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Renowned English tattooer Alex Binnie puts down his machine and takes up the gouge for this series of portraits of his friends and colleagues from the tattoo world. Including such famous names as Filip Leu, Freddy Corbin, Jondix and Thomas Hooper, alongside co-workers and clients from his London shop, Into You, this series of intimate portraits expands his artistic boundaries. Influenced by the great tattoo and printmaking traditions of the past, Alex takes his skill and vision in an entirely new direction, totalling 36 prints and with an introduction and short description of each subject, we see the classic form of printmaking in a contemporary context. This volume is available in a limited edition of 1,000 numbered copies, making it a real collectors' item.
The Renaissance Print, 1470-1550 by David Landau,Peter W. Parshall Pdf
Through an examination of material and institutional circumstances, through the study of work shop practices and of technical and aesthetic experimentation, this book seeks to give an account of the ways in which Renaissance prints were realized, distributed, acquired, and handled by their public.
Part One This monumental edition, in two volumes, presents a full record of commentary, both textual and interpretive, on the best known and most widely studied part of Chaucer's work, The General Prologue of The Canterbury Tales. Part One A contains a critical commentary, a textual commentary, text, collations, textual notes, an appendix of sources for the first eighteen lines of The General Prologue, and a bibliographical index. Because most explication of The General Prologue is directed to particular points, details, and passages, the present edition has devoted Part One B to the record of such commentary. This volume, compiled by Malcolm Andrew, also includes overviews of commentary on coherent passages such as the portraits of the pilgrims.
Fashioning Identities in Renaissance Art by Mary Rogers Pdf
Originally published in 2000. Fashioning Identities analyses some of the different ways in which identities were fashioned in and with art during the Renaissance, taken as meaning the period c.1300-1600. The notion of such a search for new identities, expressed in a variety of new themes, styles and genres, has been all-pervasive in the historical and critical literature dealing with the period, starting with Burckhardt, and it has been given a new impetus by contemporary scholarship using a variety of methodological approaches. The identities involved are those of patrons, for whom artistic patronage was a means of consolidating power, projecting ideologies, acquiring social prestige or building a suitable public persona; and artists, who developed a distinctive manner to fashion their artistic identity, or drew attention to aspects of their artistic personality either in self portraiture, or the style and placing of their signature, or by exploiting a variety of literary forms.
Notices of the Proceedings at the Meetings of the Members of the Royal Institution, with Abstracts of the Discourses by Royal Institution of Great Britain Pdf
Notices of the Proceedings at the Meetings of the Members of the Royal Institution of Great Britain with Abstracts of the Discourses by Royal Institution of Great Britain Pdf
The Life and Art of Albrecht Dürer by Erwin Panofsky Pdf
This classic text presents the life, times, and works of Albrecht Dürer. Through the skill and immense knowledge of Erwin Panofsky, the reader is dazzled not only by Dürer the artist but also Dürer in a wide array of other roles, including mathematician and scientific thinker. Originally published in 1943 in two volumes, The Life and Art of Albrecht Dürer met with such wide popular and scholarly acclaim that it led to three editions and then, in 1955, to the first one-volume edition. Without sacrifice of text or illustrations, the book was reduced to this single volume by the omission of the Handlist and Concordance. The new introduction by Jeffrey Chipps Smith reflects upon Panofsky the man, the tumultuous circumstances surrounding the creation of his masterful monograph, its innovative contents, and its early critical reception. Erwin Panofsky was one of the most important art historians of the twentieth century. Panofsky taught for many years at Hamburg University but was forced by the Nazis to leave Germany. He joined the faculty at the Institute for Advanced Study in 1935, where he spent the remainder of his career and wrote The Life and Art of Albrecht Dürer. He developed an iconographic approach to art and interpreted works through an analysis of symbolism, history, and social factors. This book, one of his most important, is a comprehensive study of painter and printmaker Albrecht Dürer (1471-1528), the greatest exponent of northern European Renaissance art. Although an important painter, Dürer was most renowned for his graphic works. Artists across Europe admired and copied his innovative and powerful prints, ranging from religious and mythological scenes to maps and exotic animals. The book covers Dürer's entire career in exacting detail. With multiple indexes and more than three hundred illustrations, it has served as an indispensable reference, remaining crucial to an understanding of the work of the great artist and printmaker. Subsequent Dürer studies have necessarily made reference to Panofsky's masterpiece. Panofsky's work continues to be admired for the author's immense erudition, subtlety of appreciation, technical knowledge, and profound analyses.
Fashion and Popular Print in Early Modern England by Clare Backhouse Pdf
Fashion featured in black-letter broadside ballads over a hundred years before fashion magazines appeared in England. In the seventeenth century, these single-sheet prints contained rhyming song texts and woodcut pictures, accessible to almost everyone in the country. Dress was a popular subject for ballads, as well as being a commodity with close material and cultural connections to them.This book analyses how the distinctive words and images of these ballads made meaning, both in relation to each other on the ballad sheet and in response to contemporary national events, sumptuary legislation, religious practice, economic theory, the visual arts and literature. In this context, Clare Backhouse argues, seventeenth-century ballads increasingly celebrated the proliferation of print and fashionable dress, envisioning new roles for men and women in terms of fashion consumption and its importance to national prosperity. The book demonstrates how the hitherto overlooked but extensive source material that these ballads offer can enrich the histories of dress, art and culture in early modern England.
The Illustrations from the Works of Andreas Vesalius of Brussels by J. B. Saunders,Charles O’Malley Pdf
Definitive edition features 96 of the best plates from the great anatomist's Renaissance treasures. Reproduced from a rare edition, with a discussion of the illustrations, biographical sketch of Vesalius, annotations, and translations.
Jacquelynn Baas,Richard S. Field,University of Michigan. Museum of Art,Yale University. Art Gallery,Baltimore Museum of Art
Author : Jacquelynn Baas,Richard S. Field,University of Michigan. Museum of Art,Yale University. Art Gallery,Baltimore Museum of Art Publisher : Ann Arbor : University of Michigan Museum of Art Page : 166 pages File Size : 51,6 Mb Release : 1984 Category : Art ISBN : UOM:39015016580055
The Artistic Revival of the Woodcut in France 1850-1900 by Jacquelynn Baas,Richard S. Field,University of Michigan. Museum of Art,Yale University. Art Gallery,Baltimore Museum of Art Pdf
This volume explores the evolution of the technique, composition and colouration of the woodcut beginning with the earliest publications. It features examples from Germany, Italy, France, Spain and The Netherlands.
