The Quarterly Musical Magazine And Review Volume 3

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The Quarterly Musical Magazine and Review;

Richard Mackenzie Bacon
The Quarterly Musical Magazine and Review Book PDF

Author : Richard Mackenzie Bacon
Publisher : Sagwan Press
Page : 564 pages
File Size : 50,5 Mb
Release : 2018-02
Category : History
ISBN : 1376440393

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The Quarterly Musical Magazine and Review; by Richard Mackenzie Bacon Pdf

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Quarterly Musical Magazine and Review, Volume 3

Richard MacKenzie Bacon
The Quarterly Musical Magazine and Review Volume 3 Book PDF

Author : Richard MacKenzie Bacon
Publisher : Sagwan Press
Page : 564 pages
File Size : 54,5 Mb
Release : 2015-08-22
Category : Electronic
ISBN : 1297970268

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The Quarterly Musical Magazine and Review, Volume 3 by Richard MacKenzie Bacon Pdf

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Quarterly Musical Magazine and Review; Volume 8

Richard MacKenzie Bacon
The Quarterly Musical Magazine and Review Volume 8 Book PDF

Author : Richard MacKenzie Bacon
Publisher : Legare Street Press
Page : 0 pages
File Size : 47,9 Mb
Release : 2023-07-18
Category : Electronic
ISBN : 1021335436

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The Quarterly Musical Magazine and Review; Volume 8 by Richard MacKenzie Bacon Pdf

First published in 1820, The Quarterly Musical Magazine and Review was the leading music journal of its time, providing a platform for discussion and criticism of various musical works and artists. The book features insightful reviews, interviews, and essays by leading music critics of the day. For music lovers and historians alike, The Quarterly Musical Magazine is a fascinating glimpse into the musical world of 19th century England. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Quarterly Musical Magazine and Review, 1821, Vol. 3 (Classic Reprint)

Richard Mackenzie Bacon
The Quarterly Musical Magazine and Review 1821 Vol 3 Classic Reprint Book PDF

Author : Richard Mackenzie Bacon
Publisher : Forgotten Books
Page : 564 pages
File Size : 55,6 Mb
Release : 2017-07-27
Category : Music
ISBN : 0282629548

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The Quarterly Musical Magazine and Review, 1821, Vol. 3 (Classic Reprint) by Richard Mackenzie Bacon Pdf

Excerpt from The Quarterly Musical Magazine and Review, 1821, Vol. 3 Power. XXVII. Oh! Woods of Green Erin; by Wesley Doyle, Esq. London. Power. 1. Oh! If those deceive me not; by Sir John Stevenson, Mus. Doc. Don. Power. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The First Fleet Piano: Volume One

Geoffrey Lancaster
The First Fleet Piano Volume One Book PDF

Author : Geoffrey Lancaster
Publisher : ANU Press
Page : 919 pages
File Size : 40,8 Mb
Release : 2015-11-03
Category : Music
ISBN : 9781922144652

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The First Fleet Piano: Volume One by Geoffrey Lancaster Pdf

During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.

Venanzio Rauzzini and the Birth of a New Style in English Singing

Brianna E. Robertson-Kirkland
Venanzio Rauzzini and the Birth of a New Style in English Singing Book PDF

Author : Brianna E. Robertson-Kirkland
Publisher : Routledge
Page : 271 pages
File Size : 42,9 Mb
Release : 2022-01-31
Category : History
ISBN : 9781000536843

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Venanzio Rauzzini and the Birth of a New Style in English Singing by Brianna E. Robertson-Kirkland Pdf

Since the eighteenth century, the one-to-one singing lesson has been the most common method of delivery. The scenario allows the teacher to familiarise and individualise the lesson to suit the needs of their student; however, it can also lead to speculation about what is taught. More troubling is the heightened risk of gossip and rumour with the private space generating speculation about the student–teacher relationship. Venanzio Rauzzini (1746–1810), an Italian castrato living in England who became a highly sought-after singing master, was particularly susceptible since his students tended to be women, whose moral character was under more scrutiny than their male counterparts. Even so in 1792, The Bath Chronicle proclaimed the Italian castrato: 'the father of a new style in English singing'. Branding Rauzzini as a founder of an English style was not an error, but indicative of deep-seated anxieties about the Italian invasion on England’s musical culture. This book places teaching at the centre of the socio-historical narrative and provides unique insight into musical culture. Using a microhistory approach, this study is the first to focus in on the impact of teaching and casts new light on issues of celebrity culture, gender and nationalism in Georgian England.

Music in Nineteenth-Century Britain

Rosemary Golding
Music in Nineteenth Century Britain Book PDF

Author : Rosemary Golding
Publisher : Taylor & Francis
Page : 513 pages
File Size : 54,5 Mb
Release : 2022-08-15
Category : History
ISBN : 9781000564303

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Music in Nineteenth-Century Britain by Rosemary Golding Pdf

This volume of primary source material examine the thoughts and ideas behind music in Britian during the ninteenth century. Sources explore music critics, listening to music, music education, and philosophy. The collection of materials are accompanied by an introduction by Rosemary Golding, as well as headnotes contextualising the pieces. This collection will be of great value to students and scholars.

The Quarterly Musical Magazine and Review, Volume 1

Richard Mackenzie Bacon
The Quarterly Musical Magazine and Review Volume 1 Book PDF

Author : Richard Mackenzie Bacon
Publisher : Palala Press
Page : 552 pages
File Size : 43,8 Mb
Release : 2015-08-31
Category : Electronic
ISBN : 1340607026

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The Quarterly Musical Magazine and Review, Volume 1 by Richard Mackenzie Bacon Pdf

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Sources and Style in Moore’s Irish Melodies

Una Hunt
Sources and Style in Moore s Irish Melodies Book PDF

Author : Una Hunt
Publisher : Taylor & Francis
Page : 217 pages
File Size : 53,9 Mb
Release : 2017-03-16
Category : Music
ISBN : 9781315442990

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Sources and Style in Moore’s Irish Melodies by Una Hunt Pdf

Once regarded as Ireland’s national bard, Thomas Moore's lasting reputation rests on the ten immensely popular collections of drawing-room songs known as the Irish Melodies, published between 1808 and 1834. Moore drew on anthologies of ancient music, breathing new life into the airs and bringing them before a global audience for the very first time. Recognizing the unique beauty of the airs as well as their symbolic significance, these qualities were often interwoven into the verses providing potent political commentary along with a new cultural perspective. At home and abroad, Moore’s Melodies created a realm of influence that continued to define Irish culture for many decades to come. Notwithstanding the far-reaching appeal and success of the collections, Moore has only recently begun to receive serious attention from scholars. Una Hunt provides the first detailed study of Moore’s Irish Melodies from a combined musical and literary standpoint by drawing on a practical understanding and an unrivalled performance experience of the songs. The initial two chapters contextualize Moore and his songs through a detailed examination of their sources and style while the following chapters concentrate on the collaborative work provided by the composers Sir John Stevenson and Henry Rowley Bishop. Chapters 5 and 6 reappraise musical sources and Moore’s adaptation of these, supported and illustrated by the Table of Sources in the Appendix.

Society, Culture and Opera in Florence, 1814-1830

Aubrey S. Garlington
Society Culture and Opera in Florence 1814 1830 Book PDF

Author : Aubrey S. Garlington
Publisher : Routledge
Page : 227 pages
File Size : 42,9 Mb
Release : 2018-01-18
Category : Social Science
ISBN : 9781351148863

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Society, Culture and Opera in Florence, 1814-1830 by Aubrey S. Garlington Pdf

Following the defeat of Napoleon in 1814, an event that signalled an end to nearly fourteen years of French domination, Florence seemed to enter a new cultural 'golden age' and by 1824 was described as 'an Earthly Paradise' by the political and liberal writer, Pietro Giordano. Politically, economically and culturally, the city prospered in this new era. After 1814 it seemed as if the Enlightenment had found a new beginning in Florence. Aubrey Garlington, a scholar of long standing in the music of early nineteenth-century Florence, considers the roles played by John Fane, Lord Burghersh, an English aristocrat, diplomat and dilettante composer together with his wife, Priscilla, in the development of the richly homogeneous culture that blossomed in Florence at this time. Burghersh, known today for being instrumental in the founding of the English Royal Academy of Music, composed six operas that were performed privately on numerous occasions at the English Embassy, his best known work being "La Fedra". Lady Burghersh became known for her painting and dilettante theatrical performances. Garlington provides a thorough re-examination of the categories 'professional' and 'dilettante' which were so important in the concept of music at this time. The notions of boundaries between public and private activity are discussed, and the operas themselves are examined specifically. Through the contemplation of the Burghershs's sixteen year stay in Florence, the significance of dilettante orientations are demonstrated to have been essential components for the city's musical and social life. Garlington draws together an impressive compilation of documentation regarding the part music played in shaping society and culture. In this way, the book will appeal not only to opera historians, musicologists and critics working on the nineteenth century, but also to historians and scholars of cultural theory.