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Communal Creativity in the Making of the 'Beowulf' Manuscript by Simon C. Thomson Pdf
In Communal Creativity in the Making of the ‘Beowulf’ Manuscript, Simon Thomson analyses details of scribal activity to tell a story about the project that preserved Beowulf as one of a collective, if error-strewn, endeavour.
Communal Creativity in the Making of the 'Beowulf' Manuscript by Simon C. Thomson Pdf
(Re)introducing the texts of the Nowell Codex -- The passion of Saint Christopher -- The wonders of the East -- The letter of Alexander to Aristotle -- Beowulf -- Judith -- Reading the Nowell Codex in the Eleventh Century -- Reconstructing the Nowell Codex -- Dating and placing the scribes of the Nowell Codex -- Extant gatherings -- Judith, St Christopher and the missing gatherings -- Sequence of production -- The images in the wonders of the East -- A's collection of absurdities? -- The two artists of the Nowell Wonders -- Frames -- Colours -- The planning and control of the images -- Variant styles; multiple exemplars -- Scribe A's performance -- The value of the Nowell Codex's prose texts -- Corrections -- Scribe A's density of copying in Beowulf
Author : Kevin S. Kiernan Publisher : University of Michigan Press Page : 366 pages File Size : 40,5 Mb Release : 1996 Category : History ISBN : 0472084127
Beowulf and Grendel A Short Story from the Epic English Poem Beowulf Beowulf is an Old English epic poem. It may be the oldest surviving long poem in Old English and is commonly cited as one of the most important works of Old English literature. A date of composition is a matter of contention among scholars; the only certain dating pertains to the manuscript, which was produced between 975 and 1025. The author was an anonymous Anglo-Saxon poet, referred to by scholars as the "Beowulf poet". The poem is set in Scandinavia. Beowulf, a hero of the Geats, comes to the aid of Hrothgar, the king of the Danes, whose mead hall in Heorot has been under attack by a monster known as Grendel. After Beowulf slays him, Grendel's mother attacks the hall and is then also defeated. Victorious, Beowulf goes home to Geatland (Gotaland in modern Sweden) and later becomes king of the Geats. After a period of fifty years has passed, Beowulf defeats a dragon, but is mortally wounded in the battle. After his death, his attendants cremate his body and erect a tower on a headland in his memory.
University of Toronto. Centre for Medieval Studies
Author : University of Toronto. Centre for Medieval Studies Publisher : University of Toronto Press Page : 244 pages File Size : 43,6 Mb Release : 1997-01-01 Category : Literary Criticism ISBN : 0802078796
Beowulf could well be the oldest surviving long poem in Old English and simultaneously one of the most important works of Old English literature. The action is set in Scandinavia, where Beowulf comes to the aid of Hrothgar, the king of the Danes, who is under attack by a monster known as Grendel. Beowulf conquers Grendel and finally also his mother.Later he also defeats a dragon, but is fatally wounded in the battle.
In this series of detailed studies, Andy Orchard demonstrates the changing range of Anglo-Saxon attitudes towards the monstrous by reconsidering the monsters of Beowulf against the background of early medieval and patristic teratology and with reference to specific Anglo-Saxon texts.
The Sword of Judith by Kevin R. Brine,Elena Ciletti,Henrike Lähnemann Pdf
The Book of Judith tells the story of a fictitious Jewish woman beheading the general of the most powerful imaginable army to free her people. The parabolic story was set as an example of how God will help the righteous. Judith's heroic action not only became a validating charter myth of Judaism itself but has also been appropriated by many Christian and secular groupings, and has been an inspiration for numerous literary texts and works of art. It continues to exercise its power over artists, authors and academics and is becoming a major field of research in its own right. The Sword of Judith is the first multidisciplinary collection of essays to discuss representations of Judith throughout the centuries. It transforms our understanding across a wide range of disciplines. The collection includes new archival source studies, the translation of unpublished manuscripts, the translation of texts unavailable in English, and Judith images and music.
A detailed and passionate argument suggesting that Beowulf originated in the pre-Viking kingdom of 8th-century East Anglia. Where did Beowulf, unique and thrilling example of an Old English epic poem come from? In whose hall did the poem's maker first tell the tale? The poem exists now in just one manuscript, but careful study of the literary and historical associations reveals striking details which lead Dr Newton to claim, as he pieces together the various clues, a specific origin for the poem. Dr Newton suggests that references in Beowulf to the heroes whose names are listed in Anglo-Saxon royal genealogies indicate that such Northern dynastic concerns are most likely to have been fostered in the kingdom of East Anglia. He supports his thesis with evidence drawn from East Anglianarchaeology, hagiography and folklore. His argument, detailed and passionate, offers the exciting possibility that he has discovered the lost origins of the poem in the pre-Viking kingdom of 8th-century East Anglia. SAMNEWTON was awarded his Ph.D. for work on Beowulf.
Author : Asa Simon Mittman,Susan M. Kim Publisher : Arizona Center for Medieval and Renaissance Studies (ACMRS) Page : 0 pages File Size : 42,6 Mb Release : 2013 Category : Beowulf ISBN : 086698481X
Inconceivable Beasts by Asa Simon Mittman,Susan M. Kim Pdf
Bound with Beowulf, the Old English Wonders of the East, a catalogue of marvelous beings, describes the very creatures it depicts as ungefraegelicu (unheard of, inconceivable). Insistently, these representations, both visual and textual, provoke questions about the nature and possibility of representation itself. In doing so, they also destabilize the notion of scholarship as being able to provide final, concrete meanings, even as they suggest the possibility for other ways of approaching meanings, including the question of what it meant-and means-to be a monster, and thus to be human. Containing the first color facsimile of the Wonders, transcription, translation and extensive commentary, this volume should be of interest to students and scholars of Old English literature, Anglo-Saxon art, and monster studies. Book jacket.
