The Threshold Of Todos Santos And Other Short Stories
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The Threshold of Todos Santos and Other Short Stories by Darryl Franks Pdf
"Some passages are painfully descriptive, others are packed with humor. A zeal for storytelling - a zest for writing." Michael Evans, Publishers Weekly In simple words, this book is about a dream; not being afraid to chase after it, and a challenge or two along the way. This book is about time, hardly an ally to an aging author. This book is also about perseverance, dedication, and long hours of loneliness; not exactly a writer's best friend. For this book is about believing that the author just might be one of those bold enough to catch their dream.
"Clearman paints a vivid picture of the gritty and graceful sights of Guatemala as well as of the human heart, while touching upon the universal instinct to protect our children from real and imagined threats."Holly MacArthur, managing editor of 'Tin House'
“Offers practical guidance for how to work with diverse others, which is a precondition for confronting many of the complex challenges we face.” —Morris Rosenberg, President, Pierre Elliott Trudeau Foundation Collaboration is increasingly difficult and increasingly necessary. Often, to get something done that really matters to us, we need to work with people we don’t agree with or like or trust. Adam Kahane has faced this challenge many times, working on big issues like democracy and jobs and climate change and on everyday issues in organizations and families. He has learned that our conventional understanding of collaboration—that it requires a harmonious team that agrees on where it’s going, how it’s going to get there, and who needs to do what—is wrong. Instead, we need a new approach to collaboration that embraces discord, experimentation, and genuine cocreation—which is exactly what Kahane provides in this groundbreaking and timely book. “Kahane shows that people who don’t see eye-to-eye really can come together to solve big challenges. Whether in our businesses, our governments, our communities, or our personal lives, we can all benefit from this smart and timely book.” —Mark Tercek, former President, The Nature Conservancy and coauthor of Nature’s Fortune “Shows us how thinking and seeing differently can help us navigate this challenging landscape. Kahane abandons orthodoxy in taking on the most intransigent problems, showing us the path to effective action in a complex world.” —James Gimian, coauthor of The Rules of Victory “Collaborating with the Enemy belongs on the same shelf as Sun Tzu’s The Art of War and Machiavelli’s The Prince.” —Stephen Huddart, President, The J.W. McConnell Family Foundation
Genre in a Changing World by Charles Bazerman,Adair Bonini Pdf
Genre studies and genre approaches to literacy instruction continue to develop in many regions and from a widening variety of approaches. Genre has provided a key to understanding the varying literacy cultures of regions, disciplines, professions, and educational settings. GENRE IN A CHANGING WORLD provides a wide-ranging sampler of the remarkable variety of current work. The twenty-four chapters in this volume, reflecting the work of scholars in Europe, Australasia, and North and South America, were selected from the over 400 presentations at SIGET IV (the Fourth International Symposium on Genre Studies) held on the campus of UNISUL in Tubarão, Santa Catarina, Brazil in August 2007—the largest gathering on genre to that date. The chapters also represent a wide variety of approaches, including rhetoric, Systemic Functional Linguistics, media and critical cultural studies, sociology, phenomenology, enunciation theory, the Geneva school of educational sequences, cognitive psychology, relevance theory, sociocultural psychology, activity theory, Gestalt psychology, and schema theory. Sections are devoted to theoretical issues, studies of genres in the professions, studies of genre and media, teaching and learning genre, and writing across the curriculum. The broad selection of material in this volume displays the full range of contemporary genre studies and sets the ground for a next generation of work.
Testimonios: Stories of Latinx and Hispanic Mathematicians by Pamela E. Harris Pdf
Testimonios brings together first-person narratives from the vibrant, diverse, and complex Latinx and Hispanic mathematical community. Starting with childhood and family, the authors recount their own individual stories, highlighting their upbringing, education, and career paths. Their particular stories, told in their own voices, from their own perspectives, give visibility to some of the experiences of Latinx/Hispanic mathematicians. Testimonios seeks to inspire the next generation of Latinx and Hispanic mathematicians by featuring the stories of people like them, holding a mirror up to our own community. It also aims to provide a window for mathematicians (and aspiring mathematicians) from all ethnicities, with the hope of inspiring a better understanding of the diversity of the mathematical community.
Preorder now and receive the stunning LIMITED EDITION while supplies last - featuring gorgeous sprayed edges as well as a collectible spine design. "Snow White waited for the prince. You'll be the one saving yourself in this story." Jesse Naked surfer. Habitual pothead. A con, a liar, a thief and a fraud. Last I heard, Bane was extorting the rich and screwing their wives for a living. Which is why I'm more than a little surprised to find him at my threshold, looking for my friendship, my services, and most puzzling of all--looking humbled. Thing is, I'm on a boycott. Literally--I cut boys from my life. Permanently. Problem is, Bane is not a boy, he is all man, and I'm falling, crashing, drowning in his sweet, perfect lies. Bane Hot as hell, cold as ice. I wasn't aware of Jesse Carter's existence until a fat, juicy deal landed in my lap. She's a part of it, a little plaything to kill some time. She is collateral, a means to an end, and a side-bonus for striking a deal with her oil tycoon stepdad. More than anything, Jesse Carter is a tough nut to crack. Little does she know, I have the teeth for it.
Penn They say revenge is a dish best served cold. I'd had four years to stew on what Daria Followhill did to me, and now my heart was completely iced. I took her first kiss. She took the only thing I loved. I was poor. She was rich. The good thing about circumstances? They can change. Fast. Now, I'm her parents' latest shiny project. Her housemate. Her tormentor. The captain of the rival football team she hates so much. Yeah, baby girl, say it-I'm your foster brother. There's a price to pay for ruining the only good thing in my life, and she's about to shell out some serious tears. Daria Followhill thinks she is THE queen. I'm about to prove to her that she's nothing but a spoiled princess. Daria Everyone loves a good old unapologetic punk. But being a bitch? Oh, you get slammed for every snarky comment, cynical eye roll, and foot you put in your adversaries' way. The thing about stiletto heels is that they make a hell of a dent when you walk all over the people who try to hurt you. In Penn Scully's case, I pierced his heart until he bled out, then left it in a trash can on a bright summer day. Four years ago, he asked me to save all my firsts for him. Now he lives across the hall, and I want nothing more than to be his last everything. His parting words when he gave me his heart were that nothing in this world is free. Now? Now he is making me pay.
In the Old Country, they called them the Gentry: ancient spirits of the land, magical, amoral, and dangerous. When the Irish emigrated to North America, some of the Gentry followed...only to find that the New World already had spirits of its own, called manitou and other such names by the Native tribes. Now generations have passed, and the Irish have made homes in the new land, but the Gentry still wander homeless on the city streets. Gathering in the city shadows, they bide their time and dream of power. As their dreams grow harder, darker, fiercer, so do the Gentry themselves--appearing, to those with the sight to see them, as hard and dangerous men, invariably dressed in black. Bettina can see the Gentry, and knows them for what they are. Part Indian, part Mexican, she was raised by her grandmother to understand the spirit world. Now she lives in Kellygnow, a massive old house run as an arts colony on the outskirts of Newford, a world away from the Southwestern desert of her youth. Outsider her nighttime window, she often spies the dark men, squatting in the snow, smoking, brooding, waiting. She calls them los lobos, the wolves, and stays clear of them--until the night one follows her to the woods, and takes her hand.... Ellie, an independent young sculptor, is another with magic in her blood, but she refuses to believe it, even though she, too, sees the dark men. A strange old woman has summoned Ellie to Kellygnow to create a mask for her based on an ancient Celtic artifact. It is the mask of the mythic Summer King--another thing Ellie does not believe in. Yet lack of belief won't dim the power of the mast, or its dreadful intent. Donal, Ellie's former lover, comes from an Irish family and knows the truth at the heart of the old myths. He thinks he can use the mask and the "hard men" for his own purposes. And Donal's sister, Miki, a punk accordion player, stands on the other side of the Gentry's battle with the Native spirits of the land. She knows that more than her brother's soul is at stake. All of Newford is threatened, human and mythic beings alike. Once again Charles de Lint weaves the mythic traditions of many cultures into a seamless cloth, bringing folklore, music, and unforgettable characters to life on modern city streets. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
From Simon & Schuster, in its ninth year, The Best American Poetry 1996 is universally acclaimed as the best anthology in the field. The compilation includes a diverse abundance of poems published in 1995 in more than 40 publications ranging from The New Yorker to The Paris Review to Bamboo Ridge.
