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Author : Tone Hansen,Trude Iversen
Publisher : Unknown
Page : 128 pages
File Size : 50,8 Mb
Release : 2007
Category : Art
ISBN : 829973651X
Author : Richard Burt
Publisher : U of Minnesota Press
Page : 420 pages
File Size : 46,6 Mb
Release : 1994
Category : Political Science
ISBN : 0816623678
The "new" censorship of the arts, some cultural critics say, is just one more item on the "new" Right's agenda, of a piece with attempts to regulate sexuality, curtail female reproductive rights, restrict gays and lesbians, and privatize public institutions. While not contesting this assessment, the writers gathered here expose crucial difficulties in using censorship, old and new, as a tool for cultural criticism. Focusing on historical moments ranging from early-modern Europe to postmodern American, and covering a variety of media from books and paintings to film and photography, their essays seek a deeper understanding of what "censorship", "criticism" and the "public sphere" really mean. Getting rid of the censor, the contributors suggest, does not get rid of the problem of censorship. In varied but complementary ways, their essays view censorship as something more than a negative, unified institutional practice used to repress certain discourses. Instead, the authors contend that censorship actually legitimates discourses - not only by allowing them to circulate, but by joining them in a sort of performance, a staging of oppositions. These essays move discussions of censorship out of the present discourse of diversity into what might be called a discourse of legitimation. In doing so, they open up the possibility of realignments between those who are disenchanted with both stereotypical right-wing criticisms of political critics and aesthetics, and stereotypical left-wing defences. Richard Burt is the author of "Licensed By Authority: Ben Jonson and the Discourses of Censorship".
Author : Eugenie A. Samier,Richard Bates
Publisher : Routledge
Page : 241 pages
File Size : 50,9 Mb
Release : 2006-11-22
Category : Education
ISBN : 9781134200733
The question of aesthetics as a theoretical framework for thinking about modern leadership issues in educational settings is an emergent area of inquiry that is receiving considerable attention. There is a growing sense that the mechanistic approach to leadership, which has been widely encouraged over the last ten years, is sterile and that a more philosophical approach is now required. This approach is covered here, taking into account the importance of aesthetics on all aspects of the administrative and leadership world: the ways ideas and ideals are created, how their expression is conveyed, the impact they have on interpersonal relationships and the organisational environment that carries and reinforces them and the moral boundaries or limits that can be established or exceeded. While presenting a significant departure from conventional studies in the field, the international contributors reflect a continuity of thought on administrative and leadership authority, from the writings of Plato through to current theory.
Author : Roger Benjamin
Publisher : Univ of California Press
Page : 394 pages
File Size : 48,8 Mb
Release : 2003-02-03
Category : Architecture
ISBN : 9780520924406
Lavishly illustrated with exotic images ranging from Renoir's forgotten Algerian oeuvre to the abstract vision of Matisse's Morocco and beyond, this book is the first history of Orientalist art during the period of high modernism. Roger Benjamin, drawing on a decade of research in untapped archives, introduces many unfamiliar paintings, posters, miniatures, and panoramas and discovers an art movement closely bound to French colonial expansion. Orientalist Aesthetics approaches the visual culture of exoticism by ranging across the decorative arts, colonial museums, traveling scholarships, and art criticism in the Salons of Paris and Algiers. Benjamin's rediscovery of the important Society of French Orientalist Painters provides a critical context for understanding a lush body of work, including that of indigenous Algerian artists never before discussed in English. The painter-critic Eugène Fromentin tackled the unfamiliar atmospheric conditions of the desert, Etienne Dinet sought a more truthful mode of ethnographic painting by converting to Islam, and Mohammed Racim melded the Persian miniature with Western perspective. Benjamin considers armchair Orientalists concocting dreams from studio bric-à-brac, naturalists who spent years living in the oases of the Sahara, and Fauve and Cubist travelers who transposed the discoveries of the Parisian Salons to create decors of indigenous figures and tropical plants. The network that linked these artists with writers and museum curators was influenced by a complex web of tourism, rapid travel across the Mediterranean, and the march of modernity into a colonized culture. Orientalist Aesthetics shows how colonial policy affected aesthetics, how Europeans visualized cultural difference, and how indigenous artists in turn manipulated Western visual languages.
Author : Cory Pillen
Publisher : Routledge
Page : 190 pages
File Size : 48,9 Mb
Release : 2020-03-09
Category : Art
ISBN : 9781351004206
This book examines posters produced by the Works Progress Administration (WPA), a federal relief program designed to create jobs in the United States during the Great Depression. Cory Pillen focuses on several issues addressed repeatedly in the roughly 2,200 extant WPA posters created between 1935 and 1943: recreation and leisure, conservation, health and disease, and public housing. As the book shows, the posters promote specific forms of knowledge and literacy as solutions to contemporary social concerns. The varied issues these works engage and the ideals they endorse, however, would have resonated in complex ways with the posters’ diverse viewing public, working both for and against the rhetoric of consensus employed by New Deal agencies in defining and managing the relationship between self and society in modern America. This book will be of interest to scholars in design history, art history, and American studies.
Author : Jianping Gao
Publisher : Springer
Page : 232 pages
File Size : 53,5 Mb
Release : 2018-05-12
Category : Philosophy
ISBN : 9783662567012
This book introduces traditional and modern aesthetics and arts, comparing the similarities and differences between traditional and modern Chinese aesthetics. It also explores the aesthetic implications of traditional Chinese paintings, and discusses the development of aesthetics throughout history, as well as the changes and improvements in Chinese aesthetics in the context of globalization.
Author : Daniel Bertrand Monk
Publisher : Duke University Press
Page : 269 pages
File Size : 55,8 Mb
Release : 2002-03-18
Category : Architecture
ISBN : 9780822383307
In An Aesthetic Occupation Daniel Bertrand Monk unearths the history of the unquestioned political immediacy of “sacred” architecture in the conflict between Palestinians and Israelis. Monk combines groundbreaking archival research with theoretical insights to examine in particular the Mandate era—the period in the first half of the twentieth century when Britain held sovereignty over Palestine. While examining the relation between monuments and mass violence in this context, he documents Palestinian, Zionist, and British attempts to advance competing arguments concerning architecture’s utility to politics. Succumbing neither to the view that monuments are autonomous figures onto which political meaning has been projected, nor to the obverse claim that in Jerusalem shrines are immediate manifestations of the political, Monk traces the reciprocal history of both these positions as well as describes how opponents in the conflict debated and theorized their own participation in its self-representation. Analyzing controversies over the authenticity of holy sites, the restorations of the Dome of the Rock, and the discourse of accusation following the Buraq, or Wailing Wall, riots of 1929, Monk discloses for the first time that, as combatants looked to architecture and invoked the transparency of their own historical situation, they simultaneously advanced—and normalized—the conflict’s inability to account for itself. This balanced and unique study will appeal to anyone interested in Israel or Zionism, the Palestinians, the Middle East conflict, Jerusalem, or its monuments. Scholars of architecture, political theory, and religion, as well as cultural and critical studies will also be informed by its arguments.
Author : Eugenie A. Samier,with Adam G. Stanley
Publisher : Routledge
Page : 451 pages
File Size : 41,8 Mb
Release : 2008-03-01
Category : Education
ISBN : 9781135897970
This collection explores the political philosophy and theory foundations for educational administration and leadership as they influence our understanding, analysis and practice in the field. The first section, "Political Philosophy: The Foundations," discusses the work of such writers as Machiavelli, Kant and Hegel, Hayek, Habermas, and Bourdieu as their theories apply to the educational context. The second section, "Political Analysis: The Critique," examines various types of political analyses, such as the politics of the policy process, minority politics, civil society, micro-politics, community politics, and cosmopolitan theory. The last section, "Current Political Controversies: The Practice," addresses current topical issues of a political nature, including the serving of the state economic agenda, the democratisation of educational organisations, the neo-conservative agenda, and globalisation. The broad international perspective from which these topics are covered makes this volume an excellent addition to the fields of educational leadership, organizational studies, and educational administration theory.
Author : Eugenie Samier
Publisher : Unknown
Page : 128 pages
File Size : 45,6 Mb
Release : 2024-06-28
Category : Electronic
ISBN : 998559696X
Author : Barbara A. Baker
Publisher : University of Alabama Press
Page : 264 pages
File Size : 54,8 Mb
Release : 2010-06-29
Category : Biography & Autobiography
ISBN : 9780817355937
This is the first book-length study of the writings, work, and life of Renaissance man and Alabama native Albert Murray. The collection consists of essays and interviews written by prominent scholars of African American literature, jazz, and Albert Murray that illustrate Murray's place as a central figure in African American arts and letters and as an American cultural pioneer. Book jacket.
Author : Robert Schenkkan
Publisher : Dramatists Play Service, Inc.
Page : 49 pages
File Size : 47,6 Mb
Release : 2017-09-29
Category : Drama
ISBN : 9780822237143
On January 20, 2017, Donald J. Trump was sworn in as the 45th president of the United States. Over the next sixteen months, events would unravel that test every American’s strength of character: executive actions, an immigration round-up of unprecedented scale, and a declaration of martial law. Rick finds himself caught up as the frontman of the new administration’s edicts and loses his humanity. In a play that recalls George Orwell’s Nineteen Eighty-Four and the Nazi regime, BUILDING THE WALL is a terrifying and gripping exploration of what happens if we let fear win.
Author : Anonim
Publisher : ScholarlyEditions
Page : 1476 pages
File Size : 53,7 Mb
Release : 2012-01-09
Category : Medical
ISBN : 9781464964435
Issues in Aesthetic, Craniofacial, Maxillofacial, Oral, and Plastic Surgery: 2011 Edition is a ScholarlyEditions™ eBook that delivers timely, authoritative, and comprehensive information about Aesthetic, Craniofacial, Maxillofacial, Oral, and Plastic Surgery. The editors have built Issues in Aesthetic, Craniofacial, Maxillofacial, Oral, and Plastic Surgery: 2011 Edition on the vast information databases of ScholarlyNews.™ You can expect the information about Aesthetic, Craniofacial, Maxillofacial, Oral, and Plastic Surgery in this eBook to be deeper than what you can access anywhere else, as well as consistently reliable, authoritative, informed, and relevant. The content of Issues in Aesthetic, Craniofacial, Maxillofacial, Oral, and Plastic Surgery: 2011 Edition has been produced by the world’s leading scientists, engineers, analysts, research institutions, and companies. All of the content is from peer-reviewed sources, and all of it is written, assembled, and edited by the editors at ScholarlyEditions™ and available exclusively from us. You now have a source you can cite with authority, confidence, and credibility. More information is available at http://www.ScholarlyEditions.com/.
Author : Scott Contreras-Koterbay,Lukasz Mirocha
Publisher : Instituut Voor Netwerkcultuur
Page : 280 pages
File Size : 52,5 Mb
Release : 2016-07-14
Category : Art
ISBN : 949230208X
The New Aesthetic and Art: Constellations of the Postdigital is an interdisciplinary analysis focusing on new digital phenomena at the intersections of theory and contemporary art. Asserting the unique character of New Aesthetic objects, Contreras-Koterbay and Mirocha trace the origins of the New Aesthetic in visual arts, design, and software, find its presence resonating in various kinds of digital imagery, and track its agency in everyday effects of the intertwined physical world and the digital realm. Contreras-Koterbay and Mirocha bring to light an original perspective that identifies an autonomous quality in common digital objects and examples of art that are increasingly an important influence for today's culture and society.
Author : Hal Foster
Publisher : Verso Books
Page : 225 pages
File Size : 44,9 Mb
Release : 2020-05-19
Category : Art
ISBN : 9781788738118
Surveying the artistic and cultural scene in the era of Trump In a world where truth is cast in doubt and shame has gone missing, what are artists and critics on the left to do? How to demystify a political order that laughs away its own contradictions? How to mock leaders who thrive on the absurd? And why, in any event, offer more outrage to a media economy that feeds on the same? Such questions are grist to the mill of Hal Foster, who, in What Comes after Farce?, delves into recent developments in art, criticism, and fiction under the current regime of war, surveillance, extreme inequality, and media disruption. Concerned first with the cultural politics of emergency since 9/11, including the use and abuse of trauma, conspiracy, and kitsch, he moves on to consider the neoliberal makeover of aesthetic forms and art institutions during the same period. A final section surveys signal transformations in art, film, and writing. Among the phenomena explored are machine vision (images produced by machines for other machines without a human interface), operational images (images that do not represent the world so much as intervene in it), and the algorithmic scripting of information that pervades our everyday lives. If all this sounds dire, it is. In many respects we look out on a world that has moved, not only politically but also technologically, beyond our control. Yet Foster also sees possibility in the current debacle: the possibility to pressure the cracks in this order, to turn emergency into change.
Author : Alain Locke
Publisher : Penguin
Page : 481 pages
File Size : 55,6 Mb
Release : 2022-01-18
Category : Literary Collections
ISBN : 9780525506881
Pulitzer Prize-winning biographer edits a collection of Alain Locke's influential essays on the importance of the Black artist and the Black imagination A Penguin Classic For months, the philosopher Alain Locke wrestled with the idea of the Negro as America's most vexing problem. He asked how shall Negroes think of themselves as he considered the new crop of poets, novelists, and short story writers who, in 1924, wrote about their experiences as Black people in America. He did not want to frame Harlem and Black writing as yet another protest against racism, nor did he want to focus on the sociological perspective on the "Negro problem" and Harlem as a site of crime, poverty, and dysfunction. He wanted to find new language and a new way for Black people to think of themselves. The essays and articles collected in this volume, by Locke's Pulitzer Prize–winning biographer, are the result of that new attitude and the struggle to instill the New Negro aesthetics, as Stewart calls it here, into the mind of the twentieth century. To be a New Negro poet, novelist, actor, musician, dancer, or filmmaker was to commit oneself to an arc of self-discovery of what and who the Negro was—would be—without fear that one would disappoint the white or Black bystander. In committing to that path, Locke asserted, one would uncover a "being-in-the-world" that was rich and bountiful in its creative possibilities, if Black people could turn off the noise of racism and see themselves for who they really are: a world of creative people who have transformed, powerfully and perpetually, the culture of wherever history or social forces landed them.
