Where Is The Voice Coming From

Author : Anonim
Publisher : BRILL
Page : 290 pages
File Size : 40,5 Mb
Release : 2021-10-18
Category : Literary Criticism
ISBN : 9789004487154

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Where Are the Voices Coming From? by Anonim Pdf

This collection of essays focuses on Canadian history and its legacies as represented in novels and films in English and French, produced in Canada mainly in the 1980s and 1990s. The approach is both cross-cultural and interdisciplinary, aiming at articulating Canadian differences through a comparison of anglophone and francophone cultures, illustrated by works treating some of the different groups which make up Canadian society – English-Canadian, Québecois, Acadian, Native, and ethnic minorities. The emphasis is on the problematic representation of Canadianness, which is closely bound up with constructions of history and its legacies – dispossession, criminality, nomadism, Gothicism, the Maritime. The English/French language difference is emblematic of Canadian difference; the two-part arrangement, with one section on Literature and the other on Film, sets up the pattern of relationships between the two forms of cultural representation that these essays explore. Essays in the Literature section are on single texts by such writers as: Margaret Atwood, Tomson Highway, Ann-Marie MacDonald, Anne Michaels, and Alice Munro; Gabrielle Roy, Anne Hébert, Antonine Maillet, Bernard Assiniwi, and Régine Robin. The Film section with its mirror structure both supplements and amplifies this dialogue, extending notions of Canadianness with its emphasis on voices from Quebec and Acadia traditionally ‘othered’ in Canadian history. Filmmakers treated include: Phillip Borsos, Atom Egoyan, Ted Kotcheff, Mort Ransen, and Vincent Ward; Denys Arcand, Gilles Carle, Alanis Obomsawin, Léa Pool, and Jacques Savoie.

Author : Penelope Van Toorn
Publisher : University of Alberta
Page : 282 pages
File Size : 40,7 Mb
Release : 1995
Category : Literary Criticism
ISBN : 0888642652

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Rudy Wiebe and the Historicity of the Word by Penelope Van Toorn Pdf

In an entertaining re-examination of Rudy Wiebe's major novels, Penny van Toorn presents a completely new way of reading one of Canada's foremost contemporary writers. She analyzes Wiebe's struggle to control the "socially contested territory" of language, and identifies the principles that underlie his complex narrative structures.

Author : Rudy Wiebe
Publisher : Unknown
Page : 172 pages
File Size : 48,5 Mb
Release : 1974
Category : Fiction
ISBN : UOM:39015019772261

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Where is the Voice Coming From? by Rudy Wiebe Pdf

Author : Reingard M. Nischik
Publisher : Camden House
Page : 442 pages
File Size : 55,8 Mb
Release : 2007
Category : Literary Criticism
ISBN : 1571131272

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The Canadian Short Story by Reingard M. Nischik Pdf

Beginning in the 1890s, reaching its first full realization by modernist writers in the 1920s, and brought to its heyday during the Canadian Renaissance starting in the 1960s, the short story has become Canada's flagship genre. It continues to attract the country's most accomplished and innovative writers today, among them Margaret Atwood, Mavis Gallant, Alice Munro, Carol Shields, and many others. Yet in contrast to the stature and popularity of the genre and the writers who partake in it, surprisingly little literary criticism and theory has been devoted to the Canadian short story. This collection redresses that imbalance by providing the first collection of critical interpretations of a range of thirty well-known and often-anthologized Canadian short stories from the genre's beginnings through the twentieth century. A historical survey of the genre introduces the volume and a timeline comparing the genre's development in Canada, the US, and Great Britain via representative examples completes it. The collection is geared both to specialists in and to students of Canadian literature. For the latter it is of particular benefit that the volume provides not only a collection of interpretations, but a comprehensive introduction to the history of the Canadian short story. Reingard M. Nischik is professor and chair of American Literature at the University of Constance, Germany.

Author : Factory Theatre Lab Archives,Rudy Wiebe,Cheryl Cashman
Publisher : Unknown
Page : 128 pages
File Size : 54,6 Mb
Release : 1978
Category : Electronic
ISBN : OCLC:627440939

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Where is the Voice Coming From? by Factory Theatre Lab Archives,Rudy Wiebe,Cheryl Cashman Pdf

Author : Rudy Wiebe
Publisher : Unknown
Page : 170 pages
File Size : 45,8 Mb
Release : 1974
Category : Fiction
ISBN : STANFORD:36105036408743

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Where is the Voice Coming From? by Rudy Wiebe Pdf

Author : Jordan J. Dominy
Publisher : Univ. Press of Mississippi
Page : 190 pages
File Size : 51,8 Mb
Release : 2020-01-27
Category : Literary Criticism
ISBN : 9781496826442

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Southern Literature, Cold War Culture, and the Making of Modern America by Jordan J. Dominy Pdf

During the Cold War, national discourse strove for unity through patriotism and political moderation to face a common enemy. Some authors and intellectuals supported that narrative by casting America’s complicated history with race and poverty as moral rather than merely political problems. Southern Literature, Cold War Culture, and the Making of Modern America examines southern literature and the culture within the United States from the period just before the Cold War through the civil rights movement to show how this literature won a significant place in Cold War culture and shaped the nation through the time of Hillbilly Elegy. Tackling cultural issues in the country through subtext and metaphor, the works of authors like William Faulkner, Lillian Smith, Robert Penn Warren, Eudora Welty, Ralph Ellison, Alice Walker, and Walker Percy redefined “South” as much more than a geographical identity within an empire. The “South” has become a racially coded sociopolitical and cultural identity associated with white populist conservatism that breaks geographical boundaries and, as it has in the past, continues to have a disproportionate influence on the nation’s future and values.

Author : Ralph C. Wood
Publisher : Wm. B. Eerdmans Publishing
Page : 296 pages
File Size : 43,6 Mb
Release : 2005-05-02
Category : Fiction
ISBN : 0802829996

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Flannery O'Connor and the Christ-Haunted South by Ralph C. Wood Pdf

For those looking to deepen their appreciation of Flannery O'Connor, Wood shows how this literary icon's stories, novels, and essays impinge on America's cultural and ecclesial condition.

Author : Margaret Earley Whitt
Publisher : University of Georgia Press
Page : 372 pages
File Size : 54,7 Mb
Release : 2006
Category : Fiction
ISBN : 0820327999

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Short Stories of the Civil Rights Movement by Margaret Earley Whitt Pdf

During the civil rights era, masses of people marched in the streets, boycotted stores, and registered to vote. Others challenged racism in ways more solitary but no less life changing. These twenty-three stories give a voice to the nameless, ordinary citizens without whom the movement would have failed. From bloody melees at public lunch counters to anxious musings at the family dinner table, the diverse experiences depicted in this anthology make the civil rights movement as real and immediate as the best histories and memoirs. Each story focuses on a particular, sometimes private, moment in the historic struggle for social justice in America. Events have a permanent effect on characters, like the white girl in "Spring Is Now" who must sort through her feelings about the only black boy in her school, or the black preacher in "The Convert" who tells a friend, "This thing of being a man . . . The Supreme Court can't make you a man. The NAACP can't do it. God Almighty can do a lot, but even He can't do it. Ain't nobody can do it but you." If a character survives--and some do not--the event can become a turning point, a vision for a better world. The sections into which the stories are grouped parallel the news headlines of the day: School Desegregation (1954 on), Sit-ins (1960 on), Marches and Demonstrations (1963 on), and Acts of Violence. In the last section, Retrospective, characters look back on their personal involvement with the movement. Twenty writers--eleven black and nine white--are represented in the collection. Ten stories were written during the 1960s. That the others were written long after the movement's heyday suggests the potency of that time as a continuing source of creative inspiration.

Author : Harriet Pollack
Publisher : University of Georgia Press
Page : 287 pages
File Size : 45,9 Mb
Release : 2013-01-01
Category : Literary Criticism
ISBN : 9780820344324

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Eudora Welty, Whiteness, and Race by Harriet Pollack Pdf

Faced with Eudora Welty's preference for the oblique in literary performances, some have assumed that Welty was not concerned with issues of race, or even that she was perhaps ambivalent toward racism. This collection counters those assumptions as it examines Welty's handling of race, the color line, and Jim Crow segregation and sheds new light on her views about the patterns, insensitivities, blindness, and atrocities of whiteness. Contributors to this volume show that Welty addressed whiteness and race in her earliest stories, her photography, and her first novel, Delta Wedding. In subsequent work, including The Golden Apples, The Optimist's Daughter, and her memoir, One Writer's Beginnings, she made the color line and white privilege visible, revealing the gaping distances between lives lived in shared space but separated by social hierarchy and segregation. Even when black characters hover in the margins of her fiction, they point readers toward complex lives, and the black body is itself full of meaning in her work. Several essays suggest that Welty represented race, like gender and power, as a performance scripted by whiteness. Her black characters in particular recognize whiteface and blackface as performances, especially comical when white characters are unaware of their role play. Eudora Welty, Whiteness, and Race also makes clear that Welty recognized white material advantage and black economic deprivation as part of a cycle of race and poverty in America and that she connected this history to lives on either side of the color line, to relationships across it, and to an uneasy hierarchy of white classes within the presumed monolith of whiteness. Contributors: Mae Miller Claxton, Susan V. Donaldson, Julia Eichelberger, Sarah Ford, Jean C. Griffith, Rebecca Mark, Suzanne Marrs, Donnie McMahand, David McWhirter, Harriet Pollack, Keri Watson, Patricia Yaeger.

Author : Annette Trefzer,Jay Watson,James G. Thomas Jr.
Publisher : Univ. Press of Mississippi
Page : 165 pages
File Size : 42,7 Mb
Release : 2024-06-20
Category : Literary Criticism
ISBN : 9781496851109

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Faulkner, Welty, Wright by Annette Trefzer,Jay Watson,James G. Thomas Jr. Pdf

Contributions by Anita DeRouen, Susan V. Donaldson, Julia Eichelberger, W. Ralph Eubanks, Sarah Gilbreath Ford, Bernard T. Joy, John Wharton Lowe, Anne MacMaster, Rebecca Mark, Suzanne Marrs, Donnie McMahand, Kevin Murphy, Harriet Pollack, Annette Trefzer, Jay Watson, and Ryoichi Yamane Working closely in each other’s orbit in Mississippi, William Faulkner, Eudora Welty, and Richard Wright created lasting portraits of southern culture, each from a distinctly different vantage point. Taking into consideration their personal, political, and artistic ways of responding to the histories and realities of their time and place, Faulkner, Welty, Wright: A Mississippi Confluence offers comparative scholarship that forges new connections—or, as Welty might say, traces new confluences—across texts, authors, identities, and traditions. In the collection, contributors discuss Faulkner’s Light in August; Sanctuary; Go Down, Moses; As I Lay Dying; “A Rose for Emily”; and “That Evening Sun”; Welty’s One Writer’s Beginnings; One Time, One Place; The Optimist’s Daughter; Losing Battles; “Why I Live at the P.O.”; “Livvie”; “Moon Lake”; “The Burning”; “Where Is the Voice Coming From?”; and “The Demonstrators”; and Wright’s Native Son; The Long Dream; 12 Million Black Voices; Black Boy; Lawd Today!; “The Man Who Lived Underground”; “The Ethics of Living Jim Crow”; and “Long Black Song.” Acknowledging that Mississippi ground was never level for any of the three writers, the fourteen essays in this volume turn from the familiar strategies of single-author criticism toward a mode of analysis more receptive to the fluid mergings of creative currents, placing Wright, Welty, and Faulkner in comparative relationship to each other as well as to other Mississippi writers such as Margaret Walker, Lewis Nordan, Natasha Trethewey, Jesmyn Ward, Steve Yarbrough, and Kiese Laymon. Doing so deepens and enriches our understanding of these literary giants and the Mississippi modernism they made together.

Author : Sophie McCall
Publisher : UBC Press
Page : 270 pages
File Size : 42,5 Mb
Release : 2011-05-15
Category : Social Science
ISBN : 9780774859936

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First Person Plural by Sophie McCall Pdf

In this innovative exploration, told-to narratives, or collaboratively produced texts by Aboriginal storytellers and (usually) non-Aboriginal writers, are not romanticized as unmediated translations of oral documents, nor are they dismissed as corruptions of original works. Rather, the approach emphasizes the interpenetration of authorship and collaboration. Focused on the 1990s, when debates over voice and representation were particularly explosive, this captivating study examines a range of told-to narratives in conjunction with key political events that have shaped the struggle for Aboriginal rights to reveal how these narratives impact larger debates about Indigenous voice and literary and political sovereignty.

Author : Janne Korkka
Publisher : Rodopi
Page : 315 pages
File Size : 49,7 Mb
Release : 2013-09-01
Category : Literary Criticism
ISBN : 9789401209793

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Ethical Encounters by Janne Korkka Pdf

The problems of knowing and representing the other are acute every time we encounter a text as writers or readers. Ethical Encounters engages with the representation of encounters with alterity in the writings of the Canadian author Rudy Wiebe. Drawing on Emmanuel Levinas’s philosophy on the ethics of encountering the other, the book argues that Wiebe’s writings show that the self’s knowledge offers an inadequate basis for ethically valid representations of those encounters. In the search for ethical ways of engaging with alterity, Wiebe’s writings offer new ways of employing silence and the presence of the unknowable as means to explore encounters with alterity. Ethical Encounters shows that dividing Wiebe’s work into two sharply distinct categories of ‘Mennonite’ and ‘First Nations’ writings overlooks important connections between the author’s central works and may seriously hinder the interrogation of narrative engagement with alterity. While such human encounters resonate against ethical strategies of representation, the greatest challenge for the ethics of encounter in Wiebe’s texts arises in encounters with the alterity of space. Ethical Encounters engages with both physical and narrative spaces which are not permanently fixed in landscape or geography, or in human perceptions of place, arguing that the most radical expressions of alterity in Wiebe’s writings emerge in encounters with the spaces of the Canadian North. The study raises questions about the relationship between the self and the other as they concern knowing: what does the self know when it claims to know another person or space? How does the narrating self negotiate the seeming collapse of its own knowledge when it encounters others whose stories cannot be known? Ethical Encounters casts new light not just on Wiebe’s writings but also on how we as authors and readers engage with expressions of alterity which refuse to be transformed into familiar, knowable forms. Janne Korkka is post-doctoral researcher and coordinator of the North American Studies programme in the Department of English, University of Turku, Finland. His main research interests lie in the problems of representing space and encountering alterity in Canadian writing. He is co-editor of Seeking the Self – Encountering the Other: Diasporic Narrative and the Ethics of Representation (2008). He teaches Canadian and postcolonial literatures and North American Studies, and publishes mainly on Canadian writing.

Author : Joyce Carol Oates
Publisher : Oxford University Press, USA
Page : 788 pages
File Size : 52,9 Mb
Release : 1992
Category : Fiction
ISBN : 0195092627

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The Oxford Book of American Short Stories by Joyce Carol Oates Pdf

This volume offers a survey of American short fiction in 59 tales that combine classic works with 'different, unexpected gems', which invite readers to explore a wealth of important pieces by women and minority writers. Authors include: Amy Tan, Alice Adams, David Leavitt and Tim O'Brien.

Author : Suzanne Marrs
Publisher : LSU Press
Page : 308 pages
File Size : 50,7 Mb
Release : 2002-09-01
Category : Literary Criticism
ISBN : 0807128414

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One Writer's Imagination by Suzanne Marrs Pdf

In One Writer's Imagination, Suzanne Marrs draws upon nearly twenty years of conversations, interviews, and friendship with Eudora Welty to discuss the intersections between biography and art in the Pulitzer Prize winner's work. Through an engaging chronological and comprehensive reading of the Welty canon, Marrs describes the ways Welty's creative process transformed and transfigured fact to serve the purposes of fiction. She points to the sparks that lit Welty's imagination -- an imagination that thrived on polarities in her personal life and in society at large. Marrs offers new evidence of the role Welty's mother, circle of friends, and community played in her development as a writer and analyzes the manner in which her most heartfelt relationships -- including her romance with John Robinson -- inform her work. She charts the profound and often subtle ways Welty's fiction responded to the crucial historical episodes of her time -- notably the Great Depression, World War II, and the civil rights movement -- and the writer's personal reactions to war, racism, poverty, and the political issues of her day. In doing so, Marrs proves Welty to be a much more political artist than has been conventionally thought. Scrutinizing drafts of Welty's work, Marrs reveals an evolving pattern of revision increasingly significant to the author's thematic concerns and precision of style. Welty's achievement, Marrs explains, confirms theories of creativity even as it transcends them, remaining in its origins somewhat mysterious. Marrs's relationship to Eudora Welty as a friend, scholar, and archivist -- with access to private papers and restricted correspondence -- makes her a unique authority on Welty's forty-year career. The eclectic approach of her study speaks to the exhilarating power of imagination Welty so thoroughly enjoyed in the act of writing.