The Politics Of Musical Time

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The Politics of Musical Time

Author : Eben Graves
Publisher : Indiana University Press
Page : 252 pages
File Size : 55,7 Mb
Release : 2022-10-04
Category : Music
ISBN : 9780253064400

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The Politics of Musical Time by Eben Graves Pdf

How do the temporal features of sacred music affect social life in South Asia? Due to new time constraints in commercial contexts, devotional musicians in Bengal have adapted longstanding features of musical time linked with religious practice to promote their own musical careers. The Politics of Musical Time traces a lineage of singers performing a Hindu devotional song known as kīrtan in the Bengal region of India over the past century to demonstrate the shifting meanings and practices of devotional performance. Focusing on padābalī kīrtan, a type of devotional sung poetry that uses long-duration forms and combines song and storytelling, Eben Graves examines how expressions of religious affect and political belonging linked with the genre become strained in contemporary, shortened performance time frames. To illustrate the political economy of performance in South Asia, Graves also explores how religious performances and texts interact with issues of nationalism, gender, and economic exchange. Combining ethnography, history, and performance analysis, including videos from the author's fieldwork, The Politics of Musical Time reveals how ideas about the sacred and the modern have been expressed and contested through features of musical time found in devotional performance.

Music and Politics

Author : John Street
Publisher : John Wiley & Sons
Page : 205 pages
File Size : 51,5 Mb
Release : 2013-04-16
Category : Music
ISBN : 9780745672700

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Music and Politics by John Street Pdf

It is common to hear talk of how music can inspire crowds, move individuals and mobilise movements. We know too of how governments can live in fear of its effects, censor its sounds and imprison its creators. At the same time, there are other governments that use music for propaganda or for torture. All of these examples speak to the idea of music's political importance. But while we may share these assumptions about music's power, we rarely stop to analyse what it is about organised sound - about notes and rhythms - that has the effects attributed to it. This is the first book to examine systematically music's political power. It shows how music has been at the heart of accounts of political order, at how musicians from Bono to Lily Allen have claimed to speak for peoples and political causes. It looks too at the emergence of music as an object of public policy, whether in the classroom or in the copyright courts, whether as focus of national pride or employment opportunities. The book brings together a vast array of ideas about music's political significance (from Aristotle to Rousseau, from Adorno to Deleuze) and new empirical data to tell a story of the extraordinary potency of music across time and space. At the heart of the book lies the argument that music and politics are inseparably linked, and that each animates the other.

Ernst Krenek and the Politics of Musical Style

Author : Peter Tregear
Publisher : Scarecrow Press
Page : 195 pages
File Size : 53,8 Mb
Release : 2013-07-05
Category : Biography & Autobiography
ISBN : 9780810882638

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Ernst Krenek and the Politics of Musical Style by Peter Tregear Pdf

Ernst Krenek has been described as a “one-man history of twentieth-century music.” His vast compositional output encompasses many of its extremes and expresses many of its contradictions. Few have attempted, however, to contextualize Krenek’s compositional output because our understanding of classical music in the first half of the twentieth century still largely remains focused on the music of a few canonical figures. Responding to renewed interest from performers in Krenek’s work, particularly his operas, Peter Tregear’s Ernst Krenek and the Politics of Musical Style addresses this gap in the scholarly literature and makes an important contribution to our comprehension of the ways in which his music reflected and informed broader social and political debates in Austria and Germany at the time. Focusing on Krenek’s compositional path from the eclectic musical language of Jonny spielt auf to the austere twelve-tone technique of Karl V, Tregear provides an historical and critical context to this most historically significant period of Krenek’s creative life. His study also enriches our understanding of many of Krenek’s contemporaries, such as Alban Berg and Arnold Schoenberg. This book should interest students, scholars and practitioners with an interest in modern opera, and contemporary classical music as well as early-20th-century German history more generally.

Music and Society

Author : Richard Leppert,Susan McClary
Publisher : Cambridge University Press
Page : 226 pages
File Size : 45,6 Mb
Release : 1989-06-15
Category : Music
ISBN : 0521379776

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Music and Society by Richard Leppert,Susan McClary Pdf

This provocative volume of essays is now available in paperback. The contributors to this volume - musicologists, sociologists, cultural theorists - all challenge the view that music occupies an autonomous aesthetic sphere. Recently, socially and politically grounded enterprises such as feminism, semiotics and deconstruction have effected a major transformation in the ways in which the arts and humanities are studied, leading in turn to a systematic investigation of the implicit assumptions underlying the critical methods of the last two hundred years. Influenced by these approaches, the writers here question a prevailing ideology that insists there is a division between music and society and examine the ways in which the two do in fact interact and mediate one another within and across socio-cultural boundaries.

The Politics of Musical Identity

Author : Annegret Fauser
Publisher : Routledge
Page : 392 pages
File Size : 49,5 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351541480

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The Politics of Musical Identity by Annegret Fauser Pdf

This volume explores the way in which composers, performers, and critics shaped individual and collective identities in music from Europe and the United States from the 1860s to the 1950s. Selected essays and articles engage with works and their reception by Richard Wagner, Georges Bizet (in an American incarnation), Lili and Nadia Boulanger, William Grant Still, and Aaron Copland, and with performers such as Wanda Landowska and even Marilyn Monroe. Ranging in context from the opera house through the concert hall to the salon, and from establishment cultures to counter-cultural products, the main focus is how music permits new ways of considering issues of nationality, class, race, and gender. These essays - three presented for the first time in English translation - reflect the work in both musical and cultural studies of a distinguished scholar whose international career spans the Atlantic and beyond.

Sámi Musical Performance and the Politics of Indigeneity in Northern Europe

Author : Thomas Hilder
Publisher : Rowman & Littlefield
Page : 263 pages
File Size : 40,8 Mb
Release : 2014-10-16
Category : Music
ISBN : 9780810888968

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Sámi Musical Performance and the Politics of Indigeneity in Northern Europe by Thomas Hilder Pdf

The Sámi are Europe’s only recognized indigenous people living across regions of Norway, Sweden, Finland and the Russian Kola peninsula. The subjects of a history of Christianization, land dispossession, and cultural assimilation, the Sámi have through their self-organization since World War II worked towards Sámi political self-determination across the Nordic states and helped forge a global indigenous community. Accompanying this process was the emergence of a Sámi music scene, in which the revival of the distinct and formerly suppressed unaccompanied vocal tradition of joik was central. Through joiking with instrumental accompaniment, incorporating joik into forms of popular music, performing on stage and releasing recordings, Sámi musicians have played a key role in articulating a Sámi identity, strengthening Sámi languages, and reviving a nature-based cosmology. Thomas Hilder offers the first book-length study of this diverse and dynamic music scene and its intersection with the politics of indigeneity. Based on extensive ethnographic research, Hilder provides portraits of numerous Sámi musicians, studies the significance of Sámi festivals, analyzes the emergence of a Sámi recording industry, and examines musical projects and cultural institutions that have sought to strengthen the transmission of Sámi music. Through his engaging narrative, Hilder discusses a wide range of issues—revival, sovereignty, time, environment, repatriation and cosmopolitanism—to highlight the myriad ways in which Sámi musical performance helps shape notions of national belonging, transnational activism, and processes of democracy in the Nordic peninsula. Sámi Musical Performance and the Politics of Indigeneity in Northern Europe will not only appeal to enthusiasts of Nordic music, but, by drawing on current interdisciplinary debates, will also speak to a wider audience interested in the interplay of music and politics. Unearthing the challenges, contradictions and potentials presented by international indigenous politics, Hilder demonstrates the significance of this unique musical scene for the wider cultural and political transformations in twenty-first-century Europe and global modernity.

Music as Social Life

Author : Thomas Turino
Publisher : University of Chicago Press
Page : 278 pages
File Size : 50,5 Mb
Release : 2008-10-15
Category : Music
ISBN : 9780226816982

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Music as Social Life by Thomas Turino Pdf

In 'Music as Social Life', Thomas Turino explores why it is that music and dance are so often at the centre of our most profound personal and social experiences.

The Musical Times and Singing-class Circular

Author : Anonim
Publisher : Unknown
Page : 818 pages
File Size : 53,9 Mb
Release : 1869
Category : Electronic journals
ISBN : HARVARD:32044044303550

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The Musical Times and Singing-class Circular by Anonim Pdf

The Politics of the Musical Theatre Screen Adaptation

Author : Dominic Broomfield-McHugh,Professor of Musicology Dominic Broomfield-McHugh
Publisher : Oxford University Press
Page : 441 pages
File Size : 55,8 Mb
Release : 2023-02-28
Category : Film adaptations
ISBN : 9780197649398

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The Politics of the Musical Theatre Screen Adaptation by Dominic Broomfield-McHugh,Professor of Musicology Dominic Broomfield-McHugh Pdf

"From Show Boat (1936) to The Sound of Music (1965) and from Grease (1978) to Chicago (2002), many of the most beloved film musicals in Hollywood history originated as Broadway shows. And in the three years since the original publication of the chapters in this volume (as The Oxford Handbook of Musical Theatre Screen Adaptations, 2019) the phenomenon has persisted, with new adaptations such as Cats, In the Heights, Tick, Tick...Boom!, Dear Evan Hansen, and Spielberg's remake of West Side Story. Yet in general, the number of screen adaptations of Broadway musicals and operettas is far greater than the number that have met with success, especially both critical and commercial success (i.e., good reviews and a profit at the box office). This is all the more surprising since Hollywood tended almost (if not quite) exclusively to buy the rights to musicals that had been successful on the stage as a means of guaranteeing a profitable outcome. After all, musicals that had already enjoyed long runs and nationwide productions on the stage ought to have a readymade audience. One might also think that because the authors had puzzled over the individual challenges posed by such properties in their stage incarnations, it ought to be easier to turn them into strong film musicals. But for every West Side Story there were several Finian's Rainbows, Man of La Manchas, and Carousels: movies that simply did not do justice to the 'enchanted evenings' these works provided in their stage incarnations"--

Music and Messaging in the African Political Arena

Author : Onyebadi, Uche T.
Publisher : IGI Global
Page : 321 pages
File Size : 55,9 Mb
Release : 2019-01-15
Category : Political Science
ISBN : 9781522572961

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Music and Messaging in the African Political Arena by Onyebadi, Uche T. Pdf

Political campaigning affects numerous realms under the communication umbrella with each channel seeking to influence as many individuals as possible. In higher education, there is a growing scholarly interest in communication issues and subjects, especially on the role of music, in the political arena. Music and Messaging in the African Political Arena provides innovative insights into providing music and songs as an integral part of sending political messages to a broader spectrum of audiences, especially during political campaigns. The content within this publication covers such topics as framing theory, national identity, and ethnic politics, and is designed for politicians, campaign managers, political communication scholars, researchers, and students.

Changing Times

Author : Stephen Millward
Publisher : Troubador Publishing Ltd
Page : 369 pages
File Size : 44,5 Mb
Release : 2012-12-01
Category : Music
ISBN : 9781780883441

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Changing Times by Stephen Millward Pdf

1964 was when the swinging sixties really began. Youth culture dominated the media and the spirit of optimism was ubiquitous. Yet there were also darker forces at work which proved to be equally significant for the future. Changing Times presents a clear and detailed picture of the many personalities, events and trends that made this year so remarkable. The escalation of the Vietnam War, elections in the USA and the UK, the struggle for civil rights and the imprisonment of Nelson Mandela are just some of the topics covered. Author Steve Millward makes the connections between music and politics and links them to the wider world of art, film, fashion, sport, science and technology. He also goes beyond the UK and America, covering developments in Africa and the Caribbean. Throughout the book, the focus remains upon the music – pop, rock, folk, soul, jazz, classical – which so consistently reached new heights of quality and innovation, the repercussions of which are still being felt today. Steve covers music recorded and released in 1964, as well as earlier recordings which had an impact that year. The most notable instance is The Beatles’ ‘I Want To Hold Your Hand’, recorded in October ‘63, which spearheaded the band’s breakthrough in the USA in 1964. Millward also celebrates the work of lesser-known but hugely influential figures such as Bert Berns, Eric Dolphy and Phil Ochs. The originality and insight contained in this book will appeal to intelligent readers of all ages and interests, in particular those with an interest in music history and politics. Steve draws inspiration from a number of authors, including Greil Marcus, Peter Guralnick, Susan Douglas, Alex Ross and Jonathon Green.

Music in Contemporary Philosophy

Author : Martin Scherzinger
Publisher : Routledge
Page : 181 pages
File Size : 50,8 Mb
Release : 2016-01-08
Category : Music
ISBN : 9781317643975

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Music in Contemporary Philosophy by Martin Scherzinger Pdf

This book examines the functional place of music in contemporary European philosophy of the 20th and 21st centuries. The chapters explore the musical dimensions of lesser known figures as well as well-known philosophical figures in relation to their lesser-known musical dimensions. Edmund Husserl, Martin Heidegger, Jean-François Lyotard, Jacques Rancière and Alain Badiou, for example, are central figures in debates concerning phenomenology, postmodernism and political philosophy. Their musical writings, however, have been largely overlooked. Of those discussed here whose musical writings have gained some currency – Ernst Bloch, Theodor W. Adorno, Jean-Luc Nancy, Edward Said, and Slavoj Žižek – music mostly constitutes but a partial aspect of their overall philosophical output. These chapters attempt to supplement the gap, raising more prominently than hitherto the question concerning music in this philosophical milieu. The collection represents some of the distinctive recent work of an emerging generation of American-based music scholars tackling the relationship between philosophy and music in a qualitatively new way. While this intellectual output cannot be easily summarized, one detects certain features. If what was once called "New Musicology" in the 1990s can be characterized by a turn to literary theory and philosophy – treated as sources of (mostly nonjudgmental) inspiration – we find here, instead, a new body of work that turns the tables on the relation between music and philosophy. Instead of bringing philosophy to musicology, this work critically analyzes how music inhabits philosophy itself, and then assesses the ethical and political dimensions of these philosophical positions and their relation to lived history. This book was originally published as a special issue of Contemporary Music Review.

Music and Politics in San Francisco

Author : Leta E. Miller
Publisher : Univ of California Press
Page : 382 pages
File Size : 50,5 Mb
Release : 2012
Category : Music
ISBN : 9780520268913

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Music and Politics in San Francisco by Leta E. Miller Pdf

“Leta Miller’s long-awaited study is a tightly woven, fast-paced, and luminous chronicle of San Francisco’s musical coming of age. Her keen insights into Chinese opera, night club jazz, and two international expositions go far to rekindle the era’s spirited mix of talent, taste, patronage, and politics. The groundbreaking work of an accomplished music and social historian, Music and Politics in San Francisco is a most welcome companion to Catherine Parsons Smith’s Making Music in Los Angeles.” —Jonathan Elkus, Lecturer in Music Emeritus, UC Davis “From three disastrous days in April 1906 through the onset of an even greater disaster in 1941, from the San Francisco Conservatory through the performances of the Chinese Opera, Leta Miller traces the musico-political history of ‘the Paris of the West’ in meticulous detail. This important book adds immeasurably to our knowledge of West Coast American music, whilst simultaneously challenging a number of historiographical shibboleths.” —David Nicholls, contributing editor of The Cambridge History of American Music "Leta Miller’s San Francisco’s Musical Life is a pure pleasure to read. Miller manages that rare feat of digesting what must have been many years of digging through newspapers and archives into a fun, lively, highly readable narrative. Each chapter strikes a comfortable balance among factual exposition, colorful anecdote, and historical analysis. Miller brings equal depth and insight to each of her disparate subjects, she writes with charm and clarity throughout, and the whole is arranged in a way that is clear and logical, never monotonous." —Mary Ann Smart, author of Mimomania: Music and Gesture in Nineteenth-Century Opera

Enacting Musical Time

Author : Mariusz Kozak
Publisher : Oxford University Press
Page : 325 pages
File Size : 50,8 Mb
Release : 2019-10-09
Category : Music
ISBN : 9780190080228

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Enacting Musical Time by Mariusz Kozak Pdf

What is musical time? Where is it manifested? How does it enter into our experience, and how do we capture it in our analyses? A compelling approach among works on temporality, phenomenology, and the ecologies of the new sound worlds, Enacting Musical Time argues that musical time is itself the site of the interaction between musical sounds and a situated, embodied listener, created by the moving bodies of participants engaged in musical activities. Author Mariusz Kozak describes musical time as something that emerges when the listener enacts her implicit knowledge about "how music goes," from deliberate inactivity, to such simple actions as tapping her foot in time with the beat, to dancing in a way that engages her entire body. Kozak explores this idea in the context of modernist and postmodernist musical styles, where composers create unfamiliar and idiosyncratic temporal experiences, blur the line between spectatorship and participation, and challenge conventional notions of form. Basing his discussion on the phenomenology of Merleau-Ponty and on the ecological psychology of J. J. Gibson, Kozak examines different aspects of musical structure through the lens of embodied cognition and what phenomenologists call "lived time." A bold new theory derived from an unprecedented fusion of research perspectives, Enacting Musical Time will engage scholars across a range of disciplines, from music theory, music cognition, cognitive science, continental philosophy, and social anthropology.