William Levi Dawson

Author : Mark Hugh Malone
Publisher : Univ. Press of Mississippi
Page : 233 pages
File Size : 54,8 Mb
Release : 2023-04-17
Category : Biography & Autobiography
ISBN : 9781496844835

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William Levi Dawson by Mark Hugh Malone Pdf

William Levi Dawson (1899–1990) overcame adversity and Jim Crow racism to become a nationally recognized composer, choral arranger, conductor, and professor of music. In William Levi Dawson: American Music Educator, Mark Hugh Malone tells the fascinating tale of Dawson’s early life, quest for education, rise to success at the Tuskegee Institute, achievement of national notoriety as a composer, and retirement years spent conducting choirs throughout the US and world. From his days as a student at Tuskegee in the final years of Booker T. Washington’s presidency, Dawson continually pursued education in music, despite racial barriers to college admission. Returning to Tuskegee later in life, he became director of the School of Music. Under his direction, the Tuskegee Choir achieved national recognition by singing at Radio City Music Hall, presenting concerts for Presidents Herbert Hoover and Franklin D. Roosevelt, and performing on nationwide radio and television broadcasts. Dawson’s Negro Folk Symphony, only the second extended musical work to be written by an African American, was premiered by Leopold Stokowski and the Philadelphia Orchestra in both Philadelphia and New York City. Dawson’s arrangements of spirituals, the original folk music of African Americans enslaved in America during the antebellum period, quickly became highly sought-after choral works. This biographical account of Dawson's life is narrated with a generous sprinkling of his personal memories and photographs.

Author : Mark Hugh Malone
Publisher : Univ. Press of Mississippi
Page : 172 pages
File Size : 43,6 Mb
Release : 2023-03-24
Category : Biography & Autobiography
ISBN : 9781496844842

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William Levi Dawson by Mark Hugh Malone Pdf

William Levi Dawson (1899–1990) overcame adversity and Jim Crow racism to become a nationally recognized composer, choral arranger, conductor, and professor of music. In William Levi Dawson: American Music Educator, Mark Hugh Malone tells the fascinating tale of Dawson’s early life, quest for education, rise to success at the Tuskegee Institute, achievement of national notoriety as a composer, and retirement years spent conducting choirs throughout the US and world. From his days as a student at Tuskegee in the final years of Booker T. Washington’s presidency, Dawson continually pursued education in music, despite racial barriers to college admission. Returning to Tuskegee later in life, he became director of the School of Music. Under his direction, the Tuskegee Choir achieved national recognition by singing at Radio City Music Hall, presenting concerts for Presidents Herbert Hoover and Franklin D. Roosevelt, and performing on nationwide radio and television broadcasts. Dawson’s Negro Folk Symphony, only the second extended musical work to be written by an African American, was premiered by Leopold Stokowski and the Philadelphia Orchestra in both Philadelphia and New York City. Dawson’s arrangements of spirituals, the original folk music of African Americans enslaved in America during the antebellum period, quickly became highly sought-after choral works. This biographical account of Dawson's life is narrated with a generous sprinkling of his personal memories and photographs.

Author : United States. Congress. House. Committee on Government Operations. Special Studies Subcommittee
Publisher : Unknown
Page : 24 pages
File Size : 48,8 Mb
Release : 1970
Category : People with social disabilities
ISBN : MINN:31951P00382078Z

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William L. Dawson's Programs to Help the Disadvantaged by United States. Congress. House. Committee on Government Operations. Special Studies Subcommittee Pdf

Author : United States. Congress. House. Government Operations
Publisher : Unknown
Page : 20 pages
File Size : 51,8 Mb
Release : 1970
Category : Electronic
ISBN : STANFORD:36105119632201

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William L. Dawson's Programs to Help the Disadvantaged by United States. Congress. House. Government Operations Pdf

Author : Anonim
Publisher : Government Printing Office
Page : 814 pages
File Size : 55,8 Mb
Release : 2008-10-03
Category : Biography & Autobiography
ISBN : MINN:31951D01925971W

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Black Americans in Congress, 1870-2007 by Anonim Pdf

Black Americans in Congress, 1870-2007 provides a comprehensive history of the more than 120 African Americans who have served in the United States Congress from 1870 through 2007. Individual profiles are introduced by contextual essays that explain major events in congressional and U.S. history. Illustrated with many portraits, photographs, and charts. House Document 108-224. 3d edition. Edited by Matthew Wasniewski. Paperback edition. Questions that are answered include: How many African Americans have served in the U.S. Congress? How did Reconstruction, the Great Migration, and the post-World War II civil rights movement affect black Members of Congress? Who was the first African American to chair a congressional committee? Read about: Pioneers who overcame racial barriers, such as Oscar De Priest of Illinois, the first African American elected to Congress in the 20th century, and Shirley Chisholm of New York, the first black CongresswomanMasters of institutional politics, such as Augustus "Gus" Hawkins of California, Louis Stokes of Ohio, and Julian Dixon of CaliforniaNotables such as Civil War hero Robert Smalls of South Carolina, civil rights champion Adam Clayton Powell, Jr., of New York, and constitutional scholar Barbara Jordan of TexasAnd many more. Black Americans in Congress also includes: Pictures-including rarely seen historical images-of each African American who has served in CongressBibliographies and references to manuscript collections for each MemberStatistical graphs and chartsA comprehensive index Other related products: African Americans resources collection can be found here: https://bookstore.gpo.gov/catalog/african-americans Biographical Directory of the United States Congress, 1774-2005 can be found here: https://bookstore.gpo.gov/products/sku/052-071-01418-7 Women in Congress, 1917-2006 --Hardcover format can be found here: https://bookstore.gpo.gov/products/sku/052-070-07480-9 United States Congressional Serial Set, Serial No. 14903, House Document No. 223, Women in Congress, 1917-2006 is available here: https://bookstore.gpo.gov/products/sku/552-108-00040-0 Hispanic Americans in Congress, 1822-2012 --Print Hardcover format can be found here: https://bookstore.gpo.gov/products/sku/052-071-01563-9 --Print Paperback format can be found here: https://bookstore.gpo.gov/products/sku/052-071-01567-1 --ePub format available for Free download is available here: https://bookstore.gpo.gov/products/sku/052-300-00008-8 --MOBI format is available for Free download here: https://bookstore.gpo.gov/products/sku/052-300-00010-0

Author : Maud Cuney-Hare
Publisher : Library of Alexandria
Page : 128 pages
File Size : 43,7 Mb
Release : 2015-10-27
Category : Electronic
ISBN : 9781465604781

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Negro Musicians and their Music by Maud Cuney-Hare Pdf

In offering this study of Negro music, I do so with the admission that there is no consistent development as found in national schools of music. The Negro, a musical force, through his own distinct racial characteristics has made an artistic contribution which is racial but not yet national. Rather has the influence of musical stylistic traits termed Negro, spread over many nations wherever the colonies of the New World have become homes of Negro people. These expressions in melody and rhythm have been a compelling force in American music Ð tragic and joyful in emotion, pathetic and ludicrous in melody, primitive and barbaric in rhythm. The welding of these expressions has brought about a harmonic effect which is now influencing thoughtful musicians throughout the world. At present there is evidenced a new movement far from academic, which plays an important technical part in the music of this and other lands. The question as to whether there exists a pure Negro art in America is warmly debated. Many Negroes as well as Anglo-Americans admit that the so-called American Negro is no longer an African Negro. Apart from the fusion of blood he has for centuries been moved by the same stimuli which have affected all citizens of the United States. They argue rightly that he is a product of a vital American civilization with all its daring, its progress, its ruthlessness, and unlovely speed. As an integral part of the nation, the Negro is influenced by like social environment and governed by the same political institutions; thus page vi we may expect the ultimate result of his musical endeavors to be an art-music which embodies national characteristics exercised upon by his soul's expression. In the field of composition, the early sporadic efforts by people of African descent, while not without historic importance, have been succeeded by contributions from a rising group of talented composers of color who are beginning to find a listening public. The tendency of this music is toward the development of an American symphonic, operatic and ballet school led for the moment by a few lone Negro musicians of vision and high ideals. The story of those working toward this end is herein treated. Facts for this volume have been obtained from educated African scholars with whom the author sought acquaintanceship and from printed sources found in the Boston Public Library, the New York Public Library and the Music Division of the Library of Congress. The author has also had access to rare collections and private libraries which include her own. Folk material has been gathered in personal travel.

Author : James L. Conyers
Publisher : Routledge
Page : 239 pages
File Size : 49,7 Mb
Release : 2015-05-20
Category : Political Science
ISBN : 9781317475798

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Black Lives by James L. Conyers Pdf

The chapters in this text comprise biographical sketches of previously unknown (or lesser known) African-Americans, among them General Daniel Chappie James Jr; William Levi Dawson (composer); Vinnette Carroll (director and playwright); and Elizabeth Ross Haynes (political speaker and activist).

Author : Anonim
Publisher : Unknown
Page : 30 pages
File Size : 52,9 Mb
Release : 1998
Category : Legal briefs
ISBN : UILAW:0000000078656

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Morris V. William L. Dawson Nursing Center, Inc by Anonim Pdf

Author : James G. Spady
Publisher : Unknown
Page : 60 pages
File Size : 43,6 Mb
Release : 1981
Category : African American musicians
ISBN : MINN:31951001412427P

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William L. Dawson by James G. Spady Pdf

Author : Felicia Raphael Marie Barber
Publisher : Rowman & Littlefield
Page : 277 pages
File Size : 47,7 Mb
Release : 2021-10-06
Category : History
ISBN : 9781793635358

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A New Perspective for the Use of Dialect in African American Spirituals by Felicia Raphael Marie Barber Pdf

Perfect for conductors and performers alike, this book traces the history of African American English (AAE), its use in African-American Spirituals, and the sociolinguistic impact of the dialect in the United States. The author also synthesizes research on the topic from the past century with application guidelines for teachers and performers.

Author : Joseph Horowitz
Publisher : W. W. Norton & Company
Page : 256 pages
File Size : 41,7 Mb
Release : 2021-11-23
Category : Music
ISBN : 9780393881257

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Dvorak's Prophecy: And the Vexed Fate of Black Classical Music by Joseph Horowitz Pdf

A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”

Author : Gwynne Kuhner Brown
Publisher : Unknown
Page : 0 pages
File Size : 53,8 Mb
Release : 2024
Category : African-American composers
ISBN : 0252045963

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William L. Dawson by Gwynne Kuhner Brown Pdf

"Black composer William L. Dawson earned wide recognition for his arrangements of Black American spirituals and his Negro Folk Symphony. Gwynne Kuhner Brown provides a sensitive and multifaceted look at the career of an important twentieth-century artist. Born in 1899, Dawson studied music at the Tuskegee Institute before embarking on a wide-ranging career. Brown's account follows the composer from his Kansas City years of studying music and performing on trombone to his time in Chicago. There, he played with the likes of Louis Armstrong and Earl Hines while sitting as first trombone for the Chicago Civic Orchestra and continuing his college and conservatory studies. Dawson's position as music director at Atlanta's Ebenezer Baptist Church sparked an interest in Black folksong that led him to publish arrangements of Black spirituals. During his subsequent twenty-five years teaching at Tuskegee, Dawson directed the school choir in performances of his own work with spirituals and led the group to international acclaim. Engaging and long overdue, William L. Dawson offers the first full-length look at a pioneering Black composer"--

Author : Kathleen A. Abromeit
Publisher : A-R Editions, Inc.
Page : 317 pages
File Size : 41,8 Mb
Release : 2015-01-01
Category : Music
ISBN : 9780895797995

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Spirituals by Kathleen A. Abromeit Pdf

Spirituals originated among enslaved Africans in America during the colonial era. They resonate throughout African American history from that time to the civil rights movement, from the cotton fields to the concert stage, and influenced everything from gospel music to blues and rap. They have offered solace in times of suffering, served as clandestine signals on the Underground Railroad, and been a source of celebration and religious inspiration. Spirituals are born from the womb of African American experience, yet they transcend national, disciplinary, and linguistic boundaries as they connect music, theology, literature and poetry, history, society, and education. In doing so, they reach every aspect of human experience. To make sense of the immense impact spirituals have made on music, culture, and society, this bibliography cites writings from a multidisciplinary perspective. This annotated bibliography documents articles, books, and dissertations published since 1902. Of those, 150 are books; 80 are chapters within books; 615 are journal articles, and 150 are dissertations, along with a selection of highly significant items published before 1920. The most recent publications included date from early 2014. Disciplines researched include music, literature and poetry, American history, religion, and African American Studies. Items included in the annotated bibliography are limited to English-language sources that were published in the United States and focus on African American spirituals in the United States, but there are a few select citations that focus on spirituals outside of the United States. Of the one thousand annotations, they are divided, roughly evenly, between: general studies and geographical studies; information about early spirituals; use of spirituals in art music, church music, and popular music; composers who based music on spirituals; performers of spirituals (ensembles and individuals); Bible, theology, and religious education; literature and poetry; pedagogical considerations, including the teaching of spirituals as well as prominent educators; reference works and a list of resources that were unavailable for review but are potentially useful. This book also offers considerable depth on particular topics such as the Fisk Jubilee Singers and William Grant Still with over thirty citations devoted to each. At the same time, materials included are quite diverse, with topics such as spirituals in Zora Neale Hurston’s novels; bible studies based on spirituals; enriching the teaching of geography through spirituals; Marian Anderson’s historic concert at the Lincoln Memorial; spiritual roots of rap; teaching dialect to singers; expressing African American religion in spirituals; Samuel Coleridge-Taylor’s music; slave tradition of singing among the Gullah. The book contains indices by author, subject, and spiritual title. Additionally, an appendix of spirituals by biblical reference, listing both spiritual title to scriptural reference as well as scripture to spiritual title is included. T. L. Collins, Christian educator, compiled the appendix.

Author : Bill C. Malone
Publisher : UNC Press Books
Page : 449 pages
File Size : 44,8 Mb
Release : 2014-02-01
Category : Reference
ISBN : 9781469616667

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The New Encyclopedia of Southern Culture by Bill C. Malone Pdf

Southern music has flourished as a meeting ground for the traditions of West African and European peoples in the region, leading to the evolution of various traditional folk genres, bluegrass, country, jazz, gospel, rock, blues, and southern hip-hop. This much-anticipated volume in The New Encyclopedia of Southern Culture celebrates an essential element of southern life and makes available for the first time a stand-alone reference to the music and music makers of the American South. With nearly double the number of entries devoted to music in the original Encyclopedia, this volume includes 30 thematic essays, covering topics such as ragtime, zydeco, folk music festivals, minstrelsy, rockabilly, white and black gospel traditions, and southern rock. And it features 174 topical and biographical entries, focusing on artists and musical outlets. From Mahalia Jackson to R.E.M., from Doc Watson to OutKast, this volume considers a diverse array of topics, drawing on the best historical and contemporary scholarship on southern music. It is a book for all southerners and for all serious music lovers, wherever they live.

Author : William J. Dawson
Publisher : Rowman & Littlefield Publishers
Page : 184 pages
File Size : 40,6 Mb
Release : 2008
Category : Health & Fitness
ISBN : UOM:39015074047567

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Fit as a Fiddle by William J. Dawson Pdf

Fit as a Fiddle provides current and important health-related information for all instrumentalists, presented in an understandable and readable fashion. Dr. Dawson includes a section on basic body structure and function, avoiding medical jargon, and setting the stage for following chapters.