Transnational German Cinema

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Transnational German Cinema

Irina Herrschner,Kirsten Stevens,Benjamin Nickl
Transnational German Cinema Book PDF

Author : Irina Herrschner,Kirsten Stevens,Benjamin Nickl
Publisher : Springer Nature
Page : 204 pages
File Size : 55,6 Mb
Release : 2021-08-31
Category : Social Science
ISBN : 9783030729172

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Transnational German Cinema by Irina Herrschner,Kirsten Stevens,Benjamin Nickl Pdf

This volume explores the notion of German cinema as both a national and increasingly transnational entity. It brings together chapters that analyse the international circuits of development and distribution that shape the emerging films as part of a contemporary “German cinema”, the events and spectacles that help frame and re-frame national cinemas and their discoverability, and the well-known filmmakers who sit at the vanguard of the contemporary canon. Thereby, it explores what we understand as German cinema today and the many points where this idea of national cinema can be interrogated, expanded and opened up to new readings. At the heart of this interrogation is a keen awareness of the technological, social, economic and cultural changes that have an impact on global cinemas more broadly: new distribution channels such as streaming platforms and online film festivals, and audience engagement that transcends national borders as well as the cinema space. International film production and financing further heightens the transnational aspects of cinema, a quality that is often neglected in marketing and branding of the filmic product. With particular focus on film festivals, this volume explores the tensions between the national and transnational in film, but also in the events that sit at the heart of global cinema culture. It includes contributions from filmmakers, cultural managers and other professionals in the field of film and cinema, as well as scholarly contributions from academics researching popular culture, film, and events in relation to Germany.

East Asian-German Cinema

Joanne Miyang Cho
East Asian German Cinema Book PDF

Author : Joanne Miyang Cho
Publisher : Routledge
Page : 311 pages
File Size : 51,7 Mb
Release : 2021-09-29
Category : History
ISBN : 9781000461381

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East Asian-German Cinema by Joanne Miyang Cho Pdf

This is the first edited volume dedicated to the study of East Asian-German cinema. Its coverage ranges from 1919 to the present, a period which has witnessed an unprecedented degree of global entanglement between Germany and East Asia. In analyzing this hybrid cinema, this volume employs a transnational approach, which highlights the nations’ cinematic encounters and entanglements. It reveals both German perceptions of East Asia and East Asian perceptions of Germany, through analysis of works by both German directors and East Asian/East Asian-German directors. It is hoped that this volume will not only accelerate cross-cultural exchange, but also provide a wider perspective that helps film scholars to see the broader contexts in which these films are produced. It introduces multiple compelling topics, not just immigration, multiculturalism, and exile, but also Japonisme, children’s literature, musical modernity, media hybridity, gender representation, urban space, Cold War divisions, and national identity. It addresses several genres—feature films, essay films, and documentary films. Lastly, by embracing three East Asian cinemas in one volume, this volume serves as an excellent introduction for German cinema students and scholars. It will appeal to international and interdisciplinary audiences, as its contributors represent multiple disciplines and four world regions.

The German Cinema Book

Tim Bergfelder,Erica Carter,Deniz Göktürk,Claudia Sandberg
The German Cinema Book Book PDF

Author : Tim Bergfelder,Erica Carter,Deniz Göktürk,Claudia Sandberg
Publisher : Bloomsbury Publishing
Page : 625 pages
File Size : 46,8 Mb
Release : 2020-02-20
Category : Performing Arts
ISBN : 9781911239420

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The German Cinema Book by Tim Bergfelder,Erica Carter,Deniz Göktürk,Claudia Sandberg Pdf

This comprehensively revised, updated and significantly extended edition introduces German film history from its beginnings to the present day, covering key periods and movements including early and silent cinema, Weimar cinema, Nazi cinema, the New German Cinema, the Berlin School, the cinema of migration, and moving images in the digital era. Contributions by leading international scholars are grouped into sections that focus on genre; stars; authorship; film production, distribution and exhibition; theory and politics, including women's and queer cinema; and transnational connections. Spotlight articles within each section offer key case studies, including of individual films that illuminate larger histories (Heimat, Downfall, The Lives of Others, The Edge of Heaven and many more); stars from Ossi Oswalda and Hans Albers, to Hanna Schygulla and Nina Hoss; directors including F.W. Murnau, Walter Ruttmann, Wim Wenders and Helke Sander; and film theorists including Siegfried Kracauer and Béla Balázs. The volume provides a methodological template for the study of a national cinema in a transnational horizon.

German Film after Germany

Randall Halle
German Film after Germany Book PDF

Author : Randall Halle
Publisher : University of Illinois Press
Page : 258 pages
File Size : 53,8 Mb
Release : 2010-10-01
Category : Performing Arts
ISBN : 9780252091445

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German Film after Germany by Randall Halle Pdf

What is the work of film in the age of transnational production? To answer that question, Randall Halle focuses on the film industry of Germany, one of Europe's largest film markets and one of the world's largest film-producing nations. In the 1990s Germany experienced an extreme transition from a state-subsidized mode of film production that was free of anxious concerns about profit and audience entertainment to a mode dominated by private interest and big capital. At the same time, the European Union began actively drawing together the national markets of Germany and other European nations, sublating their individual significances into a synergistic whole. This book studies these changes broadly, but also focuses on the transformations in their particular national context. It balances film politics and film aesthetics, tracing transformations in financing along with analyses of particular films to describe the effects on the film object itself. Halle concludes that we witness currently the emergence of a new transnational aesthetic, a fundamental shift in cultural production with ramifications for communal identifications, state cohesion, and national economies.

Re-Imagining DEFA

Séan Allan,Sebastian Heiduschke
Re Imagining DEFA Book PDF

Author : Séan Allan,Sebastian Heiduschke
Publisher : Berghahn Books
Page : 378 pages
File Size : 40,8 Mb
Release : 2016-09-01
Category : Performing Arts
ISBN : 9781785331060

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Re-Imagining DEFA by Séan Allan,Sebastian Heiduschke Pdf

By the time the Berlin Wall collapsed, the cinema of the German Democratic Republic—to the extent it was considered at all—was widely regarded as a footnote to European film history, with little of enduring value. Since then, interest in East German cinema has exploded, inspiring innumerable festivals, books, and exhibits on the GDR’s rich and varied filmic output. In Re-Imagining DEFA, leading international experts take stock of this vibrant landscape and plot an ambitious course for future research, one that considers other cinematic traditions, brings genre and popular works into the fold, and encompasses DEFA’s complex post-unification “afterlife.”

Transnational German Studies

Rebecca Braun,Benedict Schofield
Transnational German Studies Book PDF

Author : Rebecca Braun,Benedict Schofield
Publisher : Liverpool University Press
Page : 352 pages
File Size : 41,7 Mb
Release : 2020-07-17
Category : Language Arts & Disciplines
ISBN : 9781789627312

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Transnational German Studies by Rebecca Braun,Benedict Schofield Pdf

This volume consists of a series of essays, written by leading scholars within the field, demonstrating the types of inquiry that can be pursued into the transnational realities underpinning German-language culture and history as these travel right around the globe. Contributions discuss the inherent cross-pollination of different languages, times, places and notions of identity within German-language cultures and the ways in which their construction and circulation cannot be contained by national or linguistic borders. In doing so, it is not the aim of the volume to provide a compendium of existing transnational approaches to German Studies or to offer its readers a series of survey chapters on different fields of study to date. Instead, it offers novel research-led chapters that pose a question, a problem or an issue through which contemporary and historical transcultural and transnational processes can be seen at work. Accordingly, each essay isolates a specific area of study and opens it up for exploration, providing readers, especially student readers, not just with examples of transnational phenomena in German language cultures but also with models of how research in these areas can be configured and pursued. Contributors: Angus Nicholls, Anne Fuchs, Benedict Schofield, Birgit Lang, Charlotte Ryland, Claire Baldwin, Dirk Weissmann, Elizabeth Anderson, James Hodkinson, Nicholas Baer, Paulo Soethe, Rebecca Braun, Sara Jones, Sebastian Heiduschke, Stuart Taberner and Ulrike Draesner.

Turkish German Cinema in the New Millennium

Sabine Hake,Barbara Mennel
Turkish German Cinema in the New Millennium Book PDF

Author : Sabine Hake,Barbara Mennel
Publisher : Berghahn Books
Page : 260 pages
File Size : 54,6 Mb
Release : 2012-10-15
Category : Art
ISBN : 9780857457684

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Turkish German Cinema in the New Millennium by Sabine Hake,Barbara Mennel Pdf

Introduction -- CONFIGURATIONS OF STEREOTYPES AND IDENTITIES: NEW METHODOLOGIES. Daniela Berghahn: My big fat Turkish wedding: from culture clash to romcom -- David Gramling: The oblivion of influence: mythical realism in Feo Alada's When we leave -- Marco Abel: The minor cinema of Thomas Arslan: a prolegomenon -- MULTIPLE SCREENS AND PLATFORMS: FROM DOCUMENTARY AND TELEVISION TO INSTALLATION ART. Angelica Fenner: Roots and routes of the diasporic documentarian: a psychogeography of Fatih Akin's We forgot to go back -- Ingeborg Majer-O'Sickey: Gendered kicks: Buket Alakus's and Aysun Bademsoy's soccer films -- Nilgan Bayraktar: Location and mobility in Kutlu Ataman's site-specific video installation Kuba -- Brent Peterson: Turkish for beginners: teaching cosmopolitanism to Germans -- Brad Prager: "Only the wounded honor fights": Zili Alada's rage and the drama of the Turkish German perpetrator -- INSTITUTIONAL CONTEXTS: STARS, THEATERS, AND RECEPTION. Randall Halle: The German Turkish spectator and Turkish language film programming: Karli Kino, maximum distribution, and the interzone cinema -- Berna Gueneli: Mehmet Kurtulu and Birol Ünel: Sexualized masculinities, normalized ethnicities -- Karolin Machtans: The perception and marketing of Fatih Akin in the German press -- Ayìa Tunì Cox: Hyphenated identities: the reception of Turkish-German cinema in the Turkish daily press -- THE CINEMA OF FATIH AKIN: AUTHORSHIP, IDENTITY, AND BEYOND. Mine Eren: Cosmopolitan filmmaking: Fatih Akin's In July and Head-on -- Roger Hillman and Vivien Silvey: Remixing Hamburg: transnationalism in Fatih Akin's Soul kitchen -- Deniz Gukturk: World cinema goes digital: looking at Europe from the other shore.

Cinema of Collaboration

Mariana Ivanova
Cinema of Collaboration Book PDF

Author : Mariana Ivanova
Publisher : Berghahn Books
Page : 292 pages
File Size : 40,9 Mb
Release : 2019-10-03
Category : Performing Arts
ISBN : 9781789203448

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Cinema of Collaboration by Mariana Ivanova Pdf

From their very inception, European cinemas undertook collaborative ventures in an attempt to cultivate a transnational “Film-Europe.” In the postwar era, it was DEFA, the state cinema of East Germany, that emerged as a key site for cooperative practices. Despite the significant challenges that the Cold War created for collaboration, DEFA sought international prestige through various initiatives. These ranged from film exchange in occupied Germany to partnerships with Western producers, and from coproductions with Eastern European studios to strategies for film co-authorship. Uniquely positioned between East and West, DEFA proved a crucial mediator among European cinemas during a period of profound political division.

Race Under Reconstruction in German Cinema

Angelica Fenner
Race Under Reconstruction in German Cinema Book PDF

Author : Angelica Fenner
Publisher : University of Toronto Press
Page : 297 pages
File Size : 43,5 Mb
Release : 2011-01-01
Category : Performing Arts
ISBN : 9781442640085

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Race Under Reconstruction in German Cinema by Angelica Fenner Pdf

Race Under Reconstruction in German Cinema investigates postwar racial formations via a pivotal West German film by one of the most popular and prolific directors of the era. The release of Robert Stemmle's Toxi (1952) coincided with the enrolment in West German schools of the first five hundred Afro-German children fathered by African-American occupation soldiers. The didactic plot traces the ideological conflicts that arise among members of a patrician family when they encounter an Afro-German child seeking adoption, herein broaching issues of integration at a time when the American civil rights movement was gaining momentum and encountering violent resistance. Perceptions of 'Blackness' in Toxi demonstrate continuities with those prevailing in Wilhelmine Germany, but also signal the influence of American social science discourse and tropes originating in icons of American popular culture, such as Uncle Tom's Cabin, Birth of a Nation, and several Shirley Temple films. By applying a Cultural Studies approach to individual film sequences, publicity photos, and press reviews, Angelica Fenner relates West German discourses around race and integration to emerging economic and political anxieties, class antagonism, and the reinstatement of conventional gender roles. The film Toxi is now available on DVD from the DEFA Film Library.

Polish Cinema in a Transnational Context

Ewa Mazierska,Michael Goddard
Polish Cinema in a Transnational Context Book PDF

Author : Ewa Mazierska,Michael Goddard
Publisher : Boydell & Brewer
Page : 344 pages
File Size : 48,7 Mb
Release : 2014
Category : History
ISBN : 9781580464680

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Polish Cinema in a Transnational Context by Ewa Mazierska,Michael Goddard Pdf

This volume introduces a novel treatment of Polish cinema by discussing its international reception, performance, co-productions, and subversive émigré auteurs, such as Andrzej Zulawski and Walerian Borowczyk. The opening up of Poland economically and politically to global influences after the fall of the Berlin Wall in 1989, coupled with the rise of transnational approaches to the study of film, presents ideal conditions for examiningPolish cinema from a transnational vantage point. Yet not only have studies of Polish cinema remained largely within a national framework but Polish cinema, as well as many other Eastern European cinemas, has been virtually excluded from new research in transnational cinema. Polish Cinema in a Transnational Context addresses this lacuna in film studies, offering extended analysis of this national cinema's global influence. Contributors assess the reception of Polish films in Europe and North America, Polish international coproductions, the presence of Polish performers in foreign films, and the works of subversive émigré auteurs like Andrzej Zulawski and Walerian Borowczyk. The collection presents familiar films and filmmakers in a new and revealing light, while also focusing on lesser-known filmmakers and aspects of Polish cinema. The resulting volume moves the discussion beyond the border of Polish national belonging. Contributors: Peter Hames, Darragh O'Donoghue, Helena Goscilo, Dorota Ostrowska, Charlotte Govaert, Eva Näripea, Izabela Kalinowska, Ewa Mazierska, Alison Smith, Lars Kristensen, Jonathan Owen, Michael Goddard, Robert Murphy, Kamila Kuc, Elzbieta Ostrowska Ewa Mazierska is professor of film studies at the University of Central Lancashire. Michael Goddard is senior lecturer in media at the University of Salford.

German Cinema in the Age of Neoliberalism

Hester Baer
German Cinema in the Age of Neoliberalism Book PDF

Author : Hester Baer
Publisher : Amsterdam University Press
Page : 128 pages
File Size : 42,8 Mb
Release : 2021-02-05
Category : History
ISBN : 9789048551958

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German Cinema in the Age of Neoliberalism by Hester Baer Pdf

This book presents a new history of German film from 1980-2010, a period that witnessed rapid transformations, including intensified globalization, a restructured world economy, geopolitical realignment, and technological change, all of which have affected cinema in fundamental ways. Rethinking the conventional periodization of German film history, Baer posits 1980-rather than 1989-as a crucial turning point for German cinema's embrace of a new market orientation and move away from the state-sponsored film culture that characterized both DEFA and the New German Cinema. Reading films from East, West, and post-unification Germany together, Baer argues that contemporary German cinema is characterized most strongly by its origins in and responses to advanced capitalism. Informed by a feminist approach and in dialogue with prominent theories of contemporary film, the book places a special focus on how German films make visible the neoliberal recasting of gender and national identities around the new millennium.

A Companion to German Cinema

Terri Ginsberg,Andrea Mensch
A Companion to German Cinema Book PDF

Author : Terri Ginsberg,Andrea Mensch
Publisher : John Wiley & Sons
Page : 618 pages
File Size : 46,6 Mb
Release : 2012-02-13
Category : Performing Arts
ISBN : 9781405194365

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A Companion to German Cinema by Terri Ginsberg,Andrea Mensch Pdf

A Companion to German Cinema A Companion to German Cinema regards the shifting terrain of German filmmaking and film studies against their larger social contexts with twenty-two newly commissioned essays by well-established and younger scholars in the field. While several of these focus on classic topics such as Weimar cinema, Fifties cinema, New German Cinema and its legacy, and Holocaust film, the collection is distinguished by its focus on new developments and the innovative light they may shed on earlier practices. A Companion to German Cinema includes essays on Berlin Film, Neue Heimat Film, New Comedy, post-Wall documentaries, the post-Wende RAF genre, and Rabenmutter imagery, as well as on the persistently overlooked and under-theorized Indianerfilme, post-AIDS documentaries, sexploitation films, and new multicultural and transnational films produced in Germany under the auspices of the European Union. Organized into three “movements” representing the significance of these developments for their aesthetic theorization, A Companion to German Cinema challenges its readers to address critical gaps in the field with the aim of opening it further onto new terrains of intellectual engagement.

The Concise Cinegraph

ans-Michael Bock,,,im Bergfelder,,
The Concise Cinegraph Book PDF

Author : ans-Michael Bock,,,im Bergfelder,,
Publisher : Berghahn Books
Page : 596 pages
File Size : 53,6 Mb
Release : 2009-09-01
Category : Performing Arts
ISBN : 0857455656

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The Concise Cinegraph by ans-Michael Bock,,,im Bergfelder,, Pdf

This comprehensive guide is an ideal reference work for film specialists and enthusiasts. First published in 1984 but continuously updated ever since, CineGraph is the most authoritative and comprehensive encyclopedia on German-speaking cinema in the German language. This condensed and substantially revised English-language edition makes this important resource available to students and researchers for the first time outside its German context. It offers a representative historical overview through bio-filmographical entries on the main protagonists, from the beginnings to the present day. Included are directors and actors, writers and cameramen, composers and production designers, film theorists and critics, producers and distributors, inventors and manufacturers. An appendix includes short introductory essays on specific periods and movements, such as Early Film, Weimar, Nazi Cinema, DEFA, New German Cinema, and German film since unification, as well as on cinematic developments in Austria and Switzerland. Sections that crossreference names around specific professional groups and themes will prove equally invaluable to researchers.

Film Architecture and the Transnational Imagination

Tim Bergfelder,Sue Harris,Sarah Street
Film Architecture and the Transnational Imagination Book PDF

Author : Tim Bergfelder,Sue Harris,Sarah Street
Publisher : Amsterdam University Press
Page : 320 pages
File Size : 40,6 Mb
Release : 2007
Category : Performing Arts
ISBN : 9789053569801

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Film Architecture and the Transnational Imagination by Tim Bergfelder,Sue Harris,Sarah Street Pdf

Summary: "Film Architecture and the Transnational Imagination presents for the first time a comparative study of European film set design in the late 1920s and 1930s; based on a wealth of designers ʼ drawings, film stills and archival documents, the book offers a new insight into the development and significance of trans-national artistic collaboration during this period. European cinema from the late 1920s to the late 1930s is famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema provides a comprehensive analysis of the practices, styles, and function of cinematic production design during this period, and its influence on subsequent filmmaking patterns."--Publisher description.

Cinema in Service of the State

Lars Karl,Pavel Skopal
Cinema in Service of the State Book PDF

Author : Lars Karl,Pavel Skopal
Publisher : Berghahn Books
Page : 406 pages
File Size : 50,7 Mb
Release : 2015-12-01
Category : Performing Arts
ISBN : 9781782389972

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Cinema in Service of the State by Lars Karl,Pavel Skopal Pdf

The national cinemas of Czechoslovakia and East Germany were two of the most vital sites of filmmaking in the Eastern Bloc, and over the course of two decades, they contributed to and were shaped by such significant developments as Sovietization, de-Stalinization, and the conservative retrenchment of the late 1950s. This volume comprehensively explores the postwar film cultures of both nations, using a “stereoscopic” approach that traces their similarities and divergences to form a richly contextualized portrait. Ranging from features to children’s cinema to film festivals, the studies gathered here provide new insights into the ideological, political, and economic dimensions of Cold War cultural production.