built theatre organs and biographical sketches of some of the leading theatre organists. The appendixes list theatre organ installations around the world.
The Cultural Cold War by Frances Stonor Saunders Pdf
During the Cold War, freedom of expression was vaunted as liberal democracy's most cherished possession—but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA—whether they knew it or not. Called "the most comprehensive account yet of the [CIA's] activities between 1947 and 1967" by the New York Times, the book presents shocking evidence of the CIA's undercover program of cultural interventions in Western Europe and at home, drawing together declassified documents and exclusive interviews to expose the CIA's astonishing campaign to deploy the likes of Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell, and Jackson Pollock as weapons in the Cold War. Translated into ten languages, this classic work—now with a new preface by the author—is "a real contribution to popular understanding of the postwar period" (The Wall Street Journal), and its story of covert cultural efforts to win hearts and minds continues to be relevant today.
Bestselling author David Brock documents the most important political development of the last thirty years: How the Republican Right has won political power and hijacked public discourse in the United States. Over the last several decades, the GOP has built a powerful media machine—newspapers and magazines, think tanks, talk radio networks, op-ed columnists, the FOX News Channel, Christian Right broadcasting, book publishers, and high-traffic Internet sites—to sell conservatism to the public and discredit its opponents. David Brock’s penetrating analysis of news stories, from the disputed 2000 presidential election to the war in Iraq to the political battles of 2004, reveals that this booming right-wing media market is largely based on bigotry, ignorance, and emotional manipulation closely tied to America’s long-standing cultural divisions and the buying power of anti-intellectual traditionalists. Writing with verve and deep insight, Brock reaches far beyond typical bromides about media bias to produce an invaluable account of the rise of right-wing media and its political consequences.