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Author : Dean Alan Hoffman
Publisher : Unknown
Page : 652 pages
File Size : 43,5 Mb
Release : 1987
Category : Ballads, English
ISBN : UCR:31210006878696
Author : Lynn Abbott,Doug Seroff
Publisher : Univ. Press of Mississippi
Page : 470 pages
File Size : 52,7 Mb
Release : 2009-09-17
Category : Music
ISBN : 9781604731484
The commercial explosion of ragtime in the early twentieth century created previously unimagined opportunities for black performers. However, every prospect was mitigated by systemic racism. The biggest hits of the ragtime era weren't Scott Joplin's stately piano rags. "Coon songs," with their ugly name, defined ragtime for the masses, and played a transitional role in the commercial ascendancy of blues and jazz. In Ragged but Right, now in paperback, Lynn Abbott and Doug Seroff investigate black musical comedy productions, sideshow bands, and itinerant tented minstrel shows. Ragtime history is crowned by the "big shows," the stunning musical comedy successes of Williams and Walker, Bob Cole, and Ernest Hogan. Under the big tent of Tolliver's Smart Set, Ma Rainey, Clara Smith, and others were converted from "coon shouters" to "blues singers." Throughout the ragtime era and into the era of blues and jazz, circuses and Wild West shows exploited the popular demand for black music and culture, yet segregated and subordinated black performers to the sideshow tent. Not to be confused with their nineteenth-century white predecessors, black, tented minstrel shows such as the Rabbit's Foot and Silas Green from New Orleans provided blues and jazz-heavy vernacular entertainment that black southern audiences identified with and took pride in.
Author : Ray Broadus Browne,Donald M. Winkelman,Allen Hayman,Purdue University
Publisher : Purdue University Press
Page : 180 pages
File Size : 49,6 Mb
Release : 1966
Category : Literary Criticism
ISBN : 0911198105
This collection of essays grew out of the first Mid-America Conference on Literature, History, Popular Culture, and Folklore held at Purdue University in 1965. The purpose of this book is to show that these disciplines are interrelated and necessary to one another. The first section, "Literature," contains an introduction by Hayman and papers by Leo Stoller, Louis Filler, David Sanders, Edwin H. Cady, and Russel B. Nye. Winkelman introduces the second section, "Popular Culture, Folklore, and Ethnomusicology," which contains articles by Browne, Tristram P. Coffin, Américo Paredes, Bruno Nettl, C. E. Nelson, and Winkelman.
Author : Annemarie Bean,James V. Hatch,Brooks McNamara
Publisher : Wesleyan University Press
Page : 332 pages
File Size : 44,6 Mb
Release : 1996-11-29
Category : History
ISBN : 0819563005
A sourcebook of contemporary and historical commentary on America's first popular mass entertainment.
Author : Stephen Thomas Knight,Stephen Knight
Publisher : Boydell & Brewer Ltd
Page : 512 pages
File Size : 54,5 Mb
Release : 1999
Category : Literary Criticism
ISBN : 0859915255
The legends of Robin Hood are very familiar, but scholarship and criticism dealing with the long and varied tradition of the famous outlaw is as elusive as the identity of Robin himself, and is scattered in a wide range of sources, many difficult of access. This book is the first to bring together major studies of aspects of the tradition. The thirty-one studies take a variety of approaches, from archival exploration in quest of a real Robin Hood, to a political angle seeking the social meaning of the texts across time, to literary scholars concerned with origin, structures and generic variation, or moral and social significance; also included are considerations of theatre and film studies, and folklore and children's literature. Overall, the collection provides a valuable basis for further study. STEPHEN KNIGHT is Professor of English Literature at the University of Wales, Cardiff; he is well-known as an authority on the Robin Hood tradition, and has edited the recently-discovered Robin Hood Forresters Manuscript.
Author : Trav S.D.
Publisher : Farrar, Straus and Giroux
Page : 336 pages
File Size : 51,7 Mb
Release : 2006-10-31
Category : Performing Arts
ISBN : 9781429930413
A seriously funny look at the roots of American Entertainment When Groucho Marx and Charlie Chaplin were born, variety entertainment had been going on for decades in America, and like Harry Houdini, Milton Berle, Mae West, and countless others, these performers got their start on the vaudeville stage. From 1881 to 1932, vaudeville was at the heart of show business in the States. Its stars were America's first stars in the modern sense, and it utterly dominated American popular culture. Writer and modern-day vaudevillian Trav S.D. chronicles vaudeville's far-reaching impact in No Applause--Just Throw Money. He explores the many ways in which vaudeville's story is the story of show business in America and documents the rich history and cultural legacy of our country's only purely indigenous theatrical form, including its influence on everything from USO shows to Ed Sullivan to The Muppet Show and The Gong Show. More than a quaint historical curiosity, vaudeville is thriving today, and Trav S.D. pulls back the curtain on the vibrant subculture that exists across the United States--a vast grassroots network of fire-eaters, human blockheads, burlesque performers, and bad comics intent on taking vaudeville into its second century.
Author : William Wells Brown
Publisher : Univ. of Tennessee Press
Page : 112 pages
File Size : 53,7 Mb
Release : 2001
Category : Drama
ISBN : 1572331054
A well-known nineteenth-century abolitionist and former slave, William Wells Brown was a prolific writer and lecturer who captivated audiences with readings of his drama The Escape; or, a Leap for Freedom (1858). The first published play by an African American writer, The Escape explored the complexities of American culture at a time when tensions between North and South were about to explode into the Civil War. This new volume presents the first-edition text of Brown's play and features an extensive introduction that establishes the work's continuing significance. The Escape centers on the attempted sexual violation of a slave and involves many characters of mixed race, through which Brown commented on such themes as moral decay, white racism, and black self-determination. Rich in action and faithful in dialect, it raises issues relating not only to race but also to gender by including concepts of black and white masculinity and the culture of southern white and enslaved women. It portrays a world in which slavery provided a convenient means of distinguishing between the white North and the white South, allowing northerners to express moral sentiments without recognizing or addressing the racial prejudice pervasive among whites in both regions. John Ernest's introductory essay balances the play's historical and literary contexts, including information on Brown and his career, as well as on slavery, abolitionism, and sectional politics. It also discusses the legends and realities of the Underground Railroad, examines the role of antebellum performance art--including blackface minstrelsy and stage versions of Uncle Tom's Cabin--in the construction of race and national identity, and provides an introduction to theories of identity as performance. A century and a half after its initial appearance, The Escape remains essential reading for students of African American literature. Ernest's keen analysis of this classic play will enrich readers' appreciation of both the drama itself and the era in which it appeared. The Editor: John Ernest is an associate professor of English at the University of New Hampshire and author of Resistance and Reformation in Nineteenth-Century African-American Literature: Brown, Wilson, Jacobs, Delany, Douglass, and Harper.
Author : Michael Pickering
Publisher : Routledge
Page : 255 pages
File Size : 44,9 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351573511
Blackface minstrelsy is associated particularly with popular culture in the United States and Britain, yet despite the continual two-way flow of performers, troupes and companies across the Atlantic, there is little in Britain to match the scholarship of blackface studies in the States. This book concentrates on the distinctively British trajectory of minstrelsy. The historical study and cultural analysis of minstrelsy is important because of the significant role it played in Britain as a form of song, music and theatrical entertainment. Minstrelsy had a marked impact on popular music, dance and other aspects of popular culture, both in Britain and the United States. Its impact in the United States fed into significant song and music genres that were assimilated in Britain, from ragtime and jazz onwards, but prior to these influences, minstrelsy in Britain developed many distinct features and was adapted to operate within various conventions, themes and traditions in British popular culture. Pickering provides a convincing counter-argument to the assumption among writers in the United States that blackface was exclusively American and its British counterpart purely imitative. Minstrelsy was not confined to its value as song, music and dance. Jokes at the expense of black people along with demeaning racial stereotypes were integral to minstrel shows. As a form of popular entertainment, British minstrelsy created a cultural low-Other that offered confirmation of white racial ascendancy and imperial dominion around the world. The book attends closely to how this influence on colonialism and imperialism operated and proved ideologically so effective. At the same time British minstrelsy cannot be reduced to its racist and imperialist connections. Enormously important as those connections are, Pickering demonstrates the complexity of the subject by insisting that the minstrel show and minstrel performers are understood also in terms of their own theatrical dynamics, t
Author : Phyllis Ann Karr
Publisher : Wildside Press LLC
Page : 155 pages
File Size : 40,6 Mb
Release : 2019-02-07
Category : Fiction
ISBN : 9781434438300
Ann Karr has found a historical precedent to create a female Sheriff of Nottingham for this retelling of the Robin Hood legend ... A remarkable work which recasts the traditional roles and sheds new light on the relationship between the famous characters.
Author : Randall M. Miller
Publisher : Bloomsbury Publishing USA
Page : 2658 pages
File Size : 40,8 Mb
Release : 2008-12-30
Category : History
ISBN : 9780313065361
The course of daily life in the United States has been a product of tradition, environment, and circumstance. How did the Civil War alter the lives of women, both white and black, left alone on southern farms? How did the Great Depression change the lives of working class families in eastern cities? How did the discovery of gold in California transform the lives of native American, Hispanic, and white communities in western territories? Organized by time period as spelled out in the National Standards for U.S. History, these four volumes effectively analyze the diverse whole of American experience, examining the domestic, economic, intellectual, material, political, recreational, and religious life of the American people between 1763 and 2005. Working under the editorial direction of general editor Randall M. Miller, professor of history at St. Joseph's University, a group of expert volume editors carefully integrate material drawn from volumes in Greenwood's highly successful Daily Life Through History series with new material researched and written by themselves and other scholars. The four volumes cover the following periods: The War of Independence and Antebellum Expansion and Reform, 1763-1861, The Civil War, Reconstruction, and the Industrialization of America, 1861-1900, The Emergence of Modern America, World War I, and the Great Depression, 1900-1940 and Wartime, Postwar, and Contemporary America, 1940-Present. Each volume includes a selection of primary documents, a timeline of important events during the period, images illustrating the text, and extensive bibliography of further information resources—both print and electronic—and a detailed subject index.
Author : John Cullen Gruesser,Hanna Wallinger
Publisher : LIT Verlag Münster
Page : 207 pages
File Size : 53,7 Mb
Release : 2009
Category : History
ISBN : 9783825818920
The essays in this volume explore the loopholes and retreats employed and exploited by African American polemicists, poets, novelists, slave narrators, playwrights, short story writers, essayists, editors, educators, historians, clubwomen, and autobiographers during the nineteenth century. These exciting contributions use historicist, comparative, transnational, literary historical, cultural studies, and Foucauldian perspectives to examine how apparent weakness was turned into strength, defensiveness into offensiveness, and the machinery of oppression into the keys to liberation.
Author : Shelly Eversley
Publisher : Routledge
Page : 120 pages
File Size : 48,6 Mb
Release : 2004-03-29
Category : Literary Criticism
ISBN : 9781135883348
In this book, Shelly Eversley historicizes the demand for racial authenticity - what Zora Neale Hurston called 'the real Negro' - in twentieth-century American literature. Eversley argues that the modern emergence of the interest in 'the real Negro' transforms the question of what race an author belongs into a question of what it takes to belong to
Author : Catharine Mitchell
Publisher : BoD – Books on Demand
Page : 242 pages
File Size : 46,6 Mb
Release : 2023-03-01
Category : Fiction
ISBN : 9783382312015
Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author : John Thomas
Publisher : Unknown
Page : 216 pages
File Size : 47,8 Mb
Release : 1845
Category : Songs, Welsh
ISBN : KBNL:KBNL03000138772
Author : Tim Brooks
Publisher : McFarland
Page : 291 pages
File Size : 43,8 Mb
Release : 2019-11-22
Category : Social Science
ISBN : 9781476637303
The minstrel show occupies a complex and controversial space in the history of American popular culture. Today considered a shameful relic of America's racist past, it nonetheless offered many black performers of the 19th and early 20th centuries their only opportunity to succeed in a white-dominated entertainment world, where white performers in blackface had by the 1830s established minstrelsy as an enduringly popular national art form. This book traces the often overlooked history of the "modern" minstrel show through the advent of 20th century mass media--when stars like Al Jolson, Bing Crosby and Mickey Rooney continued a long tradition of affecting black music, dance and theatrical styles for mainly white audiences--to its abrupt end in the 1950s. A companion two-CD reissue of recordings discussed in the book is available from Archeophone Records at www.archeophone.com.
