Tragic Pathos

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Tragic Pathos

Author : Dana LaCourse Munteanu
Publisher : Cambridge University Press
Page : 293 pages
File Size : 42,7 Mb
Release : 2011-11-10
Category : Literary Collections
ISBN : 9781139502344

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Tragic Pathos by Dana LaCourse Munteanu Pdf

Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all acknowledge pity and some form of fear as responses to tragedy, each assumes for the two emotions a different purpose, mode of presentation and, to a degree, understanding. This book reassesses expressions of the emotions within different tragedies and explores emotional responses to and discussions of the tragedies by contemporary philosophers, providing insights into the ethical and social implications of the emotions.

The Essence of Ancient Tragedy

Author : Hermann Friedrich Wilhelm Hinrichs
Publisher : Gegensatz Press
Page : 80 pages
File Size : 51,5 Mb
Release : 2017-08-07
Category : Literary Criticism
ISBN : 9781621307778

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The Essence of Ancient Tragedy by Hermann Friedrich Wilhelm Hinrichs Pdf

An elaboration of Hegel's interpretation of Sophocles' Antigone by one of Hegel's own students, first published in German in 1827.

Nietzsche's Philosophy

Author : Eugen Fink
Publisher : A&C Black
Page : 196 pages
File Size : 53,5 Mb
Release : 2003-01-02
Category : Philosophy
ISBN : 0826459978

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Nietzsche's Philosophy by Eugen Fink Pdf

Nietzsche's Philosophy traces the passionate development of Nietzsche's thought from the aestheticism of The Birth of Tragedy through to the late doctrines of the "will to power" and "eternal return".Inspired by the phenomenological method of Edmund Husserl and by the work of Martin Heidegger, Fink exposes the central themes of Nietzsche's philosophy, revealing the philosopher who experiences thinking as a fate and who ultimately searches for an expression of his own ontological experience in a negative theology.

What Was Tragedy?

Author : Blair Hoxby
Publisher : Oxford University Press
Page : 336 pages
File Size : 55,7 Mb
Release : 2015-10-01
Category : Literary Criticism
ISBN : 9780191065996

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What Was Tragedy? by Blair Hoxby Pdf

Twentieth century critics have definite ideas about tragedy. They maintain that in a true tragedy, fate must feel the resistance of the tragic hero's moral freedom before finally crushing him, thus generating our ambivalent sense of terrible waste coupled with spiritual consolation. Yet far from being a timeless truth, this account of tragedy only emerged in the wake of the French Revolution. What Was Tragedy? demonstrates that this account of the tragic, which has been hegemonic from the early nineteenth century to the present despite all the twists and turns of critical fashion in the twentieth century, obscured an earlier poetics of tragedy that evolved from 1515 to 1795. By reconstructing that poetics, Blair Hoxby makes sense of plays that are "merely pathetic, not truly tragic," of operas with happy endings, of Christian tragedies, and of other plays that advertised themselves as tragedies to early modern audiences and yet have subsequently been denied the palm of tragedy by critics. In doing so, Hoxby not only illuminates masterpieces by Shakespeare, Calderón, Corneille, Racine, Milton, and Mozart, he also revivifies a vast repertoire of tragic drama and opera that has been relegated to obscurity by critical developments since 1800. He suggests how many of these plays might be reclaimed as living works of theater. And by reconstructing a lost conception of tragedy both ancient and modern, he illuminates the hidden assumptions and peculiar blind-spots of the idealist critical tradition that runs from Schelling, Schlegel, and Hegel, through Wagner, Nietzsche, and Freud, up to modern post-structuralism.

Nietzsche's Last Laugh

Author : Nicholas D. More
Publisher : Cambridge University Press
Page : 239 pages
File Size : 40,6 Mb
Release : 2014-03-27
Category : Literary Criticism
ISBN : 9781107050815

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Nietzsche's Last Laugh by Nicholas D. More Pdf

This book demonstrates that Nietzsche's autobiographical and much-maligned Ecce Homo is a sophisticated satire by which the thinker unifies his disparate corpus.

Tragic Coleridge

Author : Chris Murray
Publisher : Routledge
Page : 200 pages
File Size : 46,7 Mb
Release : 2016-02-24
Category : Literary Criticism
ISBN : 9781317008354

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Tragic Coleridge by Chris Murray Pdf

To Samuel Taylor Coleridge, tragedy was not solely a literary mode, but a philosophy to interpret the history that unfolded around him. Tragic Coleridge explores the tragic vision of existence that Coleridge derived from Classical drama, Shakespeare, Milton and contemporary German thought. Coleridge viewed the hardships of the Romantic period, like the catastrophes of Greek tragedy, as stages in a process of humanity’s overall purification. Offering new readings of canonical poems, as well as neglected plays and critical works, Chris Murray elaborates Coleridge’s tragic vision in relation to a range of thinkers, from Plato and Aristotle to George Steiner and Raymond Williams. He draws comparisons with the works of Blake, the Shelleys, and Keats to explore the factors that shaped Coleridge’s conception of tragedy, including the origins of sacrifice, developments in Classical scholarship, theories of inspiration and the author’s quest for civic status. With cycles of catastrophe and catharsis everywhere in his works, Coleridge depicted the world as a site of tragic purgation, and wrote himself into it as an embattled sage qualified to mediate the vicissitudes of his age.

Children in Greek Tragedy

Author : Emma M. Griffiths
Publisher : Oxford University Press, USA
Page : 337 pages
File Size : 50,6 Mb
Release : 2020-02
Category : History
ISBN : 9780198826071

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Children in Greek Tragedy by Emma M. Griffiths Pdf

Astyanax is thrown from the walls of Troy; Medeia kills her children as an act of vengeance against her husband; Aias reflects with sorrow on his son's inheritance, yet kills himself and leaves Eurysakes vulnerable to his enemies. The pathos created by threats to children is a notable feature of Greek tragedy, but does not in itself explain the broad range of situations in which the ancient playwrights chose to employ such threats. Rather than casting children in tragedy as simple figures of pathos, this volume proposes a new paradigm to understand their roles, emphasizing their dangerous potential as the future adults of myth. Although they are largely silent, passive figures on stage, children exert a dramatic force that transcends their limited physical presence, and are in fact theatrically complex creations who pose a danger to the major characters. Their multiple projected lives create dramatic palimpsests which are paradoxically more significant than their immediate emotional effects: children are never killed because of their immediate weakness, but because of their potential strength. This re-evaluation of the significance of child characters in Greek tragedy draws on a fresh examination of the evidence for child actors in fifth-century Athens, which concludes that the physical presence of children was a significant factor in their presentation. However, child roles can only be fully appreciated as theatrical phenomena, utilizing the inherent ambiguities of drama: as such, case studies of particular plays and playwrights are underpinned by detailed analysis of staging considerations, opening up new avenues for interpretation and challenging traditional models of children in tragedy.

The Use of Asian Theatre for Modern Western Theatre

Author : Min Tian
Publisher : Springer
Page : 313 pages
File Size : 46,5 Mb
Release : 2018-11-27
Category : Performing Arts
ISBN : 9783319971780

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The Use of Asian Theatre for Modern Western Theatre by Min Tian Pdf

This book is a historical study of the use of Asian theatre for modern Western theatre as practiced by its founding fathers, including Aurélien Lugné-Poe, Adolphe Appia, Gordon Craig, W. B. Yeats, Jacques Copeau, Charles Dullin, Antonin Artaud, V. E. Meyerhold, Sergei Eisenstein, and Bertolt Brecht. It investigates the theories and practices of these leading figures in their transnational and cross-cultural relationship with Asian theatrical traditions and their interpretations and appropriations of the Asian traditions in their reactional struggles against the dominance of commercialism and naturalism. From the historical and aesthetic perspectives of traditional Asian theatres, it approaches this intercultural phenomenon as a (Euro)centred process of displacement of the aesthetically and culturally differentiated Asian theatrical traditions and of their historical differences and identities. Looking into the displaced and distorted mirror of Asian theatre, the founding fathers of modern Western theatre saw, in their imagination of the 'ghostly' Other, nothing but a (self-)reflection or, more precisely, a (self-)projection and emplacement, of their competing ideas and theories preconceived for the construction, and the future development, of modern Western theatre.

Shakspeare's Dramatic Art

Author : Hermann Ulrici
Publisher : Unknown
Page : 572 pages
File Size : 51,8 Mb
Release : 1876
Category : Electronic
ISBN : UOM:39015000590557

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Shakspeare's Dramatic Art by Hermann Ulrici Pdf

Shakespeare's Dramatic Art

Author : Hermann Ulrici
Publisher : Unknown
Page : 522 pages
File Size : 53,8 Mb
Release : 1876
Category : English drama
ISBN : STANFORD:36105015800654

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Shakespeare's Dramatic Art by Hermann Ulrici Pdf

Hesitancy and Experimentation in Enlightenment Spain and Spanish America

Author : Ann L Mackenzie,Jeremy Robbins
Publisher : Routledge
Page : 313 pages
File Size : 41,5 Mb
Release : 2013-09-13
Category : History
ISBN : 9781317982814

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Hesitancy and Experimentation in Enlightenment Spain and Spanish America by Ann L Mackenzie,Jeremy Robbins Pdf

Published in memory of Ivy L. McClelland, a pioneer-scholar of Spain’s eighteenth century, this volume of original essays contains, besides an Introduction to her career and internationally influential writings, three previously unpublished essays by McClelland and nine studies by other scholars, all of which are focused on elucidating the Enlightenment and its characteristic manifestations in the Hispanic world. Among the Enlightenment writers and artists, works and genres, themes and issues discussed, are: Nicolás Moratín and epic poetry, Lillo’s The London Merchant and English and French influences on eighteenth-century Spanish drama, José Marchena and literary historiography, oppositions and misunderstandings within Spanish society as reflected in El sí de las niñas, Goya and the visual arts, Quintana’s Pelayo and historical tragedy, Enlightenment discourse, the Periodical Press, theatre as propaganda, the ideology and politics of Empire, the roots of revolt in late viceregal Quito, women’s experience of Enlightenment in Spain, social and cultural difference in colonial Peru, ideological debate and uncertainty during the Age of Reason, eighteenth-century Spain on the nineteenth-century stage, and public opinion in Spain on the eve of the French, and European, Revolution. First published as a Special Issue of the Bulletin of Spanish Studies (LXXXVI [November–December 2009], Nos 7–8), this book will be of value and stimulus to all scholars concerned to investigate and interpret the culture, theatre, ideology, society and politics of the Enlightenment in Spain, Europe and Spanish America.

Tragic Views of the Human Condition

Author : Lourens Minnema
Publisher : Bloomsbury Publishing USA
Page : 584 pages
File Size : 46,8 Mb
Release : 2013-06-06
Category : Religion
ISBN : 9781441151049

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Tragic Views of the Human Condition by Lourens Minnema Pdf

Can tragic views of the human condition as known to Westerners through Greek and Shakespearean tragedy be identified outside European culture, in the Indian culture of Hindu epic drama? In what respects can the Mahabharata epic's and the Bhagavadgita's views of the human condition be called 'tragic' in the Greek and Shakespearean senses of the word? Tragic views of the human condition are primarily embedded in stories. Only afterwards are these views expounded in theories of tragedy and in philosophical anthropologies. Minnema identifies these embedded views of human nature by discussing the ways in which tragic stories raise a variety of anthropological issues-issues such as coping with evil, suffering, war, death, values, power, sacrifice, ritual, communication, gender, honour, injustice, knowledge, fate, freedom. Each chapter represents one cluster of tragic issues that are explored in terms of their particular (Greek, English, Indian) settings before being compared cross-culturally. In the end, the underlying question is: are Indian views of the human condition very different from Western views?

Tragedy, Recognition, and the Death of God

Author : Robert R. Williams
Publisher : Oxford University Press
Page : 423 pages
File Size : 53,5 Mb
Release : 2012-09-27
Category : History
ISBN : 9780199656059

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Tragedy, Recognition, and the Death of God by Robert R. Williams Pdf

Robert R. Williams offers a bold new account of divergences and convergences in the work of Hegel and Nietzsche. He explores four themes - the philosophy of tragedy; recognition and community; critique of Kant; and the death of God - and explicates both thinkers' critiques of traditional theology and metaphysics.

Tragic Novels, René Girard and the American Dream

Author : Carly Osborn
Publisher : Bloomsbury Publishing
Page : 324 pages
File Size : 53,8 Mb
Release : 2020-05-14
Category : Philosophy
ISBN : 9781350083509

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Tragic Novels, René Girard and the American Dream by Carly Osborn Pdf

This book draws on the philosopher René Girard to argue that three twentieth-century American novels (Jeffrey Eugenides's The Virgin Suicides, Rick Moody's The Ice Storm, and Richard Yates's Revolutionary Road) are tragedies. Until now, Girardian literary analysis has generally focused on representations of human desire in texts, and neglected both other emotions and the place of tragedy. Carly Osborn addresses these omissions by using Girardian theory to present evidence that novels can indeed be tragedies. The book advances the scholarship of tragedy that has run from Aristotle to Nietzsche to Terry Eagleton, proposing a new way to read modern novels through ancient traditions. In addition, this is the first work to examine the place of women as victims, or in Girardian terms, 'scapegoats', in twentieth century fiction, specifically by considering the representation of women's bodies and ambivalence about their identities. In deploying a rich and vivid array of tragic tropes, The Virgin Suicides, The Ice Storm, and Revolutionary Road participate in a deep-rooted American tragic tradition. Tragic Novels, the American Dream and René Girard will be of interest to those working at the intersection of philosophy and literature, as well as Girard specialists.

Greek Tragic Women on Shakespearean Stages

Author : Tanya Pollard
Publisher : Oxford University Press
Page : 320 pages
File Size : 46,8 Mb
Release : 2017-09-08
Category : Literary Collections
ISBN : 9780192511607

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Greek Tragic Women on Shakespearean Stages by Tanya Pollard Pdf

Greek Tragic Women on Shakespearean Stages argues that ancient Greek plays exerted a powerful and uncharted influence on early modern England's dramatic landscape. Drawing on original research to challenge longstanding assumptions about Greek texts' invisibility, the book shows not only that the plays were more prominent than we have believed, but that early modern readers and audiences responded powerfully to specific plays and themes. The Greek plays most popular in the period were not male-centered dramas such as Sophocles' Oedipus, but tragedies by Euripides that focused on raging bereaved mothers and sacrificial virgin daughters, especially Hecuba and Iphigenia. Because tragedy was firmly linked with its Greek origin in the period's writings, these iconic female figures acquired a privileged status as synecdoches for the tragic theater and its ability to conjure sympathetic emotions in audiences. When Hamlet reflects on the moving power of tragic performance, he turns to the most prominent of these figures: 'What's Hecuba to him, or he to Hecuba/ That he should weep for her?' Through readings of plays by Shakespeare and his contemporary dramatists, this book argues that newly visible Greek plays, identified with the origins of theatrical performance and represented by passionate female figures, challenged early modern writers to reimagine the affective possibilities of tragedy, comedy, and the emerging genre of tragicomedy.