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The controller stood back. ‘Right,’ he said. ‘Spin ’em!’ The man flipped the piece of wood and the coins spun up into the air above his head and dropped down on to the carpet. There was silence. Wake in Fright tells the tale of John Grant’s journey into an alcoholic, sexual and spiritual nightmare. It is the original and the greatest outback horror story. Bundanyabba and its citizens will forever haunt its readers. Kenneth Cook was born in Sydney. Wake in Fright, which drew on his time as a journalist in Broken Hill, was first published in 1961 when Cook was thirty-two. It was published in England and America, translated into several languages, and a prescribed text in schools. Cook wrote twenty-one books in a variety of genres, and was well known in film circles as a scriptwriter and independent film-maker. He died in 1987 at the age of fifty-seven. ‘Wake in Fright deserves its status as a modern classic. Cook’s prose is masterful and the story is gripping from the first page to the last.’ M.J. Hyland ‘A classic novel which became a classic film. The Outback without the sentimental bulldust. Australia without the sugar coating.’ Robert Drewe ‘A true dark classic of Australian literature.’ J.M. Coetzee ‘Wake in Fright is a classic of the ugly side of Menzies’ Australia, its brutality, its drunkenness, its anxiety to crush all sensibility. All of this is harrowingly reacorded —the destruction of a young soul fresh to Australia—in Kenneth Cook’s remarkable novel.’ Thomas Keneally
We Don't Go Back by Howard David Ingham,Jon Dear,Monique H. Lacoste,Simeon Smith,Daniel Pietersen Pdf
Secret, strange, dark, impure and dissonant...Enter the haunted landscapes of folk horror, a world of pagan village conspiracies, witch finders, and teenagers awakening to evil; of dark fairy tales, backwoods cults and obsolete technologies. Beginning with the classics Night of the Demon, Witchfinder General, The Wicker Man and Blood on Satan's Claw, We Don't Go Back surveys the genre of screen folk horror from across the world. Travelling from Watership Down to The Texas Chain Saw Massacre, with every stop inbetween, We Don't Go Back is a thoughtful, funny and essential overview of folk horror in TV and cinema."A beautiful rumination on the dark films and television that shaped me and a generation of odd children, for good or ill, worth a year of your time, because you won't just read the book, you'll feel a burning desire to watch everything mentioned within." - Robin Ince"A comprehensive, accessible and often riotously funny tome weaving together folk horror in all its forms, from British television to the American backwoods, from Eastern European fairytales to the vengeful ghosts of East Asia. Ingham explores uncanny landscapes haunted by things buried, old cultures converging with the reluctance of contemporary reason, that very tension that gives his book its name. He attempts to both define folk horror and free it from definition, creating the ultimate guide to the genre's manifestations on film and offering a convincing argument as to why the genre resonates so compellingly with people today." - Kier-La Janisse, author of House of Psychotic Women
It was quite silent in the scrub. No breeze stirred the leaves and no bird moved, except for the kite hawks wheeling silently, eternally, high in the hot air. She smelt her attacker before she saw him. A heavy stench hit her with such force that she started with shock. It was a smell she’d never encountered before. Not man, not animal, something like carrion, but alive. It seemed to envelop and suffocate her, then became tangible as two arms wrapped around her body and began tearing at her clothing. A young man driving from Sydney to Adelaide for work decides to take a short detour into the desert. He turns his hatchback on to a notoriously dangerous track that bisects uninhabited stone-covered flats. Out there, under the baking sun, people can die within hours. He’s not far along the road when a distraught young woman stumbles from the scrub and flags him down. A journalist from Sydney, she has just escaped the clutches of an inexplicable, terrifying creature. Now this desert-dwelling creature has her jeep. Her axe. And her scent... From the author of the classic novel Wake In Fright comes a chillingly brilliant short novel that’s part Wolf Creek and part Duel. Fear Is the Rider is a nail-biting chase into the outback, towards the devil lurking at its centre. Wake In Fright was made into an internationally acclaimed film. Fear Is the Rider is a previously unpublished manuscript from the 1980s that was recently rediscovered among Kenneth Cook’s papers. Kenneth Cook was born in Sydney. Wake In Fright, which drew on his time as a journalist in Broken Hill, was first published in 1961 when Cook was 32. It was published in England and America, translated into several languages, and was a prescribed text in schools. Cook wrote twenty-two books in a variety of genres, and was well known in film circles as a scriptwriter and independent film-maker. He died in 1987. ‘Fantastic, breath-taking, edge of the seat stuff.’ Col’s Criminal Library ‘This lost Ozploitation gem is pure horror adrenaline, as characters and reader alike are hunted by a relentless golem—the nightmare outback monster we've always feared.’ Chris Flynn, author of A Tiger in Eden and The Glass Kingdom ‘The moment to moment effect of reading Fear Is the Rider is one of gasping attentiveness to the urgent needs of the present...There is special, pulpy kind of genius to the kind of book that almost swipes ahead for us, like a concert pianist’s assistant.’ Australian ‘Another great retro thriller. Treat it like going to a movie, because it will only take you a couple of hours to power through it...It’s just pure adrenaline and survival.’ Herald Sun ‘A suspense packed ride until the final page.’ QANTAS Magazine ‘Possibly the scariest, most spine-chilling and nerve-wracking book I’ve read. Ever...It’s incredibly filmic—think Wolf Creek meets Mad Max—and so visceral I could feel my heart rising up in my throat as I turned the pages.’ Reading Matters ‘A schlocky, old-school thriller in the best possible way...A kind of literary Mad Max, a master class in Ozploitation, or simply as a short, sharp burst of literary adrenaline, Fear is the Rider is a hell of a lot of fun.’ Readings ‘[A] short but powerful novel, Cook takes the reader on an action-packed, tension-filled ride...Definitely a page-turner.’ BookMooch
From 1973 to 1987, Fright Night was a fixture of the late Saturday evening schedule on independent New York television station WOR-TV. A genre fan's nightmare come true, the modestly produced showcase featured horror films both classic and obscure, from Universal's Frankenstein series to such lesser-known delights as Beast of Blood and The Living Coffin. Fright Night suffered no delusions of grandeur and never claimed to be anything more than what it was: great entertainment on a Saturday night. This thorough if affectionate tribute to Fright Night's glory days includes a complete listing of all films shown on the series, as well as discussion of WOR-TV's other horror movie programs from the 1970s and 1980s. Also featured are interviews with the major surviving players, including Fright Night creator Lawrence P. Casey.
As the editor of the classic films Wake in Fright, Age of Consent and Nureyev's Don Quixote, as well as television series that include Poor Man's Orange, Celluloid Heroes and Man on the Run, Tony Buckley is well placed to take us behind the scenes to observe through his eyes the fascinating growth of Australian film making.
With six decades in show business, legendary director Ted Kotcheff looks back on his life Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Discovering his skills with actors and production, Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty. After directing the 1980s blockbusters First Blood and Weekend at Bernie’s, Kotcheff helped produce the groundbreaking TV show Law & Order: Special Victims Unit. During his career, he was declared a Communist by the U.S. government, banned from the Royal Albert Hall in London, and coped with assassination threats on one of his lead actors. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 16.0px Times; -webkit-text-stroke: #000000} span.s1 {font-kerning: none} With his seminal films enjoying a critical renaissance, including praise from Martin Scorsese and Nick Cave, Kotcheff now turns the lens on himself. Witty and fearless, Director’s Cut is not just a memoir, but also a close-up on life and craft, with stories of his long friendship with Mordecai Richler and working with stars like Sylvester Stallone, James Mason, Gregory Peck, Ingmar Bergman, Gene Hackman, Jane Fonda, and Richard Dreyfuss, as well as advice on how to survive the slings and arrows of Hollywood.
Never before has the problem of stage fright been so eloquently examined; 40 interviews with some of the most highly-accomplished public figures shed light on this affliction, offering tips from their own experiences for overcoming it. Jason Alexander, Mose Allison, Maya Angelou, David Brenner, Peter Coyote, Olympia Dukakis, Richard Lewis, and many more sound off about their trials with stage fright, candidly discussing their fears and insecurities with life in the public eye and ultimately revealing the various paths they followed to overcoming them. Stage fright sufferers from all walks of life—whether a high school freshman nervous about an oral presentation or a professional baseball player with the eyes of the world on his bat—will find consolation by understanding the commonality of their problem, as well as helpful information to finally shed their inhibitions.
Where does the adventure end . . . and the nightmare begin? Frank owns a service station on a little-used highway. His granddaughter, Allie, is sent to stay with him for the summer, but they don't talk a lot. Simon is a dreamer and an idealist, in thrall to the romance of the open road and desperately in search of something. Maggie is the woman who will bring them together, someone whose own personal journey will visit unimaginable terror on them all. . . 'With echoes of Deliverance and Battle Royale, the Australian outback-set The Hunted is a truly terrifying, breathlessly exciting novel. It gut-punches you in the first few pages and doesn't let you recover until the final, thrilling climax. An extraordinary book.' M. W. CRAVEN What readers are saying: 'A high octane roller-coaster of a novel, brilliantly written with strong characters to cheer for. Just don't read it before going to sleep like I did.' 'This type of horror/action thriller isn't my usual thing but boy, did I love this book.' 'This entire book was just pure, fast-paced tension and I loved every insane page of it.' 'I'd say it's a hard book to put down, but a couple of times I found the suspense heightened enough that I needed a break. That's how good it was.' 'Even the squeamish would find it difficult to put this book down for very long.'
In 1985 Jacqueline Kent was content with her life. She had a satisfying career as a freelance book editor, and was emerging as a writer. Living and working alone, she relished her independence. But then she met Kenneth Cook, author of the Australian classic Wake in Fright, and they fell in love. With bewildering speed Jacqueline found herself in alien territory: with a man almost twenty years older, whose life experience could not have been more different from her own. She had to come to terms with complicated finances and expectations, and to negotiate relationships with Ken’s children, four people almost her own age. But with this man of contradictions – funny and sad, headstrong and tender – she found real and sustaining companionship. Their life together was often joyful, sometimes enraging, always exciting – until one devastating evening. But, as Jacqueline discovered, even when a story is over that doesn’t mean it has come to an end.
“Enthralling and sharp-witted...Highly recommended.” —Karin Slaughter, New York Times and #1 international bestselling author “Bold, fearless...Prima Facie is a deeply rewarding, absolute must read.” —Chris Whitaker, New York Times bestselling author of We Begin at the End This is not life, this is law... Tessa Ensler loves her job. She’s worked her way up to being a top criminal defense barrister against all the odds, and fights to defend those pleading not guilty. Tessa believes in the law, believes in the system. Her quick-witted cross-examinations and intelligence in the courtroom see her clocking up win after win - including securing freedom for men accused of rape and sexual assault. Innocence until proven guilty is, after all, the bedrock of a civilized society. But when Tessa is raped by a coworker, she struggles to find the strength to bring him to justice in the face of the barriers and opposition within that same system. Determined to have her day in court, Tessa is forced to confront the stark reality that the law was not written for victims, and that she is the one on trial. She fights on, even as her evidence is manipulated to make her look like a liar, even while she is retraumatized in the stand. Based on the Olivier and Tony Award-winning play, Suzie Miller’s Prima Facie is an unforgettable story of what happens when a victim is asked to navigate a system that is not set up to accommodate the lived experience of sexual assault survivors.
"Darkly hilarious...an unexpected bundle of joy." -O, The Oprah Magazine Alice Cohen was happy for the first time in years. After a difficult divorce, she had a new love in her life, she was raising a beloved adopted daughter, and her career was blossoming. Then she started experiencing mysterious symptoms. After months of tests, x-rays, and inconclusive diagnoses, Alice underwent a CAT scan that revealed the truth: she was six months pregnant. At age forty-four, with no prenatal care and no insurance coverage for a high-risk pregnancy, Alice was besieged by opinions from doctors and friends about what was ethical, what was loving, what was right. With the intimacy of a diary and the suspense of a thriller, What I Thought I Knew is a ruefully funny, wickedly candid tale; a story of hope and renewal that turns all of the "knowns" upside down.
Spending the night in the woods with your friends is not a good idea in this scary thriller by the author of ESCAPE ROOM--a Halloween must-read. Sofia isn't so sure about Fright Night. When she suggested it to her friends, she was only thinking of it as an excuse to get closer to Dylan. Now that it's happening, she's worried that spending the night in a deserted forest is a bad idea. But it's totally safe--there's even a safe word if things get too intense. And they do. Sofia and her friends are forced to face their greatest fears, and suddenly? It's too late to turn back. Underlined is a line of totally addictive romance, thriller, and horror titles coming to you fast and furious each month. Enjoy everything you want to read the way you want to read it.
Step Closer: An AFK Book (Five Nights at Freddy’s: Fazbear Frights #4) by Scott Cawthon,Andrea Waggener,Elley Cooper,Kelly Parra Pdf
Five Nights at Freddy's fans won't want to miss this pulse-pounding collection of three novella-length tales that will keep even the bravest FNAF player up at night... Isolation can open up a void. Pete lashes out at his younger brother in the wake of his parents' divorce, falling prey to a gruesome curse. Kasey struggles with the lengths she'll go to survive on the streets after stealing a pair of unusual novelty glasses. Samantha and her sister, Susie, struggle to exist side by side, desperate to connect after a horrific tragedy. But in the grim world of Five Nights at Freddy's, empty feelings often attract hungry monsters...In this fourth volume, Five Nights at Freddy's creator Scott Cawthon spins three sinister novella-length stories from different corners of his series' canon, featuring cover art from fan-favorite artist LadyFiszi.Readers beware: This collection of terrifying tales is enough to unsettle even the most hardened Five Nights at Freddy's fans.
Wake in Fright tells the tale of John Grant's journey into an alcoholic, sexual and spiritual nightmare. It is the original and the greatest outback horror story. Bundanyabba and its citizens will forever haunt its readers. This edition includes an introduction by Peter Temple and an afterword by David Stratton. Wake in Fright was made into a film in 1971, arguably the greatest film ever made in Australia. It starred Donald Pleasence, Chips Rafferty, and Jack Thompson in his first screen role. Lost for many years, the restored film was re-released to acclaim in 2009. Kenneth Cook was born in Sydney in 1929. Wake in Fright was published in 1961 to high praise in New York and London, and launched Cook's writing career. Cook wrote twenty-one books in all, along with screenplays and scripts for radio and TV. Peter Temple is one of Australia's finest writers. His novel Truth won the 2010 Miles Franklin Award and the Victorian Premier's Literary Award. Temple has written nine novels and has been published in more than twenty countries. David Stratton is co-presenter of At the Movies on ABC television and film critic for the Australian. He has also served as a President of the International Critics Jury for the Cannes and Venice Film Festivals, written three books and is currently lecturing in Film History at the University of Sydney. textclassics.com.au 'It might be fifty years since the novel appeared yet it retains its freshness, its narrative still compels, and its bleak vision still disquiets...Cook can make us feel the heat, see the endless horizon, hear the sad singing on a little train as it traverses the monotonous plain.' Peter Temple, from the Introduction 'Wake in Fright deserves its status as a modern classic. Cook's prose is masterful and the story is gripping from the first page to the last.' M. J. Hyland 'A classic novel which became a classic film. The Outback without the sentimental bulldust. Australia without the sugar coating.' Robert Drewe 'Wake in Fright is a classic of the ugly side of Menzies' Australia, its brutality, its drunkenness, its anxiety to crush all sensibility. All of this is harrowingly reacorded - the destruction of a young soul fresh to Australia - in Kenneth Cook's remarkable novel.' Thomas Keneally 'A true dark classic of Australian literature.' J. M. Coetzee '...a kind of outback Lord of the Flies...Written entirely from Grant's point of view, the prose is at first straightforward, the landscape and its people evoked simply and vividly. But later, as Grant descends into his own personal hell and finally to the depths of despair, the writing takes on the quality of a delirious dream. The concluding narrative twists will rock both Grant (and the reader) back on their heels.' Crime Time UK ‘A chilling outback horror and an Australian classic.’ Guardian, Top 10 tales from the frontier
It was Spring Party Day, the best day of the year, So why were the animals trembling with fear? They'd heard growly noises and crept up to see . . . A huge bear asleep in the old hollow tree!
