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The World of André Le Nôtre by Thierry Mariage Pdf
But as Thierry Mariage makes clear in this detailed and lucid book, the garden style that Le Notre brought to perfection need not be seen in opposition to the later "English" one; rather, he claims, they represent two points along a continuum that exists between the natural and cultural worlds.
An “eccentric and charming” love letter to Versailles Palace and its storied grounds, by the man who knows them best—for gardening lovers and Francophiles (New York Times) Tour Versailles’ 2,100 acres as its gardener-in-chief describes its fascinating history and his 40 years of living and working in the gardens. In Alain Baraton’s Versailles, every grove tells a story. As the gardener-in-chief, Baraton lives on its grounds, and since 1982 he has devoted his life to the gardens, orchards, and fields that were loved by France’s kings and queens as much as the palace itself. His memoir captures the essence of the connection between gardeners and the earth they tend, no matter how humble or grand. With the charm of a natural storyteller, Baraton weaves his own path as a gardener with the life of the Versailles grounds, and his role overseeing its team of 80 gardeners tending to 350,000 trees and 30 miles of walkways across 2,100 acres. He richly evokes this legendary place and the history it has witnessed but also its quieter side that he feels privileged to know: The same gardens that hosted the lavish lawn parties of Louis XIV and the momentous meeting between Marie Antoinette and the Cardinal de Rohan remain enchanted—private places where visitors try to get themselves locked in at night, lovers go looking for secluded hideaways, and elegant grandmothers secretly make cuttings to take back to their own gardens. A tremendous bestseller in France, The Gardener of Versailles gives an unprecedentedly intimate view of one of the grandest places on earth.
André Le Nôtre in Perspective by Patricia Bouchenot-Déchin,Georges Farhat Pdf
A beautifully illustrated investigation of the life, work, and legacy of the great 17th-century landscape and garden designer Andr� Le N�tre (1613-1700), principal gardener to Louis XIV, was France's greatest landscape and garden designer. The parks created by him at Vaux-le-Vicomte and Versailles are the supreme examples of the French 17th-century style of garden design. He was responsible also for the central pathway through the Tuileries, which became the grand axis of Paris running to the Arc de Triomphe and on to La D�fense. This magnificent book sheds new light on the royal gardener's life and his practice as a landscape architect, engineer and art collector, and examines the legacy of his influence. It highlights his major achievements and enhances our understanding of the French formal-garden model. Le N�tre's output is re-examined in terms of its social and cultural contexts; its artistic, technological, material and spatial components; and the dissemination of his ideas. The book contains illustrations of both original documents and the majority of extant drawings by Le N�tre and his collaborators. Comprehensive and impeccably researched, Andr� Le N�tre in Perspective brings together the scholarship of some of the world's leading experts in early-modern art, gardens and allied fields.
Presents an illustrated account of the creation of one of the world's most dazzling and extensive gardens, the gardens at the palace of Versailles, noting the unique four-decade friendship between Louis XIV, the creator of the garden, and Andre Le Ntre, the gardener.
The gardensat Versailles, the most extravagant and influential gardens in European history, emerged from the long association of Louis XIV and his master gardener, Andr Le Ntre. Born in Paris, the son and grandson of gardeners, Le Ntre grew up in the
A History of the Gardens of Versailles by Michel Baridon Pdf
Michel Baridon traces the history of the most famous gardens in the world from their inception through the three centuries of eventful history that they have witnessed.
This is not a book about French Gardens. It is the story of a man travelling round France visiting a few selected French gardens on the way. Owners, intrigues, affairs, marriages, feuds, thwarted ambitions and desires, the largely unnamed ordinary gardeners, wars, plots and natural disasters run through every garden older than a generation or two and fill every corner of the grander historical ones. Families marry. Gardeners are poached. Political allegiances forged and shattered. The human trail crosses from garden to garden. They sit in their surrounding landscape, not as isolated islands but attached umbilically to it, sharing the geology, the weather, food, climate, local folklore, accent and cultural identity. Wines must be drunk and food tasted. Recipes found and compared. The perfect tarte-tartin pursued. None of these things can be ignored or separated from the shape and size of parterre, fountain, herbaceous border or pottager. So this is a book filled with stories and information, some of it about French gardens and gardening, but most of it about what makes France unlike anywhere else. From historical gardens like Versailles,Vaux le Vicomte and Courances to the kitchen gardens of the Michelin chef Alain Passard. There will be grand potagers like Villandry and La Prieure D'Orsan and allotments and back gardens spotted on the way. Monty also celebrates the obvious French associations of food and wine and finds gardens dedicated to vegetables, herbs and fruit. It is a book that any visitor to France, whether gardeners or not, will want to read both as a guide and an inspiration. It is a portal to get under the French cultural skin and to understand the country, in all its huge variety and disparity, a little better.
Gardens of Illusion by Franklin Hamilton Hazlehurst Pdf
André Le Nostre, the son and grandson of royal master gardeners, was the most influential landscape architect of his time. In this definitive study, Professor Hazlehurst shows how his style developed from a complex of influences: his family background, the classic tradition, French rationalism, and the theories of landscape design propounded by Jacques Boyceau and Claude Mollet. He also traces the impact of Père Niceron, Salomon de Caus, and Simon Vouet on Le Nostre's understanding of the principles of perspective and optical foreshortening. By careful analysis of the sites where Le Nostre is known to have worked, among them Vaux-le-Vicomte, Fontainebleau, the Tuileries, Saint-Germain-en-Laye, Versailles, Chantilly, Meudon, and Saint-Cloud, Professor Hazlehurst illustrates his skillful use of optical illusion to introduce vitality and surprise into otherwise coldly formal compositions. More than 370 photographs, plans, and elevation drawings, some in color, are included to show how these illusions were created. Garden of Illusion, the first book-length study of André Le Nostre to appear in almost twenty years, provides important new insights into the practice of landscape gardening not only in France but in the Western world. -- Jacket.
Ovid tells the story of Latona, the mother by Jupiter of Apollo and Diana. In her flight from the jealous Juno, she arrives faint and parched on the coast of Asia Minor. Kneeling to sip from a pond, Latona is met by the local peasants, who not only deny her effort but muddy the water in pure malice. Enraged, Latona calls a curse down upon the stingy peasants, turning them to frogs. In his masterful study, Thomas F. Hedin reveals how and why a fountain of this strange legend was installed in the heart of Versailles in the 1660s, the inaugural decade of Louis XIV’s patronage there. The natural supply of water was scarce and unwieldy, and it took the genius of the king’s hydraulic engineers, working in partnership with the landscape architect André Le Nôtre, to exploit it. If Ovid’s peasants were punished for their stubborn denial of water, so too the obstacles of coarse nature at Versailles were conquered; the aquatic iconography of the fountain was equivalent to the aquatic reality of the gardens. Latona was designed by Charles Le Brun, the most powerful artist at the court of Louis XIV, and carried out by Gaspard and Balthazar Marsy. The 1660s were rich in artistic theory in France, and the artists of the fountain delivered substantial lectures at the Académie royale de peinture et de sculpture on subjects of central concern to their current work. What they professed was what they were visualizing in the gardens. As such, the fountain is an insider’s guide to the leading artistic ideals of the moment. Louis XIV was viewed as the reincarnation of Apollo, the god of creativity, the inspiration of artists and scientists. Hedin’s original argument is that Latona was a double declaration: a glorification of the king and a proud manifesto by artists.
A call for landscape architects to leave the office and return to the garden. Addressing one of the most repressed subjects in landscape architecture, this book could only have been written by someone who is both an experienced gardener and a landscape architect. With Overgrown, Julian Raxworthy offers a watershed work in the tradition of Ian McHarg, Anne Whiston Spirn, Kevin Lynch, and J. B. Jackson. As a discipline, landscape architecture has distanced itself from gardening, and landscape architects take pains to distinguish themselves from gardeners or landscapers. Landscape architects tend to imagine gardens from the office, representing plants with drawings or other simulations, whereas gardeners work in the dirt, in real time, planting, pruning, and maintaining. In Overgrown, Raxworthy calls for the integration of landscape architecture and gardening. Each has something to offer the other: Landscape architecture can design beautiful spaces, and gardening can enhance and deepen the beauty of garden environments over time. Growth, says Raxworthy, is the medium of garden development; landscape architects should leave the office and go into the garden in order to know growth in an organic, nonsimulated way. Raxworthy proposes a new practice for working with plant material that he terms “the viridic” (after “the tectonic” in architecture), from the Latin word for green, with its associations of spring and growth. He builds his argument for the viridic through six generously illustrated case studies of gardens that range from “formal” to “informal” approaches—from a sixteenth-century French Renaissance water garden to a Scottish poet-scientist's “marginal” garden, barely differentiated from nature. Raxworthy argues that landscape architectural practice itself needs to be “gardened,” brought back into the field. He offers a “Manifesto for the Viridic” that casts designers and plants as vegetal partners in a renewed practice of landscape gardening.
A Day at Château de Vaux-le-Vicomte by Alexandre de Vogüé,Jean-Charles de Vogüé,Ascanio de Vogüé Pdf
An insider’s tour of the magnificent seventeenth-century castle and gardens, conceived by Le Vau, Le Brun, and Le Nôtre, that inspired the great châteaux of Europe. Vaux le Vicomte’s rich history began in 1641, when infamous finance minister Nicolas Fouquet bought the estate and enlisted architect Louis Le Vau, decorator Charles Le Brun, and garden designer André Le Nôtre to transform it into a lavish residence. His extravagance piqued Louis XIV’s jealousy, and he was thrown into prison for mishandling funds. The château inspired the design of Versailles and was later home to the great chef Vatel, who famously died for his art. This volume traces the château’s history from the seventeenth century through the Belle Époque, World War I, and its public opening in 1968. Exclusive photography and archival documents offer unprecedented access to the château, furnishings, and gardens, and illuminate the extraordinary secrets of court life and centuries of celebrations that include the enchanting candlelit tours held today.
Territorial Ambitions and the Gardens of Versailles by Chandra Mukerji Pdf
In seventeenth-century France, land took on new importance for the practice of politics and rituals of court life. In her major new book, Chandra Mukerji highlights the connections between the two seemingly disparate activities of engineering and garden design. She shows how, at Versailles in particular, the royal park showcased French skills in using nature and art to design a distinctively French landscape and create a naturalized political territoriality. She challenges the association of state power with social and legal structures alone and demonstrates the importance for Louis XIV and his state of a controlled physical site, a demarcated French territory within the wider European geo-political continent.
The Gardens of Versailles by Pierre-André Lablaude Pdf
Throughout the nineteenth century, the gardens were maintained, restored and replanted, and today they are being further restored to their original state, reflecting the most significant contributions made by each of the preceding periods.