Theatre Performance And Analogue Technology

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Theatre, Performance and Analogue Technology

Author : Kara Reilly
Publisher : Springer
Page : 269 pages
File Size : 55,5 Mb
Release : 2013-10-22
Category : Performing Arts
ISBN : 9781137319678

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Theatre, Performance and Analogue Technology by Kara Reilly Pdf

This trans-historical collection explores analogue performance technologies from Ancient Greece to pre-Second World War. From ancient mechanical elephants to early modern automata, Enlightenment electrical experiments to Victorian spectral illusions, this volume offers an original examination of the precursors of contemporary digital performance.

Theatre, Performance and Technology

Author : Christopher Baugh
Publisher : Bloomsbury Publishing
Page : 308 pages
File Size : 43,8 Mb
Release : 2014-01-07
Category : Performing Arts
ISBN : 9781137109439

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Theatre, Performance and Technology by Christopher Baugh Pdf

Chris Baugh explores how developments and changes in technology have been reflected in scenography throughout history. Taking into account the latest research, his new edition examines moving light technologies, the internet as a platform of performance, urban scenography and how scenography has developed as a collaborative practice. Chris Baugh explores how developments and changes in technology have been reflected in scenography throughout history. Taking into account the latest research, his new edition examines moving light technologies, the internet as a platform of performance, urban scenography and how scenography has developed as a collaborative practice.

Theatre Performance and Technology

Author : Christopher Baugh
Publisher : Palgrave Macmillan
Page : 272 pages
File Size : 47,5 Mb
Release : 2005-11-18
Category : Performing Arts
ISBN : 1403916969

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Theatre Performance and Technology by Christopher Baugh Pdf

Technology has always been an important part of theater, both as a means to an end and as end in itself. Throughout the twentieth century a unifying attitude in all art forms is the desire to examine the materials and the tools of making art. In the theatre this approach significantly expands the relationships between technology, scenography and performance. This book explores ways in which development and change in technology have been reflected in scenography, and considers how change in scenographic identity has impacted upon the place and meaning of performance.

Digital Theatre

Author : Nadja Masura
Publisher : Springer Nature
Page : 300 pages
File Size : 52,7 Mb
Release : 2020-10-21
Category : Performing Arts
ISBN : 9783030556280

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Digital Theatre by Nadja Masura Pdf

Digital Theatre is a rich and varied art form evolving between performing bodies gathered together in shared space and the ever-expanding flexible reach of the digital technology that shapes our world. This book explores live theatre performances which incorporate video projection, animation, motion capture and triggering, telematics and multisite performance, robotics, VR, and AR. Through examples from practitioners like George Coates, the Gertrude Stein Repertory Theatre, Troika Ranch, David Saltz, Mark Reaney, The Builder’s Association, and ArtGrid, a picture emerges of how and why digital technology can be used to effectively create theatre productions matching the storytelling and expressive needs of today’s artists and audiences. It also examines how theatre roles such as director, actor, playwright, costumes, and set are altered, and how ideas of body, place, and community are expanded.

Post-Cinematic Theatre and Performance

Author : P. Woycicki
Publisher : Springer
Page : 268 pages
File Size : 41,7 Mb
Release : 2014-10-29
Category : Performing Arts
ISBN : 9781137375490

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Post-Cinematic Theatre and Performance by P. Woycicki Pdf

A cinema without cameras, without actors, without screen frames and without narratives almost seems like an antithetical impossibility of what is usually expected from a cinematic spectacle. This book defines an emergent field of post-cinematic theatre and performance, challenging our assumptions and expectations about theatre and film.

Performance Spaces and Stage Technologies

Author : Yuji Nawata,Hans Joachim Dethlefs
Publisher : transcript Verlag
Page : 177 pages
File Size : 41,9 Mb
Release : 2022-01-31
Category : Performing Arts
ISBN : 9783839461129

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Performance Spaces and Stage Technologies by Yuji Nawata,Hans Joachim Dethlefs Pdf

The history of theatre has often been written as a history of great writers, actors, or directors. This book takes a different approach: The contributors examine the history of performance from the perspective of theatre spaces and stage technologies. Art, literature, religion, law, urbanism, architecture, technology - this interdisciplinary book discusses how these fields relate to theatre and performance. Geographically, it covers a significant portion of the globe; chronologically, it ranges from ancient times to the present. This book provides a timely attempt to combine cultural and global history.

New Media Dramaturgy

Author : Peter Eckersall,Helena Grehan,Edward Scheer
Publisher : Springer
Page : 236 pages
File Size : 48,9 Mb
Release : 2017-04-28
Category : Performing Arts
ISBN : 9781137556042

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New Media Dramaturgy by Peter Eckersall,Helena Grehan,Edward Scheer Pdf

This book illuminates the shift in approaches to the uses of theatre and performance technology in the past twenty-five years and develops an account of new media dramaturgy (NMD), an approach to theatre informed by what the technology itself seems to want to say. Born of the synthesis of new media and new dramaturgy, NMD is practiced and performed in the work of a range of important artists from dumb type and their 1989 analog-industrial machine performance pH, to more recent examples from the work of Kris Verdonck and his A Two Dogs Company. Engaging with works from a range of artists and companies including: Blast Theory, Olafur Eliasson, Nakaya Fujiko and Janet Cardiff, we see a range of extruded performative technologies operating overtly on, with and against human bodies alongside more subtle dispersed, interactive and experiential media.

The Performing Subject in the Space of Technology

Author : M. Causey,E. Meehan,N. O'Dwyer
Publisher : Springer
Page : 242 pages
File Size : 44,9 Mb
Release : 2015-07-19
Category : Performing Arts
ISBN : 9781137438164

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The Performing Subject in the Space of Technology by M. Causey,E. Meehan,N. O'Dwyer Pdf

This book reflects on the aftermath of shifts encountered in the maturing of digital culture in areas of critical theory and artistic practices, focusing on the awareness that contemporary subjectivity is one that dwells within both the virtual and the real.

Costume in Performance

Author : Donatella Barbieri
Publisher : Bloomsbury Publishing
Page : 264 pages
File Size : 41,5 Mb
Release : 2017-06-29
Category : Art
ISBN : 9781474236881

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Costume in Performance by Donatella Barbieri Pdf

This beautifully illustrated book conveys the centrality of costume to live performance. Finding associations between contemporary practices and historical manifestations, costume is explored in six thematic chapters, examining the transformative ritual of costuming; choruses as reflective of society; the grotesque, transgressive costume; the female sublime as emancipation; costume as sculptural art in motion; and the here-and-now as history. Viewing the material costume as a crucial aspect in the preparation, presentation and reception of live performance, the book brings together costumed performances through history. These range from ancient Greece to modern experimental productions, from medieval theatre to modernist dance, from the 'fashion plays' to contemporary Shakespeare, marking developments in both culture and performance. Revealing the relationship between dress, the body and human existence, and acknowledging a global as well as an Anglo and Eurocentric perspective, this book shows costume's ability to cross both geographical and disciplinary borders. Through it, we come to question the extent to which the material costume actually co-authors the performance itself, speaking of embodied histories, states of being and never-before imagined futures, which come to life in the temporary space of the performance. With a contribution by Melissa Trimingham, University of Kent, UK

Interfaces of Performance

Author : Maria Chatzichristodoulou,Janis Jefferies
Publisher : Routledge
Page : 232 pages
File Size : 48,7 Mb
Release : 2016-05-23
Category : Language Arts & Disciplines
ISBN : 9781317114611

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Interfaces of Performance by Maria Chatzichristodoulou,Janis Jefferies Pdf

This collection of essays and interviews investigates current practices that expand our understanding and experience of performance through the use of state-of-the-art technologies. It brings together leading practitioners, writers and curators who explore the intersections between theatre, performance and digital technologies, challenging expectations and furthering discourse across the disciplines. As technologies become increasingly integrated into theatre and performance, Interfaces of Performance revisits key elements of performance practice in order to investigate emergent paradigms. To do this five concepts integral to the core of all performance are foregrounded, namely environments, bodies, audiences, politics of practice and affect. The thematic structure of the volume has been designed to extend current discourse in the field that is often led by formalist analysis focusing on technology per se. The proposed approach intends to unpack conceptual elements of performance practice, investigating the strategic use of a diverse spectrum of technologies as a means to artistic ends. The focus is on the ideas, objectives and concerns of the artists who integrate technologies into their work. In so doing, these inquisitive practitioners research new dramaturgies and methodologies in order to create innovative experiences for, and encounters with, their audiences.

Performer Training and Technology

Author : Maria Kapsali
Publisher : Routledge
Page : 353 pages
File Size : 54,5 Mb
Release : 2020-10-05
Category : Performing Arts
ISBN : 9781317194859

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Performer Training and Technology by Maria Kapsali Pdf

Performer Training and Technology employs philosophical approaches to technology, including postphenomenology and Heidegger’s thinking, to examine the way technology manifests, influences and becomes used in performer training discourse and practice. The book offers in-depth discussions of present and past performer training practices through a lens that has never been applied before; considers the employment of key digital artefacts; and develops a series of analytical tools that can be useful in scholarly and practical explorations. An array of intriguing subjects are covered including the role of electric lights in Stanislavsky’s work on concentration; the use of handheld tools, such as sticks in Zarrilli’s psychophysical training and Meyerhold’s Biomechanics; the emergence of new forms of training in relation to motion capture technology; and the way the mobile phone complicates notions and practices of attention in learning and training contexts. This book is of vital relevance to performer training scholars and practitioners; theatre, performance, and dance scholars and students; and especially those interested in philosophies of technology.

Real Theatre

Author : Paul Rae
Publisher : Cambridge University Press
Page : 251 pages
File Size : 51,5 Mb
Release : 2018-12-27
Category : Art
ISBN : 9781107186590

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Real Theatre by Paul Rae Pdf

Draws on musicals, plays and experimental performances to show what theatre is made of and how we experience it.

Physical Theatres

Author : Simon Murray,John Keefe
Publisher : Routledge
Page : 342 pages
File Size : 47,8 Mb
Release : 2016-03-17
Category : Performing Arts
ISBN : 9781317379409

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Physical Theatres by Simon Murray,John Keefe Pdf

This new edition of Physical Theatres: A Critical Introduction continues to provide an unparalleled overview of non-text-based theatre, from experimental dance to traditional mime. It synthesizes the history, theory and practice of physical theatres for students and performers in what is both a core area of study and a dynamic and innovative aspect of theatrical practice. This comprehensive book: traces the roots of physical performance in classical and popular theatrical traditions looks at the Dance Theatre of DV8, Pina Bausch, Liz Aggiss and Jérôme Bel examines the contemporary practice of companies such as Théatre du Soleil, Complicite and Goat Island focuses on principles and practices in actor training, with reference to figures such as Jacques Lecoq, Lev Dodin, Philippe Gaulier, Monika Pagneux, Etienne Decroux, Anne Bogart and Joan Littlewood. Extensive cross references ensure that Physical Theatres: A Critical Introduction can be used as a standalone text or together with its companion volume, Physical Theatres: A Critical Reader, to provide an invaluable introduction to the physical in theatre and performance. New to this edition: a chapter on The Body and Technology, exploring the impact of digital technologies on the portrayal, perception and reading of the theatre body, spanning from onstage technology to virtual realities and motion capture; additional profiles of Jerzy Grotowski, Wrights and Sites, Punchdrunk and Mike Pearson; focus on circus and aerial performance, new training practices, immersive and site-specific theatres, and the latest developments in neuroscience, especially as these impact on the place and role of the spectator.

Media Archaeology and Intermedial Performance

Author : Nele Wynants
Publisher : Springer
Page : 298 pages
File Size : 48,9 Mb
Release : 2018-12-30
Category : Performing Arts
ISBN : 9783319995762

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Media Archaeology and Intermedial Performance by Nele Wynants Pdf

This book develops media archaeological approaches to theatre and intermediality. As an age-old art form, theatre has always embraced ‘new’ media. To create theatrical effects and optical illusions, theatre makers were ready to integrate state-of-the-art technics and technologies, and by doing so they playfully explored and popularized scientific knowledge on mechanics, optics and sound for live audiences. This book highlights this obvious but often overlooked relation between media developments and the history of intermedial theater. By considering the interplay between present intermedial performances and their archaeological traces, the authors assembled here revisit old and often forgotten media approaches and theatre technologies. This archaeology is understood less as the discovery of a forgotten past than as the establishment of an active relationship between past and present. Rather than treating archaeological remains as representative tokens of a fragmented past that need to be preserved, the authors stress the return of the past in the present, but in a different, performative guise.

Reframing Immersive Theatre

Author : James Frieze
Publisher : Springer
Page : 353 pages
File Size : 51,7 Mb
Release : 2017-03-30
Category : Performing Arts
ISBN : 9781137366047

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Reframing Immersive Theatre by James Frieze Pdf

This diverse collection of essays and testimonies challenges critical orthodoxies about the twenty-first century boom in immersive theatre and performance. A culturally and institutionally eclectic range of producers and critics comprehensively reconsider the term ‘immersive’ and the practices it has been used to describe. Applying ecological, phenomenological and political ideas to both renowned and lesser-known performances, contributing scholars and artists offers fresh ideas on the ethics and practicalities of participatory performance. These ideas interrogate claims that have frequently been made by producers and by critics that participatory performance extends engagement. These claims are interrogated across nine dimensions of engagement: bodily, technological, spatial, temporal, spiritual, performative, pedagogical, textual, social. Enquiry is focussed along the following seams of analysis: the participant as co-designer; the challenges facing the facilitator of immersive/participatory performance; the challenges facing the critic of immersive/participatory performance; how and why immersion troubles boundaries between the material and the magical.