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The work, nothing but the work. That should be enough. But with Henri Toulouse-Lautrec, how can one leave the man aside? How can you not combing his life and his very existence, with his work as an artist? The two are inseparably intertwined. To dwell on his paintings, drawings and lithographs--which are essential and ignore his unique, colorful character would be a mistake, even if we know everything--or almost everything--about the painters daily life and debauchery.
Toulouse-Lautrec and the Stars of Paris by Helen Burnham Pdf
An album of the stars of Paris nightlife, as seen by Henri de Toulouse-Lautrec - who captured their performances in great works of art and helped make them famous This tour of the Parisian scene focuses on six performers who were depicted in and in some senses defined by Henri de Toulouse-Lautrec's renderings - Yvette Guilbert, Jane Avril, Aristide Bruant, Marcelle Lender, May Belfort and Loïe Fuller - and explores how the performers and the artist collaborated in exploiting new mass media to create a new stardom. Lavishly illustrated with reproductions of iconic images along with rarely seen sketches, and illuminated by insightful essays, this volume shines a spotlight on the stars of the Paris stage, the birth of celebrity culture and the brilliance of the artist who gave them enduring life.
Author : Henri de Toulouse-Lautrec,Sarah J. S. Suzuki Publisher : Museum of Modern Art Page : 160 pages File Size : 52,7 Mb Release : 2014 Category : Art ISBN : 0870709135
The Paris of Toulouse-Lautrec by Henri de Toulouse-Lautrec,Sarah J. S. Suzuki Pdf
Though deeply engaged with painting and drawing, Toulouse-Lautrec's lasting contribution to artistic practice was as a graphic artist. Through his prints and posters, advertisements, and contributions in reviews and magazines, he brought the language of the late-nineteenth-century French avant-garde to a broad public. He ushered in the first print boom of the modern era; taking advantage of lithography's new potential for colour and scale, he made both posters for the streets of Paris and prints for the new bourgeois collector's living room. During his short career, he created more than 350 prints and 30 posters, as well as lithographed theatre programmes and covers for books and sheet music. The Museum of Modern Art's collection of this material is stellar, encompassing over 100 prints and posters, his most important book projects, and many magazines, journals and other examples of printed ephemera. Featuring an overview essay by Sarah Suzuki, Associate Curator in the Department of Drawings and Prints at MoMA, this publication presents thematically organized groupings of Toulouse-Lautrec's prints from the Museum's collection, each accompanied by an illuminating essay on the theme.
Toulouse-Lautrec and La Vie Moderne by Phillip Dennis Cate Pdf
Catalog of an exhibition held at the Nevada Museum of Art, Reno, November 2, 2013-January 19, 2014; Columbus Museum of Art, Ohio, February 8-May 18, 2014; Foothills Art Center, Golden, Colorado, June 7-August 17, 2014; Art Gallery of Alberta, Edmonton, Canada, September 6-November 16, 2014; Society of the Four Arts, Palm Beach, Florida, December 5, 2014-January 11, 2015; and Crocker Art Museum, Sacramento, California, January 31-April 26, 2015.
From crowded dance halls to smoky cabarets, this vibrant collection of posters from the Belle Epoque explores the birth, development, and continued popularity of a graphic genre. Thanks to innovations in color lithography, the streets of fin-de-si�cle Paris were punctuated with brightly hued posters featuring bold typography and playful imagery. Many of these posters were torn down almost as soon as they were pasted up, finding their way into private homes and, eventually, museums and collections all over the world. Although many artists contributed to the affichomanie, or "poster craze," one of the most famous among them was henri de Toulouse-Lautrec. This gorgeous book offers exquisite reproductions of more than one hundred posters, including those by Lautrec and his contemporaries Bonnard, Picasso, Ch�ret and Mucha. Advertising everything from tony theater productions to the licentious cancan, bicycles to biscuits, these posters range from cheerfully exuberant to slyly decadent. In her essay, Mary Weaver Chapin captures the voices of the artists, collectors, and critics who fueled the poster craze of the 1890s. The result is a visual spectacle, a lively discourse on the value and purpose of art, and a celebration of a historically and creatively dynamic era.
Richard Thomson,Phillip Dennis Cate,Mary Weaver Chapin,National Gallery of Art (U.S.),Art Institute of Chicago
Author : Richard Thomson,Phillip Dennis Cate,Mary Weaver Chapin,National Gallery of Art (U.S.),Art Institute of Chicago Publisher : Princeton University Press Page : 293 pages File Size : 42,8 Mb Release : 2005 Category : Art ISBN : 0691123373
Toulouse-Lautrec and Montmartre by Richard Thomson,Phillip Dennis Cate,Mary Weaver Chapin,National Gallery of Art (U.S.),Art Institute of Chicago Pdf
A stunning collection of reproductions of some of the artist's major works sets the paintings of Henri de Toulouse-Lautrec within the context of the art scene of Montmartre, from 1885 to 1901, featuring a selection of paintings, drawings, prints, and posters capturing Montmartre subjects, as well as incisive essays on the artist, his work, the members of his circle, and his influence.
The Post-Impressionist art of Toulouse-Lautrec (1864-1901), is accompanied by a particularly interesting text by O'Connor, and great period photographs, in many cases of the same subjects as the art works. 9 3/4 x12 1/2 ". Annotation c. by Book News, Inc., Portland, Or.
Toulouse-Lautrec by Jane Kinsman,Stéphane Guégan Pdf
"Toulouse-Lautrec will examine the artist's abilities as an acute observer of Parisian life, his skill as a draughtsman, his experimentation in composition and the brilliance of his technical execution in all media. The exhibition will shed new light on Toulouse-Lautrec through an examination of his involvement in Parisian culture - the high life and the low life. The exhibition will trace Toulouse-Lautrec's career from his earliest works to his extraordinary depictions of the Paris social scene, the dance halls, the café-concerts, the brothels and theatres. This he did in an insightful way, capturing the essence of his Parisian characters and haunts. Toulouse-Lautrec's subject matter was to become thoroughly modern and he became an influential figure in the evolution of the art of the twentieth century."--Gallery website.
Henri de-Toulouse-Lautrec brought to his art a zest for life as well as an impeccable style. It is an exciting discovery to find that Lautrec applies this same exuberance and meticulous technique to the art of cuisine--that he invented recipes and cooked new dishes as an artistic creation worthy of his serious attention. This volume is a collection of the recipes that Lautrec invented, or were garnered in his company from acquaintances of all classes of society. It has been illustrated with the menus that Lautrec himself designed and decorated, as well as with a rich abundance of other appropriate Lautrec paintings and drawings. The frontispiece is a portrait by Edouard Vuillard of lautrec preparing one of his masterful dishes. The recipes are given here in their original form, retaining their color of thought and language. The only modifications are culinary notes that have been added to facilitate the work of modern cooks. Lautrec took great pride in his culinary ability, and if he felt it would not be appreciated, he would say that some people "are not worth of ring dove with olives, they will never have any and they will never know what it is." Lautrec planned meals carefully, made beautifully decorated menus, and was inspired by the dinners to draw more sketches of the dinners, and of the food. He also brought to cuisine, as to the rest of his life, a marvelous wit. Who could forget the invitation to eat kangaroo, in honor of an animal that he had seen boxing at a circus (it was replaced at the last moment by an enormous sheep with an artificial pouch): or the housewarming of the apartment of his friend Natanson, where in a crazy atmosphere, he managed to intoxicate the artistic elite of Paris and launch the fashion of cocktail food. We owe the record of this cuisine (and also of a great body of the art collection itself) to Maurice Joyant. Joyant and Lautrec had been childhood friends, and their intimacy was renewed and deepened during the Montmartre years, when Lautrec's fame was growing and Joyant was director of the same art gallery in Paris that Theo Van Gogh had run before him. Lautrec was, throughout their relationship, the artist and innovator; Joyant, the steadying influence, the protector, and, after the painter's death, the executor. This book is a tribute to their friendship and to their daily intercourse in art and in cuisine. Thus, art, friendship, and food have come together in The Art of Cuisine as a joyful legacy of Henry de Toulouse-Lautrec and Maurice Joyant.
Degas, Sickert and Toulouse-Lautrec by Anna Gruetzner Robins,Richard Thomson Pdf
"Between 1870 and 1910 the burgeoning populations and hectic speed of life in London and Paris fascinated artists on both sides of the English Channel. French artists such as Edgar Degas and Henri Toulouse-Lautrec pioneered new ways of representing city life, profoundly influencing many British artists." "This publication examines the exciting and controversial exchange of pictorial and aesthetic ideas that took place as British art adapted to modernity, and explores the rich interplay between the making, exhibiting and collecting of new figurative art." "The pivotal figures in this cross-cultural dialogue are Degas, hailed in Britain as a genius; Sickert, whose Degas-inspired art explored the gritty, urban side of modern life; and Henri de Toulouse-Lautrec, whose largest one-man show was staged in Regent Street, London. Works by these and other key artists, including Vuillard, Bonnard, Tissot, Whistler, Steer and Rothenstein, involved society portraiture and posters, scenes of the street and public entertainment, creating evocative images of the decadence and spectacle of the fin-de-siecle metropolis."--BOOK JACKET.
