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One punch will shatter a town. Is anyone ready for the consequences of the truth? Callie Jones is not the kind of girl who gets drunk at school dances, and certainly not now, with her scholarship on the line. And she definitely doesn't hang around with bad boys like Rhett Barker. Especially alone, at night. But these are the circumstances she finds herself in when she witnesses a king hit that lands the town's golden boy in a coma. With his reputation, no one is less surprised than Rhett when he is accused of throwing the punch. But he didn't do it. And he knows Callie saw what really went down. He just has to convince the 'ice princess' to come forward and talk to the police - except, for once, good girl Callie doesn't seem all that interested in telling the truth. Just what is she hiding, and why? Drawn together by secrets, scandal and heartache, Callie and Rhett find themselves getting closer - even as the solution to their problems gets further away.
Attraction is easy... Falling in love can be hard When Hannah meets Sonny, she's irresistibly drawn to him: he's sexy and confident, but only in town on holiday. That's fine with Hannah - she doesn't do long-term relationships. And luckily for her, neither does Sonny. But before they can even so much as kiss, Sonny receives some shocking news and commits to making serious life changes - ones that can't and won't include romance. With even a short fling now off the cards, Hannah and Sonny settle for being friends. But as summer hots up and their chemistry shows no signs of cooling, they start to question their reasons for shutting each other out. Are they both too broken to find love? And if they tear down the walls between them, will they still like what's on the other side? 'Gave me that gorgeous glowing happy feeling you get at the end of a truly uplifting read' BETH O'LEARY, Sunday Times bestselling author of The Flatshare 'So unique and moving. I adored every lovely word!' JOSIE SILVER, bestselling author of One Day in December 'A twisty romance full of Paige's signature passion and feeling. Classic Paige Toon from beginning to end' LINDSEY KELK, Sunday Times bestselling author of the I Heart? series 'Heart-wrenching and uplifting, all in one summery burst' ZOË FOLBIGG, author of The Postcard 'Hilarious, compelling, sexy and warm, with characters so vivid you actually miss them when it's over... Highly recommended’ LUCY VINE, author of Hot Mess Praise for Paige Toon: 'You'll love it, cry buckets and be uplifted' MARIAN KEYES 'Tender, heartbreaking and magical' GIOVANNA FLETCHER 'Heart-warming, wistful and full of joy' LINDSEY KELK ‘Poignant and lovely, warm and wise’ MILLY JOHNSON 'Family secrets, new horizons and a gorgeous continent-crossing romance . . . prepare to be swept away!' LUCY DIAMOND ‘Warm, inspiring, like a holiday mood in book form’ MHAIRI MCFARLANE 'For smart, romantic fiction, look no further than the new book from bestselling Paige Toon' RED 'Achingly romantic and brilliantly written . . . Five Stars!' HEAT 'Simply gorgeous' SUN 'You won't be able to put down this emotional read' CLOSER 'Paige Toon is the queen of will-they/won't-they romance, setting up an ending that will leave you in bits' SUNDAY EXPRESS 'Full of living-in-the-moment and what-might-have-been contrasts, this tender read pulls at the heart strings' FABULOUS
It seemed like a dream. The world had exploded... Summer's ending, Evie's step-father is finally home from the Second World War, and Evie is sick of her glamorous mother treating her like a little girl. Then a mysterious stranger appears: a handsome ex-GI who served in combat with Evie's step-father. Slowly, Evie realizes that she is falling in love with him. But he has dark secrets, and a strange control over her parents. When he is found dead, Evie's world is shattered. Torn between her family and the man she loved, Evie must betray someone. But who? "Gripping ... beautifully paced and told" The Times "You'll be holding your breath as you turn every page" News of the World
What They Saw: Historical Photobooks by Women, 1843-1999 by Russet Lederman,Olga Yatskevich Pdf
What They Saw: Historical Photobooks by Women, 1843 - 1999, 10×10 Photobooks' most recent "book-on-photobooks" anthology in its ongoing examination of photobook history, explores photobooks created by women from photography's beginnings to the dawn of the 21st century. Presenting a diverse geographic and ethnic selection, the anthology interprets the concept of the photobook in the broadest sense possible: classic bound books, portfolios, personal albums, unpublished books, zines and scrapbooks. Some of the books documented are well-known publications such as Anna Atkins' Photographs of British Algae: Cyanotype Impressions (1843-1853), Germaine Krull's Métal (1928) and Diane Arbus: An Aperture Monograph (1972), while other books may be relatively unknown, such as Alice Seeley Harris' The Camera and the Congo Crime (c. 1906), Varvara Stepanova's Groznyi smekh. Okna Rosta (1932), Eslanda Cardozo Goode Robeson's African Journey (1945), Fina Gómez Revenga's Fotografías de Fina Gómez Revenga (1954), Eiko Yamazawa's Far and Near (1962) and Gretta Alegre Sarfaty's Auto-photos: Série transformações-1976: Diário de Uma Mulher-1977 (1978). Also addressed in the publication are the glaring gaps and omissions in current photobook history-in particular, the lack of access, support and funding for photobooks by non-Western women and women of color. Paris Photo–Aperture Foundation Catalogue of the Year Award 2021 Kraszna-Krausz Photography Book Award 2022 Time Magazine 20 Best Photobooks of 2021
"[Joseph Roth] is now recognized as one of the twentieth century's great writers."—Anthony Heilbut, Los Angeles Times Book Review The Joseph Roth revival has finally gone mainstream with the thunderous reception for What I Saw, a book that has become a classic with five hardcover printings. Glowingly reviewed, What I Saw introduces a new generation to the genius of this tortured author with its "nonstop brilliance, irresistible charm and continuing relevance" (Jeffrey Eugenides, New York Times Book Review). As if anticipating Christopher Isherwood, the book re-creates the tragicomic world of 1920s Berlin as seen by its greatest journalistic eyewitness. In 1920, Joseph Roth, the most renowned German correspondent of his age, arrived in Berlin, the capital of the Weimar Republic. He produced a series of impressionistic and political essays that influenced an entire generation of writers, including Thomas Mann and the young Christopher Isherwood. Translated and collected here for the first time, these pieces record the violent social and political paroxysms that constantly threatened to undo the fragile democracy that was the Weimar Republic. Roth, like no other German writer of his time, ventured beyond Berlin's official veneer to the heart of the city, chronicling the lives of its forgotten inhabitants: the war cripples, the Jewish immigrants from the Pale, the criminals, the bathhouse denizens, and the nameless dead who filled the morgues. Warning early on of the dangers posed by the Nazis, Roth evoked a landscape of moral bankruptcy and debauched beauty—a memorable portrait of a city and a time of commingled hope and chaos. What I Saw, like no other existing work, records the violent social and political paroxysms that compromised and ultimately destroyed the precarious democracy that was the Weimar Republic.
Crime blogger, Sheila Sammartino, witnesses a murder, but the police disagree. Sheila knows better, and to prove it she will solve this herself, not just write about it. The small town of Harmony’s number one Internet sensation is crime reporter turned blogger, Sheila Sammartino. Inquisitive, self-conscious and often clumsy in an oddly endearing way, everything is going great for Sheila until she stumbles into a murder mystery, and not as a reporter! She witnesses a newcomer to the neighborhood, Arthur Jones, murdered in the alley next to Harry’s Bagel Shop. The police are quick to call it a mugging gone wrong, but Sheila saw what she saw. With the help of her outspoken former college roommate and her classically handsome new next-door neighbor, this trio take it upon themselves to get all the answers the police refuse to look for. Who was Arthur Jones after all? And who would want to kill him? "Not everything is in harmony in the charming town of Harmony. Former crime reporter Sheila Sammaritino loves asking questions and getting the details of every story. When she witnesses a murder, she becomes part of an uncomfortable story about finding justice and restoring harmony to Harmony. A fast-paced mystery with humor and heart, a great first novel by Tony Garritano." - Mary E. Koppel, popular author of the Denise Reed Mystery Series “A playfully cynical, breezy treatment of murder, intrigue and collaboration by friends to overcome police indifference. A “page turner” written in a consistent and comfortably enjoyable style.” - P.J. Cuccolo, author of LIMULUS and The Shirt Wearer.
“A smart, sensitive, and gripping story about the courage it takes to do what’s right.” —Deb Caletti, National Book Award finalist Critically acclaimed memoirist Aaron Hartzler, author of Rapture Practice, takes an unflinching look at what happens to a small town when some of its residents commit a terrible crime. The party at John Doone's last Saturday night is a bit of a blur. Kate Weston can piece together most of the details: Stacey Stallard handing her shots, Ben Cody taking her keys and getting her home early... But when a picture of Stacey passed out over Deacon Mills's shoulder appears online the next morning, Kate suspects she doesn't have all the details. When Stacey levels charges against four of Kate's classmates, the whole town erupts into controversy. Facts that can't be ignored begin to surface, and every answer Kate finds leads back to the same questions: Who witnessed what happened to Stacey? And what responsibility do they have to speak up about what they saw? This honest, authentic debut novel—inspired by the events in the Steubenville rape case—will resonate with readers who've ever walked that razor-thin line between guilt and innocence that so often gets blurred, one text at a time.
You Don't Know Me, the adaptation of Imran Mahmood's brilliant debut thriller, is currently one of the most screened series on Netflix! LONGLISTED FOR THE THEAKSTON OLD PECULIER CRIME NOVEL OF THE YEAR 2022LONGLISTED FOR THE CWA GOLD DAGGER 2022An impossible crime. A witness no-one wants to believe.'Unforgettable ... A searing take-down of privilege, our unequal society and indeed of traditional crime whodunnits' GILLIAN MCALLISTER'Highly original and deftly plotted, delivering a gut-punch of an ending' SUNDAY EXPRESS'A mesmerising thriller - don't miss this one' T. M. LOGAN________A woman strangled in a Mayfair flat. A man fleeing the scene. Xander Shute saw it all - but the police won't believe someone who lives on the streets. Determined to find justice for the murdered woman, Xander searches for answers. But as his recollection of the crime comes under increasing scrutiny, he is forced to confront other memories, including those from his long-buried, troubled, wealthy past. How much will he risk to understand the brutal truth?________'Intelligent, imaginative and meticulously plotted, this is an author at the top of his game - simply sensational' M. W. CRAVEN'A deftly written and nerve-jangling thriller' HERALD'Clever, mercilessly addictive and deeply thought-provoking, I Know What I Saw blends a dynamite plot with heartfelt characterisation' CHRIS WHITAKER'A white-knuckle ride through the tortuous labyrinth of human memory' CHRIS BROOKMYRE'Mahmood gets deep into the psychology of a damaged man in this unusual novel, and the ending is like a blow to the gut' SUNDAY TIMES'Heart-wrenching and jaw-dropping, I held my breath until the final word' HOLLY SEDDON'Mahmood, following his innovative, breakout hit, You Don't Know Me, once again delivers a twisting narrative full of surprises and blind alleys' VASEEM KHAN'Every bit as fantastic as everyone says. Utterly gripping' THE SECRET BARRISTER'Smart, atmospheric, poignant, and will keep you hooked' SAIMA MIR'A tense literary thriller about the lies we persist in telling ourselves and our inability to escape our damaged pasts - packed with moments of pathos and unexpected humour' SARAH VAUGHAN'Intelligent and thought-provoking, it marks a welcome return for a supremely talented writer' ABIR MUKHERJEE'What an astonishing voice Imran has created for Xander, at once intelligent, resourceful and yet also deeply flawed. I thought the complex plot was handled masterfully, and that double punch at the end was superb' JAMES OSWALDREADERS LOVE I KNOW WHAT I SAW:'I was absolutely gripped from start to finish' 5***** review'A fantastic rollercoaster of a read' 5***** review'I absolutely LOVED this book ... I could not put it down, and read it all in one delicious day-long gulp! A must-read for sure' 5***** review
Which came first--the monster or the myth? Journalist Linda Godfrey investigates present-day encounters with mysterious creatures of old. The monsters of ancient mythology, folklore, and more contemporary urban legend have long captured the popular imagination. While most people in America today relegate monsters to just that--our imaginations--we continue to be fascinated by the unknown. Linda Godfrey is one of the country's leading authorities on modern-day monsters and has interviewed countless eyewitnesses to strange phenomena. Monsters evolve, taking on both new and familiar forms over time and across cultures. In this well-researched book, Godfrey explores uncanny encounters with werewolves, goatmen, Bigfoot, and more. In more than twenty-five years spent "chasing" monsters, Godfrey has found that it often remains unclear whether the sightings are simply mistaken animals, hoaxes, or coincidence. When all the speculation is said and done, one question remains for fans and researchers: Are the creatures "real," or are they entirely "other-world?" Godfrey suspects that it isn't an either/or question--our reality operates on a scale from dense matter to realms the human eye cannot see. As Godfrey investigates unexplained phenomena, her search for answers will fascinate casual observers and enthusiasts alike.
Author : Joseph Roth Publisher : W. W. Norton & Company Page : 232 pages File Size : 50,9 Mb Release : 2002-12-17 Category : History ISBN : 9780393342857
What I Saw: Reports from Berlin 1920-1933 by Joseph Roth Pdf
"[Joseph Roth] is now recognized as one of the twentieth century's great writers."—Anthony Heilbut, Los Angeles Times Book Review The Joseph Roth revival has finally gone mainstream with the thunderous reception for What I Saw, a book that has become a classic with five hardcover printings. Glowingly reviewed, What I Saw introduces a new generation to the genius of this tortured author with its "nonstop brilliance, irresistible charm and continuing relevance" (Jeffrey Eugenides, New York Times Book Review). As if anticipating Christopher Isherwood, the book re-creates the tragicomic world of 1920s Berlin as seen by its greatest journalistic eyewitness. In 1920, Joseph Roth, the most renowned German correspondent of his age, arrived in Berlin, the capital of the Weimar Republic. He produced a series of impressionistic and political essays that influenced an entire generation of writers, including Thomas Mann and the young Christopher Isherwood. Translated and collected here for the first time, these pieces record the violent social and political paroxysms that constantly threatened to undo the fragile democracy that was the Weimar Republic. Roth, like no other German writer of his time, ventured beyond Berlin's official veneer to the heart of the city, chronicling the lives of its forgotten inhabitants: the war cripples, the Jewish immigrants from the Pale, the criminals, the bathhouse denizens, and the nameless dead who filled the morgues. Warning early on of the dangers posed by the Nazis, Roth evoked a landscape of moral bankruptcy and debauched beauty—a memorable portrait of a city and a time of commingled hope and chaos. What I Saw, like no other existing work, records the violent social and political paroxysms that compromised and ultimately destroyed the precarious democracy that was the Weimar Republic.
I Saw, We Saw (Djamarrkuli'wu Yolgnumurru Dhäruk) by Ann James,Ann Haddon Pdf
I Saw, We Saw. But who did the seeing and what did they see?The answer to that question is to be found by pouring over the pages of this gorgeously illustrated book. And just to make it a little more interesting, a key word is in Yolgnu Matha, the first language of the student authors of this book. Intrigued? Take a look inside and delve into the world of the Yolgnu students at Nhulunbuy Primary School.Every page is a delight and by the end not only will you have worked out who saw what, but you will have also learned some Yolgnu Matha along the way. What better way to celebrate UNESCO's Year of Indigenous Languages!
Maggie Dempsey is tired of moving all over the country. Her parents are second-generation hippies who uproot her every year or so to move to a new city. When Maggie was younger, she thought it was fun and adventurous. Now that she’s a teenager, she hates it. When she moved after her freshman year, she left behind good friends, a great school, and a real feeling of belonging. When she moved her sophomore year, she left behind a boyfriend, too. Now that they’ve moved to Austin, she knows better. She’s not going to make friends. She’s not going to fit in. Anything to prevent her from liking this new place and them from liking her. Only . . . things don’t go exactly as planned.
Ollie doesn't see things the same way everybody else does (and he certainly doesn't see things the same way his older sister does). Instead of cars in traffic, Ollie sees a circus parade. Instead of cows grazing in a field, Ollie sees deadly bison with sharp horns and hooves. And at school, instead of letters on the board, Ollie sees birds with pointy beaks, and fish with flapping tails in the big blue sea. Ollie knows he doesn't need glasses, because he likes the world better the way he sees it. But will his parents and bossy sister see things his way?
They All Saw A Cat — New York Times bestseller and 2017 Caldecott Medal and Honor Book The cat walked through the world, with its whiskers, ears, and paws . . . In this glorious celebration of observation, curiosity, and imagination, Brendan Wenzel shows us the many lives of one cat, and how perspective shapes what we see. When you see a cat, what do you see? If you and your child liked The Girl Who Drank the Moon, Finding Winnie, and Radiant Child — you'll love They All Saw A Cat "An ingenious idea, gorgeously realized." —Shelf Awareness, starred review "Both simple and ingenious in concept, Wenzel's book feels like a game changer." —The Huffington Post