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Vasari On Technique Being The Introduction To The Three Arts Of Design Architecture Sculpture And Painting Prefixed To The Lives Of The Most Excellent Painters Sculptors And Architects 1907 Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Vasari On Technique Being The Introduction To The Three Arts Of Design Architecture Sculpture And Painting Prefixed To The Lives Of The Most Excellent Painters Sculptors And Architects 1907 book. This book definitely worth reading, it is an incredibly well-written.
Author : Giorgio Vasari
Publisher : Unknown
Page : 400 pages
File Size : 51,8 Mb
Release : 1907
Category : Architecture
ISBN : UCAL:B4501746
Traduzione in inglese delle tre introduzioni alle arti dell'architettura, scultura e pittura alle Vite di Giorgio Vasari.
Author : Giorgio 1511-1574 Vasari,Louisa S Maclehose,G Baldwin (Gerard Baldwin) 1 Brown
Publisher : Legare Street Press
Page : 410 pages
File Size : 42,5 Mb
Release : 2021-09-09
Category : Electronic
ISBN : 1013718291
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Giorgio Vasari,Thomas A. Pallen
Publisher : SIU Press
Page : 184 pages
File Size : 53,8 Mb
Release : 1999
Category : Biography & Autobiography
ISBN : 0809321610
From this imposing source, Thomas A. Pallen has created a compendium of theatrical references augmented by related modern Italian scholarship. Vasari's Lives - daunting because of its sheer magnitude - has remained relatively obscure to English-speaking theatre historians.
Author : Marjolijn Bol
Publisher : University of Chicago Press
Page : 323 pages
File Size : 49,8 Mb
Release : 2023-04-21
Category : Art
ISBN : 9780226822631
A new history of the techniques, materials, and aesthetic ambitions that gave rise to the radiant verisimilitude of Jan van Eyck’s oil paintings on panel. Panel painters in both the middle ages and the fifteenth century created works that evoke the luster of precious stones, the sheen of polished gold and silver, and the colorful radiance of stained glass. Yet their approaches to rendering these materials were markedly different. Marjolijn Bol explores some of the reasons behind this radical transformation by telling the history of the two oil painting techniques used to depict everything that glistens and glows—varnish and glaze. For more than a century after his death, the fifteenth-century painter Jan van Eyck was widely credited with inventing varnish and oil paint, on account of his unique visual realism. Once this was revealed to be a myth, the verisimilitude of his work was attributed instead to a new translucent painting technique: the glaze. Today, most theories about how Van Eyck achieved this realism revolve around the idea that he was the first to discover or refine the glazing technique. Bol, however, argues that, rather than being a fifteenth-century refinement, varnishing and glazing began centuries before. Drawing from an extensive body of recipes, Bol pieces together how varnishes and glazes were first developed as part of the medieval art of material mimesis. Artisans embellished metalwork and wood with varnishes and glazes to imitate gold and gems; infused rock crystal with oil, resin, and colorants to imitate more precious minerals; and oiled parchment to transform it into the appearance of green glass. Likewise, medieval panel painters used varnishes and glazes to create the look of enamel, silk, and more. The explorations of materials and their optical properties by these artists stimulated natural philosophers to come up with theories about transparent and translucent materials produced by the earth. Natural historians, influenced by medieval artists’ understanding of refraction and reflection, developed theories about gems, their creation, and their optical qualities.
Author : Dr. Alex Locay
Publisher : WestBow Press
Page : 240 pages
File Size : 41,9 Mb
Release : 2022-01-05
Category : Religion
ISBN : 9781664242487
Today, the voices from the secular left are hard at work removing any trace of religion from government and the law. Meanwhile, secular historians have successfully limited Christianity’s contribution in history to the Crusades and Inquisitions; as if that is all Christians have to speak for. The real story is quite different, primarily that everything good in Western Civilization has its roots in the Christian religion. How Christianity Built Western Civilization is the epic tale of how our Christian forefathers stood up to history’s darkest forces, to forge a new way of life, grounded in the biblical worldview. Over the centuries it has become evident that Western Civilization has emerged as mankind’s greatest achievement. It is here where the greatest political and economic systems were born, and here that we see the concept of human rights emerge, along with the modern scientific process and the greatest discoveries. It is in the West that we find the most advanced educational institutions, along with the greatest charities, artistic masterpieces and architectural innovations. Is this a coincidence, or the deliberate result of our worldview? How Christianity Built Western Civilization answers this question with chapters on human rights, modern science, universal education, charity, art and architecture; focusing entirely on the revolutionary milestones and individuals that made these achievements possible. Each chapter unfolds chronologically, starting with the biblical foundation and moving through the work of the early and Medieval Church, arriving at modern times. The author builds a compelling case demonstrating how Western Civilization would be indistinguishable from India, China or Africa today, if not for the teachings of Christ and the Bible.
Author : Anne Dillon
Publisher : Routledge
Page : 445 pages
File Size : 51,8 Mb
Release : 2016-12-05
Category : History
ISBN : 9781351917773
In May 1555, a broadsheet was produced in Rome depicting the torture and execution in London and York of the Carthusians of the Charterhouses of London, Axeholme, Beauvale and Sheen during the reign of Henry VIII. This single-page martyrology provides the basis for an in-depth exploration of several interconnected artistic, scientific and scholarly communities active in Rome in 1555 which are identified as having being involved in its production. Their work and concerns, which reflect their time and intellectual environment, are deeply embedded in the broadsheet, especially those occupying the groups and individuals who came to be known as Spirituali and in particular those associated with Cardinal Reginald Pole who is shown to have played a key role in its production. Following an examination of the text and a discussion of the narrative intentions of its producers a systematic analysis is made of the images. This reveals that the structure, content and intention of what, at first sight, seems to be nothing more than a confessionally charged Catholic image of the English Carthusian martyrs, typical of the genre of propaganda produced during the Reformation, is, astonishingly, dominated by the most celebrated name of the Italian Renaissance, the artist Michelangelo Buonarotti. Not only are there direct borrowings from two works by Michelangelo which had just been completed in Rome, The Conversion of St Paul and The Crucifixion of St Peter in the Pauline Chapel but many other of his works are deliberately cited by the broadsheet's producers. Through the use of a variety of artistic, scientific and historical approaches, the author makes a compelling case for the reasons for Michelangelo's presence in the broadsheet and his influence on its design and production. The book not only demonstrates Michelangelo's close relationship with notable Catholic reformers, but shows him to have been at the heart of the English Counter Reformation at its inception. This detailed analysis of the broadsheet also throws fresh light on the Marian religious policy in England in 1555, the influence of Spain and the broader preoccupations of the Counter Reformation papacy, while at the same time, enriching our understanding of martyrology across the confessional divide of the Reformation.
Author : Matthew Mindrup
Publisher : MIT Press
Page : 347 pages
File Size : 45,9 Mb
Release : 2019-10-08
Category : Architecture
ISBN : 9780262042758
An investigation of different uses for the architectural model through history—as sign, souvenir, funerary object, didactic tool, medium for design, and architect's muse. For more than five hundred years, architects have employed three-dimensional models as tools to test, refine, and illustrate their ideas. But, as Matthew Mindrup shows, the uses of physical architectural models extend beyond mere representation. An architectural model can also simulate, instruct, inspire, and generate architectural designs. It can be, among other things, sign, souvenir, toy, funerary object, didactic tool, medium, or muse. In this book, Mindrup surveys the history of architectural models by investigating their uses, both theoretical and practical. Tracing the architectural model's development from antiquity to the present, Mindrup also offers an interpretive framework for understanding each of its applications in the context of time and place. He first examines models meant to portray extant, fantastic, or proposed structures, describing their use in ancient funerary or dedicatory practices, in which models are endowed with magical power; as a medium for architectural reverie and inspiration; and as prototypes for twentieth-century experimental designs. Mindrup then considers models that exemplify certain architectural uses, exploring the influence of Leon Battista Alberti's dictum that models be simple, lest they distract from the architect's ideas; analyzing the model as a generative tool; and investigating allegorical, analogical, and anagogical interpretations of models. Mindrup's histories show how the model can be a surrogate for the architectural structure itself, or for the experience of its formal, tactile, and sensory complexity; and beyond that, that the manipulation, play, experimentation, and dreaming enabled by models allow us to imagine architecture in new ways.
Author : Anne-Marie S. Logan,Peter Paul Rubens,Michiel Plomp,Metropolitan Museum of Art (New York, N.Y.)
Publisher : Metropolitan Museum of Art
Page : 346 pages
File Size : 50,5 Mb
Release : 2005
Category : Art
ISBN : 9780300104943
Catalogue of an exhibition held at the Metropolitan Museum of Art, New York, Jan. 15-Apr. 3, 2005.
Author : Tobias Jones
Publisher : Bloomsbury Publishing
Page : 309 pages
File Size : 48,7 Mb
Release : 2022-07-07
Category : Travel
ISBN : 9781786697387
A captivating journey along the iconic River Po and through Italian history, society and culture. 'Delightful... A wonderful cornucopia of history' TLS 'Uncovers the Po's fascinating history' Guardian The Po is the longest river in Italy, travelling for 652 kilometres from one end of the country to the other. It rises by the French border in the Alps and meanders the width of the entire peninsula to the Adriatic Sea in the east. Flowing next to many of Italy's most exquisite cities – Ferrara, Mantova, Parma, Cremona, Pavia and Torino – the river is a part of the national psyche, as iconic to Italy as the Thames is to England or the Mississippi to the USA. For millennia, the Po was a vital trading route and a valuable source of tax revenue, fiercely fought over by rival powers. It was also a moat protecting Italy from invaders from the north, from Hannibal to Holy Roman Emperors. But as humans radically altered the river's hydrology, those floodplains became important places of major industries and agricultures, the source of bricks, timber, silk, hemp, cement, flour and risotto rice. Tobias Jones travels the length of the river against the current, gathering stories of battles, writers, cuisines, entertainers, religious minorities and music. Both an ecological lament and a celebration of the resourcefulness and resilience of the people of the Po, the book opens a window onto a stunning, but now neglected, part of Italy.
Author : Mark William Roche
Publisher : University of Notre Dame Pess
Page : 344 pages
File Size : 41,9 Mb
Release : 2023-10-15
Category : Philosophy
ISBN : 9780268207007
This book probes the intersection of the beautiful and the ugly, offering a systematic framework to understand, interpret, and evaluate how ugliness can contribute to beautiful art. Many great artworks include elements of ugliness: repugnant content, disproportionate forms, unresolved dissonance, and unintegrated parts. Mark William Roche’s authoritative monograph Beautiful Ugliness: Christianity, Modernity, and the Arts challenges current practices of the dominant aesthetic schools by exploring the role of ugliness in art and literature. Roche offers a comprehensive and unique framework that integrates philosophical and theological reflection, intellectual-historical analysis, and interpretations of a large number of works from the arts. The study is driven by the recognition that, though ugliness is usually understood as the opposite of beauty, ugliness nonetheless contributes significantly to the beauty of many artworks. Roche’s analysis unfolds in three parts. The first offers a refreshing conceptual analysis of ugliness in art. The second considers the history of ugliness in art and literature, with special attention to its role in Christian art and its central place in modern and contemporary art. The third synthesizes earlier material, offering a taxonomy of beautiful ugliness derived from Hegelian philosophical categories. Roche mesmerizes the reader with an extraordinary range of literary scholarship and expertise, with a particular focus on English, Latin, and German literature, and with a broad range of analyzed phenomena, including fine arts, architecture, and music. Including 63 color illustrations, Beautiful Ugliness will draw in readers from multiple disciplines as well as those from beyond the academy who wish to make sense of today’s complex art world.
Author : Liam E Semler
Publisher : Routledge
Page : 322 pages
File Size : 44,9 Mb
Release : 2018-10-31
Category : Literary Criticism
ISBN : 9780429684784
The Early Modern Grotesque: English Sources and Documents 1500-1700 offers readers a large and fully annotated collection of primary source texts addressing the grotesque in the English Renaissance. The sources are arranged chronologically in 120 numbered items with accompanying explanatory Notes. Each Note provides clarification of difficult terms in the source text, locating it in the context of early modern English and Continental discourses on the grotesque. The Notes also direct readers to further English sources and relevant modern scholarship. This volume includes a detailed introduction surveying the vocabulary, form and meaning of the grotesque from its arrival as a word, concept and aesthetic in 16th century England to its early maturity in the 18th century. The Introduction, Items and Notes, complemented by illustrations and a comprehensive bibliography, provide an unprecedented view of the evolving complexity and diversity of the early modern English grotesque. While giving due credit to Wolfgang Kayser and Mikhail Bakhtin as masters of grotesque theory, this ground-breaking book aims to provoke new, evidence-based approaches to understanding the specifically English grotesque. The textual archive from 1500-1700 is a rich and intriguing record that offers much to interested readers and researchers in the fields of literary studies, theatre studies and art history.
Author : Stephen Walker
Publisher : Bloomsbury Publishing
Page : 221 pages
File Size : 43,5 Mb
Release : 2011-05-10
Category : Architecture
ISBN : 9780857712998
Known for - and even overshadowed by - his brutal and spectacular building cuts, Gordon Matta-Clark's oeuvre is unique in the history of American art. He worked in the 1970s on the boarders between art and architecture and his diverse practice is often understood as an outright rejection of the tenets of high modernism. Stephen Walker argues instead for the artist's ambivalent relationship with the architectural heritage he is often claimed to disavow, thus making this the first book to extrapolate Matta-Clark's thinking beyond its immediate context.Walker considers the broad range of Matta-Clark's ephemeral practice, from montage to actual interventions and from performance art and installation to drawing, film and video. Bringing to the fore the consistent themes and issues explored through this broad range of media, and in particular the complex notion of the 'discreet violation', he reveals the continued relevance of Matta-Clark's artistic and theoretical oeuvre to the reception of artistic and architectural work today.
Author : Matthew Hayes
Publisher : Getty Publications
Page : 210 pages
File Size : 42,5 Mb
Release : 2021-07-13
Category : Art
ISBN : 9781606066966
This handsomely illustrated volume traces the intersections of art history and paintings restoration in nineteenth-century Europe. Repairing works of art and writing about them—the practices that became art conservation and art history—share a common ancestry. By the nineteenth century the two fields had become inseparably linked. While the art historical scholarship of this period has been widely studied, its restoration practices have received less scrutiny—until now. This book charts the intersections between art history and conservation in the treatment of Italian Renaissance paintings in nineteenth-century Europe. Initial chapters discuss the restoration of works by Giotto and Titian framed by the contemporary scholarship of art historians such as Jacob Burckhardt, G. B. Cavalcaselle, and Joseph Crowe that was redefining the earlier age. Subsequent chapters recount how paintings conservation was integrated into museum settings. The narrative uses period texts, unpublished archival materials, and historical photographs in probing how paintings looked at a time when scholars were writing the foundational texts of art history, and how contemporary restorers were negotiating the appearances of these works. The book proposes a model for a new conservation history, object-focused yet enriched by consideration of a wider cultural horizon.
Author : Luba Freedman
Publisher : Cambridge University Press
Page : 321 pages
File Size : 40,5 Mb
Release : 2011-06-30
Category : Art
ISBN : 9781107001190
"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--Provided by publisher.
Author : Bernhard Siegert
Publisher : Fordham Univ Press
Page : 286 pages
File Size : 51,6 Mb
Release : 2015-05-01
Category : Social Science
ISBN : 9780823263776
In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.