The Reality Of Film

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The reality of film

Author : Richard Rushton
Publisher : Manchester University Press
Page : 307 pages
File Size : 44,8 Mb
Release : 2013-07-19
Category : Performing Arts
ISBN : 9781847797780

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The reality of film by Richard Rushton Pdf

In formulating a notion of filmic reality, The Reality of Film offers a novel way of understanding our relationship to cinema. It argues that cinema need not be understood in terms of its capacities to refer to, reproduce or represent reality, but should be understood in terms of the kinds of realities it has the ability to create. The Reality of Film investigates filmic reality by way of six key film theorists: André Bazin, Christian Metz, Stanley Cavell, Gilles Deleuze, Slavoj Žižek and Jacques Rancière. In doing so, it provides comprehensive introductions to each of these thinkers, while also debunking many myths and misconceptions about them. Along the way, a notion of filmic reality is formed that radically reconfigures our understanding of cinema. This book is essential reading for film scholars, students and philosophers of film, while it will also appeal to graduate students and specialists in other fields.

Thinking Reality and Time through Film

Author : José Manuel Martins,Christine Reeh
Publisher : Cambridge Scholars Publishing
Page : 315 pages
File Size : 43,5 Mb
Release : 2017-03-07
Category : Performing Arts
ISBN : 9781443879583

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Thinking Reality and Time through Film by José Manuel Martins,Christine Reeh Pdf

Over the last few decades, film has increasingly become an issue of philosophical reflection from an ontological and epistemological perspective, and the claim “doing philosophy through film” has raised extensive discussion about its meaning. The mechanical reproduction of reality is one of the most prominent philosophical questions raised by the emergence of film at the end of the nineteenth century, inquiring into the ontological nature of both reality and film. Yet the nature of this audio-photographic and moving reproduction of reality constitutes an ontological puzzle, which has widely been disregarded as a main line of enquiry with direct consequences for philosophy. Regarding this background, this volume brings together the best papers from the Lisbon Conference on Philosophy and Film: Thinking Reality and Time through Film, held in 2014. What they all have in common is the discussion of new aspects and approaches of how philosophy relates to film. Whether by philosophizing through concrete examples of films or whether looking at film’s ontological reliance on time and image, or its intra-active entanglement with reality or truth, this book explores grasp film’s nature philosophically, and provides new insights for the film philosopher and the filmmaker, as well as for the freshman fascinated by film for philosophical reasons.

The Reality Effect

Author : Joel Black
Publisher : Routledge
Page : 297 pages
File Size : 48,9 Mb
Release : 2013-08-21
Category : Performing Arts
ISBN : 9781135354329

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The Reality Effect by Joel Black Pdf

It used to be only movies were on film; now the whole world is. The most intimate and most banal moments of our lives are constantly recorded for public consumption. In The Reality Effect, Joel Black argues that the desire to make visible every aspect of our lives is an impulse derived from cinema- one that has made life both more graphic and less "real." He approaches film as a documentary medium that has obscured-if not obliterated- the line between reality and fiction. To illustrate this effect, Black traces the uncanny interplay between movies and real-life events through a series of comparative analyses-from Lolita and the murder of JonBenét Ramsey to Wag the Dog and the Clinton scandal to Crash and Princess Diana's violent death.

The Real of Reality: The Realist Turn in Contemporary Film Theory

Author : Anonim
Publisher : BRILL
Page : 274 pages
File Size : 44,5 Mb
Release : 2021-08-30
Category : Philosophy
ISBN : 9789004466760

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The Real of Reality: The Realist Turn in Contemporary Film Theory by Anonim Pdf

Reality has become an increasingly prominent topic in contemporary philosophy. The book’s contributors are responding to the challenge to use the philosophically underexplored potential of film to disclose what the editors propose to call “the real of reality.”

Film, Philosophy, and Reality

Author : Nathan Andersen
Publisher : Routledge
Page : 204 pages
File Size : 42,9 Mb
Release : 2018-12-21
Category : Philosophy
ISBN : 9781317805823

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Film, Philosophy, and Reality by Nathan Andersen Pdf

Film, Philosophy, and Reality: Ancient Greece to Godard is an original contribution to film-philosophy that shows how thinking about movies can lead us into a richer appreciation and understanding of both reality and the nature of human experience. Focused on the question of the relationship between how things seem to us and how they really are, it is at once an introduction to philosophy through film and an introduction to film through philosophy. The book is divided into three parts. The first is an introduction to philosophy and film, designed for the reader with little background in one or the other subject. The second examines the philosophical importance of the distinction between appearance and reality, and shows that reflection upon this distinction is naturally provoked by the experience of watching movies. The final part takes a close and careful look at the style and techniques of Jean-Luc Godard’s groundbreaking film Breathless in order to illustrate how such themes can be explored cinematically. The book addresses topics such as: Film: what it is and how to understand it The methods and concerns of philosophy The nature of cinematic appearances The history of metaphysics The relationship between cinema and life The philosophical relevance of film techniques. With a glossary of key thinkers, terms, and concepts, as well as sections on suggested films and further reading, this textbook will appeal to lecturers and students in undergraduate philosophy and film courses, and in courses focused on Philosophy of Film, Philosophy and Film, or Film-Philosophy.

Cinema Approaching Reality

Author : Victor Fan
Publisher : U of Minnesota Press
Page : 325 pages
File Size : 42,6 Mb
Release : 2015-03-20
Category : Art
ISBN : 9781452944067

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Cinema Approaching Reality by Victor Fan Pdf

In Cinema Approaching Reality, Victor Fan brings together, for the first time, Chinese and Euro-American film theories and theorists to engage in critical debates about film in Shanghai and Hong Kong from the 1920s through 1940s. His point of departure is a term popularly employed by Chinese film critics during this period, bizhen, often translated as “lifelike” but best understood as “approaching reality.” What these Chinese theorists mean, in Fan’s reading, is that the cinematographic image is not a form of total reality, but it can allow spectators to apprehend an effect as though they had been there at the time when an event actually happened. Fan suggests that the phrase “approaching reality” can help to renegotiate an aporia (blind spot) that influential French film critic André Bazin wrestled with: the cinematographic image is a trace of reality, yet reality is absent in the cinematographic image, and the cinema makes present this absence as it reactivates the passage of time. Fan enriches Bazinian cinematic ontology with discussions on cinematic reality in Republican China and colonial Hong Kong, putting Western theorists—from Bazin and Kracauer to Baudrillard, Agamben, and Deleuze—into dialogue with their Chinese counterparts. The result is an eye-opening exploration of the potentialities in approaching cinema anew, especially in the photographic materiality following its digital turn.

The Reality of Illusion

Author : Joseph Anderson
Publisher : SIU Press
Page : 220 pages
File Size : 43,5 Mb
Release : 1996
Category : Performing Arts
ISBN : 0809321963

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The Reality of Illusion by Joseph Anderson Pdf

Applying research findings from studies in visual perception, neurophysiology, cognitive psychology, developmental psychology, and anthropology, Joseph D. Anderson defines the complex interaction of motion pictures with the human mind and organizes the relationship between film and cognitive science. Anderson's primary argument is that motion picture viewers mentally process the projected images and sounds of a movie according to the same perceptual rules used in response to visual and aural stimuli in the world outside the theater. To process everyday events in the world, the human mind is equipped with capacities developed through millions of years of evolution. In this context, Anderson builds a metatheory influenced by the writings of J. J. and Eleanor Gibson and employs it to explore motion picture comprehension as a subset of general human comprehension and perception, focusing his ecological approach to film on the analysis of cinema's true substance: illusion. Anderson investigates how viewers, with their mental capacities designed for survival, respond to particular aspects of filmic structure--continuity, diegesis, character development, and narrative--and examines the ways in which rules of visual and aural processing are recognized and exploited by filmmakers. He uses Orson Welles's Citizen Kane to disassemble and redefine the contemporary concept of character identification; he addresses continuity in a shot-by-shot analysis of images from Casablanca; and he uses a wide range of research studies, such as Harry F. Harlow's work with infant rhesus monkeys, to describe how motion pictures become a substitute or surrogate reality for an audience. By examining the human capacity for play and the inherent potential for illusion, Anderson considers the reasons viewers find movies so enthralling, so emotionally powerful, and so remarkably real.

Reality Transformed

Author : Irving Singer
Publisher : MIT Press
Page : 240 pages
File Size : 44,6 Mb
Release : 2000-08-25
Category : Performing Arts
ISBN : 0262692481

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Reality Transformed by Irving Singer Pdf

A new look at film that succeeds in combining the realist and formalist sides of an ongoing debate. In Reality Transformed Irving Singer offers a new approach to the philosophy of film. Returning to the classical debate between realists and formalists, he shows how the opposing positions may be harmonized and united. Singer concentrates on questions about appearance and reality, the visual and the literary, and the interplay between communication as a goal and alienation as a hazard in films of every sort. In three exemplary chapters, he provides suggestive readings of Woody Allen's The Purple Rose of Cairo, Luchino Visconti's Death in Venice, and Jean Renoir's The Rules of the Game. Reality Transformed will interest the general reader as well as students in all fields related to film studies.

Realism and 'reality' in Film and Media

Author : Anne Jerslev
Publisher : Museum Tusculanum Press
Page : 288 pages
File Size : 41,7 Mb
Release : 2002
Category : Realism in films
ISBN : 8772897163

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Realism and 'reality' in Film and Media by Anne Jerslev Pdf

The 2002 theme of 'Northern Lights' is dedicated to the representation of reality in film, TV and new media -- a question of new importance in modern film and media, where a new wave of realism has dominated cinema and reality -- TV became a mass phenomena on both TV and the internet. Eleven articles by Danish, British, and American film and media researchers focus on two sub-themes: 'Film and Realism' deals theoretically with film realism and analyses classic films and modern Danish Dogma films; 'Documentary Forms, Reality TV and New Media' treats new forms of non-fiction film, TV and on the internet in a both theoretical and historical perspective.

Cinema Illuminating Reality

Author : Victor Fan
Publisher : U of Minnesota Press
Page : 337 pages
File Size : 43,5 Mb
Release : 2022-03-29
Category : Performing Arts
ISBN : 9781452964317

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Cinema Illuminating Reality by Victor Fan Pdf

A new critical approach to cinema and media based on Buddhism as a philosophical discourse How can a philosophical discourse generated in Asia help us reframe and renew cinema and media theory? Cinema Illuminating Reality provides a possible way to do this by using Buddhist ideas to examine the intricate relationship between technicity and consciousness in the cinema. The resulting dialogue between Buddhism and Euro-American philosophy is the first of its kind in film and media studies. Victor Fan examines cinema’s ontology and ontogenetic formation and how such a formational process produces knowledge, political agency, and in-aesthetics. Buddhism allows Fan to deconstruct binary thinking and reimagine media as an ecology, rethinking cinema in relational terms between the human and the machine. Along the way, Fan considers a wide variety of case studies from around the globe, while paying special attention to how contemporary Tibeto-Sinophone filmmakers have adopted relational thinking to detail ways of rebuilding a world that appears to be beyond repair. From Chinese queer cinema to a reexamination of Japanese master Ozu’s work and its historical reception to Christian Petzold’s 2018 existential thriller Transit, CinemaIlluminating Reality forges a remarkable path between Buddhist studies and cinema studies, casting vital new light on both of these important subjects.

The Reality of Film

Author : Richard Rushton
Publisher : Unknown
Page : 218 pages
File Size : 53,8 Mb
Release : 2011
Category : Motion pictures
ISBN : 1781702993

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The Reality of Film by Richard Rushton Pdf

Most theories designate films as representations. Here this is challenged by offering a groundbreaking understanding of the reality of film.

Desires for Reality

Author : Benjamin Halligan
Publisher : Unknown
Page : 254 pages
File Size : 53,7 Mb
Release : 2016
Category : Performing Arts
ISBN : 1785331108

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Desires for Reality by Benjamin Halligan Pdf

As with many aspects of European cultural life, film was galvanized and transformed by the revolutionary fervor of 1968. This groundbreaking study provides a full account of the era's cinematic crises, innovations, and provocations, as well as the social and aesthetic contexts in which they appeared. The author mounts a genuinely fresh analysis of a contested period in which everything from the avant-garde experiments of Godard, Pasolini, Schroeter, and Fassbinder to the "low" cinematic genres of horror, pornography, and the Western reflected the cultural upheaval of youth in revolt-a cinema for the barricades.

Theory of Film

Author : Siegfried Kracauer
Publisher : Unknown
Page : 448 pages
File Size : 49,6 Mb
Release : 2020-12-02
Category : Electronic
ISBN : 9798552429943

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Theory of Film by Siegfried Kracauer Pdf

This significant study is certain to be the standard work on the subject for many years to come. It demonstrates once and for all that motion pictures differ radically from the traditional arts, and that good plays or novels rarely make good films. Dr. Kracauer is concerned with film as a photographic medium uniquely equipped to capture and reveal the everyday world as it exists before our eyes. "If film is an art," he writes, "it is an art with a difference. It fulfills itself in rendering 'the ripple of leaves, ' . . . street crowds, involuntary gestures, and other fleeting impressions." Dr. Kracauer covers every aspect of black-and-white film. He discusses its background in still photography, the problems inherent in historical and fantasy films, the novel as a cinematic form, experimental films, documentaries, the role of the actor, the uses of dialogue and sound, the contribution of music, and the part played by the spectator. The final chapter focuses on the wider implications of the medium. There Dr. Kracauer sets the cinema "in the perspective of something more general-an approach to the world, a mode of human existence," and thus shows how it reflects the condition of modern man, the moral temper of our society. Theory of Film is an intellectual experience which reaches far beyond film into the realm of general aesthetics and philosophy

Flicker

Author : Jeffrey M. Zacks
Publisher : Oxford University Press, USA
Page : 361 pages
File Size : 44,7 Mb
Release : 2015
Category : Performing Arts
ISBN : 9780199982875

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Flicker by Jeffrey M. Zacks Pdf

How is it that a patch of flickering light on a wall can produce experiences that engage our imaginations and can feel totally real? From the vertigo of a skydive to the emotional charge of an unexpected victory or defeat, movies give us some of our most vivid experiences and most lasting memories. They reshape our emotions and worldviews--but why? In Flicker, Jeff Zacks delves into the history of cinema and the latest research to explain what happens between your ears when you sit down in the theatre and the lights go out. Some of the questions Flicker answers: Why do we flinch when Rocky takes a punch in Sylvester Stallone's movies, duck when the jet careens towards the tower in Airplane, and tap our toes to the dance numbers in Chicago or Moulin Rouge? Why do so many of us cry at the movies? What's the difference between remembering what happened in a movie and what happened in real life--and can we always tell the difference? To answer these questions and more, Flicker gives us an engaging, fast-paced look at what happens in your head when you watch a movie.

Projecting Illusion

Author : Richard Allen
Publisher : Cambridge University Press
Page : 194 pages
File Size : 40,7 Mb
Release : 1995
Category : Performing Arts
ISBN : 0521587158

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Projecting Illusion by Richard Allen Pdf

On cinema and illusion.