The Writing Of The Nation By Its Elite Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of The Writing Of The Nation By Its Elite book. This book definitely worth reading, it is an incredibly well-written.
The Writing of the Nation by Its Elite by MK Raghavendra Pdf
This volume examines the idea of India as it emerges in the writing of its anglophone elite, post-2000. Drawing on a variety of genres, including fiction, histories, non-fiction assessments – economic, political, and business – travel accounts, and so on, this book maps the explosion of English-language writing in India after the economic liberalization and points to the nation’s sense of its growing importance as a producer of culture. From Ramachandra Guha to William Dalrymple, from Arundhati Roy to Pankaj Mishra, from Jhumpa Lahiri to Amitav Ghosh, from Amartya Sen to Gurcharan Das, from Barkha Dutt to Tarun Tejpal, this investigation takes us from aesthetic imaginings of the nation to its fractured political fault lines, the ideological predispositions of the writers often pointing to an asymmetrically constituted India. A major intervention on how postcolonial India is written about and imagined in the anglophone world, this book will be of great interest to scholars and researchers of cultural studies, literature, history, and South Asian studies. It will also be of interest to general readers with an inclination towards India and Indian writing.
This book discovers everyday forms of conviviality in fiction and life writing from Eastern and Southern Africa. It focuses on ordinary moments of recognition, of hospitality, of humour and kindness in everyday life to illuminate the significance of repertoires of repair in a world broken by relations of power. Through close readings of specific capacities of living with difference, the book excavates ideas of world-making, personhood and the possibilities of alternative social imaginaries from African perspectives. It highlights evanescent and more durable attempts at building solidarity across local and translocal settings by focussing on modes of address that invite reciprocity in contexts of injustice, which include Apartheid, colonialism, racism, patriarchy and xenophobia. Putting current research on conviviality in conversation with the literary texts, the book demonstrates how conviviality emerges as an enabling ethical practice, as critique and survival strategy and as embodied lived experience. The volume will be of great interest to scholars and researchers of Literary and Cultural Studies, especially Postcolonial Literature, African Studies and Indian Ocean Studies.
The Politics of Modern Indian Language Literature by MK Raghavendra Pdf
Indian literature is produced in a wealth of languages but there is an asymmetry in the exposure the writing gets, which owes partly to the politics of translation into English. This book represents the first comprehensive political scrutiny of the concerns and attitudes of Indian language literature after 1947 to cover such a wide range, including voices from the cultural margins of the nation like Kashmiri and Manipuri, that of women alongside those of minority and marginalised communities. In examining the politics of the writing especially in relation to concerns like nationhood, caste, tradition and modernity, postcoloniality, gender issues and religious conflict, the book goes beyond the declared ideology of each writer to get at covert significations pointing to widely shared but often unacknowledged biases. The book is deeply analytical but lucid and jargon-free and, to those unfamiliar with the writers, it introduces a new keenness into Indian literary criticism to make its objects exciting.
The Oxford History of Historical Writing by Axel Schneider,Daniel Woolf Pdf
The fifth volume of The Oxford History of Historical Writing offers essays by leading scholars on the writing of history globally since 1945. Divided into two parts, part one selects and surveys theoretical and interdisciplinary approaches to history, and part two examines select national and regional historiographies throughout the world. It aims at once to provide an authoritative survey of the field and to provoke cross-cultural comparisons. This is chronologically the last of five volumes in a series that explores representations of the past across the globe from the beginning of writing to the present day.
Writing Cultural History in Colonial and Postcolonial India by Henry Schwarz Pdf
During the colonial period in India, English historians portrayed the British conquest and domination of India as the realization of a historic destiny, absorbing the particular history of India into the overarching narrative of the Empire. When Indian scholars educated in the British system began to write their own histories of the period, they had to struggle to reclaim their past and to make the Indian people the subject of their history. Henry Schwarz explores this struggle through an analysis of Indian cultural histories written between 1870 and the present. Focusing on English-language texts written by Bengali historians on the subjects of literature and culture, Schwarz critically analyzes landmark works of the genre and compares Indian writing about cultural heritage to the dominant forms of European historiography prevalent during the colonial period. Indian historians incorporated European aesthetic standards and theories of history into their writing, yet they managed to transform these ideas in ways that challenged British ideological domination. Schwarz shows how, in writing a distinctly Indian history of India, they produced a unique historiographical style of great complexity deploying brilliant reconfigurations of the dominant themes, styles, ideologies, and tropes that characterize acceptable modes of history writing in the West. Moving from the late nineteenth century to the present, Schwarz identifies six distinct modes of translation and transformation produced by these writers, ranging from liberal-nationalist text to those of writers associated with the Subaltern Studies project. He analyzes the narrative modes employed during the period and traces the movement toward the metaphoric and ironic styles of the post-Independence era. Writing Cultural History in Colonial and Postcolonial India provides a needed counterweight to the emphasis on colonial discourse that has come to dominate recent postcolonial scholarship. By examining how the colonized interpreted and transformed the experience of oppression through their own work, this book represents postcolonial studies written from the other side.
“Identity politics” is everywhere, polarizing discourse from the campaign trail to the classroom and amplifying antagonisms in the media, both online and off. But the compulsively referenced phrase bears little resemblance to the concept as first introduced by the radical Black feminist Combahee River Collective. While the Collective articulated a political viewpoint grounded in their own position as Black lesbians with the explicit aim of building solidarity across lines of difference, identity politics is now frequently weaponized as a means of closing ranks around ever-narrower conceptions of group interests. But the trouble, Olúfẹ́mi O. Táíwò deftly argues, is not with identity politics itself. Through a substantive engagement with the global Black radical tradition and a critical understanding of racial capitalism, Táíwò identifies the process by which a radical concept can be stripped of its political substance and liberatory potential by becoming the victim of elite capture—deployed by political, social, and economic elites in the service of their own interests. Táíwò’s crucial intervention both elucidates this complex process and helps us move beyond a binary of “class” vs. “race.” By rejecting elitist identity politics in favor of a constructive politics of radical solidarity, he advances the possibility of organizing across our differences in the urgent struggle for a better world.
Crabtracks by Gordon Collier,Frank Schulze-Engler Pdf
The essays in this collection celebrate the signal achievement of Dieter Riemenschneider in helping found and consolidate the study of postcolonial anglophone literatures in Germany and Europe. As well as poems, a short story, drawings of the Indian scene (the first, and abiding, focus of this scholar's work), and 'letters' of reminiscence (one quite grave), there are revealing contributions of a literary-historical nature on the establishment of anglophone (especially African) literatures as an academic discipline within Germany, the UK, and Northern Europe generally, as well as a group of searching reflections on such topics of postcolonial import as globalization and the applicability of models to the literature of the indigene in Canada and Australia. The largest section is devoted to individual topics, each treatment implicitly keyed to approaches to the teaching of New Literatures texts. Writers covered include Anita Desai (landscape and memory), Salman Rushdie (painting in The Moor's Last Sigh), Charlotte Brontë (imperial discourse in Jane Eyre), Derek Walcott (Omeros and cultural cohabitation), and Witi Ihimaera (his rewriting of Katherine Mansfield). Topics dealt with include music and radio in West Africa, the African literary 'hit parade', the New Zealand prose poem, Canadian and Australian war fiction, the Middle Passage in the American and Caribbean novel, Paul Theroux's uneasy relations with V.S. Naipaul, and the colonial discourse of illness and recuperation. The volume closes with Dieter Riemenschneider's very first and most recent critical essays, the one a classic on Mulk Raj Anand, the other a challenging and doubtless controversial thesis on postcolonial minority writing. A select bibliography of Riemenschneider's work (books, edited publications, journal articles and book contributions, reviews and broadcasts) rounds off this substantial collection.
Turkey, Islam, Nationalism, and Modernity by Carter V. Findley Pdf
Book Description: Publication Date: August 30, 2011. "Turkey, Islam, Nationalism, and Modernity" reveals the historical dynamics propelling two centuries of Ottoman and Turkish history. As mounting threats to imperial survival necessitated dynamic responses, ethnolinguistic and religious identities inspired alternative strategies for engaging with modernity. A radical, secularizing current of change competed with a conservative, Islamically committed current. Crises sharpened the differentiation of the two streams, forcing choices between them. The radical current began with the formation of reformist governmental elites and expanded with the advent of 'print capitalism', symbolized by the privately owned, Ottoman-language newspapers. The radicals engineered the 1908 Young Turk revolution, ruled empire and republic until 1950, made secularism a lasting 'belief system', and still retain powerful positions. The conservative current gained impetus from three history-making Islamic renewal movements, those of Mevlana Halid, Said Nursi, and Fethullah Gulen. Powerful under the empire, Islamic conservatives did not regain control of government until the 1980s. By then they, too, had their own influential media. Findley's reassessment of political, economic, social and cultural history reveals the dialectical interaction between radical and conservative currents of change, which alternately clashed and converged to shape late Ottoman and republican Turkish history.
Nation and the Writing of History in China and Britain, 1880–1930 by Asier Hernández Aguirresarobe Pdf
Nation and the Writing of History in China and Britain explores, through a comparative approach, the reception of the nationalist worldview and its effects on the practice of history in China and Britain. This book proposes that nationalism, rather than a political doctrine, is a way of making sense of the world which results from the combination of a set of definite assumptions. The work analyzes how each one of these premises was accepted and negotiated by literati, intellectuals, historians, and other scholars in the late nineteenth and early twentieth centuries. The results of this research showcase how the reception of the new nationalist worldview crucially affected images of the past, the present, and the future in both societies and decisively framed cultural, social, and political debate. In addition, they likewise evidence the fundamental role that historical narratives play in the crystallization of national identities. This book is perfect for readers interested in China and Britain during this time period, but also to anyone attracted to new ways of conceiving nationalism and its role in our world.
Writing the History of Nationalism by Stefan Berger,Eric Storm Pdf
What is nationalism and how can we study it from a historical perspective? Writing the History of Nationalism answers this question by examining eleven historical approaches to nationalism studies in theory and practice. An impressive cast of contributors cover the history of nationalism from a wide range of thematic approaches, from traditional modernist and Marxist perspectives to more recent debates around gender. postcolonialism and the global turn in history writing. This book is essential reading for undergraduate students of history, politics and sociology wanting to understand the complex yet fascinating history of nationalism.
Author : Wojciech Browarny Publisher : Projekt Nauka. Fundacja na rzecz promocji nauki polskiej Page : 626 pages File Size : 42,6 Mb Release : 2019-04-10 Category : Electronic ISBN : 9788363270179
Tadeusz Różewicz and Modern Identity in Poland since the Second World War by Wojciech Browarny Pdf
As Andrzej Mencwel observed, “as a result of fundamental historical changes” the need arises for “restructuring of the whole present memory and tradition system” (Rodzinna Europa po raz pierwszy). Changes of such significance took place in Poland during the Second World War and several following decades. Collective experience of that time was made up of – apart from political antagonisms – social and cultural phenomena such as change of elites, reinterpretation of their grand narratives (or symbolic world), the ultimate inclusion of the masses into the national project based on the post-gentry tradition and national history, the intensive development of urban lifestyle and the expansion of popular culture, industrialization and the process of forming a single-nationality state that diverted from the politics of domination over eastern neighbors and, instead, focused on developing the so-called Polish Western and Northern Lands. Tadeusz Różewicz’s work referred to these experiences on both the intellectual and biographical level. Comparing Juliusz Mieroszewski’s political journalism with Tadeusz Różewicz’s works, Andrzej Mencwel stressed its unique relationship of the author of Niepokój. According to him, both writers were writing as though “they had truly experienced the end of the world” (Przedwiośnie czy potop. Studium postaw polskich w XX wieku). In the afterword to the German anthology of Różewicz’s works, Karl Dedecius mentioned “Stunde Null” (“hour zero”) as the founding experience of his writing. It was this experience that induced him to undertake the challenge of attempting a new collective and national as well as individual self-identification, searching for a radically new way of thinking and writing about man, and verifying the essential components of his identity. Andrzej Walicki called this urge “the catastrophism after a catastrophe”, explaining that “once the catastrophe took place, a ca- tastrophist acknowledging its inevitability must think about ‘a new beginning’, about determining his own place in a new world” (Zniewolony umysł po latach). Hanna Gosk specifies that “it gave rise to situations when the necessity of discovering one’s place in new geographical, social, axiological and world-view-related environment urged self-identification” (Bohater swoich czasów. Postać literacka w powojennej prozie polskiej o tematyce współczesnej). It must be stressed that the need for re-establishing the sense of identity, resulting from a major crisis, was by no means limited to the postwar artistic and political elites. On the contrary, due to social changes and democratization of the access to national culture, it concerned more than ever in the past the “everyman” who did not belong to one class solely: the intelligentsia, bourgeoisie, peasantry, or proletariat but, most often, represented multiple social rooting. Tadeusz Różewicz, alongside with writers such as Tadeusz Borowski, Marek Hłasko or Miron Białoszewski, made the “Polish everyman” (Tadeusz Drewnowski) the central figure of his work. This study discusses the modern identity of an individual in Poland in two variants: a cultured man with traditions and an ordinary, transitional, temporal, or “new”, man. By adopting the narrativist approach, identity can be described through its articulations in culture, for example in literary texts. Analyzing methods of modern identification and self-awareness throughout this book, I try to prove that prose works of the author of Śmierć w starych dekoracjach present an extensive, interesting and diverse material in the matter. When necessary, I refer also to his dramatic works and poetry, especially to some longer poems published after 1989. The author’s most important prose works have so far been written in the first 30-year period starting from his debut volume of partisan novellas, notes and humorous sketches Echa leśne mimeographed in 1944. While focusing on this period, I also analyze later works published in collections Nasz starszy brat and Matka odchodzi published in the last decade of the 20th century, although written at an earlier date. Różewicz’s prose works analyzed here were published predominantly in the threevolume edition of Utwory zebrane in 2003/2004, in the reportage collection entitled Kartki z Węgier (1953) as well as in the collection of newspapers features, letters and notes – written in the 60s. and 70s. in most cases – entitled Margines, ale… (2010). I also make use of the earlier editions of his works, containing prose works not included in Utwory zebrane, for example, from the volume Opadły liście z drzew, as well as of some narratives published in journals and anthologies. Conversations with the writer published in Wbrew sobie. Rozmowy z Tadeuszem Różewiczem (2011) and his letters to Jerzy and Zofia Nowosielscy included in Korespondencja comprise an auxiliary material. What specifically draws my attention in Tadeusz Różewicz’s prose? I read his works in the context of identity narratives manifest in culture and historical-biographical stories. The questions then arise about their formative influence on an individual: what within them presents a reference for the “self ” seeking identification? When and how does individual experience take on an intersubjective meaning? Under what circumstances is it expressed in the public sphere? Have new identification patterns emerged in the Polish modernity, and if so, then what fields and phenomena of the 20th century culture or history have taken on such model significance? How and where were boundaries drawn be tween what is individual in an identity of a person speaking and thinking in Polish on the one hand, and, on the other, what is collective? What has been considered native in this identity, and what alien – for example Western, bourgeois, communist, German, Jewish, non-normative in terms of religion or sexuality – and in what way has cultural “otherness” been constructed at that time? Trying to answer these questions, I refer to categories of cultural anthropology such as symbolic universe, collective memory, autobiographical identity, body and space in culture, as well as to notions from the social sciences – interpersonal relationship, public discourse and communicative community. To put it simply, using these categories I try to describe the most important narrative forms and topics of Różewicz’s prose that allow the writer to address and express in a literary form identity problems faced by an individual and the community. I also attempt to analyze the very proces through which Różewicz develops his own unique identity narratives as well as the evolution of narrative conventions of his literary work. Reading Różewicz’s works in this manner and organizing chapters of this book from the ones presenting public identity (displayed publicly and codified in ideology or aesthetic) to the ones presenting private identity, I put an especial emphasis on some issues related to cultural studies and social communication. According to the reconstruction model, I assume that even private experiences shape one’s identity through culture and language. In Różewicz’s narratives I describe and compare both more collective and more individual premises for constructing identity. The criterion for differentiating between these premises is determined by the narrativist approach adopted in this book. An individual’s identity (even autobiographical one) is created and expressed within the existing culture and public sphere, and for this reason I am interested in history of ideas, in social relationships, symbols and role models, changes of customs and everyday life which left a distinct impression on literary, political or historical narratives. Reading these narratives, I make use of the following authors: Jan Assmann, Jean Baudrillard, Zygmunt Bauman, Ernst Cassirer, Michel Foucault, Marc Fumaroli, Hans-Georg Gadamer, Jerzy Jedlicki, Anthony Giddens, Izabela Kowalczyk, Philippe Lejeune, Maurice Merleau-Ponty, Stanisław Ossowski, Ewa Rewers, Paul Ricoeur, Richard Rorty, Elżbieta Rybicka, Richard Shusterman, Georg Simmel, Jerzy Szacki, Magdalena Środa, Charles Taylor, Nikodem Bończa Tomaszewski, Christian Vandendorpe, Anna Wieczorkiewicz. I rely on their reconstruction of social-historical background of modern identity presented by these authors as well as on language used by them. The book structure results from the overlapping, or even conflict, of two research objectives. My task is to analyze the most important premises and forms of identity in Różewicz’s prose, and I describe them in separate chapters as problems of culture, literature and history of ideas as well as models and social projects. It is my wish that all these perspectives make up a coherent identity narrative of man of the second half of the 20th century – a “biographical” case study. The study covers the process of political empowerment of an individual; his/her participation in democratized mass culture; his/her attitude towards collective memory, towards Polish and European cultural community; experiencing of body, sexuality and everyday existence; emotional and social relationship with space; and, finally, an autobiographical identity which I reconstruct as a transitional and provisional “whole”. One of the most significant issues covered in the book is the western orientation of Polish collective identity in the 20th century, related to the modernization of Central Europe and the postwar division of the continent by the Iron Curtain, which created in Poland a phantom idea of the West, as well as to the shifted borders of the Polish state to the territories by the Odra river and the Baltic Sea, to polonization of former German lands, and, finally, to historical and political discourse legitimizing this transfer of territories. Tadeusz Różewicz as a travelling writer and journalist has relentlessly problematized the relationship between Europe and its Polish idea; as a resident in Gliwice and Wrocław, not only has he described – since the trip down the Odra river on a fishing boat from Koźle to Szczecin in 1947 – symbolic colonization of the post- German Nadodrze, but also artistically diagnosed the birth of the new individual and social identity of the inhabitants of this border area, with its clashing narratives of history, biography and national literature alongside the overlapping traces of different cultures and traditions. Writing about Różewicz’s man in this book, I clearly do not mean the writer himself. It is obvious that among many convictions and attitudes that the author of Sobowtór manifests, there are some of which he is fond, and there are others of which he is not. I do not disregard his views voiced in non-fiction narratives and public speeches, yet I am mostly interested in experience, world view and self-comprehension of his literary persona and literary hero presented or partially derived from an idea of man and of community in his texts. Analyzing Różewicz’s works, I therefore distinguish between his self-evident journalistic approach and his humanistic reflection which is a result of a philosophical or literary presentation of identity problems an individual faces. I read his prose as an element of a public discourse and at the same time as an indirect – formulated in fictional, intimate or notebook narratives – criticism of social reality and European culture in the 20th century. In most cases, I leave open questions such as whether or not Różewicz was or is committed to a specific political project; whether or not he is a modern man in different meanings of this notion; whether or not his personal identity coincides with identity narratives in his books. Finding an answer to these questions is not a purpose of this book. It is, distinctively, the problem of Tadeusz Różewicz’s intellectual commitment to modern culture, literature and history and a problem of the writer’s role in creative and critical understanding of them that I find more interesting and important.
Drawing upon poststructuralist theories of nationalism and national identity developed by such writers as Etienne Balibar, Emmanuel Levinas, Julia Kristeva, Antonio Negri, and Slavoj Zizek, noted Renaissance scholar William J. Kennedy argues that the Petrarchan sonnet serves as a site for early modern expressions of national sentiment in Italy, France, England, Spain, and Germany. Kennedy pursues this argument through historical research into Renaissance commentaries on Petrarch's poetry and critical studies of such poets as Lorenzo de' Medici, Joachim du Bellay and the Pléiade brigade, Philip and Mary Sidney, and Mary Wroth. Kennedy begins with a survey of Petrarch's poetry and its citation in Italy, explaining how major commentators tried to present Petrarch as a spokesperson for competing versions of national identity. He then shows how Petrarch's model helped define social class, political power, and national identity in mid-sixteenth-century France, particularly in the nationalistic sonnet cycles of Joachim Du Bellay. Finally, Kennedy discusses how Philip Sidney and his sister Mary and niece Mary Wroth reworked Petrarch's model to secure their family's involvement in forging a national policy under Elizabeth I and James I . Treating the subject of early modern national expression from a broad comparative perspective, The Site of Petrarchism will be of interest to scholars of late medieval and early modern literature in Europe, historians of culture, and critical theorists.
Extending deconstructive theory to historical and political analysis, Timothy Mitchell examines the peculiarity of Western conceptions of order and truth through a re-reading of Europe's colonial encounter with nineteenth-century Egypt.
A powerful and original argument that traces the roots of our present crisis of authority to an unlikely source: the meritocracy. Over the past decade, Americans watched in bafflement and rage as one institution after another – from Wall Street to Congress, the Catholic Church to corporate America, even Major League Baseball – imploded under the weight of corruption and incompetence. In the wake of the Fail Decade, Americans have historically low levels of trust in their institutions; the social contract between ordinary citizens and elites lies in tatters. How did we get here? With Twilight of the Elites, Christopher Hayes offers a radically novel answer. Since the 1960s, as the meritocracy elevated a more diverse group of men and women into power, they learned to embrace the accelerating inequality that had placed them near the very top. Their ascension heightened social distance and spawned a new American elite--one more prone to failure and corruption than any that came before it. Mixing deft political analysis, timely social commentary, and deep historical understanding, Twilight of the Elites describes how the society we have come to inhabit – utterly forgiving at the top and relentlessly punitive at the bottom – produces leaders who are out of touch with the people they have been trusted to govern. Hayes argues that the public's failure to trust the federal government, corporate America, and the media has led to a crisis of authority that threatens to engulf not just our politics but our day-to-day lives. Upending well-worn ideological and partisan categories, Hayes entirely reorients our perspective on our times. Twilight of the Elites is the defining work of social criticism for the post-bailout age.
Three Traveling Women Writers by Natália Fontes de Oliveira Pdf
This book presents an alternative framework for reading nineteenth century women’s travel narratives by challenging the traditional paradigms which often limit women’s space in print culture. For the first time, through a comparative lens, a Latin American woman’s travel narrative is analyzed concomitantly with the narratives of a North American and a European writer. Contrary to the common assumption that Latin American women were powerless victims of imperialism, elite women had access to the predominant philosophies of their time, traveled around the globe, and wrote about their experiences. This book examines how an Argentinian writer, together with an English and an American writer, manipulate their bourgeois identity to inhabit the male dominated sphere of print culture. By travelling and publishing travel narratives, the three traveling women writers search for empowerment to establish their authority as writers and shapers of knowledge in literature. Utilizing several concepts and criticisms, including Aristotle’s rhetoric, Foucault’s theories, travel writing criticism, postcolonial discourse, and feminist literary criticism; this volume attempts to challenge old-fashioned architypes and confinements of gender for traveling women writers in the nineteenth century.
