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First published in 1988, The Women Who Knew Too Much remains a classic work in film theory and criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic Master of Suspense. This new edition features a new chapter which considers the last 15 years of Hitchcock criticism as it relates to the ideas in this landmark book.
First published in 1988, The Women Who Knew Too Much remains a classic work in film theory and criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic Master of Suspense. This new edition features a new chapter which considers the last 15 years of Hitchcock criticism as it relates to the ideas in this landmark book.
Looks at the way women are portrayed in seven Hitchcock films, offers a fresh approach to their themes, and discusses the issue of gender and film spectatorship
Originally published in 1988, The Women Who Knew Too Much remains a classic work in film theory and feminist criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic "master of suspense." The third edition features an interview with the author by David Greven, in which he and Modleski reflect on how feminist and queer approaches to Hitchcock studies may be brought into dialogue. A teaching guide and discussion questions by Ned Schantz help instructors and students to delve into this seminal work of feminist film theory.
In 1930s California, glamour and seduction spawn a multitude of sins in this New York Times bestseller from the author of Tightrope. At the exclusive Burning Cove Hotel on the coast of California, rookie reporter Irene Glasson finds herself staring down at a beautiful actress at the bottom of a pool.... The dead woman had something Irene wanted: a red-hot secret about an up-and-coming leading man—a scoop that may have gotten her killed. As Irene searches for the truth about the drowning, she’s drawn to a master of deception. Once a world-famous magician whose career was mysteriously cut short, Oliver Ward is now the owner of the Burning Cove Hotel. He can’t let scandal threaten his livelihood, even if it means trusting Irene, a woman who seems to have appeared in Los Angeles out of nowhere four months ago. With Oliver’s help, Irene soon learns that the glamorous paradise of Burning Cove hides dark and dangerous secrets. And that the past—always just out of sight—could drag them both under....
The Wife Who Knew Too Much by Michele Campbell Pdf
From Michele Campbell, the bestselling author of It's Always the Husband comes a new blockbuster thriller in The Wife Who Knew Too Much. Meet the first Mrs. Ford Beautiful. Accomplished. Wealthy beyond imagination. Married to a much younger man. And now, she’s dead. Meet the second Mrs. Ford. Waitress. Small-town girl. Married to a man she never forgot, From a summer romance ten years before. And now, she’s wealthy beyond imagination. Who is Connor Ford? Two women loved him. And knew him as only wives can know. Set amongst the glittering mansions of the Hamptons, The Wife Who Knew Too Much is a decadent summer thriller about the lives of those who will do anything for love and money. Who is the victim? Who is the villain? And who will be next to die?
Was journalist Dorothy Kilgallen murdered for writing a tell-all book about the JFK assassination? Or was her death from an overdose of barbiturates combined with alcohol, as reported? Shaw believes Kilgallen's death has always been suspect, and unfolds a list of suspects ranging from Frank Sinatra to a Mafia don, while speculating on the possibilities of reopening the case.
The Duke Who Knew Too Much (Steamy Historical Romance and Mystery) by Grace Callaway Pdf
#1 National Bestselling Regency Romance! If you love the Bridgertons, you will love the Kents... He's a rake accused of murder. She's the spinster accusing him. Enemies make the hottest lovers. "Readers looking for a good historical mystery/romance or a historical with a little more kink will enjoy The Duke Who Knew Too Much." -Smart Bitches, Trashy Books "Amazing, spicy, entertaining, tense story, I loved every second." -Rady Reads A Stranger to Love Alaric McLeod, Duke of Strathaven, is known as the Devil Duke for his wicked ways. Tormented by his past, Alaric knows better than to trust a woman yet finds himself ensnared by a spirited, virtuous virgin—who accuses him of a crime he didn’t commit. Is she his worst nightmare ... or his salvation? A Novice to Desire Emma Kent is an independent country miss cast adrift in the ton. When a depraved encounter with an arrogant rake lands her in intrigue, Emma’s honor compels her to do the right thing. But desire challenges her quest for justice, and she must decide: can she trust her heart to discover the truth? Bound by Passion and Peril Alaric and Emma engage in a battle of wits and will. As their attraction flares, the true enemy stalks their every move. With danger looming, will they solve the mystery and find true love before it’s too late? "Has everything that makes a tale excellent; a headstrong lovely heroine, a damaged too serious hero, a rowdy bunch of loving family members that are living and close and then the amazing adventure to peel back like an onion to find the many layers of the plot. This writer to me is in the leagues of Johanna Lindsey, Lisa Kleypas, Julia Quinn and Amanda Quick.” -Kathie, Amazon Grace's books feature sizzling hot historical romance, fun and feel-good happily ever afters, and intriguing mystery and adventure. This book can be enjoyed as a stand-alone novel and as a part of Grace's interconnected series all set in the same universe. Heart of Enquiry (The Kents) (steamy Regency romance series): Prequel Novella: The Widow Vanishes (Will & Annabel) #1: The Duke Who Knew Too Much (Alaric & Emma) #2: M is for Marquess (Gabriel & Thea) #3: The Lady Who Came in from the Cold (Marcus & Penny) #4: The Viscount Always Knocks Twice (Richard & Violet) #5: Never Say Never to an Earl (Sinjin & Polly) #6: The Gentleman Who Loved Me (Andrew & Primrose) Game of Dukes (steamy Victorian romance series): #1: The Duke Identity (Harry & Tessa) #2: Enter the Duke (Ransom & Maggie) #3: Regarding the Duke (Garrity & Gabby) #4: The Duke Redemption (Wickham & Beatrice) #5: The Return of the Duke (Knighton & Fancy) #6: Steamy Winter Wishes: A Hot Historical Romance Short Story (featuring characters from all of Grace's series) Lady Charlotte's Society of Angels (steamy Victorian romance series): #1: Olivia and the Masked Duke (Olivia & Ben) #2: PIppa and the Prince of Secrets (Pippa & Cull) #3: Fiona and the Engimatic Earl (Fiona & Thomas) #4 : Glory and the Master of Shadows (Glory & Wei) #5: Charlotte and the Seductive Spymaster (Preorder today!) Mayhem in Mayfair (steamy Regency romance series): #1: Her Husband's Harlot (Helena & Nicholas) #2: Her Wanton Wager (Percy & Gavin) #3: Her Protector's Pleasure (Marianne & Ambrose) #4: Her Prodigal Passion (Charity & Paul) Keywords: duke, rake, lord, aristocracy, virgin, heroine, spinster, wallflower, bluestocking, historical mystery, suspense, detective agency, female sleuth, Scottish, regency, Victorian, romance, family saga, series, tortured hero, romantic comedy, enemies to lovers
“Mommy, I used to be a tall baseball player.” “Yes, you will be a tall baseball player someday.” With a look of exasperation, he stomped his foot and hollered. “No! I was a tall baseball player —tall like Daddy!” What was my son trying to say to me? Did he mean . . . he couldn’t mean . . . was he trying to tell me that he was a grown-up in a previous lifetime? At the tender age of two, baseball prodigy Christian Haupt began sharing vivid memories of being a baseball player in the 1920s and ’30s. From riding cross-country on trains, to his fierce rivalry with Babe Ruth, Christian described historical facts about the life of American hero and baseball legend Lou Gehrig that he could not have possibly known at the time. Distraught by her son’s uncanny revelations, Christian’s mother, Cathy, embarked on a sacred journey of discovery that would shake her beliefs to the core and forever change her views on life and death. In this compelling and heartwarming memoir, Cathy Byrd shares her remarkable experiences, the lessons she learned as she searched to find answers to this great mystery, and a story of healing in the lives of these intertwined souls. The Boy Who Knew Too Much will inspire even the greatest skeptics to consider the possibility that love never dies.
The Car That Knew Too Much by Jean-Francois Bonnefon Pdf
The inside story of the groundbreaking experiment that captured what people think about the life-and-death dilemmas posed by driverless cars. Human drivers don't find themselves facing such moral dilemmas as "should I sacrifice myself by driving off a cliff if that could save the life of a little girl on the road?" Human brains aren't fast enough to make that kind of calculation; the car is over the cliff in a nanosecond. A self-driving car, on the other hand, can compute fast enough to make such a decision--to do whatever humans have programmed it to do. But what should that be? This book investigates how people want driverless cars to decide matters of life and death. In The Car That Knew Too Much, psychologist Jean-François Bonnefon reports on a groundbreaking experiment that captured what people think cars should do in situations where not everyone can be saved. Sacrifice the passengers for pedestrians? Save children rather than adults? Kill one person so many can live? Bonnefon and his collaborators Iyad Rahwan and Azim Shariff designed the largest experiment in moral psychology ever: the Moral Machine, an interactive website that has allowed people --eventually, millions of them, from 233 countries and territories--to make choices within detailed accident scenarios. Bonnefon discusses the responses (reporting, among other things, that babies, children, and pregnant women were most likely to be saved), the media frenzy over news of the experiment, and scholarly responses to it. Boosters for driverless cars argue that they will be in fewer accidents than human-driven cars. It's up to humans to decide how many fatal accidents we will allow these cars to have.
Can true love bring someone back from the dead? Akshara is left devastated by her mother’s death and spends most of her time in solitude at the local park. One day, as she is sobbing uncontrollably, a young man named Harry approaches her. They become friends and Harry recounts to her a story about the miraculous reunion of a young woman and her dead boyfriend to help ease some of her pain. The story makes Akshara hopeful that she can perhaps see her dead mother again. But she soon realizes that Harry isn’t what he seems to be. Even the characters in his story seem dubious, almost unreal. So what is he hiding? And why? Is there any truth to his story at all? In this darkly suspenseful romance mystery, Akshara is left facing a truth that will make her doubt not just Harry but herself as well . . .
The Penguin Who Knew Too Much by Donna Andrews Pdf
Hold on to your hats, everybody! Donna Andrews is taking us on another ride into the wonderful world of Meg Langslow, a world filled with laughter as well as the knotty problems Meg always seems to encounter and---somehow---solve. Okay, maybe there are people in Antarctica with penguins in their basements, but in Virginia? Only Meg's dad could manage that one. A body down there---well, that's somewhat more likely. It turns out that explaining the penguins' presence is easy---Meg's dad volunteered to take care of the birds until the future of the bankrupt local zoo could be determined. But identifying the body in the basement proves a harder task---could it be, as Meg fears, that of the vanished zoo owner? In the small southern town of Caerphilly, rumors fly quickly, and all the other well-meaning citizens who have agreed to take in zoo animals are now worried that they might be stuck with their guests indefinitely. So when Meg's dad generously offers to help out anyone who can no longer care for their four-legged charges, a parade of wild creatures begins to make Meg and Michael's newly renovated house look more like Noah's ark. Meg and Michael have been planning to elope in order to avoid the elaborate wedding their mothers have begun to organize---a plan that's threatened by both the murder investigation and the carnival of animals. The only way to set things right, Meg decides, is to identify both their uninvited visitor and the killer who put him in their basement. The award-winning Donna Andrews has demonstrated her immense talent by creating and nurturing a series that continues to delight and surprise with each new book.
A dazzling exploration of American culture—from high pop to highbrow—by acclaimed music authority, cultural historian, and biographer Anthony Heilbut, author of the now classic The Gospel Sound (“Definitive” —Rolling Stone), Exiled in Paradise, and Thomas Mann (“Electric”—Harold Brodkey). In The Fan Who Knew Too Much, Heilbut writes about art and obsession, from country blues singers and male sopranos to European intellectuals and the originators of radio soap opera—figures transfixed and transformed who helped to change the American cultural landscape. Heilbut writes about Aretha Franklin, the longest-lasting female star of our time, who changed performing for women of all races. He writes about Aretha’s evolution as a singer and performer (she came out of the tradition of Mahalia Jackson); before Aretha, there were only two blues-singing gospel women—Dinah Washington, who told it like it was, and Sister Rosetta Tharpe, who specialized, like Aretha, in ambivalence, erotic gospel, and holy blues. We see the influence of Aretha’s father, C. L. Franklin, famous pastor of Detroit’s New Bethel Baptist Church. Franklin’s albums preached a theology of liberation and racial pride that sold millions and helped prepare the way for Martin Luther King Jr. Reverend Franklin was considered royalty and, Heilbut writes, it was inevitable that his daughter would become the Queen of Soul. In “The Children and Their Secret Closet,” Heilbut writes about gays in the Pentecostal church, the black church’s rock and shield for more than a hundred years, its true heroes, and among its most faithful members and vivid celebrants. And he explores, as well, the influential role of gays in the white Pentecostal church. In “Somebody Else’s Paradise,” Heilbut writes about the German exiles who fled Hitler—Einstein, Hannah Arendt, Marlene Dietrich, and others—and their long reach into the world of American science, art, politics, and literature. He contemplates the continued relevance of the émigré Joseph Roth, a Galician Jew, who died an impoverished alcoholic and is now considered the peer of Kafka and Thomas Mann. And in “Brave Tomorrows for Bachelor’s Children,” Heilbut explores the evolution of the soap opera. He writes about the form itself and how it catered to social outcasts and have-nots; the writers insisting its values were traditional, conservative; their critics seeing soap operas as the secret saboteurs of traditional marriage—the women as castrating wives; their husbands as emasculated men. Heilbut writes that soaps went beyond melodrama, deep into the perverse and the surreal, domesticating Freud and making sibling rivalry, transference, and Oedipal and Electra complexes the stuff of daily life. And he writes of the “daytime serial’s unwed mother,” Irna Phillips, a Chicago wannabe actress (a Margaret Hamilton of the shtetl) who created radio’s most seminal soap operas—Today’s Children, The Road of Life among them—and for television, As the World Turns, Guiding Light, etc., and who became known as the “queen of the soaps.” Hers, Heilbut writes, was the proud perspective of someone who didn’t fit anywhere, the stray no one loved. The Fan Who Knew Too Much is a revelatory look at some of our American icons and iconic institutions, high, low, and exalted.
The Dog Who Knew Too Much by Carol Lea Benjamin Pdf
The path to enlightenment is fraught with danger when Greenwich Village PI Rachel Alexander and her pit bull, Dash, investigate the death of a tai chi practitioner Did she jump or was she pushed? Devastated by the loss of their only child, David and Marsha Jacobs hire Rachel to find out why Lisa leaped to her death from the fifth-floor window of her martial arts studio. The tai chi instructor, who was studying to be a Zen Buddhist priest, seemed to have it all: beauty, brains, a vocation she adored, a sexy lover--and her beautiful, sad-eyed Akita, who may have been the only witness to her death and is still grieving the loss of his mistress. Refusing to believe that Lisa would abandon her beloved pet--and with only a suspicious suicide note to go on--Rachel and her canine assistant, Dash, hit the streets of downtown New York, retracing the dead woman's steps to figure out whether she was yin to a killer's yang. The Dog Who Knew Too Muchis the 2nd book in the Rachel Alexander and Dash Mysteries, but you may enjoy reading the series in any order.