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Author : Anonim
Publisher : Unknown
Page : 292 pages
File Size : 52,8 Mb
Release : 1876-10
Category : Galin-Paris-Chevé method (Music)
ISBN : OXFORD:590708155
Author : Anonim
Publisher : Unknown
Page : 0 pages
File Size : 55,6 Mb
Release : 1842
Category : Electronic
ISBN : OCLC:1427633011
Author : Anonim
Publisher : Unknown
Page : 854 pages
File Size : 53,5 Mb
Release : 1812
Category : English literature
ISBN : IND:30000093206112
Author : Anonim
Publisher : Unknown
Page : 198 pages
File Size : 45,5 Mb
Release : 1871
Category : Music
ISBN : MINN:31951001935668D
Author : Anonim
Publisher : Unknown
Page : 752 pages
File Size : 40,5 Mb
Release : 1884
Category : Electronic journals
ISBN : HARVARD:32044044303790
Author : Anonim
Publisher : Unknown
Page : 300 pages
File Size : 46,6 Mb
Release : 1889
Category : Electronic
ISBN : NYPL:33433082166558
Author : ColinTimothy Eatock
Publisher : Routledge
Page : 208 pages
File Size : 50,5 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351558495
This valuable book considers the reception of the composer, pianist, organist and conductor Felix Mendelssohn in nineteenth-century England, and his influence on English musical culture. Despite the composer's immense popularity in the nation during his lifetime and in the decades following his death, this is the first book to deal exclusively with the subject of Mendelssohn in England. Mendelssohn's highly successful ten trips to Britain, between 1829 and 1847, are documented and discussed in detail, as are his relationships with English musicians and a variety of prominent figures. An introductory chapter describes the musical life of England (especially London) at the time of Mendelssohn's arrival and the last two chapters deal with the composer's posthumous reception, to the end of the Victorian era. Eatock reveals Mendelssohn as a catalyst for the expansion of English musical culture in the nineteenth century. In taking this position, the author challenges much of the extant literature on the subject and provides an engaging story that brings Mendelssohn and his English experiences to life.
Author : Anonim
Publisher : Unknown
Page : 424 pages
File Size : 42,8 Mb
Release : 1879
Category : Music
ISBN : NYPL:33433082281589
Author : Anonim
Publisher : Unknown
Page : 896 pages
File Size : 43,9 Mb
Release : 1877
Category : Music
ISBN : HARVARD:32044043850098
Author : Anonim
Publisher : Unknown
Page : 448 pages
File Size : 40,5 Mb
Release : 1881
Category : Music
ISBN : HARVARD:32044043917996
Author : John Watson Warman
Publisher : Unknown
Page : 320 pages
File Size : 51,6 Mb
Release : 1898
Category : Organ
ISBN : NYPL:33433082279534
Author : Anonim
Publisher : Unknown
Page : 1148 pages
File Size : 44,9 Mb
Release : 1965
Category : Electronic journals
ISBN : UOM:39015009640205
Author : Anonim
Publisher : Unknown
Page : 870 pages
File Size : 53,9 Mb
Release : 1842
Category : Electronic
ISBN : BSB:BSB10485432
Author : Anonim
Publisher : Unknown
Page : 664 pages
File Size : 40,6 Mb
Release : 1892
Category : Music
ISBN : NYPL:33433082246723
Author : VictoriaL. Cooper
Publisher : Routledge
Page : 271 pages
File Size : 49,5 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351543576
By the mid-nineteenth century music publishing was no longer the provenance of shopkeepers, instrument makers or individual scholars, but a business enterprise undertaken by a new breed of Victorian entrepreneur. Two such were Vincent Novello and his son Alfred, whose music publishing house enjoyed significant growth between 1829 and 1866. Victoria Cooper builds up a picture of Novello during this period and the socio-economic and cultural climate that influenced the company's business decisions. Looking in detail at some of the editions Novello published, she analyzes the editing style of the firm and how this was dictated by Novello's main audience of amateur musicians and choral societies. Scrutiny of Novello's stockbook indicates the financial fortunes of these editions, while correspondence between the firm and composers such as Mendelssohn reveals how Vincent and Alfred went about acquiring new compositions. With its focus on the development of a music publishing business, this study brings a fresh dimension to musicological research. Novello was able to combine business practice with a commitment to disseminate music of educational and artistic value, and the history of the company provides illuminating evidence of the commodification of music in nineteenth-century Britain.