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he theatrical culture of Tibet is probably the last to remain virtually unknown to the outside world, and to the West in particular. As well as describing the current situation of studies on Tibetan theatre, the current volume also provides an essay on imagination and how it is concretely manifested by the Tibetan people and their actors. Recent decades have seen radical change for Tibetan theatre, ache lhamo, now performed by a diaspora for whom a declining artistic and technical change derives from an uncertain politics concerning secular and popular culture, as well as the ongoing cultural genocide caused by China’s subjection of Tibet.
Short stories that reflect the complexities of contemporary Tibetan life, written by Tibetan filmmaker Pema Tseden. Enticement marks the English-language debut of prominent Tibetan writer and filmmaker Pema Tseden. This collection gathers together his most relevant and influential short stories, including Tharlo, which he adapted into an award-winning and internationally acclaimed film in 2015. Written originally in the Chinese and Tibetan languages, these stories make use of a variety of literary styles and sources, ranging from traditional Tibetan oral tales to magical realism, surrealism, and the theater of the absurd. They humanize the Tibetan experience by stepping away from patronizing, mystic, or idealized visions of Tibet to speak with empathy and humor about the real challenges faced by Tibetans in the age of globalization. Advance Praise for Enticement Pema Tseden is known internationally as an award-winning filmmaker, the elegant and contemplative pioneering auteur of new Tibetan cinema. Western audiences may not, however, be aware that he began his career as a critically acclaimed writer of short stories. Patricia Schiaffini-Vedani and Michael Monhart have, for the first time, shared with the English reader a comprehensive anthology of both his Chinese and Tibetan stories. The stories in this collection reflect Pema Tsedens characteristically observant, unhurried, and humanistic take on the violent social changes faced by Tibetans living at the edge of Chinas economic transformation. Schiaffini-Vedani and Monharts translations are rich and faithful to the original texts. They must be commended for providing us with a valuable new source on cultural life in contemporary Tibet. Tsering Shakya, author of The Dragon in the Land of Snows: A History of Modern Tibet Since 1947 Pema Tseden is the singularly most influential Tibetan filmmaker on the international scene. With this skillfully translated collection of short stories, Enticement, readers can now also appreciate his written works, including the renowned Tharlo. In literary long shots, the author transforms grasslands, snowy expanses, and county seats into mindscapes with a curious and chilly brilliance until they are rendered translucent. Elsewhere, he racks focus with wry humor from quirky details to complex social realities, finding possibility in fantasy, chance meetings, and even mistranslation. Interspersed with the winsome and arboreal artwork of Wu Yao and with the orientation of an insightful introduction and preface, these contemporary tales beckon readers with all the promise of the title-story towards the liminal, where cultural and temporal displacement may point to new meanings. Lauran R. Hartley, Columbia University Pema Tseden, a distinguished writer and filmmaker, is an important leader among Tibetan intellectuals. He sees Tibet as more than a land of startling natural beauty, of profound religious heritage, and of galling colonization by the Communist Party of Chinacorrect though those views are. For him, Tibetan culture lives not only in Tibet proper, but across Qinghai, Sichuan, and Gansu as well, and Tibetan people are not mystical Others but ordinary human beings (flawed, as we all are) who struggle to adapt their inherited lives to the modern world (as people everywhere, now or recently, have done). By looking beyond clichéd concepts to examine actual lives, Pema Tsedens work enriches Tibetan culture and shows a new face for it. Perry Link, author of An Anatomy of Chinese: Rhythm, Metaphor, Politics For the first time in the Anglophone world, we have an extraordinary translation of short stories by the celebrated Tibetan filmmaker and writer Pema Tseden, originally written in Tibetan and Mandarin Chinese. While he wrote his stories in Tibetan for his Tibetan readers, in Mandarin Chinese for Chinese readers, the translators have brought both sets of stories together in one volume to allow readers to compare and contrast how he writes for different audiences. These stories, told in beguilingly simple and direct prose, are powerful vignettes of Tibetan life, as powerful as his deeply evocative films, filled not only with despair and loss but also beauty and longing. These elegant stories are almost more powerful in what they do not say than in what they do say. I recommend Enticement to everyone. Shu-mei Shih, author of Visuality and Identity: Sinophone Articulations across the Pacific The blinding sun, wind storms, wolves, and death are at work in these vital and unforgettable stories. Equally, the social forces of surveillance, bureaucracy, information, misinformation, and romance propel the narratives, which encompass the ordinary and the truly strange. The collection is invaluable for offering an all too rare Tibetan view of Tibet, revealing unexpected and disorienting perspectives on Buddhism and on Tibetans engagements with the Chinese state. The characters we get to know are police officers, herders, artists, children, lamas, and lovers. They are all painfully and vividly alive, their every move and impulse represented with startlingly detailed observation. Readers will be richer in knowledge and imagination from spending time with these stories, so expertly translated that we feel we hear the authors compassionate and yet relentlessly perceptive voice. One is left with an impression that is crystal clear and yet uncanny. It is difficult to say whether the strongest draw of the stories is humor or sorrow. Dominique Townsend, Bard College
The Cambridge Guide to Asian Theatre by James R. Brandon,Martin Banham Pdf
A comprehensive and authoritative single-volume reference work on the theatre arts of Asia-Oceania. Nine expert scholars provide entries on performance in twenty countries from Pakistan in the west, through India and Southeast Asia to China, Japan and Korea in the east. An introductory pan-Asian essay explores basic themes - they include ritual, dance, puppetry, training, performance and masks. The national entries concentrate on the historical development of theatre in each country, followed by entries on the major theatre forms, and articles on playwrights, actors and directors. The entries are accompanied by rare photographs and helpful reading lists.
"Pierre Delattre's joyful book, Tales of a Dalai Lama, records earthbound flights of the spirit, like a bridge over silence. Here is a work of fiction with language simple and beautiful, detailing the structure of the faith of the Tibetan people as seen through the eyes of the awestruck, funny, and wise Dalai Lama, sometimes old and sometimes young. Here is fiction at its best, sure in its footing, centered in writing as an art, fulfilling its own functions and overcoming its own obstacles, bearing the reader along a path of zen grabbers, belly laughs, and glimpses of enlightenment while experiencing the nobility of faith."--Ed Swan, Pacific Northwest Review of Books
This is a collection of traditional Tibetan Dramas. These are examples of Tibetan theatre that were performed in the monasteries. The Tibetan theatre according to the author is religious and legendary. It is limited to about a dozen Buddhic Mysteries. These dramas present us with a very clear picture of Buddhism as it exists in Tibet even today. B&W Illustrations by V. Goloubew and Index
Is there a fundamental connection between New York's Elevator Repair Service's 9-hour production of The Great Gatsby and a Kathakali performance? How can we come to appreciate the slowness of Kabuki theatre as much as the pace of the Whatsapp theatre of post-Arab Spring Turkey? Can we go beyond our own culture's contemporary definition of a 'good play' and think about the theatre in a deep and pluralistic manner? Drawing on his extensive experience working with theatre artists, students and thinkers across the globe - up to and including an hour-long audience with the Dalai Lama - playwright Abhishek Majumdar considers why we make theatre and how we see it in different parts of the world. His own work has taken him from theatre in Japan to dance companies in the Phillippines, writers in Lebanon and Palestine, theatre groups in Burkina Faso, war-torn areas like Kashmir and North Eastern India, and to China and Tibet, Argentina and Mexico. Via a far-reaching and provocative collection of essays that is informed by this wealth of experience, Majumdar explores: - how different cultures conceive theatre and how the norm of one place is the experiment of another; - the ways in which theatre across the world mirrors its socio political and philosophical climate; - how, for thousands of years, theatre has been a tool to both disrupt and to heal; - and how, even within the many differences, there are universals from which we can all learn and how theatre does cross borders Of interest to theatre makers everywhere - be they writers, actors, directors or designers - this book offers an oversight, as well as interrogation, into the place of theatre in the world today.
Proceedings of the Ninth Seminar of the IATS, 2000. Volume 8: Tibet, Self, and the Tibetan Diaspora by P. Christiaan Klieger Pdf
The ten papers presented in this eight volume of the Proceedings of the Ninth Seminar of the IATS, 2000, provide examples of the colourful and lively range of Tibetan self-expressions that exist within the modern homeland and in exile. The scholars here represent the fields of anthropology, sociology, literary studies, history, and political science. Four papers are based in studies in the modern Tibet Autonomous Region, five are grounded in the Tibetan diaspora, and one deals with both classical Tibetan history and current affairs. The mass representation of Tibetan self, delivered through various literary vehicles, by linguistic competence, body decoration, landscape, or individual deportment, constitutes the basic theme of this collection. The volume is useful for any student of Tibet and those interested in the process of identity formation and presentation.
Flowers on the Rock by John S. Harding,Alexander Soucy,Victor Sōgen Hori Pdf
When Sasaki Sokei-an founded his First Zen Institute of North America in 1930 he suggested that bringing Zen Buddhism to America was like "holding a lotus against a rock and waiting for it to set down roots." Today, Buddhism is part of the cultural and religious mainstream. Flowers on the Rock examines the dramatic growth of Buddhism in Canada and questions some of the underlying assumptions about how this tradition has changed in the West. Using historical, ethnographic, and biographical approaches, contributors illuminate local expressions of Buddhism found throughout Canada and relate the growth of Buddhism in Canada to global networks. A global perspective allows the volume to overcome the stereotype that Asia and the West are in opposition to each other and recognizes the continuities between Buddhist movements in Asia and the West that are shaped by the same influences of modernity and globalization. Flowers on the Rock studies the fascinating and ingenious changes, inflections, and adaptations that Buddhists make when they set down roots in a local culture. It is essential reading for anyone interested in Buddhism, religious life in Canada, and the broader issues of multiculturalism and immigration. Contributors include Michihiro Ama (University of Alaska), D. Mitra Barua (University of Saskatchewan), Paul Crowe (Simon Fraser University), Melissa Anne-Marie Curley (University of Iowa), Mavis Fenn (University of Waterloo), Kory Goldberg (Champlain College), Sarah F. Haynes (Western Illinois University), Jackie Larm (University of Edinburgh), Paul McIvor (independent), James Placzek (University of British Columbia), and Angela Sumegi (Carleton University).
Tibetan Subjectivities on the Global Stage by Shelly Bhoil,Enrique Galvan-Alvarez Pdf
Tibetan Subjectivities on the Global Stage: Negotiating Dispossession explores the many ways Tibetans are reimagining their cultural identity since the communist takeover of Tibet in the 1950s. Focusing on developments taking place in Tibet and the diaspora, this collection of essays addresses a wide range of issues at the heart of Tibetan modernity. From the political dynamics of the exiled community in India to the production of contemporary Tibetan literature in the PRC, the collection delves into various aspects of current significance for the Tibetan community worldwide such as the construction of Bon identity in exile, the strategic use of the discourse of development or the issue of cultural and linguistic purity in an increasingly hybrid and globalized world. Moving away from the preservationist paradigm that regards Tibetan culture as an endangered and precious object, the essays in this book portray Tibetan identities in motion, as lived subjectivities that travel, change and creatively reimagine themselves on various global stages. Even if recent Tibetan history is marked by imposed transitions and a sense of dispossession, this collection highlights the ways Tibetans have not only managed traumatic historical events but also become agents of change and reinventors of their own traditions.
This book traces the history of Tibetan statehood from ancient times to our days, describes the life of the Tibetans at the times of Feudalism and Socialism, the coercive inclusion of Tibet into People’s Republic of China, the suppression of the national liberation movement, the Cultural Revolution, and subsequent reforms. Many pictures and data concerning these events are being published for the first time.