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An Introduction to the Study of Medieval Latin Versification by Dag Norberg Pdf
Dag Norberg's analysis and interpretation of Medieval Latin versification, which was published in French in 1958 and remains the standard work on the subject, appears here for the first time in English with a detailed, scholarly introduction by Jan Ziolkowski that reviews the developments of the past fifty years.
Versatility in Versification by Nordiskt Sällskap för Metriska Studier. Conference Pdf
Versatility in Versification grew out of an international conference organized by the University of Iceland and the Nordic Society for Metrical Studies and held at Reykholt, Iceland, the thirteenth-century home of Snorri Sturluson. Although medieval Icelandic poetic culture was highlighted at the conference, the range of subjects remained diverse and discussion became dynamic. Similarly, this volume brings together the work of a broad range of scholars who embark on a discourse across disciplines, addressing aspects of poetry and poetics within the Germanic language family in particular. The subjects range from runic metrical inscriptions to literature and poetics of the modern day, the medieval period becoming a nexus of attention through which the various subjects in this historical scope are interwoven and united. Approaches range from theoretical linguistics and generative metrics to cognitive theory and folkloristics. The discourse initiated at the conference has both continued and expanded during this volume's evolution, and it has significantly enriched the development of the individual chapters, which variously treat meters, their relationships to language, and poetics in application. These diverse subjects and approaches form remarkable constellations of complementary relationships and continue to engage in a discourse to the immense benefit of the reader.
Versification by Frog,Satu Grünthal,Kati Kallio Pdf
Versification describes the marriage of language and poetic form through which poetry is produced. Formal principles, such as metre, alliteration, rhyme, or parallelism, take precedence over syntax and prosody, resulting in expressions becoming organised as verse rather than prose. The aesthetic appeal of poetry is often linked to the potential for this process to seem mysterious or almost magical, not to mention the interplay of particular expressions with forms and expectations. The dynamics of versification thus draw a general interest for everyone, from enthusiasts of poetry or forms of verbal art to researchers of folklore, ethnomusicology, linguistics, literature, philology, and more. The authors of the works in the present volume explore versification from a variety of angles and in diverse cultural milieus. The focus is on metrics in practice, meaning that the authors concentrate not so much on the analysis of the metrical systems per se as on the ways that metres are used and varied in performance by individual poets and in relationship to language.
An Introduction to Old Provençal Versification by Frank M. Chambers Pdf
The major portion of this study is devoted to the lyric poems of the 12th & 13th century which constitute Southern France's greatest contribution to world literature. Nevertheless, chronology requires that this study begins by glancing briefly at two narrative pieces, the oldest Provencal poems of which we have any knowledge. Contents: The Earliest Provencal Verse: "Boeci," & the "Chanson de Sainte Foy"; Guilhem VII, Comte de Peitieu (or Peiteus); Marcabru; Marcabru's Contemporaries; "Trobar clus"; "Trobar leu"; The Generation of '80; Thematic Genres in the 13th Century; Genres Based on Form; Non-lyric Genres; & Bibliography.
Three Thousand Years of Hebrew Versification by Benjamin Harshav Pdf
"In this unparalleled study of the forms of Hebrew poetry, preeminent authority Benjamin Harshav examines Hebrew verse during three millennia of changing historical and cultural contexts. He takes us around the world of the Jewish diaspora, comparing the changes in Hebrew verse as it came into contact with the Canaanite, Greek, Arabic, Italian, German, Russian, Yiddish, and English poetic forms. Harshav explores the types and constraints of free rhythms, the meanings of sound patterns, the historical and linguistic frameworks that produced the first accentual iambs in English, German, Russian, and Hebrew, and the first discovery of these iambs in a Yiddish romance written in Venice in 1508/09. In each chapter, the author presents an innovative analytical theory on a particular poetic domain, drawing on his close study of thousands of Hebrew poems"--
Shakespeare and the Versification of English Drama, 1561-1642 by Marina Tarlinskaja Pdf
Surveying the development and varieties of blank verse in the English playhouses, this book is a natural history of iambic pentameter in English. The main aim of the book is to analyze the evolution of Renaissance dramatic poetry. Shakespeare is the central figure of the research, but his predecessors, contemporaries and followers are also important: Shakespeare, the author argues, can be fully understood and appreciated only against the background of the whole period. Tarlinskaja surveys English plays by Elizabethan, Jacobean and Caroline playwrights, from Norton and Sackville’s Gorboduc to Sirley’s The Cardinal. Her analysis takes in such topics as what poets treated as a syllable in the 16th-17th century metrical verse, the particulars of stressing in iambic pentameter texts, word boundary and syntactic segmentation of verse lines, their morphological and syntactic composition, syllabic, accentual and syntactic features of line endings, and the way Elizabethan poets learned to use verse form to enhance meaning. She uses statistics to explore the attribution of questionable Elizabethan and Jacobean plays, and to examine several still-enigmatic texts and collaborations. Among these are the poem A Lover's Complaint, the anonymous tragedy Arden of Faversham, the challenging Sir Thomas More, the later Jacobean comedy The Spanish Gypsy, as well as a number of Shakespeare’s co-authored plays. Her analysis of versification offers new ways to think about the dating of plays, attribution of anonymous texts, and how collaborators divided their task in co-authored dramas.
Practical Guide to English Versification by Tom Hood Pdf
"Practical Guide to English Versification" by Tom Hood serves as a valuable and comprehensive resource for poetry enthusiasts and aspiring poets alike. Within its pages, Hood demystifies the art of English poetry, providing readers with insights into rhyme schemes, meters, and classical poetic forms. Beyond technicalities, Hood's work also inspires creativity, making it a go-to guide for those who wish to explore the rich tapestry of poetic expression. This guide not only instructs but also empowers poets to craft their verses with precision and creativity.
Author : James W. Underhill Publisher : University of Ottawa Press Page : 428 pages File Size : 54,9 Mb Release : 2016-12-09 Category : Language Arts & Disciplines ISBN : 9780776622781
Voice and Versification in Translating Poems by James W. Underhill Pdf
Great poets like Shelley and Goethe have made the claim that translating poems is impossible. And yet, poems are translated; not only that, but the metrical systems of English, French, Italian, German, Russian and Czech have been shaped by the translation of poems. Our poetic traditions are inspired by translations of Homer, Dante, Goethe and Baudelaire. How can we explain this paradox? James W. Underhill responds by offering an informed account of meter, rhythm, rhyme, and versification. But more than that, the author stresses that what is important in the poem—and what must be preserved in the translated poem—is the voice that emerges in the versification. Underhill’s book draws on the author’s translation experience from French, Czech and German. His comparative analysis of the versifications of French and English have enabled him to revise the key terms involved in translating the poetic voice and transposing the poem’s versification. The theories of versification from the Prague School of Linguistics, the French and Swiss schools of versification, and recent scholarship in metrics and rhythm in the UK and in the USA have been integrated into this synthetic but rigorously coherent approach to translating poems. The extensive glossary at the end of the book will prove useful for both students and teachers alike. And the detailed case studies on translating poems by Baudelaire and Emily Dickinson allow the author to categorize and appraise the various poetic and aesthetic strategies and theories that are brought to bear in translating Baudelaire into English, and Dickinson into French.