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Author : Anonim
Publisher : Unknown
Page : 84 pages
File Size : 40,9 Mb
Release : 1865
Category : Electronic
ISBN : BSB:BSB10748055
Author : William John Mahar
Publisher : University of Illinois Press
Page : 476 pages
File Size : 51,5 Mb
Release : 1999
Category : History
ISBN : 0252066960
The songs, dances, jokes, parodies, spoofs, and skits of blackface groups such as the Virginia Minstrels and Buckley's Serenaders became wildly popular in antebellum America. Behind the Burnt Cork Mask not only explores the racist practices of these entertainers but considers their performances as troubled representations of ethnicity, class, gender, and culture in the nineteenth century. William J. Mahar's unprecedented archival study of playbills, newspapers, sketches, monologues, and music engages new sources previously not considered in twentieth-century scholarship. More than any other study of its kind, Behind the Burnt Cork Mask investigates the relationships between blackface comedy and other Western genres and traditions; between the music of minstrel shows and its European sources; and between "popular" and "elite" constructions of culture. By locating minstrel performances within their complex sites of production, Mahar offers a significant reassessment of the historiography of the field. Behind the Burnt Cork Mask promises to redefine the study of blackface minstrelsy, charting new directions for future inquiries by scholars in American studies, popular culture, and musicology.
Author : Harper & Brothers
Publisher : Unknown
Page : 394 pages
File Size : 48,8 Mb
Release : 1848
Category : Electronic
ISBN : HARVARD:HX1575
Author : George Christy
Publisher : Unknown
Page : 448 pages
File Size : 50,7 Mb
Release : 1854
Category : Black people
ISBN : COLUMBIA:0022191860
Author : Department of English University of Virginia Eric Lott Associate Professor
Publisher : Oxford University Press, USA
Page : 332 pages
File Size : 48,9 Mb
Release : 1993-10-28
Category : Minstrel shows
ISBN : 9780199762248
For over two centuries, America has celebrated the very black culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show sometimes usefully intensified them. Based on the appropriation of black dialect, music, and dance, minstrelsy at once applauded and lampooned black culture, ironically contributing to a "blackening of America." Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear--a dialectic of "love and theft"--the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Lott exposes minstrelsy as a signifier for multiple breaches: the rift between high and low cultures, the commodification of the dispossessed by the empowered, the attraction mixed with guilt of whites caught in the act of cultural thievery.
Author : Eric Lott
Publisher : Oxford University Press
Page : 342 pages
File Size : 49,9 Mb
Release : 2013-09-12
Category : History
ISBN : 9780195320558
Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War.
Author : Alexander Saxton
Publisher : Verso
Page : 424 pages
File Size : 50,7 Mb
Release : 2003
Category : History
ISBN : 1859844677
Saxton asks why white racism remained an ideological force in America long after the need to justify slavery and Western conquest had disappeared.
Author : Michael Rembis,Catherine J. Kudlick,Kim Nielsen
Publisher : Oxford University Press
Page : 640 pages
File Size : 44,8 Mb
Release : 2018-06-19
Category : Medical
ISBN : 9780190234966
Disability history exists outside of the institutions, healers, and treatments it often brings to mind. It is a history where disabled people live not just as patients or cure-seekers, but rather as people living differently in the world--and it is also a history that helps define the fundamental concepts of identity, community, citizenship, and normality. The Oxford Handbook of Disability History is the first volume of its kind to represent this history and its global scale, from ancient Greece to British West Africa. The twenty-seven articles, written by thirty experts from across the field, capture the diversity and liveliness of this emerging scholarship. Whether discussing disability in modern Chinese cinema or on the American antebellum stage, this collection provides new and valuable insights into the rich and varied lives of disabled people across time and place.
Author : William A. Blair
Publisher : UNC Press Books
Page : 155 pages
File Size : 54,6 Mb
Release : 2011-03-01
Category : History
ISBN : 9780807852590
The University of North Carolina Press and the George and Ann Richards Civil War Era Center at the Pennsylvania State University are pleased to announce the launch of The Journal of the Civil War Era. William Blair, of the Pennsylvania State University, serves as founding editor. The journal takes advantage of the flowering of research on the many issues raised by the sectional crisis, war, Reconstruction, and memory of the conflict, while bringing fresh understanding to the struggles that defined the period, and by extension, the course of American history in the nineteenth century. The Journal of the Civil War Era aims to create a space where scholars across the many subfields that animate nineteenth-century history can enter into conversation with each other. Table of Contents for this issue, Volume One, Number One: Editor's Note William Blair Welcome to the New Journal Articles Edward L. Ayers and Scott Nesbit Seeing Emancipation: Scale and Freedom in the American South Melinda Lawson Imagining Slavery: Representations of the Peculiar Institution on the Northern Stage, 1776-1860 LeeAnn Whites Forty Shirts and a Wagonload of Wheat: Women, the Domestic Supply Line, and the Civil War on the Western Border Review Essay Douglas R. Egerton Rethinking Atlantic Historiography in a Post-Colonial Era: The Civil War in a Global Perspective Book Reviews Books Received Professional Notes Aaron Sheehan-Dean The Nineteenth-Century U.S. History Job Market, 2000-2009
Author : Carleton Mabee,Susan Mabee Newhouse
Publisher : NYU Press
Page : 327 pages
File Size : 54,7 Mb
Release : 1995-03
Category : Biography & Autobiography
ISBN : 9780814755259
Using original sources, Mabee and Newhouse construct a biography of Truth that seeks to shed the myths that have grown up around her. Though serving a positive function, these myths, they say, distort perceptions about the history of blacks and women in America. While they preserve her reputation as a leader and visionary, they burst some bubbles--among them, the authenticity of the famous "Ar'n't I A Woman?" speech. Annotation copyright by Book News, Inc., Portland, OR
Author : Dan Gutstein
Publisher : Univ. Press of Mississippi
Page : 223 pages
File Size : 45,9 Mb
Release : 2023-12-15
Category : Music
ISBN : 9781496849366
Poor Gal: The Cultural History of Little Liza Jane chronicles the origins and evolution of a folk tune beloved by millions worldwide. Dan Gutstein delves into the trajectory of the “Liza Jane” family of songs, including the most popular variant “Li’l Liza Jane.” Likely originating among enslaved people on southern plantations, the songs are still performed and recorded centuries later. Evidence for these tunes as part of the repertoire of enslaved people comes from the Works Progress Administration ex-slave narratives that detail a range of lyrics and performance rituals related to “Liza Jane.” Civil War soldiers and minstrel troupes eventually adopted certain variants, including “Goodbye Liza Jane.” This version of the song prospered in the racist environment of burnt cork minstrelsy. Other familiar variants, such as “Little Liza Jane,” likely remained fixed in folk tradition until early twentieth-century sheet music popularized the melody. New genres and a slate of stellar performers broadly adopted these folk songs, bringing the tunes to far-reaching listeners. In 1960, to an audience of more than thirty million viewers, Harry Belafonte performed “Little Liza Jane” on CBS. The song was featured on such popular radio shows as Fibber McGee & Molly; films such as Coquette; and a Mickey Mouse animation. Hundreds of recognizable performers—including Fats Domino, Bing Crosby, Nina Simone, Mississippi John Hurt, and Pete Seeger—embraced the “Liza Jane” family. David Bowie even released “Liza Jane” as his first single. Gutstein documents these famous renditions, as well as lesser-known characters integral to the song’s history. Drawing upon a host of cultural insights from experts—including Eileen Southern, Carl Sandburg, Thomas Talley, LeRoi Jones/Amiri Baraka, Charles Wolfe, Langston Hughes, and Alan Lomax—Gutstein charts the cross-cultural implications of a voyage unlike any other in the history of American folk music.
Author : Anonim
Publisher : University of Georgia Press
Page : 325 pages
File Size : 41,8 Mb
Release : 1992-03-01
Category : Music
ISBN : 9780820323893
A valuable collection of folk music and lore from the Gullah culture, Slave Songs of the Georgia Sea Islands preserves the rich traditions of slave descendants on the barrier islands of Georgia by interweaving their music with descriptions of their language, religious and social customs, and material culture. Collected over a period of nearly twenty-five years by Lydia Parrish, the sixty folk songs and attendant lore included in this book are evidence of antebellum traditions kept alive in the relatively isolated coastal regions of Georgia. Over the years, Parrish won the confidence of many of the African-American singers, not only collecting their songs but also discovering other elements of traditional culture that formed the context of those songs. When it was first published in 1942, Slave Songs of the Georgia Sea Islands contained much material that had not previously appeared in print. The songs are grouped in categories, including African survival songs; shout songs; ring-play, dance, and fiddle songs; and religious and work songs. In additions to the lyrics and melodies, Slave Songs includes Lydia Parrish's explanatory notes, character sketches of her informants, anecdotes, and a striking portfolio of photographs. Reproduced in its original oversized format, Slave Songs of the Georgia Sea Islands will inform and delight students and scholars of African-American culture and folklore as well as folk music enthusiasts.
Author : E. Nathaniel Gates
Publisher : Taylor & Francis
Page : 378 pages
File Size : 51,5 Mb
Release : 1997
Category : Law
ISBN : 0815326025
Explores the concept of "race" The term "race," which originally denoted genealogical or class identity, has in the comparatively brief span of 300 years taken on an entirely new meaning. In the wake of the Enlightenment it came to be applied to social groups. This ideological transformation coupled with a dogmatic insistence that the groups so designated were natural, and not socially created, gave birth to the modern notion of "races" as genetically distinct entities. The results of this view were the encoding of "race" and "racial" hierarchies in law, literature, and culture. How "racial" categories facilitate social control The articles in the series demonstrate that the classification of humans according to selected physical characteristics was an arbitrary decision that was not based on valid scientific method. They also examine the impact of colonialism on the propagation of the concept and note that "racial" categorization is a powerful social force that is often used topromote the interests of dominant social groups. Finally, the collection surveys how laws based on "race" have been enacted around the world to deny power to minority groups. A multidisciplinary resource This collection of outstanding articles brings multiple perspectives to bear on race theory and draws on a wider ranger of periodicals than even the largest library usually holds. Even if all the articles were available on campus, chances are that a student would have to track them down in several libraries and microfilm collections. Providing, of course, that no journals were reserved for graduate students, out for binding, or simply missing. This convenient set saves students substantial time and effort by making available all the key articles in one reliable source. Authoritative commentary The series editor has put together a balanced selection of the most significant works, accompanied by expert commentary. A general introduction gives important background informationand outlines fundamental issues, current scholarship, and scholarly controversies. Introductions to individual volumes put the articles in context and draw attention to germinal ideas and major shifts in the field. After reading the material, even a beginning student will have an excellent grasp of the basics of the subject. Also available individually by volume, 1. The Concept of "Race" in Natural and Social Science (0-8153-2600-9) 288 pages. 2. Cultural and Literary Critiques of the Concepts of "Race" (0-8153-2601-7) 3. Racial Classification and History (0-8153-2602-5) 4. The Judicial Isolation of the "Racially" Oppressed (0-8153-2599-1)
Author : Lucy Maddox
Publisher : JHU Press
Page : 458 pages
File Size : 43,8 Mb
Release : 1999
Category : History
ISBN : 0801860563
This collection of 17 esays first printed in "American Quarterly", the journal of the American Studies Association. To mark the Association's 50th anniversary in 1998, the editor has brought together works by a group of scholars which she believes provide a window into the history and evolution of the practice of American studies. Each essay, originally published between 1950 and 1996 is accompanied by a commentary in which a scholar from a related field provides critical information for understanding the continuing importance of the work to the American Studies field. Contributors include: Gene Wise; Henry Nash Smith; Barbara Welter; Alexander Saxton; and Kevin Mumford.
Author : Caleb Fiske Harris
Publisher : Unknown
Page : 192 pages
File Size : 48,6 Mb
Release : 1874
Category : American drama
ISBN : UCAL:$B226723